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Mimesis and Conspiracy: Bureaucracy, New Media and infrastructural forms of doubtMichael Vine, University of Cambridge Matthew Carey, University of CopenhagenConspiratorial thought is one of the hallmarks of late modernity. This article focuses on the wealth of conspiracy theories that crystallised around chemtrails and the Californian drought to examine the genre more generally. It suggests that the particular constellation of certainty and doubt present in arguments by conspiracy is a product of the fundamentally mimetic nature of conspiratorial thought, which espouses the contours of the infrastructural environment in which it emerges. In our case, this infrastructural environment is that of bureaucracy on the one hand and the architecture of the Internet on the other. Each of these infrastructures helps shape conspiratorial thought in a distinct manner, and the confluence of the two imparts to the genre its particular flavour.Keywords: Conspiracy theory, chemtrail, mimesis, bureaucracy, InternetMichael Vine is a PhD student at the University of Cambridge. In August 2014, a crowd of several hundred concerned citizens piled into the David Marr Auditorium in the rural Northern California community of Redding to hear former solar panel contractor Dane Wigington offer an impassioned warning that their skies had been hijacked by government “geoengineers” as part of a terrifying attempt to control the nation’s weather. “There is NO NATURAL WEATHER at this point,” Wigington asserts at his popular website . “The climate engineers decide when it will rain or snow, where, how much, and how toxic the rain or snow will be, where there will be drought or heat.” Alongside the tall, muscular, and imposing figure of Wigington, a panel of “experts” including a former California Department of Fish and Wildlife biologist, a former U.S. Forest Service biologist, and a U.S. Navy veteran presented “indisputable evidence” that airborne trails of toxic chemicals (“chemtrails”) are in fact to blame for “extreme and unquantifiable environmental and human health impacts.” Far less indisputable were the assumed aims of the conspiracy, which emerged as a matter of considerable debate and contention. Also in attendance, the Shasta County Board of Supervisors seemed surprisingly swayed by the testimony on offer: “Credible and compelling evidence [has been presented],” the local government officials concluded, voting unanimously to investigate the issue of a chemtrails conspiracy further.By then in its fourth consecutive year, California’s record-breaking drought was being felt in many different ways: vanishing rivers and lakes, fallowed farmland, rising unemployment rates, a spike in water bills and grocery costs, parched and singed suburban lawns. Wild fires raged across the state and epic dust storms engulfed once active agricultural land and the communities that reside there. As farmers depleted the state’s ancient aquifers, the land above was sinking by up to two inches per month, destroying millions of dollars’ worth of infrastructure in the slow violence of gradual collapse. Having already declared a “state of emergency” in January 2014, in April 2015 Governor Jerry Brown issued a further executive order mandating a 25% reduction in urban water use across the state and leading some pundits to announce a new age of climate austerity. Even so, water supplies continued to dwindle, causing the drought to percolate through into everyday experiences of the landscape, which was in some cases quite literally shifting underfoot, giving anxious new shape to local senses of self, place, and history (see Vine, forthcoming). As such, California’s historic drought takes shape as something like a “total social fact” of catastrophe (cf. Mauss 2001; Orlove 2010). While we might most immediately think of natural disasters as sudden, self-contained, and highly localized events, the drought demands a different politics of perception: one attuned to the diffuse and enduring nature of “slow,” “chronic,” “ordinary,” or “everyday” catastrophes or crises (Nixon 2011; Erikson 1994; Davis 1999; Matthewman 2015; Vigh 2008). Rather than simply revealing the “deeper social grammar of a people that lies behind their day-to-day behavior” (Oliver-Smith and Hoffman 2002:10), the drought actively reworks that grammar over time into novel configurations: what one San Francisco Chronicle reporter (Lochhead 2015) called a “relentless new reality whose dimensions are just beginning to come into view.” In so doing, the drought raises questions about temporal relations, the event and the everyday, the perceptible and the spectral, and how different scales of reality intersect. Although a slow disaster, for example, the drought still registers as an embodied encounter with a capricious, convulsive, and unyielding environment. As a long-term statistical abstraction, however, the underlying process of climate change is a good example of what Timothy Morton (2013) calls a “hyperobject”: an object or event so massively and complexly distributed in time and space that it is not directly available to human sensory perception. Put differently, while a hurricane, a tsunami, or indeed a drought may be a local manifestation or symptom of the hyperobject called climate change, it is not climate change as such. This gap—between the seen and unseen—constitutes a zone where the visceral incontrovertibility of the event collides with uncertainty as to its precise nature to produce particular configurations of certainty and doubt.One example of how such configurations can play