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MULTIPLE CHOICE QUESTIONSChoose the best answer from the choices given:T S Eliot described himself as a classicist in literature, a royalist in politics and an Anglo-Catholic in religion in his bookAfter Strange GodsFor Lancelot AndrewsSacred WoodThe Use of Poetry and the Use of CriticismEliot believed that only a person who believed in the doctrine of _______________ could understand his writings.Objective CorrelativeImpersonality of poetryDissociation sensibilityOriginal sinWhich essay/ article/ book by T S Eliot is considered the “unofficial manifesto” of his criticism?“Tradition and the Individual Talent”The Use of Poetry and the Use of Criticism“The Metaphysical Poets”“The Function of Criticism”In the essay “Tradition and the Individual Talent”, Eliot compares the mind of a poet to A receptacleA fountainA catalystSulphurous acidEliot was the editor of the JournalCriterionScrutinyThe EgoistNone of theseThe first book of criticism by Eliot has the titleSacred WoodAfter Strange GodsFor Lancelot AndrewsHomage to John Dryden The essay “The Metaphysical Poets” is famous for its concept ofDissociation of sensibilityObjective correlativeArt emotion and Life emotionMetaphysical witAbout which poet did Eliot say that he wrote “English like a dead language”?DrydenYeatsArnoldMiltonIdentify the FALSE statement from among the following:Eliot does not believe in Wordsworth’s theory of “emotions recollected in tranquillity”.Eliot believes that there is no part of the personal emotions of the poet in poetry.For Eliot, the term ‘historical sense’ is another term for ‘tradition’.According to Eliot contemporary poetry can affect the reception of all poems before it.Say whether the following statements are TRUE or FALSEEliot’s “Tradition and the Individual Talent” was first published in 1919.The ‘historical sense’, according to Eliot, makes one see poetry as being outside time.According to Eliot, the greatness of a poet depends on his/ her originality.Eliot’s theory of impersonality in poetry has nothing in common with Keats’ concept of ‘negative capability’.Say whether the following statements are TRUE or FALSEAccording to Eliot the Metaphysical poets did not have the ability to fuse thought and feeling in their poetry.Eliot believed that the language of poetry should be similar to the spoken language of the poet’s time.Eliot liked Kipling’s prose because it was poetic.Eliot was not interested in contemporary writing.Say whether the following statements are TRUE or FALSEEliot’s late conversion to Catholicism changed his attitude to literature and criticism.Eliot believed that the play Hamlet completely lacked in objective correlative.According to Eliot, Milton had a good influence on him.According to Richards, aesthetic experience is not different from any other kind of experience.Fill in the blanksAccording to Eliot, the metaphysical poets had the ability to “________ disparate experiences”. Eliot’s essay “The Metaphysical Poets” is taken from his book ____________________.Eliot’s essay “The Metaphysical Poets” is actually a review of the book Metaphysical Lyrics and Poems of the Seventeenth Century by _________________ .Richards’ critical method is predominantlyAestheticPsychologicalNew criticalNone of theseRichards appreciated Eliot’s The Wasteland for itsAesthetic qualityLack of fixed beliefsPsychological impactPowerful imageryThe essay, “Wanted: An Ontological Critic”, was written byJohn Crowe RansomYvor WintersJoel SpingarnI. A. RichardsWhich one of the following books was NOT written by T S Eliot?World’s BodyFor Lancelot AndrewsThe Sacred WoodAfter Strange GodsThe magazine founded by John Crowe Ransom was:The FugitiveScrutinyCriterionKenyon ReviewThe books Understanding Poetry and Understanding Fiction were written byCleanth Brooks and John Crowe RansomRobert Penn Warren and Cleanth BrooksJohn Crowe Ransom and Robert Penn WarrenWilliam Wimsatt and Cleanth BrooksIdentify the TRUE statement about the New Critics in the following statements:They did not give much importance to the linguistic aspect of poems.They believed that a single and best interpretation was possible for any poem.They valued a literary work most for its moral principles and thematic unity.They were anti-historical and believed that a critic should never go into history.According to the New Critics, the complexity of a work was due to itsLinguistic unityOrganic unityLinguistic complexityMultiplicity of its imageryThe idea that form and content could be separated is implicit in the termAssociation of sensibilityAffective