Language and Writer’s Craft: Writer’s Style



Language and Writer’s Craft: Writer’s StyleLearning TargetsMake inferences about the effect a writer achieves by using specific sentence types and patterns.Emulate an author’s style by writing a story opener in that style.Writer’s StyleAs you remember from Unit 1, a writer’s style or voice is created by elements such as diction, syntax, and imagery, as well as point of view.Certain stories grab the reader’s attention and never let go until the story ends. Read the opening paragraph from “The Gift of the Magi” by O. Henry from this unit.Define unknown words.Circle the images that stand out in the passage.Underline the sentence fragments, and annotate the text to describe what effect the author creates with these fragments. A sentence fragment is a group of words that is grammatically incomplete and cannot stand alone.“One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such a close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.”In contrast, examine the opening of the short story, “The Cask of Amontillado,” which you will be reading soon. After reading this passage, think about the effect of the diction, the syntax, and the point of view. What impression of the narrator does Edgar Allan Poe create?“The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled—but the very definitiveness with which it was resolved precluded the idea of risk.”Notice how the syntax affects the pacing of the action. Which story seems to set a faster pace or seems to set the action of the story in motion more quickly?Poe uses long compound and complex sentences, while O. Henry uses sentence fragments for effect. Writers change their sentence structure—their use of phrases, clauses, and different types of sentences—to create certain effects.Emulating a Writer’s StyleEvery writer has a unique style. You will develop your own style as you develop your writing skills. One way to begin experimenting with style is to emulate another writer. To emulate a writer is to imitate the writer’s style, including how he or she constructs sentences. For example, here is an emulation of Edgar Allan Poe’s opening paragraph from the preceding page.The deliberate rudeness of Lydia I had suffered silently, but when her actions bordered on bullying, I promised myself payback. You, who know my cautious, careful manner, do not think, however, that I indicated anything about my plans to Lydia. Eventually, I would get revenge, this I knew—but I would do so without any risk of blame.Writing Prompt: Choose one of the short story opening paragraphs in this activity and emulate that writer’s style to write an original story opening. Be sure to do the following:Emulate the style of the author you choose.Introduce a character, a setting, and/or a conflict in the opening.Vary your sentence types to create an effect (or to affect the pacing of the narrative).Check Your UnderstandingAfter you have completed your emulation of a story opening, reflect on your opening by asking and answering these questions:What effect did I intend to create?How do the sentences of my story opening achieve that effect?Does the story opening represent the style of the writer I am trying to emulate? ................
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