out is the emergent scientific sub-discipline of extreme weather event attribution (Hulme 2014a), which tackles such fundamental questions as whether the Californian drought, for instance, is best understood as a self-contained event or as the mark of anthropogenic climate change. An alternative configuration, meanwhile, is manifest in a range of conspiratorial accounts of the ongoing drought, like the one presented above. These challenge official explanations, with their appeals to cyclical weather patterns and progressive climate change, and instead point to the shadowy activity of malevolent forces leagued against the people of California and indeed the world. It is these accounts and the infrastructures of technology and thought that underpin them that interest us here. We suggest that the particular constellation of certainty and doubt present in these arguments is a product of the fundamentally mimetic nature of conspiratorial thought, which espouses the contours of the infrastructural environment in which it emerges. In this, our use of the term mimesis differs somewhat from standard philosophical and indeed anthropological usage (from Aristotle to Taussig by way of Auerbach), which typically focuses on deliberate literary, artistic or magical techniques for representing reality. We, in contrast, refer primarily to the ways in which conspiratorial forms of representing reality unconsciously imitate prevailing infrastructures of everyday existence. We suggest, however, that many of the effects of this imitation (notably the sense of control it helps establish over external realities) are essentially the same in both cases.The idea that conspiracy theories develop along imitative lines is not, it should be noted, a new one. In his foundational text on the phenomenon, The Paranoid Style in American Politics (2008[1954]), Richard Hofstadter noted that, “the enemy may be the cosmopolitan intellectual, but the paranoid [conspiracist] will outdo him in the apparatus of scholarship, even of pedantry” (1996:32), pointing to the idea that conspiratorial thought is always (and perhaps necessarily) parasitic upon more legitimate, authoritative, or publicly-accepted discursive forms. Our argument takes this initial observation and expands it, contending that the mimetic propensity of conspiracy is not limited to questions of style. Instead, we argue, the encompassing social infrastructure of bureaucracy both delimits and determines the content of conspiratorial thought, while the specific architecture of the Internet qua infrastructure (notably the hyperlink), which houses so much contemporary conspiracy, imparts a particular structure of argumentation to these theories. Our use of the term infrastructure is, therefore, notably less experimental than in several of the other contributions to this special issue: we employ it less as an analytical, than as a descriptive category to refer to material-semiotic systems that, to paraphrase Larkin (2013), create the ground on which other systems operate and are in some sense prior to them. Our interest in not so much in the nature of the infrastructures as in the properties of the systems of (conspiratorial) thought they enable. We begin then by sketching out the particular contours of certainty and doubt prevalent in the conspiratorial climate of Californian drought.Figure 1. Conspiratorial ClimatesFigure 2. “When indisputable photo-docs like the following are being circulated far and wide, the geoengineers have a lot of extremely uncomfortable explaining to do.” ()One of the more speculative, and more hyped, possible responses to climate change is so-called geoengineering: massive interference in the climate system as a way to mitigate the worst of global warming’s planetary impact. This could potentially take a number of forms, but most involve some sort of large-scale atmospheric intervention, such as cloud-seeding or injecting aerosols into the stratosphere to increase solar reflectivity. Such processes are understandably subject to intense debate with regard to their technical feasibility, as well as to their political and ethical implications (e.g. Keith 2013; Caldeira et al 203; Hulme 2014b). Taking place largely on Internet forums, messageboards, and weblogs (blogs), however, a different public discussion around global climate control is also unfolding, in which the notion of geoengineering is used interchangeably with the term “chemtrails” to claim that a conspiratorial programme already exists to control the world’s weather (Cairns 2016; Bakalaki 2016). Consider Figure 2. Where most people see contrails—relatively harmless trails of cloud-like condensation produced as a normal side effect of jet aviation—conspiracists see chemtrails, pointing to their undue persistence and grid-like pattern as evidence that something more sinister is afoot. Exactly what, why, and under whose orchestration, however, is a matter of intense conjecture and controversy. In her analysis of online chemtrails conspiracy theories, science and technology studies scholar Rose Cairns (2016:75) traces their emergence to a 1999 online article that claims “contrails spread by fleets of jet aircraft in elaborate cross-hatched patterns are sparking speculation and making people sick across the United States” (Thomas 1999, quoted in Cairns 2016:75). With the growth of the Internet not only as a powerful mode of communication, but also a social environment in its own right (Escobar 1994; Boellstorff 2008), belief in the chemtrails conspiracy has progressively gathered momentum and, in some circles, acquired an aura of certainty. At the same