Annual Meeting
Annual MeetingFebruary 25-27, 2021Schedule is in Central Standard Time.All sessions will be online. Zoom links will be shared with all persons registered for the annual meeting. Note: If you are having trouble with Zoom, please visit the Zoom support pages at zoom.us/support. You can test your Zoom settings in advance by going to zoom.us/test. Email scsm.webmaster@ if you are have other conference-related questions.Thursday, February 259:30-9:40 a.m.Welcome HYPERLINK "" HYPERLINK "" Click to Join via Zoom9:45-11:15 a.m.Plenary sessionSession 1Music and Racial Identity in the U.S. Church (plenary)Emmett Price, Gordon Conwell Theological Seminary, chairClick to Join via ZoomMourning, Judgement, and Resurrection: Christian Imagery in Reconstruction Era MusicThomas Kernan, Roosevelt UniversityWill Marion Cook: Song Writer and TheologianMichael Chikinda, University of UtahMy Chains are Gone: Images of Enslavement and Freedom in Contemporary Worship MusicAnneli Loepp Thiessen, University of Ottawa, and David Bjorlin, North Park University12:45-1:45 p.m.Concurrent sessionsSession 2aNew Music for Our Present WorldDeborah Justice, Cornell University, chairClick to Join via Zoom“The Angel of Doubt”: Ancient Wisdom Poetry in the Music of the Punch BrothersHannah Porter Denecke, Florida State UniversityChembe Cha Moyo (Arrow in my Heart): Song in a Strange Land, 2020Jennifer Thomas, University of FloridaSession 2bImprovisation and the Holy SpiritDonté Ford, Wheaton College, chairClick to Join via Zoom“Reclaiming our Pentecostal Identity?” Music and Charisma in Ghana Methodist ChurchesJohn Dankwa, Wesleyan UniversityWhen a Song is a Prayer (and also a Song): The Bleeding Categories of Evangelical Worship Service StructuresGlenn Stallsmith, Duke University Divinity School2:00-3:30 p.m.Concurrent sessionsSession 3aChurch Music of Immigrant CommunitiesAdam Perez, Duke University Divinity School, chairClick to Join via ZoomVirtual 'Aaraathanai:' Assimilation Practices in Dallas Tamil Church Worship, August-November 2020Rachel Schuck, University of North TexasAnglican Church Music in the United States: Tracing the Diaspora of English Traditions from the Eighteenth to the Twenty-First CenturyMatthew Hoch, Auburn UniversitySongs in a Foreign Land: A Saga of Wendish Lutheran Hymn Singing in Nineteenth-Century TexasBenjamin Kolodziej, Southern Methodist UniversitySession 3bCCM (Churches Controlling Music)Joshua Waggener, Southeastern Baptist Theological Seminary, chairClick to Join via ZoomA “Musical Dictator”: Leo Sowerby’s Authoritarian Philosophy of Church MusicJoseph Sargent, University of AlabamaThe Search for Musical Identity: The Journey of the Southern Baptist Convention to Establish Denominational Standards in Its Musical Practices (1938-1944)Andrew Lucius, Southeastern Baptist Theological SeminarySatan Sounds: The Ontology and Efficacy of the Sonic in Evangelical Anti-Rock LiteraturePhilip Bixby, Yale UniversityFriday, February 269:30-10:30 a.m.Concurrent sessionsSession 4aTransmissions of Christian SongPedro Aponte, James Madison University, chairHYPERLINK "" HYPERLINK "" Click to Join via ZoomMissa Baclayana and 19th C. Hispanic Philippine Liturgical Repertoire:Reconciling music ficta and Compositional PracticesPeter Fielding, Kennesaw State UniversityBetween Embodied Performance and Digital Media: Theorizing Carpatho-Rusyn ChantPeter Kohanski, University of North TexasSession 4bContemporary Passion SettingsChelle Stearns, The Seattle School of Theology & PsychologyClick to Join via ZoomChrist in the Concert Hall: The Resurrection of the Passion in the 21st CenturyBreck McGough, Baylor University“Who do you say that I am?”: Signifying “Jesusness” in James MacMillan’s PassionsSamantha Arten, Washington University in St. Louis, and Isaac Arten, Saint Louis University10:45-11:45 a.m.Concurrent sessionsSession 5aLecture RecitalEftychia Papanikolaou, Bowling Green State University, chairHYPERLINK "" HYPERLINK "" Click to Join via ZoomParaliturgical Songs of the Greek IslandsPanayotis League, Florida State UniversitySession 5bLecture RecitalMark Peters, Trinity Christian College, chairHYPERLINK "" HYPERLINK "" Click to Join via ZoomNew Sacred Music as an Ecumenical Resource for Faith Formation: An Interactive Introduction to Deus Ex MusicaDelvyn Case, Wheaton College (Massachusetts), Deus Ex Musica1:00-2:00 p.m.Concurrent sessionsSession 6aSimplicity and Silence, or . . . ?Michael O’Connor, University of St. Michael’s College, chairClick to Join via Zoom“A Puzzle to Myself”: Augustine and Musical SimplicityBennett Zon, Durham UniversityFamiliarity and Discomfort: Silence and Noise in Musical WorshipMichael Huerter, Baylor UniversitySession 6bListening to LearnVicki Bell, Asbury UniversityClick to Join via Zoom“We’ll Understand it Better By and By”: African American Spirituals in the Theory ClassroomLauren Hartburg, Florida State UniversityThe Global Encounter as Communitas: Inter-Pilgrim Musicking along the Contemporary Camino de SantiagoHannah Snavely, University of California, Riverside2:15-3:15 p.m.Plenary sessionSession 7Panel discussion: Liturgies for ChangeHannah Porter Denecke, Florida State University, chairClick to Join via ZoomIn a year that has been