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English 1001Assignment Three Final draftCaleb Smith-PlummerThe subculture of MusicSince the 1960’s music genres such as hip-hop and metal have developed American culture. Who generally listens to music these days? People of all ages, but our young people have taken a greater interest. Music subcultures are double edged swords when it comes to young people, music has been used as an outlet against injustice and for advocacy. However, as we develop new ways to listen and share songs, our youth tend to be more invested music now more than ever, spending large sums of time and money to listen to various artists. Music can affect the brain in various ways depending on the genre. Think about it for second, we all grew up with some kind of musical influence or at least hear songs in our daily lives. It has become a fundamental part of growth to us. The majority of expressions we use come from music, as well as certain behaviors. Hip-hop being one of the most influential and popular, has had a long history that changed the lives of people across America. Back in the 1970s, hip-hop was more than just a type of music. Kathleen Odenthal states, “Over the past three decades, hip-hop has influenced and uplifted America, speaking up for generations and providing a voice to marginalized populations.” Yet, these days its viewed more negatively. Metal and its different sub-categories is viewed negatively, yet most see at a way to express pent up negative emotions such as anger. Work CitedOdenthal, Kathleen. “How Hip-Hop Music Has Influenced American Culture and Society.” Spinditty, Spinditty, 26 May 2019, genres/Hip-Hops-Influence-on-America.Miranda, Dave. “The Role of Music in Adolescent Development: Much More than the Same Old Song.”?Taylor & Francis, 21 Dec. 2012,?, J. P. “Subculture’s Not Dead! Checking the Pulse of Subculture Studies through a Review of ‘Subcultures, Popular Music and Political Change’ and ‘Youth Cultures and Subcultures: Australian Perspectives.”?Young, vol. 27, no. 1, 2019, pp. 89-105.?Davis, Alaina S., et al. “Cultural Familiarity of Figurative Expressions from Three Music Genres and African American Adults.”?Contemporary Issues in Communication Science and Disorders, vol. 43, 2016, pp. 238.Williams, J. P. "Authentic Identities: Straightedge Subculture, Music, and the Internet." Journal of Contemporary Ethnography, vol. 35, no. 2, 2006, pp. 173-200.??Moghaddam, Kimia. "Rock Music Fans’ Subculture in Tehran."?Social Responsibility Journal, vol. 11, no. 3, 2015, pp. 424-438.??Brown, Timothy S. "Subcultures, pop music and politics: skinheads and 'Nazi rock' in England and Germany."?Journal of Social History, vol. 38, no. 1, 2004, p. 157+.?Opposing Viewpoints in Context,?. Accessed 7 June 2019.??Abraham, Ibrahim. "Respecting Religion in Youth Music Subcultures: Inclusivity, Individuality and Conflict Avoidance Strategy."?International Journal of Children's Spirituality, vol. 19, no. 2, 2014, pp. 83-96.?Krenske, Leigh, and Jim McKay. "'Hard and Heavy': Gender and Power in a Heavy Metal Music Subculture."?Gender, Place & Culture, vol. 7, no. 3, 2000, pp. 287-304.? ................
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