ABOUT THE PRODUCTION
[pic] [pic] [pic]
[pic]
Production Notes
| | | |
|CAST | |CHARACTER |
|*credits not yet final |
|Jason Momoa | |Conan |
|Rachel Nichols | |Tamara |
|Stephen Lang | |Khalar Zym |
|Rose McGowan | |Marique |
|Saïd Taghmaoui | |Ela-Shan |
|And |
|Ron Perlman | |Corin |
| | | |
|Leo Howard | |Young Conan |
|Steve O’Donnell | |Lucius |
|Raad Rawi | |Fassir – High Priest |
|Nonso Anozie | |Artus |
|Bob Sapp | |Ukafa |
|Milton Welsh | |Remo |
THE FILMMAKERS
*credits not yet final
|Directed by | |Marcus Nispel |
|Written by | |Thomas Dean Donnelly |
| | |& Joshua Oppenheimer |
| | |and Sean Hood |
|Based on the character of Conan as |
|originally created by Robert E. Howard |
|Produced by | |Fredrik Malmberg |
| | |Boaz Davidson |
| | |George Furla |
|Produced by | |Danny Lerner |
| | |John Baldecchi |
| | |Les Weldon |
| | |Joe Gatta |
| | |Henry Winterstern |
|Executive Producer | |Frederick Fierst |
|Executive Producers | |Avi Lerner |
| | |Danny Dimbort |
| | |Trevor Short |
|Executive Producers | |Eda Kowan |
| | |John Sacchi |
| | |Michael Paseornek |
| | |Jason Constantine |
|Director of Photography | |Thomas Kloss |
|Edited by | |Ken Blackwell A.C.E. |
|Production Designer | |Chris August |
|Costume Designer | |Wendy Partridge |
|Music by | |Tyler Bates |
|Casting by | |Kerry Barden |
| | |and Paul Schnee |
SYNOPSIS
“I live. I love. I slay…I am content.”
- Conan The Barbarian
The most legendary Barbarian of all time is back this Summer. Having thrived and evolved for eight consecutive decades in the public imagination- in prose and graphics, on the big screen and small, in games and properties of all kinds- Conan’s exploits in the Hyborian Age now come alive like never before in a colossal 3D action-adventure film.
A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil.
Deftly adapted from the original works of Robert E. Howard and faithful to the mythology and psychology of his iconic character, CONAN THE BARBARIAN stars Jason Momoa, Rachel Nichols, Stephen Lang, Rose McGowan, Saïd Taghmaoui and Ron Perlman. The film is directed by Marcus Nispel, and written by Thomas Dean Donnelly & Joshua Oppenheimer and Sean Hood. Lionsgate and Millennium Films present a Millennium Films in association with EFF Independent Productions and a Conan Properties International LLC production.
ABOUT THE PRODUCTION
With the release of Lionsgate’s CONAN THE BARBARIAN, the world’s most famous barbarian returns to the big screen, continuing a pop culture legacy that has spanned nearly eight decades and inspired generations of artists from the worlds of fiction, comic books, video games, animation, and film and television. First introduced in 1932 in a series of short stories by pulp fiction writer Robert E. Howard, Conan the Barbarian helped establish the burgeoning genre known as sword and sorcery, pre-dating the work of fantasy master J.R.R. Tolkien by twenty years. Since then, he has become a bona fide cultural icon, capturing the public imagination as an idealized vision of unbridled masculinity, a tough, imperturbable hero with no allegiances and the ability to overcome impossible odds with brute strength and a seasoned warrior’s skill.
“I think the appeal of Conan is that he doesn’t conform to anybody,” offers director Marcus Nispel. “He’s not politically correct. He’s not living by anyone else’s moral standards. He’s a barbarian who depends on no one but himself.”
While no Conan feature can ignore John Milius’ 1982 original, Nispel and producers Danny Lerner and Les Weldon of Millennium Films see that film as only a small part of a much larger Conan universe that has continued to develop over the decades since his inception.
Says Lerner, “We’re not approaching this as a movie based on a previous incarnation of the character. We’re approaching it as a film based on an entire culture.”
For Nispel, who already has ample experience re-telling the classics with his new takes on THE TEXAS CHAINSAW MASSACRE and FRIDAY THE 13TH, portraying Conan in a new film is all about maintaining a respectful balance between homage and reinvention. “We’re going back to the mythological Conan as he’s described in the Robert E. Howard stories,” he explains. “But at the same time, we can’t deny that the popular consciousness has changed and things have shifted. People’s demands of who Conan should be have changed, and yet there’s a certain amount they wouldn’t want us to change. So the mantra in making CONAN THE BARBARIAN is ‘give people what they want but don’t give them what they expect.’ ”
The obvious first step in this endeavor was finding Conan himself – no small task considering the character’s towering physicality and stoic charisma. In December 2009, the filmmakers had been actively reading actors for over a month when casting director Kerry Barden suggested Jason Momoa, fresh off of shooting HBO’s upcoming “Game of Thrones.”
“When we first met Jason, we saw everything that we hoped Conan would be,” remembers Weldon. “He has the imposing physicality. The confidence. And there's a sense of unbridled energy to him that’s essential for the character.”
Adds Lerner, “I can’t imagine a single actor that I have worked with or seen on screen that could fit into those shoes as perfectly as Jason does. He is a natural athlete. He has the aggression, the power, the energy needed. And when you actually read Robert E. Howard’s descriptions of Conan, they describe Jason exactly.”
The half-Hawaiian, half-Irish actor made his name in the globally popular “Baywatch” series, followed by extended runs on “North Shore” and “Stargate: Atlantis.” Momoa was only six years old when Milius’ film was released, but he remembers encountering the images of Conan created by visionary comic book artist Frank Frazetta, whose darkly sensual, lush style helped define not only the Conan comic book universe (and the film’s poster) but the entire sword-and-sorcery genre.
“When you see those drawings, they just they speak to you,” says Momoa. “Our goal has been to capture the hero featured in Frazetta’s pictures. That was our aim.”
Frazetta’s images also considerably impacted Nispel’s and production designer Chris August’s vision of the film. “You can’t shoot Conan in a vérité style,” says Nispel. “You have to paint it, choose new angles, light it graphically, and then you’re able to tell the story in such a way as to suspend the disbelief of an audience.”
That said, both Nispel and August agreed that the film should feel like a lost piece of history, an epic about real people in a real ancient time. Explains August, “We decided the environment should become a huge part of the film and that it should have a very dirty, gritty feel. Magical, but in a more brutal way.”
“Marcus had this vision to try to do as much of Conan as possible in camera, meaning we actually saw what was being filmed without adding a whole lot of CGI,” recalls Weldon.
The reality-based approach that Nispel proposed married well with Lerner’s and Weldon’s plan to shoot the film at Nu Boyana Studios and locations throughout Bulgaria. Says Lerner, “In terms of production value, it was far easier in Bulgaria to create the set pieces and props and dressing to bring Hyboria to life and create a visceral experience.”
Nispel and August found everything they were looking for during an extensive location scout across the country. “Bulgaria has an amazing landscape and a long cultural history that was perfect for the project,” reports August. “While scouting along a river, someone would point up and there would be caves that monks had carved out of the hills. It really felt like Conan’s world, very tough and harsh but at the same time stunningly beautiful.”
“Nowhere are the middle ages more prevalent than they are in Bulgaria,” avows Nispel. “Why create fake digital sets when there’s a gigantic cave (Prohodna Cave in Lukovit) or a prehistoric forest (Pobiti in Kamani, Varna, near the Black Sea) right there in front of you?”
With a production schedule taking shape, Momoa headed straight into an intensive training regime, spending six hours a day for a month and a half with the Los Angeles based action design team 87eleven before heading to Bulgaria. “That process really helped me understand the character,” says Momoa, who did most of his own stunts. “Conan speaks through his sword. He's got to because he’s not one for words. So the sword training with Master sensei Chad Stahelski really helped me find Conan’s core.” Weight training with Eric Laciste rounded out the day’s work and helped the six-foot-five actor bulk up before cameras rolled.
As casting continued, the role of Tamara, Conan’s accomplice and eventual love interest, went to action-veteran Rachel Nichols (STAR TREK, G.I. JOE). A novitiate of a Greek-influenced monastery and a master of martial arts, Tamara is a “pureblood,” a direct descendant of the Sorcerers of Acheron whose blood will awaken the power of the Mask of Acheron. After meeting with Nispel, Nichols jumped at the chance to play a smart, capable woman who breaks the mold of typical fantasy heroines. “This is not a case of Conan doing all of the action and Tamara sitting by passively as the damsel in distress,” explains Nichols. “Tamara is smart and strong and if given the choice of fight or flight she chooses to fight. She’s Conan’s female counterpart and she goes toe to toe with him.”
Actor Stephen Lang (AVATAR) describes Khalar Zym, Conan’s enemy and his father’s murderer, as “the baddest warlord in all of Hyboria, whose life's work is recovering the Mask of Acheron, which will help him reclaim his dead wife and even achieve immortality. He's introduced very early in the film when Conan, still a boy, gets a real dose of what pillage is all about,” Lang offers with a sly smile.
Most of Khalar’s scenes with Conan involve some form of combat, so Lang spent most of his spare time in Bulgaria working out, stretching and rehearsing choreography with the stunt team. “Jason Momoa’s a big dude and that presented its own challenge for me,” admits Lang. “Khalar is supposed to be not only a master of swords, but also master of a double scimitar, which is a ninja's nightmare. Everything I did had to be confident and on point.”
A partner in Khalar Zym’s quest for absolute power is his daughter Marique, played by Rose McGowan (“Charmed,” GRINDHOUSE). “Marique is half-witch, half-human,” explains McGowan. Jealous of her long dead witch-mother’s hold on her father, Marique is unnaturally obsessed with proving herself to him. “She’s evil, but it’s only to gain her father’s love,” suggests McGowan. “Their relationship just fascinates me. It’s full of pathos, and I love what a strange twist it gives to the Conan world.”
While Marique is a lethal opponent, McGowan developed a unique combat style for her character with the stunt team. “I decided Marique wasn’t going to be like everybody else with a sword. I wanted her to be a bit more like a cobra. She entrances her prey and then strikes,” says the actress, referring to the lethal metallic nails created for Marique by the film’s prop master, Dirk Buchmann.
Even though they had no scenes together, Momoa worked closely with 13-year-old Leo Howard, who portrays Young Conan in the film’s introductory sequence, in order to create the character together. Explains Momoa, “We’d look at each other, just get down the walk, how Conan’s kind of like the lion, the wolf, the panther. It's the way he stalks people. The eyes and the eye brows, and Leo totally got it.”
Howard, who has a first-degree black belt and is a member of the SideSwipe Performance Team, an extreme martial arts performing group, had an easier time with the fight choreography than many of the adult actors. “My scenes explain how Conan became so hard-hearted and hardcore,” explains Howard. “He goes through all of this trauma when he’s little and it transforms him into how he is when he’s older.”
Ron Perlman, known for his charismatic performances in Guillermo del Toro’s HELLBOY films, lends a fierce and soulful gravity to Corin, Conan’s father and the leader of their Cimmerian tribe. “The Cimmerians are a warring clan,” explains Perlman. “They live in a hostile environment, one of many clans constantly vying for territorial domination. The forge, where their swords are made, is almost their church and is treated like one would treat anything that is sacred and essential for their very existence.”
In addition to leading his people, Corin is charged with raising his son alone after Conan’s mother, played by British actress Laila Rouass, dies in childbirth in the middle of battle. “She’s a Cimmerian warrior and she’s heavily pregnant and fighting as hard as anyone else,” says Rouass. “Through her actions we see where Conan’s determination and grit and power comes from.”
“She has given me a directive as to her vision for this child’s life and everything is colored by that deathbed wish,” adds Perlman. “There are a lot of amazing moments shared between father and son.”
Conan’s only friend, Artus, is a burly Zamorian pirate played by actor Nonso Anozie. “Artus is very much a leader, but he knows when to step aside and let Conan do his thing,” explains Anozie. “Artus is the only person that Conan can even begin to be slightly vulnerable with, or have a laugh with, or share a joke with. So Jason and I spent a lot of time off set together, really exploring their relationship.”
CONAN THE BARBARIAN was filmed over 12 weeks on locations throughout Bulgaria, and at Nu Boyana Studios’ diverse sets and stages. Production Designer August, and a crew that sometimes numbered 400, created about 60 different sets.
Filming in the elements, whether it was the snow-covered forests at Zlatnite Mostove or the rainy, village battlefields at Bistrica, required a cinematographer who could make the most out of existing light situations. “Much of our lighting approach was based on weather conditions, on locations, on colors that were available,” says director of photography Thomas Kloss, who works regularly with Nispel.
Peopling the world of CONAN THE BARBARIAN with visually memorable characters was one of Nispel’s priorities during production, so he relied heavily on the talents of his design team, comprised of costume designer Wendy Partridge, hair stylist Aldo Signoretti, and makeup effects experts Scott Wheeler and Shaun Smith.
“Marcus was very open to our input in creating the characters, not just their look,” says Wheeler. Stephen Lang was cast only one week before shooting so his look was designed through emails between the actor, director and Wheeler. “He came from the plane to the studio, sat in the chair, we did a life cast on his nose and then two days later we did a makeup test.” Khalar’s distinctive vertical scar on his nose eventually became a story element and is established as a fresh face wound in a flashback.
McGowan credits costume designer Wendy Partridge for creating Marique’s goth-punk look. “The costumes were feats of engineering, and it took two people to get me in and out of almost every one of them,” says McGowan. “All of them except for one I could not sit in, so at lunch I would just kind of stand in my trailer because I didn’t want to hurt them. They were all leather and had so many different pieces.”
Wanting to create a specialized brand of action for CONAN THE BARBARIAN, Lerner and Weldon brought in Second Unit director and stunt coordinator David Leitch, stunt coordinator Noon Orsatti, and select members of the action design company, 87eleven, to choreograph and facilitate the fight scenes. Says Leitch, “We tried to update the sword fighting from the original film and make it more multiple-attacker, a little more active, more modern, and step up the energy. The old Conan was one block, one hit. This Conan takes on a lot more all at once.”