time, the theory has increased dramatically in both its complexity and scope, shifting focus from individual instances of unexplained bodily illness to total-planetary disorder.In response, a range of institutions and organisations have felt compelled to weigh in on the issue: for example, the U.S. Environmental Protection Agency (2000), the U.K. Department for Transport (n.d.), and Greenpeace (2015) have all published statements debunking chemtrail conspiracies. In the vast, digital echo chamber of the Internet, each claim is met with a counterclaim, which in turn is met with a counter-counterclaim—and so on. Beyond the single, unshakeable pillar of belief that chemtrails are real, the theory’s remaining narrative architecture thus remains unstable: continually shifting and being reshuffled though also remaining within the bounds of a relatively well-anchored field of possibility.Beginning from a concrete point of focus—the chemtrail—the conspiracy theory thus radiates outwards in ever-widening circles of conjecture and spatial encompassment. First, what exactly is being sprayed? Speculation is by its very nature open-ended. According to one popular anti-chemtrails website, for example, chemtrails contain, among other things, “ethylene dibromide, virally mutated molds, nano-particulates of aluminum and barium and cationic polymer fibers with unidentified bio-active material” (). Elsewhere, the same website claims that an “independent analysis of chemtrails fallout” has in fact revealed the trails as a complicated cocktail of “toxic chemicals”—it lists 38 in total—ranging from the familiar (arsenic, uranium) to the less so (enterobacteriaceae). Next, to what ends is this spraying directed? Again, theories abound. Indeed, the point here almost seems to be to cultivate rather than circumscribe the range of possibilities. As one chemtrails conspiracist (Look Up! 2014) notes, “the most obvious ... reason is to control the weather”—either as an engine of corporate profit, as a weapon or military “force multiplier,” or as an instrument of population control. Journalist Stewart Howe captured the spirit of this all of the above approach when he confided to the documentary filmmaker Paul Wittenberger: “There are obviously several objectives. Whether it’s depopulation, mind control, weapon aspects, communication aspects, all kinds of things, you know—wild cards that we know nothing about. We don’t really know and I’m not going to attempt to speculate on what exactly the agendas are, but we can see clearly that the agendas are not benefiting mankind” (What in the World Are They Spraying, 2010). Likewise, whether as a key component or side effect of the conspiracy, another popular website blames chemtrails for such wide-ranging crises as: “drought in Africa, forest fires, bee decline, fisheries collapse, increases in Alzheimer’s and autism, extreme weather events, reduction of arctic sea ice, and species extinctions—among other ills” (; quoted in Cairns 2016:76). But who is behind all this? As the British journalist George Monbiot (2015) notes, this is where things get especially vague, although the usual suspects include unchecked military activity, rogue scientists, corporate interests, and/or a cryptocratic global shadow government as part of their efforts to usher in a nefarious New World Order. In many ways, the chemtrail acts for conspiracists as a “floating signifier” (cf. Levi-Strauss 1950; Lacan 1970), with a remarkably plastic capacity to channel whichever fear or suspicion lies most readily to hand (Bakalaki 2016). In this way, the precise contours of the global conspiracy can remain as shadowy and indistinct as they are diabolical and all-encompassing: “the largest crime against humanity in human history” ().So, to recap, what we have is a basic architecture of infrastructure where a kernel of certainty (that chemtrails are real and also really bad) proliferates and ramifies out as incessant and at first glance near-formless speculation as to what exactly is afoot and why: in the words of one chemtrails conspiracist, while “[t]here are many arguments about the reason this is happening, there is no argument that it IS happening” (SoCaL SkyWatch 2016). And both the certainty and the doubt that surrounds it are, we argue, products of different aspects of the infrastructural environment in which conspiracy proliferates. Our argument pursues two distinct lines of reflection.First, we suggest that upon closer inspection this speculation is neither quite so uncertain nor quite so formless as it appears. Although both the powers supposed responsible for laying the chemtrails and their motives for doing so are myriad, they are not, in fact, so massively diverse. The exact enemy may be unidentified or uncertain, but it is indisputably a powerful, typically secular network, with vast organizational and material resources at its disposal, and one whose goal is absolute mastery of a population. These enemies all share a common morphology that endows them with a degree of certainty and this morphology, as we shall see, is recognizably borrowed from the basic infrastructure that enables and shapes everyday existence in both California and other locations where conspiracy theories abound: they are bureaucratic in nature. Second, we argue that though such speculation may not be entirely free-form, it is nonetheless a central and incessant element of conspiratorial thought, which dwells in the generation of uncertainty via the multiplication of possibilities. Theorists take part in an “obsessive and sceptical practice of scanning and speculating from the realm of the