fallacyIntentional fallacyHeresy of paraphraseThe authors of the essays “Affective Fallacy” and “Intentional Fallacy” areWilliam Wimsatt and Monroe BeardsleyWilliam Wimsatt and Cleanth BrooksCleanth Brooks and Monroe BeardsleyRene Wellek and William WimsattRussian formalism moved out of Russia into Czechoslovakia in the 1930s becauseIt faced suppression from the Russian authoritiesJakobson and Shklovsky left Russia for CzechoslovakiaText exegesis was more popular in CzecholslovakiaIt did not have much impact in RussiaWhich of the following statements is FALSE?Both Russian formalism and New Criticism shared the ideology of Kant’s Critique of Judgement.New Critics kept art and life separate while Russian formalists explored the relation between the two.Russian formalism was the earliest attempt to study literature on a scientific footing by focusing on the literary material.Both Russian formalists and New Critics believed that the uniqueness of literature lay in its language.1 WEIGHT QUESTIONSAnswer in a sentence or two or as directed:Why did Eliot appreciate the metaphysical poets?Explain Eliot’s simile of the platinum shred.Eliot’s assessment of Ulysses.Why did Eliot call Hamlet “an artistic failure”?In which essay does Eliot mention the role of Lady Macbeth in Hamlet? Why does he mention her in his essay?Fill in the blanks with the correct words:“The _____________ of the artist is a continual _________________ , a continual ________________ of ________________” .Objective correlative, according to Eliot is a “set of ____________, a ______________ , a chain of ___________ , which shall be the __________ of that particular emotion.What does Richards mean by the term synesthesis?What makes for bad criticism and good criticism, according to Eliot?What, according to Richards, are the two uses of language?What was the similarity in the attitude towards language in I A Richards and the New Critics?What did the New Critics mean by calling the poem an ‘autotelic artefact’?Why did the New Critics call their mode of criticism ‘intrinsic criticism’?In practice, what was the attitude of critics like Brooks and Winters to (literary) history?What, according to the New Critics, were the differences between themselves and the Russian Formalists?What is close reading, and how is it different from explication de texte?What is the difference between ‘pure’ poetry and ‘impure’ poetry, according to Warren?How has the modern concept of the reader undermined the practices of new criticism?In what way did New Criticism contribute to the evolution of disciplines like Women’s Studies, Black Studies and Comparative Literature?In Russia, what was the essential difference between literary criticism in the 19th century and that in the second and third decades of the 20th century?Both Russian formalism and New Criticism were reactions against the same factors in literary criticism. What were they?Who coined the term ‘organic formalism’ and what did it mean?What according to Jakobson was the ‘object of study in literary science’?For Russian formalists the author or his/her personality was not important. Why?What is the relationship between ‘literariness’ and ‘defamiliarisation’?What was the attitude of Russian formalists toward literary history?What did ‘retardation’ mean for the Russian formalists?2 WEIGHT QUESTIONSAnswer in a short paragraph of around 100 wordsEliot’s theory of impersonality of poetry.Objective correlative.Dissociation of sensibility.The four kinds of meaning, according to Richards.The main difficulties a sensitive reader faces when interpreting a poem, according to Richards.New Criticism was essentially a reaction against certain trends and practices in contemporary criticism. Explain.What, according to the New Critics, were the qualities of scientific language and literary language?Sum up the criticism against the New Critics.Sum up the major contributions of New Criticism to literary criticism.Explain the term ‘defamiliarisation’.Explain the terms ‘fabula’ and ‘syuzhet’.What are the criticisms levelled against Russian formalism?What was the contribution of Russian formalism to literary criticism?4 WEIGHT QUESTIONSAnswer in around 2 pages Eliot’s contribution to literary criticismEliot as a precursor of New Criticism.I A Richards as a critic.Eliot and Richards as precursors of the New CriticsThe main tenets of New Criticism.The contribution of New Criticism to literary pare and contrast Russian formalism and New CriticismAttempt a historical estimate of Russian formalism ................
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