Keeping a tight schedule at the studio in Bulgaria, the stunt team often had to teach actors the action sequences on the same day they were shot. “We landed on a gold mine with Jason Momoa,” reports Noon. “He has all the talent in the world and he looks spectacular with a sword. We were also excited to have a lot of really good action actors come on board, like MMA stars Bob Sapp and Nathan Jones, to play the parts of Khalar Zym’s henchman. It allowed us to pull off some big physical action scenes.”
The stunt team also had the constant encouragement of Nispel, who continually sought ways to create innovative action scenes. “Marcus has a need to do this movie in a way that will blow his own mind and so hopefully blow the minds of the viewers,” says Momoa.
“He also has the desire to truly collaborate,” adds Perlman. “To him, it doesn’t matter who has the good idea, whether it’s the actor or him or somebody else. He’s really willing to shift on a dime and incorporate something he hasn’t thought of.”
Though it has been more than twenty-five years since Conan’s last appearance on screen, Nispel believes this is a particularly opportune time to be revisiting the iconic hero. “We live in a very artificial world,” says the director. “We spend most of our day in front of computers, borrowing knowledge, borrowing real experiences. Conan gets you into a world where you still get dirt under your fingernails and where you don’t have to ask everybody for permission. You can go about things in a more primal way.”
“People are drawn to the kind of passion that Conan has, about making things right in the world and fighting for what you believe in,” Lerner says. “CONAN THE BARBARIAN gives people the opportunity to live out those impulses in a fantastical, mythical place.”
ABOUT THE CAST
Jason Momoa (Conan) is poised to be one of Hollywood’s next leading male action stars.
Jason will soon appear as the warlord ‘Khal Drogo’ in the highly-anticipated HBO series “Game of Thrones,” based on the popular book series “A Song of Ice and Fire,” by George R.R. Martin. The series chronicles an epic struggle for power set in a vast and violent fantasy kingdom. “Game of Thrones” debuted April 17th on HBO.
He also established a large fan base from his portrayal of ‘Ronan Dex,’ on the SyFy series “Stargate: Atlantis” (2005-2009). Momoa was also a series regular on “North Shore” (FBC).
Momoa’s creativity as an artist seemingly has no bounds. Jason is currently in pre-production on “Road To Paloma,” an art-house road tale which he has written, will direct and also star. He wrote, directed and produced “Brown Bag Diaries: Ridin’ the Blinds in B Minor,” a short film that has been getting recent buzz.
Born in Hawaii, Momoa’s mixed Hawaiian/Caucasian background gives him a unique look that commands attention.
With her notable roles in film and television, Rachel Nichols (Tamara) has quickly captured the attention of audiences worldwide. She recently signed as a series regular on CBS’s “Criminal Minds.”
Rachel recently starred in two summer blockbusters, Paramount’s “Star Trek” and “G.I. Joe: Rise of the Cobra.” She was able to once again work with “Alias” creator JJ Abrams on the reinvention of the Star Trek franchise in the role of ‘Galia.’ She shows her tougher side as ‘Scarlett’ in the live action thriller based on the popular kids’ cartoon and merchandise, “G.I. Joe,” alongside Channing Tatum and Marlon Wayans. Rachel can also be seen playing the role of ‘Leslie Spencer’ in the independent feature “Meskada,” directed by Joshua Sternfeld. She recently finished shooting the independent feature “The Loop,” directed by Margaret Whitton, in which she plays the role of ‘Fiona.’
Nichols joined the ensemble cast of Warner Brother’s “Sisterhood of the Traveling Pants 2” starring America Ferrera and Blake Lively. She has also starred in “Charlie Wilson’s War” with Tom Hanks and Julia Roberts, directed by Mike Nichols.
Nichols had a breakout performance when she starred in the last season of the ABC hit drama, “Alias.” Rachel portrayed 'Rachel Gibson,' who worked with ‘Sydney Bristow’ (Jennifer Garner) in the special ops division of the CIA. In 2005, Rachel starred in the Fox drama, “The Inside,” produced by Imagine Television.
A small town New England native, Nichols first caught the attention of a modeling scout while attending the prestigious Columbia University in New York City, from which she has graduated with a double major in math and economics. After campaigns with such brands as Guess, L’Oreal, Abercrombie & Fitch and Nicole Miller, she broke into the world of acting when her agent sent her out on her first audition, which was for “Sex and the City.” Although it was the first audition she had ever been on, she was offered the role immediately. The role was for “The Vogue Idea” episode where she starred as the restaurant hostess that became the birthday present from Kim Catrall to her boyfriend, ‘Richard.’ She followed that role with a role in “Autumn In New York” with Richard Gere. In 2003, she starred in the prequel to “Dumb and Dumber,” “Dumb and Dumberer: When Harry Met Lloyd.” Nichols has also guest starred on the ABC series “In the Line of Fire.”
Rachel currently resides in Los Angeles.
2010 proved to be a banner year for actor Stephen Lang (Khalar Zym). Lang recently finished shooting the two hour pilot for FOX’s “Terra Nova” in which he stars as ‘Commander Frank Taylor.’ The “Terra Noca” pilot will premiere on FOX in May 2011 followed by the official series premiere in fall 2011.
Lang can currently be seen starring as ‘Inspector Reinhardt’ in director Larry Brand’s independent drama “Christina,” for which he won Best Actor at the Buffalo-Niagara Film Festival and Outstanding Achievement in Acting at the VisionFest X Festival. He can also be seen starring opposite Karen Allen and Peter Riegert in director John Gray's independent drama “White Irish Drinkers.” The film, which premiered at the Toronto International Film Festival, was nominated for a Gotham Festival Genius Audience Award and recently won the Audience Award at the 2010 Woodstock Film Festival. It will be released in theaters spring 2011 by Screen Media Films.
Known for his indelible portraits of characters both historical and imagined Stephen Lang has spent years building a distinguished career on the stage and in film. In 2009 he starred as ‘Colonel Miles Quaritch’ in one of the highest grossing films of all time, James Cameron's epic “Avatar.” For his performance in “Avatar,” Lang won a Saturn Award and was nominated for a MTV Movie Award and a Teen Choice Award. He also received glowing reviews for his performance as ‘Special Agent Charles Winstead’ in Michael Mann's “Public Enemies” and played the key role of ‘General Hopgood’ opposite George Clooney in “The Men Who Stare at Goats.”
Lang’s other film roles include his performance as ‘General "Stonewall" Jackson’ in
Gods and Generals,” for which he received The Grace Prize, as well as “Last Exit to Brooklyn,” “Tombstone,” “Gettysburg,” “The Hard Way,” “Manhunter,” “Band of the Hand,” “Trixie,” “Fire Down Below,” and many others.
Lang’s theatre credits are extensive on and off Broadway, as well as nationally and internationally. Premieres include Aaron Sorkin's “A Few Good Men,” John Patrick Shanley's “Defiance,” Steve Tesich's “The Speed of Darkness” and Arthur Miller's “Finishing the Picture. He has performed leading roles in classics by Moliere, Williams, O'Casey, Beckett, Shaw, Shepard, Sophocles and Shakespeare at some of the nation's finest theatres including The Goodman, The Guthrie, The New York Shakespeare Festival, Circle in the Square, The Kennedy Center, BAM, and a host of others.
Lang has performed his solo play, “Beyond Glory,” all over the world as well as a critically acclaimed 101 performances at The Roundabout Theatre. He received the Chairman's Medal for Distinguished Service from the NEA for bringing “Beyond Glory” to American troops stationed across the globe. Other nominations and awards include The Tony, Helen Hayes, Joseph Jefferson, Lucille Lortel, Outer Critics Circle and Drama Desk Awards.
On television Lang gave a popularly and critically acclaimed performance as Babe Ruth in NBC's “Babe Ruth.” He was a series regular on Michael Mann's classic “Crime Story” and was the elusive One-Armed Man in the latest incarnation of “The Fugitive.”
Lang is in his third decade of marriage. He and wife Kristina have four grown children.
Rose McGowan (Marique) had never uttered a word of English until the age of 10. Born and raised as a child in Italy, McGowan grew up surrounded by a large family in Florence and was as far away from the world of acting as one could be. It wasn’t until her family moved to the United States, that she decided to make the move to Los Angeles to pursue acting.
She was most recently seen as the star of “Grindhouse,” the much anticipated combined horror film of Quentin Tarantino’s “Death Proof” and Robert Rodriguez’s “Planet Terror.”
Although many of McGowan’s fans may recognize her from her more commercial hits, her first starring role was actually in an independent role. After a fortuitous meeting with Gregg Araki in Los Angeles, he decided to cast her as “Amy Blue” in his black comedy “The Doom Generation.” Her portrayal of the troubled teen brought her to the attention of critics everywhere, and she was nominated for Best Debut Performance at the Independent Spirit Awards in 1996.
McGowan followed up “The Doom Generation” with a variety of films, most notably Wes Craven’s horror blockbuster “Scream.” Starring alongside, Neve Campbell, Courteney Cox, and Matthew Lillard, McGowan played ‘Tatum Riley’ in the teen flick. In 1998, she appeared in the independent film “Southie,” which won Best Picture at the 2000 Seattle Film Festival. Then in 1999, she co-starred in the comedy “Jawbreaker” as teen ‘Courtney Shane’ and her performance earned her a nomination for Best Villain at the 1999 MTV Movie Awards.
In 2001, McGowan replaced Shannon Dougherty on the popular television series “Charmed” as the long lost Halliwell sister ‘Paige.’ She starred opposite Alyssa Milano and Holly Marie Combs until the show ended in 2006. For her role as ‘Paige,’ she won the 2005 Family Television Award for Favorite Sister. Recently, she starred opposite Jonathan Rhys Myers in the television mini-series “Elvis,” playing ‘Ann-Margaret,’ and in the feature film “The Black Dahlia” alongside Hilary Swank, Josh Hartnett and Scarlett Johansson.
McGowan currently resides in Los Angeles, CA.
Born in France to Moroccan parents, Saïd Taghmaoui (Ela-Shan) was first noticed by film enthusiasts for his role as the Arab punk in “La Haine,” which debuted at the Cannes Film Festival in 1995. The film went on to win many awards around the world at various film festivals, as well as earning Taghmaoui a César nomination (France’s equivalent to the Academy Award®) as Most Promising Newcomer.
Saïd was last seen as ‘Breaker’ in the hit Paramount feature “G.I. Joe: The Rise of Cobra.” With many French films to his credit, his first English-language role was as Kate Winslet’s lover in “Hideous Kinkey,” which led him to being cast as the brutal Iraqi officer in David O. Russell’s “Three Kings.” Taghmaoui has since starred in Neil Jordan’s “The Good Thief,” David Mamet’s “Spartan,” and “Hidalgo” opposite Viggo Mortensen. He reunited with David O. Russell in “I Heart Huckabees.” Additional titles include Marc Forester’s “The Kite Runner” and a lead role opposite Don Cheadle and Guy Pierce in “Traitor.”
On the small screen he has appeared in “The West Wing,” “Sleeper Cell” and recently completed filming “Between Two Rivers” for HBO.
A former boxer who was ranked second in his division at the height of his athletic career, Taghmaoui chose acting as a different option thanks to his friendship with writer/director/actor Mathieu Kassovitz. Together they wrote the French film “La Haine.”
Ron Perlman’s (Corin) film career was interrupted for a three-year run on CBS’ critically acclaimed “Beauty and the Beast” for which he received a Golden Globe® Award for Best Actor along with two Emmy® nominations and three Viewers For Quality Television Awards. Other television work includes HBO’s “The Second Civil War,” “Mr. Stitch,” “The Adventures of Captain Zoom,” the Rob Nilsson adaptation of the Rod Serling classic “A Town Had Turned to Dust” for the Sci-Fi Channel, and “The Magnificent Seven.” Most recent credits include Stephen King’s mini-series “Desperation” for ABC; Larry Fessenden’s indie “The Last Winter;” “In The Name of the King,” with Jason Statham; a “Masters of Horror” episode directed by Jon Carpenter for Showtime; the independent feature “The Mutant Chronicles,” opposite Thomas Jane and John Malkovich; “I Sell the Dead,” opposite Dominic Monaghan; “Outlander” opposite Jim Caviezel and John Hurt; and “Bunraku” opposite Demi Moore, Josh Harnett and Woody Harrelson. Ron reprised his role in Guillermo del Toro’s sequel to “Hellboy” titled “Hellboy 2: The Golden Army” and can be recently seen in “Season of the Witch” opposite Nicolas Cage. Ron recently wrapped the third season of the critically acclaimed FX series entitled “Sons of Anarchy” where he plays ‘Clay,’ the president of a motorcycle gang.
Dedicated and talented are just two of the words to describe actor Leo Howard (Young Conan). At such a young age this preteen has accomplished more in his short life than adults three times his age! Currently, Leo hosts a show called “Leo Little’s Big Show,” on the Disney Channel that keeps viewers up to date on their favorite Disney stars, movies and programs. The show began airing February 26, 2009, replacing “Disney's Really Short Report.” Leo will be starring, along with Jason Earle (“Hannah Montana”) in the new Disney XD series, “Wasabi Warriors,” which will be premiering in the spring of 2011. Leo also did a lead role in the indie film “Logan,” a movie about the bonding of two brothers as they realize the importance of having dreams and supporting each other in realizing those dreams. The film is available now on DVD.
Leo can also be seen in lead role of ‘Laser’ in the Warner Brothers family movie “Shorts.” The film also stars Kat Dennings, William H. Macy and James Spader and is written and directed by Robert Rodriguez (“Spy Kids,” “Spy Kids 2,” “The Adventures of Shark Boy and Lava Girl”).