concrete, undeniable, tangible detail to the realm of the final word, the system that makes sense of inchoate sensibilities and moments of strange convergences” (Stewart 1999:16)—the spatiotemporal coincidence of chemtrails and extreme weather events, for example. This is a practice that promises but never quite delivers a moment of unclouded revelation, precisely because it is constantly producing uncertainty. And the mechanisms it uses to do so are, we suggest, afforded by the architecture of the principal medium by which conspiratorial thought now propagates itself—viz. the internet and more particularly the form of the blog.The Bureaucratic MachineAs mentioned above, one of the earliest chemtrail conspiracies dates back to 1999, when the American military was first accused of using trails to disseminate “mysterious substances” across the country. That the finger of blame was pointed at the military is no surprise: it is, after all, they who control the skies. But it is also a logical place to locate responsibility because few people or organizations have the logistical capacity to carry out an operation on that scale. To do so requires the knowledge and wherewithal to marshal and deploy a fleet of aircraft, amass and then mix the particular cocktail of toxic chemicals due to be sprayed, track weather patterns to optimize dispersion, and then finally cover up the entire operation and maintain deniability. And, as Carey (2017) has argued elsewhere, this logistical sophistication is a hallmark of the conspiracy theory in general. Although such theories often focalize around spectacular one-off events, such as the September 11 attacks on New York or the death of Princess Diana of Wales, their real interest is in the covert machinations and vastly complex organisational management that subtend and enable them. Indeed, even where an apparently straightforward explanation is available (nineteen Islamist terrorists trained as pilots, boarded flights, hijacked them and flew them into several buildings), conspiracists complexify the picture to an inordinate degree, introducing false flags, air-defence stand-downs, concealed explosives and, of course, the cover-up. In other words, they represent events in such a way that only a particular kind of apparatus could be responsible for them – one, we suggest, that borrows its key characteristics from the bureaucratic form. Our contention is that the ways in which people imagine the enemy is shaped by the key social infrastructures of their everyday existence. And for most contemporary inhabitants of urban or peri-urban environments in more or less functional states, these infrastructures are essentially comprised by bureaucratic forms, which are both ground and horizon of their lives. It registers them, educates away their childhood, structures their labour environment (whether they work directly in a bureaucracy or simply conform to its fiscal requirements), marries them, attends to their health, and accompanies them to the grave. It is no surprise that we see bureaucracy everywhere and that our speculative reasoning and fantasy directly mimic its contours – much as Bachelard (1958) suggests that the house of our childhood shapes our memory and imagination. As regards conspiratorial thought, this means that the enemy is imagined as bureaucratic in shape (i.e. modular, distributed, and arborescent), in quality (depersonalised and rational), and finally in intention: its goals are secular, frequently opaque and imply the constant expansion of its authority and remit. This, of course, is very close to Weber’s (1960) classic definition of the bureaucratic mode of domination as characterised by centralised coordination, extreme rationalisation, the monopolisation of force, disenchantment and rampant depersonalisation. Now a great deal of work, both in anthropology and elsewhere, has convincingly demonstrated that real-world bureaucracies typically fail to conform to this ideal type. In practice, they often rely on personal relations (e.g. Eisenstadt and Roninger 1984: 43-44), situated local interpretation of ideally abstract rules (Hoag 2011), and informal arrangements (Sandvik 2011). Nevertheless, bureaucracies continually work to reproduce an idealised image of objectivity, impersonality, universality and ubiquity – what Haraway (1988) calls the “god trick” – and it is this that shapes people’s understandings of their action and, in turn, governs the contours of conspiratorial thought. Let us turn to the ideas of the enemy elaborated in the conspiracy theories discussed above. The other culprits for chemtrail spraying identified alongside the military are corporate interests, associations of rogue scientists, or (most frequently of all), the federal government, sometimes referred to as a Zionist Occupation Government (ZOG), or some shadow equivalent operating under the radar. And what is true for chemtrail conspiracies in the United States is equally true of other hotspots of conspiratorial thought, such as the former Soviet Bloc or the Middle East. The objects of Middle Eastern conspiracies are diverse and legion—including internal political struggles in Turkey and Egypt, the rise of ISIS, the spread of AIDS, or shark attacks in the Red Sea—but the agent behind them often looks remarkably similar: the Turkish “Deep State” (derin devlet) composed of anti-democratic elements of the military, civil service and judiciary (and now perhaps supplanted in the popular imagination by the Hizmet movement); Mossad and its tentacular ramifications across Europe, American and the Muslim world; the CIA and its own network; or