British Museum



press release21st March 2019The Antony Griffiths & Judy Rudoe Collection of African textiles allocated to the British Museum under the Cultural Gifts SchemeA remarkable collection of 438 African textiles has been secured by the Cultural Gifts Scheme and allocated to the British Museum. The collection has been generously given to the Museum by Antony Griffiths, a former Keeper of the Department of Prints and Drawings, and his wife Judy Rudoe, Assistant Keeper in the Department of Britain, Europe and Prehistory at the Museum. Of the 438 textiles, 268 have been given by Antony Griffiths and 170 by Judy Rudoe; together they form the Antony Griffiths and Judy Rudoe Collection of African textiles.This collection was formed over more than a decade by the donors through reputable dealers in London and by researchers working, travelling or residing in Africa, with many textiles acquired directly from the communities in which they were made. The majority of the textiles date to the 20th century. However, there are notable exceptions such as a series of early aso oke (‘high status’ cloths) from the Yoruba people, Nigeria that were purchased through Dr Duncan Clarke who carried out his PhD research in a compound of aso oke weavers in Oyo town in 1995-6. The group of woven cloths given by Antony Griffiths was made in the Sahel region south of the Sahara Desert, from Mali across to northern Nigeria, as well as within the Yoruba-speaking areas of southern Nigeria, in Cameroon and elsewhere in Central Africa. The group of textiles given by Judy Rudoe was made in North and West Africa. The cloths come from Tunisia and Morocco and from the countries along the west coast of Africa from Senegal through Sierra Leone to the Ivory Coast and Ghana. The Antony Griffiths and Judy Rudoe Collection illustrates the continuing artistry of African textile production and the significant role of textiles and dress in African material culture. These cloths reveal the complex connections and distinctions amongst neighbouring cultural groups. Frequently inherited as heirlooms or given as diplomatic gifts, textiles have been (and continue to be) important indicators of wealth and status. The collection will build on the reputation of the British Museum’s African collection as a world-renowned resource for new research and study and will provide additional opportunities for curatorial staff to work with colleagues in partner museums in Africa to share knowledge and to extend expertise in this area. Following the acceptance and allocation of the collection, Antony Griffiths said: “Having spent my career happily as a servant of the Trustees of the British Museum, it gives me great pleasure to contribute something to the development of the collections, and to join the long line of curators who have given works to the Museum. The collections of African cloths formed by me and my wife, Judy Rudoe, have been assembled to complement the great collection already in the British Museum, of which the major part was formed by Charles Beving before the First World War. We hope that our gifts, when they are published on the Museum’s website, will give as much pleasure to a public around the world as they gave to us when we discovered this area of outstanding creativity within the arts of Africa.”Judy Rudoe, said: “My career at the British Museum has taken me in many different directions from where I started. I never imagined it might be possible to assemble on a curator’s salary a collection that has been judged of national importance in a field that is not my own. It gives me enormous pleasure to have helped the Museum to fill in some of the gaps in its representation of the rich textile traditions of North and West Africa, and to put something back into the institution which I have served for forty-five years and from which I have learned and gained so much.”Hartwig Fischer, Director of the British Museum, said: “This is a highly significant and unique collection that has been acquired systematically to both complement the Museum’s existing collection and to address gaps in the collection. Importantly, many of the groups of textiles acquired help to extend knowledge of historical cross-cultural trade and exchange, particularly within the West African region. This enables us to make connections between communities and trading networks where written documentation is often not available.”Edward Harley, Chairman, Acceptance in Lieu Panel said: “The Antony Griffiths & Judy Rudoe Collection of African textiles is remarkable for the exceptional examples of fine and rare cloths, primarily from North and West Africa. Textiles are one of the most dynamic areas of African culture and are highly significant for being, amongst other things, powerful expressions of both cultural tradition and innovation. This generous gift by the donors, both of whom share close links to the British Museum, brings these extraordinary textiles into the public domain where they can be widely studied and enjoyed.”For more information please contact:Nisha Emich, Communications Officer, Arts Council EnglandTel: 0207 268 9563 Nisha.Emich@.uk Nikki Elvin, Press and PR Manager, The British MuseumTel: 020 7323 8394 Nelvin@ Notes to editorsAccepted under the Cultural Gifts Scheme by HM Government and allocated to the British Museum, 2018. The acceptance of this Antony Griffiths and Judy Rudoe Collection generates a tax reduction of ?42,000 for Anthony Griffiths and ?45,000 for Judy Rudoe. Images and captions can be downloaded hereThe Cultural Gifts Scheme was launched by the Department for Digital, Culture, Media & Sport in March 2013 as an important element of its expanding programme to encourage philanthropy for the arts. It is administered by Arts Council and enables UK taxpayers to donate important objects to the nation during their lifetime. Items accepted under the Scheme are allocated to public collections and are available for all. In return, donors will receive a reduction in their income tax, capital gains tax or corporation tax liability, based on a set percentage of the value of the object they are donating: 30 per cent for individuals and 20 per cent for companies. For more information please go to the Arts Council website. Arts Council England is the national development body for arts and culture across England, working to enrich people’s lives. We support a range of activities across the arts, museums and libraries – from theatre to visual art, reading to dance, music to literature, and crafts to collections. Great art and culture inspires us, brings us together and teaches us about ourselves and the world around us. In short, it makes life better. Between 2018 and 2022, we will invest ?1.45 billion of public money from government and an estimated ?860 million from the National Lottery to help create these experiences for as many people as possible across the country. .uk ................
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