In addition to “Shorts,” Leo had a supporting role in blockbuster summer hit “G.I. Joe: The Rise of Cobra” for Paramount Pictures, where he played the part of ‘Young Snake Eyes’ (and the majority of the critics have said that Leo’s fight scene is the best in the movie!). In addition to acting, Leo is a martial arts expert and did all of his own stunts in the movie that stars, Channing Tatum, Marlon Wayans, Robert Park and Dennis Quaid. The film is directed by Stephen Sommers (“The Mummy,” “The Mummy Returns,” “Van Helsing”).
He is also a member of the Sideswipe Performance Team a martial arts-based group that blends traditional martial arts such as Karate and Tae Kwon Do, with gymnastics and acrobatics, to create an extreme, high-flying display of talent, strength and stamina unlike anything else. Based in Los Angeles, the team is headed by Leo’s trainer, martial arts expert, Matt Mullins. Sideswipe has been entertaining audiences across the country over the last three years, performing on television, stage, at sporting events, live action shows and karate tournaments. Leo is credited as part of a very small handful of kids in the world that can perform on this high intensity level. Mullins, a fourth degree black belt, world champion martial artist, and NASM (National Association of Sports Medicine) certified trainer, has been training Leo for the past five years. Not one to take on such young student, Mullins saw something special in Leo right from the start and has been a key factor in helping Leo hone his skills to perfection!
Born in California, Leo knew at a very early age that he wanted to perform. He began studying martial arts at the age of 5. He picked up on the sport quickly and by the time Leo was 8 years old, he had already won three world championships! Leo’s specialties are Wushu, Shorei Ryu and Shorin Ryu (in which Leo holds his black belt). When he was 7, Leo decided to take it to the next level and began learning extreme martial arts where he was taught to add gymnastics to his routine. Leo has always been an exceptional kid and he wasn’t even 9 years old when he told his mom he wanted to act and be the next Bruce Lee. Having very supportive parents, who saw a passion and dedication in their child that you rarely see in most adults, they decided to nourish his passions and Leo has been on a roll ever since!
When Leo isn’t acting or studying martial arts, he helps his parents breed English and French Bulldogs. He also enjoys spending time with his two dogs, a 7 year old English bulldog named Lola, and 3 year old French bulldog named Poodle.
Leo resides in Fallbrook, CA
Steve O’Donnell’s (Lucius) career started in the early eighties where he worked exclusively in theatre, with companies such as Common Stock, Durham Theatre Company and The Lyric Theatre Hammersmith. His favorite role of that time was ‘Dim,’ in a production of “A Clockwork Orange,” for The Man in the Moon Theatre in Chelsea.
By the mid to late eighties, Steven had become a familiar face in film and television. His television credits include “Shameless,” “Minder,” “The Outsiders,” “Silent Witness,” “Foyle’s War, “The Bill,” “Doc Martin,” “Casualty,” and “Lovejoy,” as well as a host of others. He was particularly known for his extensive work in television comedy, where his credits include “Lee Evans: So What Now,” “Bottom,” “French & Saunders” and “Nelsons Column.” Steven has been a regular with the infamous Comic Strip, and has appeared in many of their numerous productions for film and television.
Steven has over twenty film credits to his name. He has worked with stars such as Michael Caine, Tom Cruise, Gwyneth Paltrow, Heath Ledger, Judi Dench, Anthony Perkins and….The Spice Girls.
Favorites among his movie credits so far include “Finding Rin Tin Tin,” “A Knight’s Tale,” “Churchill: The Hollywood Years,” “Far and Away,” and “Shakespeare in Love,” for which he won a Screen Actors Guild award as part of the prestigious ensemble.
British actor Raad Rawi (Fassir – High Priest) is of Iraqi and Russian descent and spent his formative years in Cairo, Paris, and Geneva, before studying economics in California. He switched to drama and trained as an actor at the Bristol Old Vic Theatre School. Rawi’s extensive theatre credits include classical and modern plays at the National Theatre, Royal Shakespeare Company, Chichester Festival Theatre and London's West End, in works such as “King Lear,” “Electra,” “Bombay Dreams” and “Stuff Happens” (David Hare's play on the lead-up to the Iraq war). He has just finished a United States tour of the widely acclaimed production of “The Great Game: Afghanistan,” which culminated in a special performance for the Pentagon in Washington D.C.
Rawi’s recent films include “Green Zone,” for director Paul Greengrass; “Traitor,” with Don Cheadle and Guy Pearce; and “The Kingdom,” with Jamie Foxx and Jennifer Garner. Some of his television appearances include “Murphy's Law,” “Wire in the Blood,” “MI-5” and “Silent Witness.”
Nonso Anozie (Artus) trained at the Central School of Speech and Drama. Upon graduating he became the youngest person in history to play ‘King Lear’ for the Royal Shakespeare Company. He then played opposite Kenneth Branagh as the Prisoner in David Mammet's “Edmond,” at the National Theatre. Nonso won world-wide acclaim for his performance of the title role in the Cheek by Jowl theatre company’s world tour of “Othello.”
Nonso's theatre career has seen him play at national theatres in major cities all over the world, including New York, Los Angeles, Paris, Rome, Hong Kong, Madrid, Sydney, Moscow and London. Nonso's film and television career mirrors his theatre work, with leading roles in Oscar®-nominated and BAFTA-winning productions including, Joe Wright's “Atonement,” Mike Leigh’s “Happy Go Lucky,” “RocknRolla,” “Cass,” “Brighton Rock,” “The Last Legion,” and “Occupation.” Most recently he completed work on “Stolen,” a television film directed by Justin Chadwick.
Nonso's distinctive voice has been included in many different commercials, radio plays and video games world wide.
Nonso was first place winner of the Ian Charleson Award for “King Lear” and “Othello,” the Screen Nation Award for Emerging Talent in “Cass,” the Chinese Magnolia Award for Best Actor in “Othello,” and a British Press Guild award and a BAFTA for Best Drama Serial, both for “Occupation.”
Bob Sapp (Ukafa) was an American Football player, kickboxer, mixed martial artist and professional wrestler before he began his career in movies. Affectionately known as “The Beast,” due to his size and charismatic aggression, the 6’4” lineman played for several NFL teams before beginning his pro fighting career in 2000 when he defeated William “The Refrigerator” Perry in FX’s “Toughman” boxing special.
Best known as ‘Switowski’ in Paramount’s sports-comedy remake, “The Longest Yard,” with Adam Sandler and Chris Rock, Sapp appears in the film with other pro wrestlers, including Stone Cold Steve Austin and Kevin Nash. Additional feature film character highlights include Lionsgate’s horror comedy “Frankenhood;” a mob leader’s best fighter ‘Hammerman’ in Ben Ramsey’s mixed martial arts splatter-fest “Blood and Bone;” director Rob Schneider’s prison-yard comedy “Big Stan,” appearing alongside other real life MMA fighters Randy Couture and Don Frye; and ‘Stone,’ a highly trained martial artist physically invulnerable to anything in Rob Bowman’s superhero movie “Elektra,” starring Jennifer Garner.
Bob began his acting career in the comic Japanese crime series “You’re Under Arrest,” based on Kosuke Fujishima’s manga and anime franchise “Taiho Shichauzo.” He is also featured in Takashi Miike’s “Izo,” the fantasy horror film that recounts the after-death experiences of 19th century samurai and assassin Izo Okada. The actor, who won the 2004 IWGP world heavyweight title from Kensuke Saski, is well known in Japan where he appears in television programs and commercials, and has also released a music CD titled “It’s Sapp Time.”
Milton Welsh (Remo) studied acting at the Fritz Kirchhoff School-the Circle in Berlin, and the Lee Strasberg Theatre Institute in New York between 1992 and 1997. At the same time he was a member of the Hexenkessel Hoftheater Company in Berlin, an open-air theatre devoted to Shakespeare, where he portrayed ‘Richard the III’ in “Richard the III,” ‘Bottom’ in “A Midsummer Night`s Dream,” and ‘Petrucchio’ in “The Taming of the Shrew,” directed by J.C. Zimmermann from 1994 to 2004. His early stage work included a role in Camus’ “The Plague,” directed by Jeremy Weller at the Volksbühne in Berlin. Weller famously invited some homeless people to become cast members, and they enjoyed performing on stage so much that in 1992 Milton and the other actors helped them found Ratten 07 Company, which still performs today.
Several stage roles followed, including Rob Becker’s “Defending the Caveman,” the two and a half hour one man comedy directed by Esther Schweins, which Milton began performing in 2005 and continues to this day. In 2008 he performed Sam Shephard’s “True West” for director Frank Hoffmann at Theatre National du Luxembourg (TNL), during the prestigious theatre festival Ruhrfestspiele Recklinghausen and at the Renaissance Theater in Berlin. He followed with the lead role of ‘Peter Evans,’ a Gulf War veteran, in the Tracy Letts’ critically acclaimed stage play “Bug,” directed by Anne Simon at TNL in 2009.
Milton has also acted in numerous film and television productions. Most recently Roman Polanski’s “The Ghost Writer,” which won the Silver Bear at the 2010 Berlinale; Vanessa Jopp’s “Ladylike;” the lead in “Shade Um Das Schone Geld” for director Lars Becker; “Must Love Death,” directed by Andy Schaap (screened at the Montreal Fantasy Film Festival in 2009); “Lauf Der Dinge” by Rolf Wolkenstein; “Nitro” for directing team Mike Majzen and David Schalko; and the award-winning short “Sunday in August,” from Marc Meyer.
Before becoming an actor, Milton was a cook (1986-19991 in the Navy) and served as a sailor (1990-1991) for two years in the Navy/armed forces during the first Gulf War on the Fregatte Bremen, which was stationed fifty nautical miles from Israel`s coastline while Haifa and Tel Aviv where under bombardment. Milton was born on the 3rd of February, 1969, in Kassell, Germany.
ABOUT THE FILMMAKERS
Marcus Nispel (Director) has garnered numerous awards for his commercials and music videos. With this talent he has recently directed the feature film, “Friday The 13th,” which shattered all box office records for the highest opening ever for a horror film.
Nispel also directed the feature film, “Pathfinders,” which he developed and co-produced with producer Mike Medavoy at Phoenix Pictures and which was distributed by 20th Century Fox in April 2007. In tandem, Marcus has published the graphic novel of “Pathfinders,” with artwork by Christopher Shy.
Nispel made his feature film-directing debut in 2003, with “The Texas Chainsaw Massacre” for New Line Cinema, which grossed over $100,000,000 making it the most profitable movie of the year. Nispel’s first venture in directing and producing for television was a modern retelling of “Frankenstein,” written by Dean Koontz and co-produced by Martin Scorsese.
Being German-born, Nispel started his career in advertising as an art director for Young & Rubicam in Frankfurt, Germany. He came to America on a Fulbright scholarship in 1984 at the age of 20 and made his directing debut in 1989 with a series of music videos for C&C Music Factory.
While living in New York, Nispel founded and operated his own production company, Portfolio Artists Network, before merging with RSA-USA, and then joining MJZ in 2000. To date Nispel has directed over 1000 commercials and music videos, with commercial clients including: Coca-Cola, Kodak, Levi’s, L’Oreal, Mercedes, Nike, Pepsi, Showtime, UPS, US Postal Service, well as MTV, ABC, CBS and NBC. Nispel has been awarded numerous international advertising accolades including several Clio Awards, the Moebius Award, and the Grand Prix at the BDA Awards.
His music videos include over fifteen number one songs and several breakthrough videos for artists such as the Spice Girls, Simply Red, Puff Daddy, Bush, No Doubt, the Fugees, George Michael, Janet Jackson, Elton John, Billy Joel, Aretha Franklin, Cher, Mariah Carey, k.d. Lang, Tony Bennett, C&C Music Factory, Bette Midler, LL Cool J, Bryan Adams and Gloria Estefan.
His work has garnered 12 MTV Music Video Award nominations resulting in four MTV Music Video Awards, including a 1993 MTV Best European Video Award for "Killer/Papa was a Rolling Stone" by George Michael.
Nispel has won two Billboard awards and Music Video Filmmaker Association Awards as well as the MVPA Lifetime Achievement Award in 2001. His work is now part of the permanent collection at the Museum of Modern Art and has been screened at the New York Film Festival, the Art Director’s Club, and at the Film and Broadcast Museum in Frankfurt. Nispel has also won honors from the New York, Houston and Chicago Film Festivals and the Art Director’s Club. In 1997, Nispel was featured as a speaker at the AICP MOMA Show. The AICP has honored him with several awards.
In 1996 he was honored at the Film Society of Lincoln Center’s "Cross Cultural Dreams" retrospective of his music videos. He was featured in a chapter of Armond White’s book on the pop revolution and was a recipient of the Black Achievement Award for the positive portrayal of African Americans in mass media.
Nispel has been featured in Vogue, Vanity Fair, Details, The New York Times, The LA Times, AdWeek, AdAge and Creativity. He has been the subject of two documentaries and was featured in Time Magazine’s year-end issue "Best of 1996" for his Fidelity Investments campaign, "A Time Has Come Today."
Thomas Dean Donnelly (Writer) grew up in Sayreville, NJ, just like Jon Bon Jovi. He received his bachelor’s degree in film and writing from Vassar College and a Masters in Cinema Production from the University of Southern California.
Tom then partnered with fellow USC alumni Joshua Oppenheimer in 2002 to write and executive produce the two hour pilot, “Thoughtcrimes,” for the USA Network. In the following year, the pair had two scripts produced. The first was “Sahara,” starring Matthew McConnaughey, Penelope Cruz, Steve Zahn and William H. Macy for Paramount Pictures; and the second, “A Sound of Thunder,” starring Sir Ben Kingsley, Ed Burns and Catherine McCormack for Warner Brothers.
Set for release this year is the independent film “Dylan Dog: Dead of Night,” starring Brandon Routh and Sam Huntington, based on the popular Italian comic book and produced by Hyde Park and Platinum Studios.
As for future productions, the writers have written or are writing “Uncharted: Drake’s Fortune,” based on the best-selling video game; an adaptation of the classic Marvel comic “Doctor Strange;” and an adaptation of the sci-fi manga “Voltron.”
Tom lives in Los Angeles with his wife Moira and their two children, Aidan and Solea.