Saudi Arabia and its regional allies. In each case, the organisation has the structure and shape of an ideal bureaucracy. Even more striking are the nature and characteristics of the agents identified. These lines of conspiratorial thought are rarely personalised. So whilst the event they seek to explain may involve or be in the interests of a key figure such as President Obama or President Erdo?an, the agents that stand behind the event are always legion and mostly faceless, like bureaucrats. Conspiracists are not as a rule interested in world-bestriding heroic individuals, in Hitlers, Napoleons or uniquely evil Bond villains, but in vast, tightly organised networks of conspirators. With this depersonalisation comes not only a lack of interest in individuals as agents, but also an abandonment of the idea that they are driven by personalised, wanton or transcendent forms of motivation, such as “sympathy, favour, grace and gratitude” (Weber op cit.: 421); instead the conspirators have followed Weber’s ideal bureaucrats in eradicating “especially irrational and incalculable, feeling” (ibid.: 421-422). Control and its extension is all that matters for the bureaucratic machine and these goals are also those of the bogeymen of conspiratorial thought. For instance, though the supposed conspirators are often a religious organization like the Catholic church or the Muslim Brotherhood, their goal (unlike more widely accepted maleficent networks) is very rarely directly religious. Whilst ISIS or Al-Qaeda might legitimately be described as pursuing transcendent goals, supposed conspirators tend to be more worldly, wanting less to bring about God’s Kingdom on earth, than to gain mastery of existing kingdoms in the here and now. For the same reason, they are rarely portrayed as interested in pure destruction. Even when the immediate outcome seems nihilistic, it is seen as simply a means of establishing control by generating consent. The point of spraying toxic chemicals is not harm per se, but in the words of one unnamed writer at the “alternative news and commentary” magazine, State of the Nation:[the] California drought is being utilized to soften up the citizenry to accept geoengineering 24/7. Not only will they tell us that it is necessary to conduct this weather modification program in order to compensate for a debilitating statewide drought, they will also invoke?National Security.?Because of the seriousness of this unending drought, they can now point to sheer survival,?as in where else are we going to grow our food. Nothing produces quicker widespread acceptance ... like [sic] an existential threat. This highly bureaucratic quality of conspiracy is not, to the best of our knowledge, something that has been dwelt upon in any depth in previous scholarship on conspiracy theories. It is not, in other words, something that immediately strikes the observer (or indeed the conspiracist) as noteworthy, with attention instead being directed towards the style of argumentation (Faubion 2001), the social position of conspiracists (Quinn 2001), and what such arguments do for those for who propound them (Dean 1998). That it passes unnoticed is perhaps largely down to the fact that the same bureaucratic infrastructure that restricts and enables the everyday existence of the conspiracists also undergirds the lives of those who write about them. The bureaucratic nature of the potential enemy is almost self-evident. It is only if we cast our net a little wider and look at the figures who haunt the imaginations of societies where bureaucracy is not the principle, or even the only infrastructure of existence that this becomes clear (see Carey 2017). It is not that ideas of, say, witches, monsters or malevolent Gods are any less credible than assertions that an alien reptilian race has established a shadow world government, it is simply that they do not fit into the certainties of our everyday lives. These certainties—what goes without saying—are to a great extent provided by bureaucracy and this is reflected in conspiracy. The uncertainty of conspiracy, meanwhile, is a product of a quite different type of everyday infrastructure: that of the Internet.Curatorial Conspiracism“When we try to pick out anything by itself,” the Scottish-American naturalist John Muir (1997:245) famously said of wilderness, “we find it hitched to everything else in the universe.” Importantly, this image of inescapable and all-encompassing interconnection could be applied just as easily to conspiratorial cosmologies and the communication technologies that enable their proliferation as to the planetary environment. As the co-authors of the bestseller 70 Greatest Conspiracy Theories and creators of the website note, for example, “If ever there was a mass medium that mirrored the psychotropic device of conspiracy theory, the World Wide Web is it. With its vertiginous array of endless connections ... the Web fits the paranoid mindset as snugly as a virus locks into a human receptor cell” (Vankin & Whalen, quoted in Knight 2003:346; also see Dean 2002:88). Going even further to posit a point of ontological (rather than merely metaphorical) continuity between the workings of contemporary conspiracism and the infrastructural form of the Internet, anthropologist Kathleen Stewart (1999:18, emphasis in the original) argues that: “the Internet was made for conspiracy theory; it is a conspiracy: one thing leads to another, always another link leading you deeper into no thing and no place, floating through self-dividing and transmogrifying sites until you are awash in the sheer evidence that the Internet exists.” Thus, while