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• Rossetti’s The Death of Breuze Sans Pitié has been acquired by the British Museum and is shown for the first time in 26 years
• For much of the 20th century it was considered lost – only being rediscovered in 1993
• Painted for William Morris, it has rarely been seen, and is considered highly unusual work by the artist
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Dante Gabriel Rossetti (1828-1882)
The Death of Breuse sans Pitié 1857 (retouched 1865). Courtesy of the Trustees of the British Museum
The British Museum has acquired a rarely-seen painting by the English painter and poet and founder of the Pre-Raphaelite Brotherhood, Dante Gabriel Rossetti (1828-1882). The artwork – called The Death of Breuze Sans Pitié – has hardly been exhibited since it was created in 1857 and its location was unknown for much of the 20th century. It goes on display in the British Museum on Tuesday (3 September 2019), the first time it has been seen in public in 26 years.
The painting was one of 7 created by Rossetti for his friend, the celebrated 19th century designer William Morris. Morris later sold them all (five eventually went to the Tate collection in 1916) but the whereabouts of this particular painting became unknown sometime after a 1926 auction in New York. No photo of the work existed at the time, and a written description of 1899 was all that was known about what the work depicted. The painting was eventually rediscovered when it came up for auction at Christie’s in 1993, and went on display briefly ahead of the sale.
A quarter of a century later, the painting now enters a public collection for the first time. It is the star piece of a 900-stong collection of artworks recently allocated to the British Museum through the Arts Council’s Acceptance in Lieu scheme, which were collected by the late art historian and foremost authority on late Victorian painting, John Christian. Highlights from this collection – including the Rossetti – are shown in the display John Christian: collecting the last Romantics which opens on Tuesday.
This Rossetti work is a vast departure from the style he became associated with. Known as being a Romantic painter, who often created sensual depictions of females, beauty and desire, this work shows male aggression, violence and death. A rare description of it is in an 1899 book by HC Marillier, called it “one of the crudest and least successful of all Rossetti’s water-colours” and that the composition was “grotesque and strained”.
Susannah Walker, curator of John Christian: collecting the last Romantics at the British Museum, said: “It is quite different from what we’ve come to expect from Rossetti. It is not immediate, but it is an object which really grows on you. We’re delighted to have this, and 900 other works from the John Christian collection come the British Museum. It is a major acquisition offering a huge insight into Victorian art.”
John Christian: collecting the last Romantics opens on Tuesday 3 September and runs until Tuesday 12 November 2019 in Room 90a at the British Museum. Admission is free.
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Notes to editors
The Department of Prints and Drawings
The Department of Prints and Drawings contains the national collection of Western prints and drawings, in the same way as the National Gallery and Tate hold the national collection of paintings. It is one of the top three collections of its kind in the world. There are approximately 50,000 drawings and over two million prints dating from the beginning of the fifteenth century up to the present day.
The collection is available to the public through the Study Room and through a programme of temporary displays, touring exhibitions and loans.
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Further information
Contact the Press Office:
020 7323 8583/8594 / communications@
High resolution images and caption sheet available at
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Press release
Once-lost Rossetti painting acquired by the British Museum
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