Joshua Oppenheimer (Writer) was born in New York City and raised in Westchester County, just outside the Metropolitan area. He graduated from Northwestern University, majoring in Film and Theater.
Josh then partnered with fellow USC alumni Thomas Dean Donnelly in 2002 to write and co-executive produce the two hour pilot “Thoughtcrimes,” starring Navi Rawat, Joe Flanigan and Peter Horton for USA Network. In the following year, the pair had two scripts produced. The first was “Sahara,” starring Matthew McConnaughey, Penelope Cruz, Steve Zahn and William H. Macy for Paramount Pictures; and the second, “A Sound of Thunder,” starring Sir Ben Kingsley, Ed Burns and Catherine McCormack for Warner Brothers.
Set for release this year is the independent film “Dylan Dog: Dead of Night,” starring Brandon Routh and Sam Huntington, based on the popular Italian comic book and produced by Hyde Park and Platinum Studios.
As for future productions, the writers have “Drake’s Fortune: Uncharted,” based on the best-selling video game, in pre-production at Sony Entertainment. In active development, they are currently waiting on “Doctor Strange” for Marvel Entertainment, with the feature adaptation of “Voltron” next in line for Relativity.
Joshua lives in Los Angeles with his wife Lucy and their two daughters Olivia and Juliana.
Sean Hood (Writer) is an American screenwriter best known for horror films, and more recently, action/thrillers.
Hood graduated from Brown University, with a double major in pure mathematics and studio art, and then spent several years working in Hollywood as a set dresser, prop assistant and art director working with filmmakers as diverse as James Cameron, David Fincher and David Lynch. He continued his studies at the USC School of Cinematic Arts, graduating with an MFA in production. His student short film, “The Shy and the Naked” won a grant from the Sloan Foundation for the positive portrayal of science. Hood sold his first spec screenplay to MTV Films in 2000, and went on to sign a deal with Dimension Films, which included rewrites on movies such as “Halloween: Resurrection.” Most recently he has written action films including “Hercules” for producer Avi Lerner and the science fiction film, “Subterranean,” for “Conan the Barbarian” director Marcus Nispel. As a director, Hood was one of the founding members of Filmmakers Alliance and often collaborates creatively with FA's president, Jacques Thelemaque. His most recent short film is “Melancholy Baby.”
Hood currently teaches screenwriting at USC School of Cinematic Arts.
Robert E. Howard (Creator of the character of Conan) was one of the greatest authors of his time. He is considered the creator of the "Sword and Sorcery" genre, which is best known through the character ‘Conan the Barbarian.’ Despite his short career - Howard died at age 30 after only 12 years as an author - he wrote over 800 stories and poems. Howard’s breakthrough came during the 1930s when the pulp magazine “Weird Tales” began publishing his work, which took their readers to ancient Atlantis, the North-African desert during WWI, secret opium dens in dark alleys and battlefields in northern Britain during the Roman invasion.
Robert E. Howard's life was dramatized in the feature film “Whole Wide World,” in which Howard is portrayed by Vincent D'Onofrio. Renée Zellweger is Novalyne Price, a schoolteacher in Cross Plains, Texas, where Howard lived most of his life. The two had a stormy relationship during two years in the mid 1930s and the film is based on Price's memoirs, “One Who Walked Alone.” Among the many great characters from Howard are Kull, Solomon Kane and Bran Mak Morn.
Fredrik Malmberg (Producer) co-founded Paradox Entertainment in 1999. Mr. Malmberg serves as the company's President and CEO, and directly oversees film development as Producer. Malmberg facilitated the purchase of “Conan The Barbarian” and the Robert E. Howard library on behalf of Paradox Entertainment and continues to manage the exploitation of the properties through various media and licensing. He is also the President and CEO of the Sweden-based parent company Paradox Entertainment AB (publ).
Malmberg executively produced "Let Me In," the remake of Swedish cult vampire movie "Let The Right One In." He also recently executively produced "Setup" (Bruce Willis, 50 Cent, Ryan Phillippe) and "Freelancers" (Robert De Niro, Forest Whitaker, 50 Cent).
Prior to his position at Paradox Entertainment, Mr. Malmberg was Founder and CEO of Target Games for 19 years. At Target, he developed many successful international character brands across a broad range of product categories, including Mutant Chronicles, Chronopia and Kult. He also built a successful retail chain of Tradition gaming stores in Sweden. Mr. Malmberg is a member of the Producer's Guild of America.
Boaz Davidson (Producer) is a prolific filmmaker who has produced some 75 motion pictures, written more than 30 and directed over 40 films. His many credits include directing such movies as “Lemon Popsicle,” “Looking for Lola,” “Outside the Law,” “Solar Force,” “Salsa,” “Going Bananas,” “Dutch Treat” and “The Last American Virgin.”
Born in Tel Aviv, Davidson began his association with Nu Image/Millennium Films in 1995. He currently serves as the company’s head of production and creative affairs.
After graduating from the University of Southern California with a degree in business administration, George Furla (Producer) started his career with Cantor Fitzgerald and Company. At Cantor Fitzgerald he served as an equity trader from 1982 to 1985. After his run with Cantor Fitzgerald, Mr. Furla worked with Jones and Associates for three years in a similar capacity.
In 1988, Mr. Furla left Jones and Associates to run a hedge fund, which he also established. Mr. Furla ran the hedge fund for ten years, after which he jointly formed a film production company with his partner, Randall Emmett. At Emmett/Furla Films Mr. Furla utilizes his hedge fund approach to model out film financing scenarios. Mr. Furla and Mr. Emmett share responsibility in both concept development and arrangement of the financing of the films.
Emmett/Furla Films has produced a large number of films including: “Rambo,” “16 Blocks,” “The Wicker Man,” and “Righteous Kill,” among many others.
Danny Lerner (Producer) was born in Israel, his industry career started with working in the distribution of films. He went on to manage a cinema chain and subsequently moved into production when he joined Nu World Productions in 1986. Since then, he has produced over 70 films, shot on location in South Africa, Namibia, Israel, Mexico, Bulgaria, Canada and United States. In 2003, he found a Tosca Pictures with a long time friend, Les Weldon.
They currently complete the feature movie, “Target of Opportunity” with Dean Cochran and Todd Jensen in Bulgaria. His director credits include “Traitor’s Heart” (1999) with Bryan Genesse and “Shark Zone” (2003) with Dean Cochran, which was followed by “Raging Sharks” (2005) which he wrote, directed and produced. In 2005 he was able to work on two more titles, “Finding Rin Tin Tin” and “Today You Die” with Steven Seagal. His affair with German shepherds continued when he embarked on another family adventure “Cool Dog” (2010).
John Baldecchi (Producer) is currently in production in Santa Fe, New Mexico on “Odd Thomas,” based on the Dean Koontz novels. Written and directed by Stephen Sommers, the film stars Anton Yelchin and Willem Dafoe. In the fall, Baldecchi will begin production in Finland on “Nicolas North,” with Julianne Moore starring and Antti Jokinen directing. The adventure fantasy is based on the epic Finnish poem, “The Kalevala,” and is the first film in a planned trilogy, which Baldecchi will produce.
Previously, Baldecchi executive produced “88 Minutes.” Shot on location in Vancouver, British Columbia, the Tristar release stars Al Pacino and Leelee Sobieski. John also produced “Ultra Violet,” an action-drama for Sony/Screen Gems, written and directed by Kurt Wimmer. The movie stars Milla Jovovich and was shot in Hong Kong and Shanghai.
Baldecchi began his film career after graduating from UCLA with a degree in economics and finance. He first landed at Moffit-Lee Productions as an intern, which eventually led to independent film production. He took his first development job with Wizan/Black Films as a creative executive, later moving on to Laurence Mark Productions as Director of Development. Promoted to Vice President and then President and Producer, Baldecchi co-produced Disney’s “The Adventures of Huck Finn,” starring Elijah Wood and directed by Stephen Sommers. Producing credits that followed include Miramax’s “Gunmen,” starring Christopher Lambert and Mario Van Peebles; “Tom & Huck,” starring Brad Renfro and Jonathan Taylor Thomas, with Peter Hewitt directing for Walt Disney Pictures; the action-thriller “Deep Rising,” starring Treat Williams and Famke Janssen, written and directed by Stephen Sommers; and DreamWorks Pictures’ action-comedy, “The Mexican,” starring Julia Roberts and Brad Pitt, with James Gandolfini and Gene Hackman, directed by Gore Verbinski. Baldecchi executive produced the Touchstone Pictures release “Simon Birch,” inspired by the John Irving novel, “A Prayer For Owen Meany.” The film stars Ashley Judd, Jim Carrey, Oliver Platt and David Straithairn, directed by Mark Steven Johnson. Baldecchi also helmed portions of the second unit on the film.
Baldecchi’s first foray into television was as executive producer on ABC’s “Oliver Twist,” starring Richard Dreyfuss and Elijah Wood directed by Tony Bill. On the directing front, he helmed segments of the Fox drama, “Beyond Belief.”
John Baldecchi currently oversees a development slate that includes features, hour dramas and mini-series. He is a member of the WGA, DGA, PGA and resides in Los Angeles.
Les Weldon (Producer) is a writer/producer whose diverse portfolio includes action films, thrillers, comedies, and network television. His credits include 13 films starring such actors as Jean-Claude Van Dame, Steven Seagal, Dolph Lundgren and Charlton Heston, among others. He has written on location in five continents and seven countries, including the United States, Canada, England, Israel, Hong Kong, Venezuela and Bulgaria. Born and raised in Brazil, by age twelve Les had already won a junior Pan-American writing contest. At seventeen, he had his first short story, “The Book,” published in Sandstone Magazine.
Les attended the University of Southern California where he majored in Business Administration, with a minor in Film. Upon graduation, Les was commissioned to write two features for Sony Studios. Following that, Les began writing for the CBS series “Dangerous Curves.” Les most recent credits include the critically acclaimed “Replicant,” which garnered Van Damme a Best Actor nomination at the DVD Premiere awards; “Hidden Agenda,” a Dolph Lundgren action-thriller; and “The Order” where he worked once again with Van Damme.
Les formed a new company Tosca Pictures with partner Danny Lerner. Their first effort, “Target of Opportunity,” was written by Les and directed by Danny. Les and Danny followed it up with “Raging Sharks,” a sci-fi action film.
Les Weldon has also produced titles including Sylvester Stallone’s international hit, The Expendables; Train with Thora Birch; and John Cusack movie War, Inc. starring Ben Kingsley, Marisa Tomei and Hillary Duff.
Joe Gatta (Producer) was head of Millennium Films where he acquired the rights, developed and produced “Conan The Barbarian.” Joe's history with “Conan” dates back to 1999 when he was a literary agent at The Gersh Agency when he represented Conan Properties Inc. (CPI). Joe then made a deal with WB that lasted 8 years with filmmakers The Wachowski Bros. and Robert Rodriguez. During that time, CPI was sold to Stan Lee Media, and then to Paradox Entertainment which continued the deal at Warner Bros.
When Joe moved into production at Millennium Films, the rights became available and Joe brought the rights into the company with his former client Paradox Entertainment. The goal was to get the movie made in a reasonable amount of time after so many years of development. Joe quickly found a domestic partner in Lionsgate and the creative process was on its way.
While at Millennium, Joe oversaw development and production on a number of other movies over the course of his six years with the company. In May, 2011, Joe became the President of Production for the new company, Red Granite Pictures.
Henry Winterstern (Producer) – Bio Forthcoming
Frederick Fierst (Executive Producer) – Bio Forthcoming
Avi Lerner (Executive Producer) is co-chairman of Nu Image, Inc. and Millennium Films, Inc. With more than 300 films to his credit, he is one of the most experienced producers and distributors of independent films in the international motion picture industry. Most recently, Lerner produced the highly anticipated action hit “The Expendables” starring Sylvester Stallone, and “The Mechanic” starring Jason Statham.
Lerner was born in 1947 in Haifa, Israel. He studied economics at the University of Tel Aviv and served as a paratrooper in the Israeli Army. After a short period in the banking industry, Lerner entered the film business in 1972 when he established the first and only drive-in cinema in Tel Aviv. He went on to develop a chain of six movie theaters in Israel.
In the late 1970s, Lerner was the first to recognize the potential of the home video market. He effectively cornered the Israeli home video market by acquiring the rights to more than 7,000 motion pictures.
In 1984, Lerner went to South Africa to produce the remake of “King Solomon’s Mines,” starring Richard Chamberlain and Sharon Stone. The success of the film led to a sequel, “Allan Quatermain and the Lost City of Gold,” and Lerner’s decision to sell his Israeli company and relocate to Johannesburg, South Africa.
Between 1984 and 1992, Lerner produced more than 40 motion pictures in South Africa for his company Nu Metro Productions and sold them all over the world. In 1986, he acquired the Metro cinema chain in South Africa and the South African home video operations of Thorn EMI. Over the next four years, Lerner built the Nu Metro Entertainment Group into one of the largest and most aggressive entertainment companies in Africa. Nu Metro included four different companies encompassing production, distribution, theaters and home video.
In 1991 and 1992, partly as a result of the political instability in South Africa and partly because of Lerner’s desire to establish a Los Angeles based production and distribution company, Nu Metro Ltd. (excluding the film production operations) was sold. The proceeds were used partly to produce the first five films for the new group and partly to establish a new company in Los Angeles.
In 1992, Lerner moved to America and established Nu Image with Danny Dimbort and Trevor Short. In 1996, Nu Image formed Millennium Films to address the market’s growing need for quality theatrical films and higher budget action features, while Nu Image continued to cater to the lucrative worldwide home video market. Between the two divisions, over 230 films have been produced since 1992.
Today, Lerner is one of the most respected and prolific independent film producers in the industry. He is a member of the Board of Directors of both the Independent Producers Association and the American Film Marketing Association. His company Nu Image/Millennium Films currently produces between 14 and 15 independent pictures a year.