conspiratorial thought is restricted neither to a particular time (Hofstadter 2008) nor place (West and Sanders 2003), it is clear that the rise of the Internet in recent years has fuelled a proliferation of conspiracy theories (Soukup 2008).In the contemporary context of digitally-mediated chemtrails conspiracism, one genre of public culture has proved an especially virulent vector of this proliferation—the blog—which sutures together a wide variety of texts and media to produce an awkward, pulsing, and frequently paranoid informational assemblage that defies the imposition of a linear narrative. Within the conspiratorial blogosphere, common forms of text and media include traditionally formatted articles and blog posts; photographs, videos, and documents; charts and graphs; meteorological reports, forecasts, and satellite imagery; personal biographies and diaries; newsletters and FAQ pages; and an ever-expanding archive of public comments on forums or following an article. Significantly, each can be easily cut, copied, circulated, pasted, posted, compiled, and otherwise manipulated to produce an endless variety of (re)configurations—only gaining in efficacy and value to the extent that they are. When read collectively, these blogs function to situate the conspiratorial subject at the centre of an “unceasing [wave] of minute detail” (Dean 2002:95). Working across multiple scales of social experience—from the cellular to the celestial (Figures 3 & 4)—they fuse via both image and rhetoric the banal and often disorderly details of everyday life to concerns of cosmological scale. Here the personal diary or journal emerges as one dominant genre of blog in which meticulously documented and often uncomfortably intimate personal narratives of depression, skin disorders, or respiratory disease bleed into—or are juxtaposed with—accounts from the national and global media of geopolitical unrest, economic instability, or ecological crisis and catastrophe, like the Californian drought. Writing at chemtraildairies., for example, the unnamed blogmaster announces the site like so: “I’ve decided to make a daily diary of the skies overhead to record and track possible patterns to try and figure out if there is anything to this theory. I encourage and welcome discussion, ideas, and personal experiences.” Combining countless photos of the Southern Californian skyscape with sceengrabbed weather forecasts, news reports, and a journal of their own day-to-day health and mood, this blogmaster recruits not only their vision but also their whole human sensorium in an attempt to discern a causal link between the presence of chemtrails in the sky and untoward environmental, political, and personal events. In yet another common practice, this blogmaster also posts a personalised “Hair Elements Analysis Report” which tracks the build-up of heavy metals in the body and shows an “OFF THE CHART Aluminium contamination that is beyond critical.”In this way, the embodied practices of chemtrail conspiracism generate new forms of biopolitical subjectivity as people—sometimes alone, sometimes collectively—come to experience both “the environment” and “power” not as force fields that surround and shape them from outside, but as constitutive threads in the intricate weave of their bodies and lives (cf. Weston 2017:21). In turn, the figure of the body as an isolated, armoured fortress is here giving way to a view of corporeality that is inextricably embedded, ecological, and unbounded (cf. Martin 1995; Figure 5). Although clearly rerouted through contemporary concerns, however, such a view of the body as porous and permeable is not new (see Nash 2006:7). In at least one sense, chemtrails conspiracism in fact revivifies what Kath Weston (2017:106) identifies as longstanding tradition of consulting one’s body in order to decipher precipitous shifts in the weather and climate, whereby headaches, creaking joints, or “scaly patches on elbows” emerge as the physical signs of a state of mutual absorption between human bodies and the industrialized landscapes they inhabit.The practices and imaginaries of space and scale at work in chemtrails conspiracism are therefore very different from those of conventional social theory, which tend still to be undergirded by notions of “verticality” and “encompassment” (see Ferguson & Gupta 2002). As political ecologist Ashley Carse (2014:10) explains, “Encompassment is the notion that scales are nested like a Russion matryoshka dolls... Verticality is the notion that the scales are organized in a stratified manner, with the nation-state ‘above’ a region or locality and ‘below’ the globe.” By contrast, the topological spaces and scales of digital chemtrails conspiracism are intercalated, entwined, entangled, and superimposed. This, we argue, is a striking example of the conspiratorial mode mirroring not only the object of its attentions—the planetary environment—but also the primary infrastructure of its constitution—the Internet. As described above, both are characterised by a densely networked form which, as Bruno Latour (n.d.) notes, works to dissolve “the micro/macro-distinction that has plagued social theory from its inception.” In this way, ethnographic attention to chemtrails conspiracism also entails an attunement to the myriad ways in which large-scale and sometimes abstract forces become actively layered into the forms, rhythms, and spaces of everyday life.Even as the densely networked form of digital chemtrails conspiracism defies the imposition of neat Euclidean logics of space and scale, then, it also resists notions of “holism.” In practice, this