rife with disease, violence, racism, political tension, injustices and inequalities of all kinds, many have turned to liturgy to find their place in the world. Musical and prayerful lament, both private and public, have come to characterize many of the religious spaces in which we find ourselves. Whether in our homes and personal lives, or in our churches, classrooms, and workspaces, each of us engages with liturgy. In this panel, church musicians, graduate students, and professionals come together in conversation about personal and public liturgies that can lead us towards restoration and justice for the broken world we live in today.Anneli Loepp Thiessen, graduate student and church musician, pursuing the PhD in Interdisciplinary Music Research, University of OttawaJordan Mance, church musician, Alpha & Omega Missionary Baptist Church, Chicago, ILStephen Michael Newby, Professor of Music; Director of Composition; Director of the Center for Worship at Seattle Pacific UniversityEmmett G. Price III, Professor of Worship; Executive Director of the Institute for the Study of the Black Christian Experience at Gordon-Conwell Theological Seminary; pastor; musician Shanice Richards, church musician, New Life United Methodist Church & Florida A&M University Wesley Foundation; College of Music administrative staff at Florida State UniversityChelle Stearns, Associate Professor of Theology, The Seattle School of Theology & Psychology (cstearns@theseattleschool.edu)3:15-4:00 p.m.Plenary session Session 8Poster session (brief presentations, followed by discussion)Cathy Elias, DePaul University, chairClick to Join via ZoomChanges in Contemporary Worship 1990s-2015Shannan Baker, Baylor UniversityHarmony and the Transcendentals: How a Trinitarian Understanding of Music Could Heal a Broken WorldAndreas Kramarz, Legion of Christ College of HumanitiesPsalms of Lament as Response to Suffering in the context of Korean Lament Psalms to express HanDeborah Park, University of TorontoThe Ecumenical Movement and its Impact of Current American, German, and Korean Protestant HymnalsSa Ra Park, Texas State UniversityThe Symphonizing of Theosis in Igor Stravinsky’s Symphony of PsalmsSylvia Santoso, Southern Baptist Theological SeminarySeeking an Anglican Theology of MusicJoel West, Cranmer Theological HouseSaturday, February 279:30-10:30 a.m.Concurrent sessionsSession 9aTheoretical Perspectives on Twentieth-Century Sacred MusicDavid Heetderks, University of North Texas, chairClick to Join via ZoomTheological Contexts for Virtuosity: Listening to Messiaen’s Vingts regards sur l’enfant-Jésus (1944)Stephanie Venturino, Eastman School of Music and David Keep, Hope CollegeNon-functional Triadic Syntax in 20th-Century British Choral MusicChristopher Blakey, Durham UniversitySession 9bLocal and GlobalMarcell Steuernagel, Southern Methodist University, chairClick to Join via ZoomBurmese Christian Musicking and the Two-Fold Legacy of Adoniram JudsonHeather MacLachlan, University of DaytonLocalization versus Globalization:Appraising the “Noise” in Ghanian Charismatic Congregational WorshipEric Amouzou, Baylor University10:45-11:45 a.m.Concurrent sessionsSession 10aSacred Music for the Nineteenth-Century ConcertSiegwart Reichwald, Converse College, chairClick to Join via Zoom“The Artist’s Highest Goal:” Navigating the History and Potential of Church Music in Robert Schumann’s Missa Sacra, Op. 147 (1852)Sonja Wermager, Columbia UniversityFelix Mendelssohn’s Lobgesang: “Imaginary Church Music” or a Sublime Symphony?Joshua Waggener, Southeastern Baptist Theological SeminarySession 10bNew Perspectives on Modern Worship MusicNathan Myrick, Mercer University, chairClick to Join via ZoomCan Worship Songs About Me Be Good? The Surprising Value of the “CCM” Movement as Viewed through Marion’s Phenomenological LensChristina George, Xavier UniversityOf Animatronic Praise Bands and Worship Leading Chickens:Locating the Sacred through Evangelical Christian Worship Music ParodiesMonique Ingalls, Baylor University12:45-1:45 p.m.Concurrent sessionsSession 11aHistories of Modern Worship Music in the Global SouthCory Hunter, Eastman School of Music, chairClick to Join via ZoomMarcos Witt’s “Trono de Alabanza:” An Initial Exploration into the Musical and Theological History of Latin American Praise and WorshipAdam Perez, Duke University Divinity SchoolNegotiations of Identity and Faith in Brazilian Christian Music from the 1960s to the 1980sMarcell Silva Steuernagel, Southern Methodist UniversitySession 11bArvo P?rtAndrew Shenton, Boston University, chairClick to Join via ZoomArvo P?rt’s Stabat Mater: Musical Sighs Amidst the Mantric Minimalist TropeAleksandra Drozzina, Purdue University Fort WayneP?rt, the Cosmic Artisan: Tintinnabuli as a “Sober Gesture”Tyler Thress, Ohio University2:00-3:00 p.m.Plenary sessionSession 12Keynote addressMarkus Rathey, Yale University, chairClick to Join via ZoomAretha's Amazing Grace:Symbol of African American Religious and Cultural IdentityDr. Mellonee Burnim, Indiana University, professor emirita3:00-3:15 p.m.Closing Click to Join via ZoomBrief SCSM updates, including announcement of Graduate Student Paper Prize ................
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