Under the Millennium label, Lerner has produced such films as “Lonely Hearts,” starring John Travolta, James Gandolfini, Jared Leto and Salma Hayek; “Black Dahlia,” with Hilary Swank, Josh Hartnett and Scarlett Johansson, under the direction of Brian DePalma; “16 Blocks,” directed by Richard Donner and starring Bruce Willis and Mos Def; “88 Minutes,” directed by Jon Avnet and starring Al Pacino, Alicia Witt and Leelee Sobieski; “Day of the Dead,” directed by Steve Miner and starring Christa Campbell, Nick Cannon, Mena Suvari and Ving Rhames; “The Contract,” with Morgan Freeman and John Cusack; “The Wicker Man,” with Nicolas Cage and Leelee Sobieski; “John Rambo,” with Sylvester Stallone and Julie Benz; “Mad Money,” with Queen Latifah, Katie Holmes and Diane Keaton; and “Righteous Kill,” starring Al Pacino and Robert De Niro, directed by Jon Avnet.
Danny Dimbort (Executive Producer) began his entertainment career with the Israeli distribution company Golan-Globus Films and became managing director within two years. In 1980, he moved to Los Angeles to join Cannon Films as head of foreign sales. He then returned to Israel to produce several feature films prior to joining Cannon/Pathé back in Los Angeles, where he was in charge of distribution. President of International Distribution at MGM until 1991, Dimbort then formed Nu Image with Avi Lerner and served as partner in charge of sales and marketing.
Trevor Short (Executive Producer) was born in Harare, Zimbabwe. He studied law at the University of Zimbabwe and obtained an M.B.A. degree at the University of Cape Town, where he was awarded the Gold Medal of Merit. After obtaining his law degree, Short entered the world of banking and commerce. He headed the Corporate Finance Division at Investec Bank in Johannesburg before joining Nu Metro Entertainment as Managing Director.
Following the acquisition of Nu Metro by a retaining giant, Short became Managing Director of Nu World Services, a film production company based in Johannesburg. In this capacity, Short produced films both in South Africa and outside the country.
Eda Kowan (Executive Producer) is the Sr. Vice President of Acquisitions and Co-Productions for Lionsgate where she has served for the past nine years. She has been involved with acquiring such diverse films as “Saw,” “The Descent,” “Religulous,” “Transporter 3,” “Precious,” “Kick-Ass,” “Buried” and “The Last Exorcism.”
In addition to acquiring completed films, she overseas negative pickups, collaborating with producers and filmmakers from script stage through to post-production and the release of the film. Most recent negative pickups she has been involved with include “Daybreakers” and “The Expendables.”
She also supervises all market and festival preparation including the prioritizing of films as potential acquisitions for Lionsgate.
Prior to Lionsgate, Eda Kowan got her start in acquisitions as an assistant at Trimark. Previous to that, she worked in production as well as film sales representing art house films at international festivals and markets.
John Sacchi (Executive Producer) has been at Lionsgate for 9 years. He worked on such productions as “Confidence,” “Employee of the Month,” “Pride,” “Punisher,” “My Best Friend's Girl” and “My Bloody Valentine 3-D.” He's currently the Sr. Vice President of Production. Prior to Lionsgate, John worked for Warner Bros based producer Denise Di Novi.
Michael Paseornek (Executive Producer) has been President of Film Production at Lionsgate since the company's inception in 1997.
In addition to being a key member of the senior management team that has guided Lionsgate from a startup into the leading independent film company, Paseornek has served as an executive producer or producer on over 50 films.
Variety has described him as one of the chief architects of the Lionsgate model.
Paseornek has been at the forefront of urban programming. He launched the film career of Tyler Perry and forged a production slate that includes Tyler Perry's blockbusters “Madea Goes to Jail,” “Why Did I Get Married,” “Diary of a Mad Black Woman” and “Madea’s Family Reunion,” all of which opened number one at the box office. He also forged a deal for the screen rights to the iconic African-American play, “For Colored Girls Who Have Considered Suicide When the Rainbow Isn’t Enuf.” He's spearheaded films ranging from comedies like “The Wash” to dramas such as “Pride” and the critically acclaimed “Akeelah and the Bee.”
In the horror genre, building on the success of the “Saw” franchise, Paseornek broke new ground with the box office hit “My Bloody Valentine 3D” - the first horror film utilizing new 3D digital technology. He also executive produced Rob Zombie's “Devil’s Rejects” and the remake of “The Eye,” starring Jessica Alba. Paseornek has continued to spearhead a 3D agenda with the animated family film “Alpha and Omega” and a slate of upcoming genre fare.
Paseornek has played a key role moving Lionsgate into the action arena with “Crank,” “The Punisher,” “The Forbidden Kingdom” and the remake of the classic “Conan The Barbarian” which is will be released this August.
In the prestige area, Paseornek executive produced “Monster’s Ball,” which earned Halle Berry an Oscar® for best actress, the critically acclaimed “Akeelah and the Bee,” which earned best picture honors at the Black Movie Awards and was the centerpiece of the first ever Starbucks movie promotion, “American Psycho,” “Shattered Glass” and “Buffalo 66.”
Over the past 25 years, Paseornek has played an important role in the emergence of the independent film scene. He founded Cinepix/Famous Players’ (CFP's) U.S. operations in 1992 which brought American audiences acclaimed films such as Academy Award® winner Ang Lee's first feature “Pushing Hands,” James Mangold's directorial debut “Heavy,” James Coburn's Oscar® winning performance in “Affliction,” and Bill Condon's Oscar® winner “Gods and Monsters.” When CFP went public and was renamed Lionsgate in 1997, the company grew into the leading independent film company with Home Entertainment and Television divisions. The Film division has had 25 Oscar® nominations in that time, including six for the 2006 best picture winner, “Crash,” and the critical hit “Precious.”
More than 30 of Paseornek's movies have been selected to appear in major festivals such as Cannes, Berlin, Sundance and Toronto.
Outside of Lionsgate, Paseornek serves on the board of directors of Mattel's Children's Hospital UCLA, is on the advisory board of Hearts of Hope, a foundation sending doctors to Latin America, and the board of Del Corazon, a year-round charitable camp for children with heart disease.
Paseornek began his career after graduating from New York University in 1974 when he became the writing partner of former National Lampoon editor Michel Choquette. He then became a humorist-speechwriter for some of the nation's leading business executives and worked as a script-doctor on a number of feature films.
In the late 70s, Paseornek met CFP's Canadian co-founders, John Dunning and Andre Link, and developed the sequel to their comedy hit “Meatballs.”
Paseornek is a member of the Academy of Motion Picture Arts and Sciences and the Writer's Guild of America. He has been a guest speaker at a number of institutions, including Harvard, New York University, and the American Film Institute and has served on numerous industry panels for organizations such as the NAACP and the Directors Guild of America.
Jason Constantine (Executive Producer) – Bio Forthcoming
Thomas Kloss (Director of Photography) is one of the most sought after cinematographers in film, commercials and music videos. He began his career when a close friend in advertising asked him to film a commercial for Amnesty International. Without formal training, but with confidence and a natural propensity for figuring things out, Thomas picked up a camera and his cinematography and lighting quickly garnered recognition and respect. Not long thereafter, he was working full time in commercials and German television.
The creative diversity of the United States market led him to America in 1989 where he began working on music videos. His exceptional lighting skills expressed the innate nature of such talent as Madonna, Lenny Kravitz and Jennifer Lopez, to name a few. Lady Gaga’s “Bad Romance,” a recent example of his work, received 10 nominations (winning seven) at the 2010 MTV Video Music Awards, including Video of the Year. It also won a Grammy for Best Short Form Music Video.
By 1994 Thomas added feature films to his portfolio with Peter Medak’s “Pontiac Moon,” starring Ted Dansen and Mary Steenbergen. Next was James Foley’s enthralling “Fear,” featuring early performances from Mark Wahlberg and Reese Witherspoon; followed by Volker Schlondorff’s romantic thriller “Palmetto,” with Woody Harrelson and Elisabeth Shue; and the Robert DeNiro and Eddie Murphy buddy-cop spoof “Showtime,” directed by Tom Dey. In addition to “Conan The Barbarian,” Thomas has worked with Marcus Nispel in commercials over the years.
Thomas grew up in Vienna, on the border of the Iron Curtin in the 1960s, third son of a prestigious news photographer. With his two older brothers and younger sister, they carried camera bags and tripods to important political gatherings; breaking news stories from Kennedy to Kruschev are some of his most formative and vivid childhood memories.
Ken Blackwell A.C.E. (Editor) collaborates regularly with many of Hollywood’s most respected filmmakers. Last year he edited “The Expendables” for director Sylvester Stallone, and in 2009 he edited “Friday The 13th” for director Marcus Nispel and producer Michael Bay. He recently served as associate editor on the blockbuster hits “Hancock” for director Peter Berg, and Michael Bay’s “Transformers.”
Blackwell was first assistant editor on Michael Bay’s “The Island,” Tarsem Singh’s “The Cell” and “The Fall,” Barry Sonnenfeld’s “Wild Wild West,” Mimi Leder’s “Deep Impact,” “The Lost World: Jurassic Park” from director Steven Spielberg, Tony Scott’s “True Romance,” Martin Brest’s “Scent of a Woman,” and the documentary “U2: Rattle and Hum.” He has provided a range of editorial services over his career including, visual effects editor for director Michael Mann’s “Collateral,” “Miami Vice,” and most recently “Public Enemies” and Rob Cohen’s “XXX.” His additional/associate editing credits include “League of Extraordinary Gentlemen,” “S1m0ne,” “Eraser” and “Under Siege 2: Dark Territory.”
On the small screen, Blackwell served as editor on the Steven Bochco series “Over There” and as first assistant editor for both seasons of the David Lynch series “Twin Peaks.” Ken got his start as an intern for Academy Award®-winning director Barbara Koppel on her documentary “American Dream.” He has a B.F.A. in film from the Tisch School of the Arts at New York University.
Chris August (Production Designer) has been involved in a wide range of projects from art direction on “I Robot” and “Underworld: Evolution,” to production design on “War” and “Battle in Seattle.” He began his film career with the 1980s hit comedy franchise “Ernest” for Disney. Other production design feature film credits include “Stan Helsing,” “Chaos,” “They Wait,” “Kevin of the North,” “Pirates of the Plain,” “The All New Adventures of Laurel & Hardy in “For Love or Mummy” and “Deadlocked: Escape from Zone 14.”
Chris has also designed TV series such as “John Doe” and “Maybe It’s Me,” and the MOW’s “Dad’s Week Off,” “An Unexpected Family,” “To Brave Alaska,” “The Limbic Region,” “When the Vows Break,” “Tears and Laughter: The Joan and Melissa Rivers Story,” “This Can’t Be Love” and “When a Stranger Calls Back.”
He has worked on productions all over the globe and was educated at the University of Florida. In addition to his work as a production designer, Chris is also an active painter and screenwriter. He is a competitive BMX racer with Canadian National ranking, as well as a snowboarder and water skier.
Wendy Partridge’s (Costume Designer) career includes designing costumes for both films and television. Her numerous credits include “Hellboy” (for which she received a Saturn Award nomination for Best Costumes), “Resurrecting the Champ,” “Silent Hill,” “Underworld,” “Underworld: Evolution,” “The Hitcher II: I’ve Been Waiting,” “Blade II,” “Texas Rangers,” “Highlander: Endgame,” and the 2010 fantasy-thriller “Legion.”
Additionally, her work was recognized in 2007 with an Emmy® nomination for Outstanding Costumes for the television movie “Broken Trail,” and in 2001 with a Genie Award nomination for her costume designs on the telefilm “Come l’America.”
Other notable television credits for Patridge include “The Secret of the Nutcracker,” “Ultra,” “Call Me: The Rise and Fall of Heidi Fleiss,” “High Noon,” “Heart Full of Rain,” “In Cold Blood,” and the series “Lonesome Dove: The Outlaw Years.”
Tyler Bates (Music by) – Bio Forthcoming
Kerry Barden (Casting Director) and Paul Schnee’s (Casting Director) recent and current feature film credits include the 2010 Sundance Grand Jury-Prize winner, “Winter’s Bone,” which also received the 2010 Gotham Award for Best Feature and Outstanding Ensemble Cast. The film also led this year’s Independent Spirit Award nominations, receiving both the Best Supporting Male (John Hawkes) and Best Supporting Female (Dale Dickey) awards. “Winter’s Bone” also garnered Academy Award® nominations for Jennifer Lawrence (Best Actress) and John Hawkes (Best Supporting Actor).
At the 2011 Sundance Film Festival, Barden/Schnee Casting was represented by the films “Higher Ground,” the directorial debut of actor Vera Farmiga, starring Farmiga, Bill Irwin, Joshua Leonard, Norbert Leo Butz and Donna Murphy; “Win Win,” directed by Tom McCarthy and starring Paul Giamatti, Amy Ryan and Bobby Connavale; “The Son of No One,” directed by Dito Monteil and starring Channing Tatum, Al Pacino, Tracy Morgan, Ray Liotta and Katie Holmes; “Flypaper,” starring Patrick Dempsey, Ashley Judd and Tim Blake Nelson; and “Silent House,” directed by Chris Kentis and Laura Lau.