resistance is expressed in two main ways. First, on both more established websites and personal weblogs, the site is often made to overflow the immediate visual field. The ongoing addition of further images, movies, or text combined with the ability of users to comment also means that this visual field is always expanding. Importantly, the effect is not merely the slow but sure accumulation of fact and opinion; rather, each new fragment of evidence might infuse what proceeded with a new quality or rearticulated meaning. Second, at the very heart of this paranoid media ecology is the seductive figure of the hyperlink, which works to conjoin and entangle even as it separates and fractures—simultaneously making and withholding that, in the end, “all will be revealed” (Dean 2002:97). Again, through the action of the link, accessible content always exceeds the immediate visual field of the user; like both the planetary environment and the chemtrails conspiracy itself, the infrastructural network of the Internet in its entirety is never available to the direct sensory perception of a single situated subject. One could go further to say there is no such thing as the network in it entirety; it is always pulsating and expanding. In contrast to what have become the established normative aesthetics of the contemporary digital sphere, then, these sites thus often deploy an overly cluttered and fragmented albeit information-rich aesthetic, which works to give the effect of conspiracy unfolding on an ultimately ungraspable scale. Thus, as Veena Das has written in another context, such a focus on fragments should be taken not to suggest “various parts that may be assembled together to make up a picture of totality” (that is, the totality of conspiracy) but as staking out the impossibility of such a whole (2007:5; also see Pandian 2008:470)—a point to which we will return below.Figure 3. XXXSource: Figure 4. XXXSource: Source: Source: 5. XXXThe Curatorial ModeIn his account of the changing modes of American citizenship and politics, The Good Citizen, the historian of journalism Michal Schudson (1998:8) argues that the idealized “informed citizen” of the twentieth century has given way to the “monitorial citizen” of the new media age who “scans (rather than reads) the informational environment in a way so that he or she may be alerted on a very wide variety of issues for a very wide variety of ends.” Interestingly, Schudson’s definition of monitorial citizenship brings us close to Stewart’s (1999:14; see also Stewart & Harding 2003) characterization of conspiracy theory as a particular kind of “scanning practice,” albeit an obsessive and paranoid one. Helpfully, this forces us as students of conspiracy beyond mere accusations of errant ideology towards an analysis of what conspiracy theorists actually do (cf. Monbiot 2015). However, it is important to note here that new media technologies have evolved considerably since the turn of the millennium, when both Schudson (1998) and Stewart (1999) were writing. In this way, we detect in chemtrails conspiracism the emergence of a distinct mode of digital citizenship: what we might call the “curatorial” mode. Rather than simply scanning the informational environment or tracing or following the pre-existing linkages therein, the curatorial conspiracist may now (and perhaps must [Dean 2010:114]) actively cultivate and extend those linkages by creating and compiling a wide range of digital and informational artefacts. While once reserved for the most tech-savvy of digital subjects, in recent years this capacity has become more-or-less coincidental with Internet access itself. Here, a comparison may be instructive. In the edited volume Thinking Through Things, anthropologist Andrew Moutu (2006) interrogates collecting (and curating) as what he calls “a way of being.” Specifically, he analyses an exhibition that residents of small villages located along the north coast of Papua New Guinea helped to create following a tsunami in 1998. “Whereas one might approach such an exhibition as an illustration or narration of the story of the tsunami and its aftermath,” as the volume’s editors note in their introduction (Henare et al. 2006:22), Moutu “argues that the assembling of artefacts, film footage, [and] photographs [...] helped to produce a story that could not have been anticipated prior to the gathering.” Rather than a merely epistemological effect—the representation of the tsunami according to the creators’/curators’ pre-existing classificatory schema—the activity of collecting thus had an ontological efficacy, fundamentally altering the objects it gathered together and retrospectively “re-constitut[ing] the event in a unique way” (ibid.).Moutu (2006:95) locates his analysis at the intersection of what he identifies as a Papua New Guinean proclivity to look for the “roots” of such tragedies—human and spiritual agencies that are considered “integral to the explanations of devastating misfortunes”—and a juxtapositional mode of thought, dominant among his interlocutors, who “provide explanations for all kinds of things through juxtaposing sets of analogies” (ibid.:101; Bateson 2011). Likewise, we argue, curatorial conspiracism is fundamentally juxtapositional in its operation. As such, routed through “half-glimpsed resemblances” and “hints of filiation” (Dean 2002:97), curatorial conspiracism produces a “tense and twisted gathering of the elements that do not meld but only feed on the mutual unsettlings they highlight” (Stewart 1999:18). As Jodi Dean (2002:92) notes, most conspiracy narratives “fail to delineate any conspiracy