Other recent and forthcoming films are “The Help,” for DreamWorks, based on the best selling novel and starring Emma Stone, Viola Davis, Allison Janney and Bryce Dallas Howard; “Peace Love and Misunderstand,” directed by Academy Award® nominee Bruce Beresford and starring Jane Fonda, Catherine Keener, Jeffrey Dean Morgan and Kyle MacLachlan; “Conviction” with Hilary Swank, Sam Rockwell and Minnie Driver, directed by Tony Goldwyn; “Every Day” with Helen Hunt, Live Schreiber and Brian Dennehy; “The Big Bang” starring Antonio Banderas; New York casting for Paul Haggis’s “The Next Three Days,” starring Russell Crowe, Elizabeth Banks, and Olivia Wilde; and the directorial debut of Academy Award® winning screenwriter Dustin Lance Black, “What’s Wrong With Virginia,” starring Jennifer Connelly, Ed Harris, Amy Madigan and Toby Jones.
|Unit Production Managers |
|VESSELIN KARADJOV |
|GABRIEL GEORGIEV |
| |
| | | |
|First Assistant Director |
|MARK ROPER |
| |
| | | |
|First Assistant Director, Bulgaria |
|PETYA EVTIMOVA |
| | | |
|Second Assistant Director |
|ROBYN GLASER |
| | | |
|Visual Effects Producer |
|SCOTT COULTER |
| | | |
|Stereoscopic Supervisor |
|EVAN JACOBS |
| | | |
|Post Production Supervisor |
|GEORGE GALE A.C.E. |
| | | |
|Cast |
|Conan | |JASON MOMOA |
|Khalar Zym | |STEPHEN LANG |
|Tamara | |RACHEL NICHOLS |
|Corin | |RON PERLMAN |
|Marique | |ROSE McGOWAN |
|Ukafa | |BOB SAPP |
|Young Conan | |LEO HOWARD |
|Lucius | |STEVEN O’DONNELL |
|Artus | |NONSO ANOZIE |
|Fassir | |RAAD RAWI |
|Fialla | |LAILA ROUASS |
|Ela-Shan | |SAÏD TAGHMAOUI |
|Remo | |MILTON WELSH |
|Wild Man | |BORISLAV ILIEV |
|Akhun | |NATHAN JONES |
|Cheren | |DIANA LUBENOVA |
|Donal | |IOAN KARAMFILOV |
|City Guard #1 | |RAICHO VASILEV |
|City Guard #2 | |STANIMIR STAMATOV |
|Lieutenant | |NIKOLAI STANOEV |
|Young Marique | |IVANA STANEVA |
|Slavegirl #1 | |ALINA PUSCAU |
|Slavegirl #2 | |ZLATKA RAIKOVA |
|Xaltotun | |ANTON TRENDAFILOV |
|Sacrificial Victim | |AYSUN APTULOVA |
|Acolyte Priest | |DANIEL RASHEV |
|Pict #1 | |SAMUEL HARGRAVE |
|Pict #2 | |JACKSON SPIDELL |
|Pict #3 | |GUILERMO GRISPO |
|Pict #4 | |RADOSLAV PARVANOV |
|Nun (Student #1) | |TEODORA DUHOVNIKOVA |
|Nun (Student #2) | |SHELLY VAROD |
|Nuns | |TEZDJAN AHMEDOVA |
| | |ULIANA VIN |
| | |YOANA TEMELKOVA |
| | |NADIA KONAKCHIEVA |
| | |PETYA MLLUSEVA |
| | |RUSLANA KANEVA |
| | |GLORIA PETKOVA |
| | |ZDRAVKA KRASTENYAKOVA |
|Cimmerian Elder - Uran | |STANISLAV PISHTALOV |
|Prison Clerk | |VELIMIR VELEV |
|Monks | |ZHAIDARBEK KUNGUZHINO |
| | |ERIC LACISTE |
| | |BRIAN ANDREW MENDOZA |
| | |NUO SUN |
| | |KIM DO |
|Quarter Master | |BASHAR RAHAL |
|Maliva | |GISELLA MARENGO |
|Young Marique | |YOANA PETROVA |
|Den Barman | |VLADIMIR VLADIMIROV |
|Horse Warrior | |SAMUEL HARGRAVE |
|Valeria | |KATARZYNA WOLENJINO |
|Pirate | |DAVID MASON CHLOPECKI |
|Belly Dancers | |ALEKSANDRINA VLADOVA |
| | |GUERGUINA ILIEVA |
|Mama | |STEFKA BEROVA |
|Topless Wenches | |VANGELITSA KARADJOVA |
| | |BLAGOVESTA CAKOVA |
| | |SVETLANA VASILEVA |
| | |ZORNITSA STOICHEVA |
| | |ZHENIA ZHELEVA |
| | |NIKOL VASILEVA |
| | |ADRIANA KALCHEVA |
| | | |
| | | |
|Stunt Coordinators | |DAVID LEITCH |
| | |NOON ORSATTI |
|Stunt Coordinator/ Horse Master, Bulgaria | |KALOYAN VODENICHAROV-KALA |
|Fight Coordinator | |JOHATHAN EUSEBIO |
|Mr. Momoa’s Stunt Doubles | |DIYAN HRISTOV |
| | |DANKO YORDANOV |
|Mr. Momoa’s Riding Double | |IVAILO DIMITROV |
|Mr. Lang’s Stunt Double | |SAM HARGRAVE |
|Ms. Nichols’s Stunt Double | |MONIQUE GANDERTON |
|Ms. Nichols’s Body Double | |TEODORA IVANOVA |
|Ms. Nichols’s Riding Double | |ALFIYA KUNGUZHINOVA |
|Ms. McGowan’s Stunt Double | |ELITZA RAJEVA |
|Mr. Perlman’s Stunt Double | |DANKO YORDANOV |
|Mr. Howard’s Stunt Doubles | |IVAN VODENICHAROV |
| | |DEYLAN DIMITROV |
| | |ARMAN KAMOEVICH |
|Mr. O’Donnell’s Double | |VLADIMIR VLADIMIROV |
|Mr. Taghmaoui’s Doubles | |JONATHAN EUSEBIO |
| | |GEORGE MANCHEV |
|Mr. Welsh’s Double | |BORISLAV ILIEV |
|Stunt Department Office Coordinator | |DELYAN KALOYANOV |
|Mr. Momoa’s Personal Trainer | |ERIC LACISTE |
| | | |
|Riggers | |JINDRICH KLAUS |
| | |LEOS STRANSKY |
| | |DAVID LITSVAN |
| | | |
|Stunts |
|GEORGI DIMITROV | |VENTSISLAV STOYANOV | |DIMITAR DOYCHINOV |
|GEORGI STANISLAVOV | |GEORGI KARLUKOVSKI | |ELITSA RAZHEVA |
|GEORGI MANCHEV | |RUMEN PETROV | |KRASIMIR MITOV |
|TRAYAN MILENOV | |RADOSLAV PARVANOV | |SVILEN STERLEV |
|STILYAN MAVROV | |KALIN KERIN | |BOYAN ANEV |
|IVAYLO DIMITROV | |TODOR TSOLOV | |ULAN BAKTAKUNOV |
|DANKO YORDANOV | |ASEN ASENOV | |VASSILIY PERETYATKO |
|BORISLAV ILIEV | |VELIZAR PEEV | |ALFIYA KUNGUZHINOVA |
|IVO KEHAYOV | |YORDAN ZAHARIEV | |NOU SUN |
|KRASIMIR SIMEONOV | |RADOSLAV IGNATOV | |KIM DO NGUYEN |
|STANIMIR STAMATOV | |BOYAN ALEKSANDROV | |JACKSON SPIDELL |
|DIAN ANGELOV | |EVGENI GANCHEV | |GUILLERMO GRISPO |
|ZHAIDARBEK KUNGUZHINOV | |EMIL TSOLOV | |MONIQUE GANDERTON |
|KASSYM ZHUMAGUZHIN | |PAVEL SHALAMANOV | |SAM HARGRAVE |
|JARED EDDO | |MILEN KALEYTCHEV | |ROWBIE ORSATTI |
|MIKE HUGGHINS | |MURAT BURKHANOV | |DAVID LITSVAN |
|STOYCHO TERZIEV | |DEAN HRISTOV | |YANA MARINOVA |
|IVAYLO IVANOV | |NIKOLAY VELICHKOV | |JULIANA PISKOVA |
|KRASIMIR ANGELOV | |ASHOTO KAMOEVICH | |GERGANA SAVOVA |
|DIMITAR VALKOV | |RADOSLAV DACHIN | |NEDYALKA BACHEVA |
|PAVEL STEFANOV | |MARIYAN IVANOV | |LUBOMIRA STEFCHEVA |
|GEORGI KARADJOV | |PLAMEN STEFANOV | |RADKA PETKOVA |
|ANTONI LYUTOV | |ILKO ILIEV | |BORISLAV ILIEV |
|BLAGOVEST GOCHEV | |SLAV KALOYANOV | |GEORGI ZLATAREV |
|FADI YUSEINOV | |DELYAN DIMITROV | |STOYAN ALEKSIEV |
|IVAYLO LUMBEV | |DENIS BOTEV | |IVAN DENCHEV |
| | | | | |
| | | |
|Co-Executive Producer | |LONNIE RAMATI |
| | | |
| | | |
|Executive in Charge of Production | |DAVID VAROD |
| | | |
|Second Second Assistant Director | |GALYA KYUCHUKOVA |
| | | |
|Third Assistant Directors | |SIDELL MCCONVILLE |
| | |SVETOSLAV VELICHKOV-VILI |
| | | |
|Additional Assistant Directors | |ALEKSANDAR KOSSEV |
| | |ASYA CHAKAROVA |
| | | |
|Set Trainee | |NIKOLAY GENCHEV |
| | | |
| | | |
|“A” Camera Operator/Steadicam | |CHRIS MCGUIRE |
|“A” Camera First Assistant/Focus Puller | |RICK OSBORN |
|“A” Camera Second Assistant | |MIHAIL YANAKIEV |
|“B” Camera Operator | |ANTON BAKARSKI |
|“B” Camera First Assistant/Focus Puller | |ANTON NAKOV |
|“B” Camera Second Assistant | |MARTIN BALKANSKI |
|“C” Camera First Assistant/Focus Puller | |HRISTO ALEXANDROV (SINKA) |
|“C” Camera Second Assistant | |IVAN VATSOV |
|“D” Camera First Assistant/Camera Technician | |DIMITAR BONEV |
|“D” Camera Second Assistant | |PARVAN BONEV |
|Underwater Camera Operator | |GEO IVANOV |
| | | | | |
| | |Additional Operators | | |
|PLAMEN SOMOV | |NIKOLAY KEREZOV | |MIHAIL YANAKIEV |
|GEORGI RAYKOV | |IVAN VATSOV | |IVO PEYCHEV |
| | |EMIL TOPUZOV | | |
| | | | | |
|Additional Steadicam Operator | |HRISTO GENKOV |
|Additional Focus Pullers | |ZHEKO MANEV |
| | |GEORGEOS GEANELOS |
| | |LYUBOMIR DIMITROV-TATO |
|Loader | |MIHAIL KOTEV |
|Assistant Loader | |BORISLAV BELBEROV |
|Additional Loader | |BORISLAV ZLATANOV |
|Video Assistant | |RADOSLAV PETKOV |
|Video Assistant Trainee | |HRISTO SHTEREV |
|Still Photographer | |SIMON VARSANO |
|Additional Still Photographer | |BRIAN ANDREW MENDOZA |
|Laborers | |DIMITAR PETROV |
| | |IVAYLO KIRILOV |
| | | |
|Gaffer | |YAVOR ZAHARIEV |
|Best Boy Electric | |GEORGI MIHAYLOV |
| | | |
|Electricians |
|SASHO IDAKIEV | |RUMEN IDAKIEV | |IVAYLO KOSTOV |
|KRASIMIR ILIEV | |TODOR KOSTOV | |NIKOLAY MIHAYLOV |
|DMITAR STOYANOV | |FEODOR TSANOVSKI | |KIRIL BAKALOV |
|IVAN DIKOV | |MIHAIL VELICHKOV | |VLADIMIR VLADEV |
|HRISTO ELANDZHIEV | |RUMEN IDAKIEV | |MARIO ASPARUHOV |
| | | | | |
| | | |
|Key Grips | |MATTHEW BLUM |
| | |ITZHAK BEN AROYA |
| | |NIKOLAY KOSTOV |
|Best Boy Grip | |VENELIN STEPANOV |
| | | |
|Grips |
|MIROSLAV BORISOV | |MANOL IVANOV | |PETAR ANEV |
|DIMITAR DIMITROV | |ROALD BRADKOV | |IVAN BAKALOV |
|TSVETAN KOSTOV | |YULIAN GOCHEV | |DIMITAR VUCHKOV |
|GEORGI PETKOV | |ALEKSANDAR DIMITROV | |YULIAN FILIPOV |
|STOYAN GEORGIEV | |DIMITAR NIKOLOV | |ILIYAN PETROV |
|IVAN HRISTOSKOV | |NEDYALKO GEORGIEV | |EMIL PETROV |
|FILIP FILIPOV | |MATAN SHAHAF |
| | | |
|Sound Mixer | |VLADIMIR KALOYANOV |
|Boom Operators | |KIRIL KALOYANOV |
| | |VALERI METODIEV |
| | | |
|Story Supervision | |DAN ROSENFELT |
| | | |
|Script Supervisor | |JULIE BROWN |
|Storyboard Artists | |MARK YATES |
| | |ZHIVKO ZHELYAZKOV |
| | | |
|Art Director | |ANTONELLO RUBINO |
|Supervising Art Director | |JIM STEUART |
|Art Department Coordinator | |ANI HADZHIEVA |
|Set Designer/Art Director | |PIER LUIGI BASILE |
|Assistant Art Directors | |IVAN RANGELOV |
| | |ALEXEI KARAGHAIUR |
| | |BILLIE-JO THOMSON |
| | |ANNEKE VAN ORT |
|Set Designers | |IVAYLO NIKOLOV |