at all.” Rather, they “counter conventional narratives with suspicions and allegations that, more often than not, resist coherent emplotment.” In this way, the dots are not so much joined up to reveal the full picture of conspiracy—as if such a thing really existed or was the ultimate goal of conspiracising—as swept up and made meaningful in the current of movement. It is by its very nature open-ended and self-propelling; like all forms of desire, its impulse is not to reach an endpoint but instead to always keep on going (Dean 2010). And as we’ve seen, the curatorial mode of conspiratorial citizenship we outline here is enabled, constrained, and afforded (some would say demanded for) by the distinct form of infrastructural and informational environment that undergirds it: what former U.S. Secretary of State Hilary Clinton (2015) describes as “a surge of unprecedented connectivity that is forming a new nervous system for our planet.” “Sprawling and spreading,” writes literary theorist Caroline Levine (2014:112), “networks might seem altogether formless, perhaps even the antithesis of form” (see also Deleuze & Guattari 1987). However, she continues, “we can understand networks as distinct forms—as defined patterns of interconnection and exchange that organize social and aesthetic experience” (Latour 2005). Similarly, anthropologist Brian Larkin (2016) reminds us that particular infrastructures, like the Internet, are always accompanied by specific concrete forms and that these constitute a critical aspect of their capacity to “induce distinct experiential states” and “hail” their users as sociopolitical subjects. Located at the intersection of these arguments, we suggest that curatorial conspiracism induces, registers, and also deploys a distinct “aesthetics of doubt” (cf. Carey, 2017) that is actively shaped by the architecture of the digital environments it inhabits. In this way, rather than an “activated uncertainty” that strives towards its own resolution and therefore erasure (Pelksman 2013:16), curatorial conspiracism channels doubt into a “never-ending, never-reconciled” (Dean 2002:94) account of paranoid possibility, which in turn is mimetic of the Internet’s own sprawling and uncontainable form. There is always one more link to click, one more connection to make—a fact captured in the anxious image of the bottomless “rabbit hole,” which proliferates wildly within conspiracist discourse. As chemtrail conspiracist Laura writes, for example: “These are well-documented facts and the rabbit hole only goes deeper! Please keep digging but remember there’s lots of DISinformation too! It’s taken me years of research and soul searching to get [...] a clearer picture but I know it’s still so much bigger” (). Drawing on the five stages of grief, Cairns’ (2016:76) discourse analysis emphasises the affects of “fear, anxiety, sadness and anger” that attend an individual’s awakening to the global chemtrails conspiracy. Without discounting such feelings of betrayal and rage, which are indeed palpable in the digital ethnographic record, we argue that attending to curatorial conspiracism as a situated, practical act of engagement with the specific form of the Internet qua infrastructure—and the specific properties of the digital artefacts it enables—reveals a more complicated and ambivalent affective make-up. “Forgoing the comfort of closure for the pleasure of the search,” for example, the conspiratorial subject can perhaps find some degree of gratification as well as anxiety or anger within “the excesses of evidence, significance, interpretation, and meaning possible in conspiracy’s networks” (Dean 2002:95). ConclusionWhat this article has tried to show is two distinct ways in which the different infrastructures of everyday existence help shape conspiratorial thought and, by extension, the specific constellations of certainty and doubt it configures. On the one hand, the structures of bureaucracy that now underpin existence in much of the world is reflected in the particular ideas of the enemy that populate the conspiratorial imagination; and on the other, the juxtapositional mode of demonstration proper to much contemporary conspiracy thinking mirrors the basic architecture of the Internet in which it flourishes. Both of these processes can be seen as broadly mimetic, insofar as the epistemological form of the conspiracy mimics and is parasitic upon the social and material infrastructures that precede and house it. They actually function, however, in quite separate ways. The bureaucratic idea both determines and limits the conspirator’s understanding of how the world actually is and is governed – namely by complex, sprawling, and faceless organizational forms intent upon the relentless expansion of their sphere of control. It is the ground upon which the patient edifice of conspiracy is constructed or the frame that delimits its conceptual extension. As such, it provides the kernel of certainty necessary for the elaboration of any complex intellectual form. And in so doing, it also perhaps performs one of the principle roles of mimesis, which Taussig, following Frazer (2003[1900]), identifies as the capacity to establish a control of sorts over one’s external environment. For Taussig, mimesis (like Frazer’s sympathetic magic) allows one to “get hold of something by means of its likeness” (1993:21) and so make it graspable; conspiratorial thinking does something similar, not by imitating the form of its object, but by imitating the everyday infrastructures of bureaucracy and projecting them onto its object. 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