| | |SONYA SAVOVA |
| | |ALESSANDRO TROSO |
| | |MARCO ANTONIO BRANDOLINI |
| | | |
|Concept Illustrator | |CHRISTOPHER SHY |
|Draftspersons | |STEFAN MANCHEV |
| | |YOSIF MLADENOV |
| | |ALEKSANDAR LOZANOV |
| | | |
|Set Decorators | |JUDY FARR |
| | |VALYA MLADENOVA |
|Set Decoration Coordinator | |INA VASEVA |
|Set Decoration Assistants | |KIM FAHEY |
| | |EMIL SCHMIDT |
|Assistant to Set Decorator | |ARTA TOZZI |
|Lead Set Dresser | |GUY ROLAND |
| | | |
|Set Dressers |
|KALIN STEFANOV | |GEORGI AVRAMOV | |IVAN BUTANSKI |
|ROSEN STEFANOV | |YURII STOYANOV | |NIKOLAY DIKOV |
|MARTIN IVANOV | |IVAYLO DAFINOV | |LYUBOMIR SAMARDZHIEV |
|SVETLOZAR PTEROV | |PETKO ANGELOV | |LYUBOMIR HARIZANOV |
|KRISTYAN STOYANOV | |YAVOR DENEV | |LYUBOMIR SIRAKOV |
|IVAN DIMITROV | |DOBROMIR MIKOV |
| | | |
|Set Dressing Store Lady | |VELISLAVA CHENCHELOVA |
| | | |
|Swing Gang Leader | |ROSEN STEFANOV |
|Researchers/Buyers | |KRASIMIR PASHKULEV |
| | |VENTSISLAV LILOV |
| | | |
|Head Greensmen | |ORLIN GROZDANOV |
| | | |
|Greensmen |
|EMIL SERKEDZHIEV | |ALEKSANDAR RAFAILOV | |EMIL ASENOV |
|KRASTYO KRASTEV | |VLADISLAV ASENOV | |KRASIMIR TSVETANOV |
|PETAR KRUMOV | |DANIEL STANKOV | |GEORGI LAZALOV |
|VENTSISLAV ATANASOV | |VLADIMIR BLAGOEV | |SVETOSLAV BORISOV |
|ILIA ZAIKOV | |TZVETAN MILADINOV | |VLADIMIR VIDINOV |
| | | |
|Upholsters | |STOYAN TSAKOV |
| | |VENTSISLAV LUKANOV |
| | |IVAN KIROV |
| | | |
|Textile Artist | |ANNA KIRILOVA |
| | | |
|Laborers | |IVAYLO LAZAROV |
| | |NENCHO IANOV |
| | |IVAN IVANOV |
| | | |
|Property Master | |DIRK BUCHMANN |
|Key Prop Maker | |WILLIE BOTHA |
|Assistant Key Prop Master | |ROSITSA IVANOVA |
|Props Assistant | |BILYANA BUCHMANN |
|Lead Sculptor | |VASKO BARDAROV |
| | | |
|Property-Special Technicians |
|IVAN PETROV | |VENTSISLAV MARKOV | |SVETLA KOLEVA |
|MIHAIL GEORGIEV | |MIGLENA BOGDANOVA | |DIMITAR VAMPOROV |
|ATANAS ATANASSOV | |RADKA PETROVA | |IRINA VALCHEVA |
|LILIA KOLEVA-BARDAROVA | |MIHAELA STOYANOVA | |LACHEZAR KOZHAROV |
|IRINA SIMEONOVA | |LOZEN SAMSONOV | |HRISTINA IVANOVA |
|PETER ALEXANDROV | |VALENTIN MITEV | |NAYDEN SLAVCHEV |
| | | | | |
|DIMITAR HRISTOVICH | |VELIKA PRAHOVA |
| | | |
|Props Makers Assistants | |SIMON TODOROV |
| | |VIOLETA PETROVA |
| | |PLAMEN YOSSIFOV |
| | | |
|Props Carpenters |
|VLADIMIR VLADIMIROV | |VESELIN STOYANOV | |YORDAN PETROV |
|YURII GOSPODINOV | |BORA PETKOVA | |MIHAIL DEVEDZHIEV |
|TEODOR TODOROV | |ANATOLI TONEV | |KIRIL KOVACHEV |
| | |DIMO GEORGIEV | | |
| | | |
|Props Welder | |RUMEN TRANKALOV |
|Weapon Master | |STEFAN RAZLOZHKI |
|Stand-by Props | |PETAR RAKOVSKI |
| | |TODOR GEORGIEV |
| | |ASEN DIMITROV |
| | |IVA PETROVA |
|Animal Coordinator | |MAYA PETKOVA |
| | | |
|Armourers | |ATANAS APOSTOLOV |
| | |YORDAN PETROV |
| | |ALEKO KALEV |
| | | |
|Costume Designer Assistant | |HEATHER CURTIS-MOORE |
|Ms. Partridge’s Assistant | |ANTONIA VLADIMIROVA |
|Costume Supervisor | |DJANINA BAYKOUSHEVA |
|Prep Costume Supervisor | |INA DAMYANOVA |
|On-Set Costume Supervisors | |IRENA TSOKOVA |
| | |ISMAEL TEJAS |
|On-Set Key Costumer | |JASMINA VASILEVA-STOICHKOVA |
|Extras Costume Supervisor | |KATYA IVANOVA |
|On-Set Costumers | |DESISLAVA ANDONOVA |
| | |ANDREY FILCHEV |
| | |VIOLETA RUSINOVA |
| | |GEORGI LENKOV |
| | |KRISTIYAN SALEH |
| | |MIHAELA NEDYALKOVA |
|Costumers | |ATANAS IVANOV |
| | |DIANA TSVETKOVA |
| | |YANA SHEREMETOVA |
| | |RAVEN HEHR |
|Assistant Costumers | |NIKOALY KOSHAREVSKI |
| | |STEFAN KUSHEV |
| | |GEORGI MATOV |
| | | |
|Costumes Provided By | |SASTERIA CORNEJO, SPAIN |
| | |ANGELS THE COSTUMIERS, UNITED KINGDOM |
| | | |
|Textile Artists | |BORYANA STEFANOVA |
| | |VLADIMIR YOSIFOV |
| | |VLADISLAV TODOROV |
| | | |
|Textile Assistants |
|IVAN MIHAYLOV | |YORDANKA ORLOVA |
|DOBROMIR GEORGIEV | |KIRIL KIRILOV |
|OLEG SHARKOV | |BOZHIDAR BLAGOEV |
|IVAN KOSTOV | |YORDAN ARSOV |
| | | |
|Seamstresses/ Tailors |
|MARIA STOYANOVA | |PETAR DIMITROV | |ENKA NIKOLAYDU |
|DINA KABADIEVA-OGNYANOVA | |SEDEVCHO SEDEVCHEV | |LORA LYUBENOVA |
|ANGEL MANOV | |BOZHIDAR DRAGOMIROV | |PETAR DIMITROV |
|DANIELA TODOROVA | |VALERI LYUBENOV | |DONKA PAVLOVA |
|TSVETANKA ANACHKOVA | |VELICHKA VELVA | |MIHAELA PADEVA |
|IVAN ATANASOV | |IVAN BARZACHKI | |DIMITAR DIMITROV |
|MARTINA PETROVA | |DIMCHO STEFANOV | |TSVETELIN RASIN |
| | | |
|Costume Jeweler | |ANETA KUNOVA |
|Costume Washer | |EMIL PETROV |
|Ms. McGowan’s Personal Dresser | |SUSANNAH DOURMASHKIN |
|Leather Craftsman | |ZHORO DEYANOV |
|Leather Worker | |YANA POPOVA |
|Laborer | |BOZHIDAR DRAGOMIROV |
|Office Assistant | |DIMITAR SERGEV |
| | | |
| | | |
|Make-up and Special Make-up Effects Supervisor | |SHAUN SMITH |
| | |SCOTT WHEELER |
| | | |
| | | |
|Key Make-up Artists | |C.J. GOLDMAN |
| | |DAVE SNYDER |
| | | |
|Make-up Artists |
|DANIELLA AVRAMOVA | |PATRICK BAXTER | |BRYAN BLAIR |
|SOFI HVARLEVA | |IVON IVANOVA | |JAMIE KELMAN |
|SNEJINA MERDGANSKA | |PETYA SIMEONOVA | |YANA STOYANOVA |
| | |ELENA ZHEKOVA | | |
| | | |
|Background Make-up Artists |
|DESISLAVA ALEKSIEVA | |ANGELA ANGELOVA | |JULIA BABUNSKA |
|SASHKA BALEVA | |IOANA CRISTESCU | |ILONKA GEORGIEVA |
|NAN GEORGIEVA | |ANITA HVURLEVA | |ZORAN KOCOV |
|MILENA MANOLOVA | |ATANASKA POPOVA | |DIANA STOYANOVA |
|MARIANA VODENICHAROVA | |OLGA VASILEVA | |GRETA VELIKOVA |
| | |KRISTINA ZLATEVA | | |
| | | |
|Make-up Department Coordinators | |KATERINA ATANASOVA |
| | |ANTONIA TOCHEVA |
| | | |
|Lab Technicians | |TONY ACOSTA JR. |
| | |BORIS DIMITROV – DENTURES |
| | |MARK JURINKO |
| | |CLAYTON MARTINEZ |
| | | |
|Character Concept Illustrator | |JOSEPH C. PEPE |
| | | |
|Lense Tech | |DANIELLA BOYCHEVA |
| | |GULDANA STAMENKOVA |
| | | |
|Hair and Wig Designer | |ALDO SIGNORETTI |
|Key Hair Stylist | |MARCO PERNA |
|Hair Stylists | |NELI TEOVA |
| | |DIMITRINA STOYANOVA-DIDI |
| | |ROSITSA TSANOVSKA |
|Hair Department Coordinator | |ELITSA VUTOVA |
|Hair and Set Coordinator | |LUCA VANNELLA |
|Assistant to Hair Department | |EUROPE BONNET |
|Hair Assistants | |DOMINGO SANTORO |
| | |ANTOANETA ANDREEVA |
| | |VLADIMIR DAMYANOV |
| | | |
|Additional Hair Stylists |
|IVANKA GORSHININA | |TSVETELINA ZAHANOVA | |VIOLETA LAZAROVA |
|RALITSA PETROVA | |NADEZHDA DIMITROVA | |SVETLA KRASTEVA |
|MARGARITA DIMOVA | |NINA TSONCHEVA | |ELENA STAMENOVA |
|ANTONIA IVANOVA | |MILEN IVANOV | |SNEZHANA ILIEVA |
|GERGANA STANOEVA | |TSETSKA IVANOVA |
| | | |
|Construction Managers | |BRIAN SHELL |
| | |EVGENI YORDANOV |
|Construction Manager Assistant | |ALEKSANDAR KOTSEV |
|Construction Coordinator | |AXEL NICOLET |
|Office Construction Coordinator | |ANNA KASSABOVA |
| | |DANIELA KOEVA |
|Construction Foreman | |BOJIDAR EFTOV |
| | | |
|Carpenters |
|KIRIL DIMOV | |BORISLAV HRISTOV | |NIKOLAY DIKOV |
|PAVLIN PAVLOV | |KRASIMIR PETROV | |BOGDAN BOGDANOV |
|VLADISLAV BALCHOV | |BORIS RADOVANOV | |KIRIL STEFANOV |
|VIKTOR DEYOV | |PETAR KIMOV | |SVETOSLAV ANGELOV |
|VESELIN ILOV | |VIKTOR BEKARSKI | |RUMEN KAPITANSKI |
|VESELIN MILANOV | |GRIGOR DIMITROV | |ATANAS NEDELCHEV |
|LACHEZAR DOBREV | |DIAN DIMITROV | |ZAMFIR ZAMFIROV |
|VLADIMIR PETKOV | |IVO IVANOV | |TODOR ZAREV |
|VLADIMIR VLADIMIROV | |KRASIMIR BALCHOV | |BISER NEDYALKOV |
|OGNYAN NENCHEV | |VALENTIN HADZHIEV | |HRISTO DIKOV |
|YORDAN ANGELOV | |STEFAN TASEV | |TRIFON EFTOV |
|NIKOLAY GORANOV | |BORISHLAV RADOVANOV | |IVAN TODOROV |
|BLAGOY BLAGOEV | |STRAHIL STRAHILOV | |DOBROMIR RADEV |
|MARIN MARINOV | |SIMEON BOEV | |PETAR ATANASOV |
| | | |
|Head Painters | |IRENA NIKOLICH |
| | |BARRY KOOTCHIN |
|On-Set Stand by Painter | |YAVOR DENEV |
| |
|Painters |
|ELEONORA SLAVKOVA | |VESKA NIKOLOVA | |IRENA NIKOLICH |
|MARIA DOYCHEVA | |ANZHELO ANDONOV | |STOYAN BOYADZHIEV |
|VERA TILEVA | |TODOR NIKOLOV | |DIMITAR PETKOV |
|KOLYO NACHEV | |RALITSA TONEVA | |VLADO POPOV |
|SVILEN TOTEV | |SVETOSLAV NIKOLOV | |MARTIN MIHAYLOV |
|YULIANA HICHEVA | |BORIS DRUMEV | |ZHIVKO TRENDAFILOV |
|IVAN PETKOV | |PLAMEN DIMITROV | |IVANKA DIMITROVA-NENOVA |
|KAMEN IVANOV | |SEVDALIN BANKOV | |YAVOR MARKOV |
|VESELIN DAMYANOV | |EVGENI MIHAYLOV | |ANI MIHAYLOVA |
|GEORGI TSOLOV | |DIMITAR DIMITROV | |OLGA AFINOGENOVA |
| | |VENTSISLAV TONEV | | |
| | | | | |
|Assistant Painters | |MIHAIL MIHAYLOV |
| | |MARTIN STOYANOVICH |
| | | |
|Head Sculptor | |AARON JORDAN |
|Leading Sculptor, Bulgaria | |MONISLAV ZHELIAZKOV |
| | | |
|Sculptors |
|NIKOLAY KATERINOV | |PLAMEN PETROV | |SIMEON SIMEONOV |
|NEDELCHO KOSTADINOV | |TODOR ILKOV | |SVETOZAR DOYCHEV |
|VASKO KONAKCHIEV | |YORDAN YORDANOV | |IVAYLO VASILEV |
|NEVEN MASTIKOV | |PETAR ILIEV | |KRASIMIR ANGELOV |
|NIKOLAY SPASOV | |VESELIN MITEV | |GEORGI ILIEV |
|BOYAN PENCHEV | |ANTONI NENOV | |TEODORA JELIAZKOVA |
|DORA MILUSHEVA | |NIKOLAY YOTOV | |ANA HRISTOVA |
|YORDAN STOYANOV | |NIKOLAY PADESHEV | |GEORGI LAZAROV |
|IVAN GICHEV | |VLADIMIR VASILEV |
| | | |
|Foam Shop Consultant | |FRED SVERRE |
|Foam Workers | |PLAMEN PETKOV |
| | |ANATOLI MALEV |
| | |VASILII MALEV |
| | |LIUDMIL ALEKSIEV |
| | | |
|Head Buyers | |PAVEL DIMITROV |
| | |SASHO ILIEV |
| | |PETKO IVANOV |
|Assistant Buyer | |MARIO DRAGANOV |
| | | |
|Upholsterers | |STOYAN TSAKOV |
| | |VENTSISLAV LUKANOV |
| | |IVAN KIROV |
| | | |
|Leading Welder | |DIMITAR ANCHEV |
| | | |
|Welders |
|RUMEN TRANKALOV | |IVAN BORUSHEV | |METODI SHARKOV |
|MLADEN NIKOLOV | |SVETLIN PAVLOV | |SIMEON SIMEONOV |
|VATYO DELCHEV | |LIUDMIL VIDENOV | |ANDREI LOZANOV |
|MIKO MIKOV | |GEORGI MEHANDZHIISKI | |SVETLOZAR PETROV |
|MIHAIL KITANOV | |KONSTANTIN PAVLOV | |MARTIN UCHINDOLD |
| | | |
|Warehouse Storeman | |STEFAN CHERESHARSKI |
| | | |
|Laborers |
|IVAYLO ANGELOV | |IVAYLO IVANOV | |VALERI STOILOV |
|KALOYAN VASILEV | |TSANKO TRAYANOV | |MARIAN PETROV |
|PETAR TSENOV | |EMANUIL DEYANOV | |IVAYLO GEORGIEV |
|MIROSLAV MINCHEV | |IVAYLO MLADENOV | |TEODOR STEFANOV |
|STOYAN DOYCHEV | |DANIEL GEORGIEV | |ZAHARI DIMITROV |
|DIMITAR KRASTEV | |BORISLAV IVANOV | |IVAYLO TASEV |
|SVETLOZAR PETROV | |LACHEZAR PAVLOV | |PETAR DIKOV |
|DOBROMIR RADEV | |LYUBOMIR VAREV | |LYUBOMIR HARIZANOV |
|YAVOR KARAMITEV | |NIKOLAY NIKOLOV | |VALENTIN KASABOV |
|KIRIL STOIMENOV | |KRISTIAN GEORGIEV |
| | | |
|Special Effects Supervisor | |ALEX GUNN |
|Special Effects Supervisor (Bulgaria) | |IVO JIVKOV |
|Special Effects Workshop Supervisor | |GARRY COOPER |
|Special Effects Floor Supervisor | |GRAHAM HILLS |
|Special Effects Buyer | |VENELIN PESHEV |
|Special Effects Senior Technicians | |NIKOLAY FARTUNKOV |
| | |YOVKO DOGANDJIISKI |
| | |GEORGI KARADZHOV |
| | |TSVETAN VASILEV |
| | |ANDREW WEDER |
| | |DOYCHIN YONDOV |
| | | |
|Pyrotechnician | |SVETOZAR KARATANCHEV |
|Pyrotechnic licensor | |ZARKO KARATANCHEV |
| | | |
|Special Effects Technicians |
|SOTIR BALADZHANOV | |ORLIN BUDINOV | |STEVE PATON |
|BEN BROADBRIDGE | |GEORGE DUNN | |VELISLAV VELEV |
|HRISTO GEORGIEV | |STEFAN ALAMANOV | |VENTSISLAV YONDOV |
|KARL OPENSHAW | |ILIYA ZAYKOV | |YORDAN YORDANOV |
|PAUL KELLY | |MATT VEALE | |LIUBOMIR PETROV |
| | | |
|Special Effects Coordinator | |NADIA TSVETKOVA |
|Special Effects Buyer | |VENELIN PESHEV |
|Special Effects Stand by Truck | |PLAMEN PETROV |
|Special Effects Carpenters | |YORDAN ANGELOV |
| | |IVAYLO MAKSIMOV |
|Special Effects Trainees | |MILAN DEYANOV |
| | |DIMITAR CHORBADZHIYSKI |
|Special Effects Foam Shop | |DENISLAV LERIMITEV |
| | |IVAILO TASHEV |
| | |DIMITUR KRUSTEV |
| | |EMANUIL MANOLOV |
| | | |
|Special Effects Cleaning Lady | |LETICIA DINEVA |
| | | |
|Location Production Manager | |VALENTIN DIMITROV |
|Location Managers | |ATANAS VULEV |
| | |VLADIMIR VLADIMIROV |
|Set Coordinator/Unit Manager | |PLAMEN MILANOV |
|Location Assistants | |TSANKO MACHUKLIISKI |
| | |YORDAN PEYCHEV |
| | |EMIL VELKOV |
|Key Production Assistant | |ROSEN MARINKOV |
| | | |
|Set Production Assistants |
|MARIYAN BOYADZHIEV | |BOGOMIL KACHAMACHKOV |
|VALENTIN HRISTOV | |KRASTYO KRASTEV |
|GEORGI KOVACHEV | |ALEKSANDER GONCHAROV |
|FEODOR TSANOVSKI | |GEORGI ELDAROV |
|LYUBEN ZHIVKO | |LYUBOMIR PLAMENOV |
|TEODORA SIMOVA | |DIMITUR TSEKOV |
|NIKOLA TENEV |
| | | |
|Additional Production Assistants | |YANKO TAKIEV |
| | |EVGENI KARADZHOV |
| | | |
|Transportation Coordinator | |KALIN NIKOLOV |
|Transportation Captain | |NIKOLAY TOMOV |
| | | |
|Drivers |
|TEODOR METODIEV | |BOZHIDAR KOLAROV | |KRISTIAN KONICHEV |
|IVO AVRAMOV | |KIRIL DAVIDKOV | |STEFAN ILIEV |
|BLAGOY BLAGOEV | |YAVOR MANTARKOV | |TSVETOMIL PESHEV |
|RUMEN MARINOV | |ALEKSANDAR KRASTEV | |KONSTANTIN KOZHUHAROV |
|DIMITAR KOVACHEV | |ANTONIO YORDANOV | |LYUBEN KRASTEV |
|ASI AVRAMOV | |SIMEON MANOLOV | |NIKOLAY ZLATANOV |
|MILEN BOZHICHKOV | |SVETOSLAV PETROV | |VLADIMIR DIMITROV |
|ROSEN NIKOLOV-ROCCO | |VLADIMIR DIMITROV | |IVAYLO GEORGIEV |
|KIRIL TEOV | |ROBERT KOSTOV | |NEDKO MAVRIKOV |
|IVAYLO DIMITROV | |DIMITAR PETROV | |VLADIMIR VASILEV |
|VIKTOR DESPOTOV | |STEFAN GABROVSKI | |GEORGI DOBREV |
|VIKTOR ANTONOV | |ZAHARI TODOROV | |LYUDMIL TANEV |
|ZARKO MILENKOV | |IVAYLO DOYCHINOV | |GEORGI ANGELOV |
|ANGEL VLADIMIROV | |DIMITAR HETIMOV | |VALENTIN TSVETKOV |
|KOSTA MASLEV | |RUMEN KOTEV | |STEFAN ANGELOV |
|KIRIL KURTOV | |GALIN TSVETKOV | |VALERI DUSHANOV |
|BORISLAV TSVETKOV | |RUMEN RANGELOV | |GEORGI GEORGIEV |
|VALENTIN NESTOROV | |ORLIN VASILEV | |TRAYCHO GEORGIEV |
|PETAR VELCHEV | |NIKOLAY KOLEV | |BORISLAV BORISOV |
|LYUBCHO VELKOV | |NIKOLAY TSONEV | |ANGEL PETROV |
|MIROSLAV MINCHEV | |IVO GEORGIEV | |STOYAN NIKOLOV |
|VENTSISLAV IGNATOV | |EMIL ALEKSIEV | |BORIS NIKOLOV |
|VLADIMIR VASILEV | |ALEKSANDAR ALEKSANDROV | |BOYAN BORISOV |
|HRISTO BONEV | |LOZAN POPOV | |EMIL SERKEDZHIEV |
|BOZHIDAR STOYCHEV | |STOYAN VENEV | |GALAB HADZHIYSKI |
| | |VICTOR DESPOTOV | | |
| | | |
|Cleaning Lady Offices | |MARIANA VASSILEVA |
|Cleaning Ladies | |ELKA GECHEVA |
| | |IVANKA EMILOVA |
| | |TSVETANA PEKANOVA-UZUNOVA |
| | | |
|Production Business & Legal Affairs | |LONNIE RAMATI |
|Business & Legal Affairs | |RICK EYLER |
| | | |
|Production Coordinator, Bulgaria | |VIOLETA PIPEREVSKA |
|Production Coordinator, Los Angeles | |SHIRI LERNER |
| | | |
|Production Office Coordinator | |IRINA CHERKELOVA |
|Assistant Production Coordinator | |PETIA PETROVA |
|Production Secretary | |VALERIA MARINOVA |
|Production Office Runner | |VLADO DIMITROV |
| | | |
|Assistant to Mr. A. Lerner | |JEFFREY GREENSTEIN |
|Assistant to Mr. Davidson | |JOAN MAO |
|Assistant to Mr. Weldon | |IVAYLO AVRAMOV |
|Production Consultant to Mr. Nispel | |PATRICK MCCONVILLE |
|Assistants to Mr. Nispel | |ALEIM JOHNSON |
| | |GALEN CHRISTY |
|Assistant and Driver to Mr. Momoa | |ROSEN NIKOLOV-ROCCO |
| | | |
|EPK Producer | |PATRICK MCCONVILLE |
|EPK Assistants | |YOANA NIKOLOVA |
| | |VASSY LAMBREVA |
| | | |
|Unit Publicist | |DIANE SLATTERY |
| | | |
|Production Chief Accountant | |AMY AGZARIAN |
|Production Chief Accountant, Bulgaria | |DELYAN BORISOV |
|Crew Payroll Accountant, Bulgaria | |ANNA BANKOVA |
|Accountants | |MILENA GEORGIEVA |
| | |VESELIN STANKOV |
|Accountant Assistants | |MARK AMOS |
| | |TSVETANKA EVSTRATIEVA |
|Cashiers | |DANIELA GUSHTERSKA |
| | |DANIELA KRASTEVA |
| | | |
|US Casting Agency | |BARDEN/SCHNEE CASTING INC. |
|Head of Casting, United Kingdom | |KATE DOWD |
|Head of Casting, Bulgaria | |MARIANA STANISHEVA |
|Assistant to Head of Casting, Bulgaria | |ANNA DAVEROVA |
|Extras Casting, Bulgaria | |TALENT PARTNERS |
| | |ALEXANDER KOSEV |
| | |TEODORA NACHEVA |
| | |HRISTO DIMITROV |
| | |HRISTA ILIEVA |
|Dialogue Coach | |DEE CANNON |
| | | |
|Catering | |CIAO CIAO |
|Chef | |MARIELA MANCHEVA |
| | | |
|Craft Services | |RED CORAL |
|Chef | |BORISLAVA IVANOVA |
| | | |
|Medics | |DR. IVANKA GEORGIEVA |
| | |DR. KIRIL PETROV |
| | |DR. PETYA SPASOVA |
| | | |
|Security | |SOT 161 |
| | | |
| | | |
|The Black Sea Unit |
|Safety Divers | |GEORGE VLADKOV STOYANOV |
| | |KOSTADIN GEORGIEV NENKOV |
| | |VLADISLAV IVANOV ALEXOV |
| | | |
|Diving and Ecological Club Relikt 2002 (Varna) | |DORA TSOTCHEVA |
| | |ROSEN GEVSHEKOV |
| | |GEORGI DIMITROV |
| | |GALIN SPASOV |
| | |YASEN IVANCHEV |
| | | |
| | | |
|Second Unit |
|Second Unit Director | |DAVID LEITCH |
|Additional Second Unit Director | |BOAZ DAVIDSON |
|First Assistant | |JOEL MORALES |
|Second Assistant | |ANTONY TANEV |
|Additional Assistants | |KRISTINA IVANOVA |
| | |NIKOLAY GENCHEV |
| Director of Photography | |ROSS CLARKSON |
| | | |
|Script Supervisor | |STEFANIA VELICHKOVA |
|Daily Script Supervisor | |SHELLY STOYANOVA |
|Steadicam Operators | |VERNON NOBLES |
| | |GEORGI RAYKOV |
| | |NIKOLAY KEREZOV |
|Loader | |BORISLAV ZLATANOV |
|Video Assist | |HRISTO SHTEREV |
|Still Photographer | |ELENA NENKOVA |
| | | |
|Labor | |ZDRAVKO SHALICHEV |
| | | |
|Gaffer | |GEORGI MIHAILOV |
|Key Grip | |FILIP FILIPOV |
| |
|Rigging Grips |
|IVAYLO STEPANOV | |DESISLAV DIMITROV |
|LYUBOMIR HRSTOSKOV | |EMIL PETKOV |
|ATANAS ZAPRIANOV | |ILIYA YONEV |
| | | |
|Sound Recordist | |PETAR KADYIISKI |
| | | |
|Art Supervisor | |ALEXEI KARAGHAIUR |
| | | |
|Make-up Artists | |YANA STOYANOVA |
| | |ELENA ZHEKOVA |
|Hair Stylist | |NELI TEOVA |
| | | |
|Costume Supervisor | |JASMINE VASILEVA – STOICHKOVA |
|Costumer | |ASEN KARANIKOLOV |
|Set Dressers | |ROSEN STEFANOV |
|On-Set Dresser | |LYUBOMIR SAMARDZHIEV |
| | | |
|Props | |PETAR RAKOVSKI |
| | | |
|On-Set Special Effects Supervisor, Worldwide FX | |DANAIL HADZHIISKI-DUNDEE |
|Special Effects Floor Supervisor | |YOVKO DOGANDZHIISKI |
|CGI Data Wrangler | |DANAIL HADZHIISKI |
| | | |
|Craft Services | |VKUSEN JIVOT |
|Chef | |BORIS NIKOLOV |
| | | |
|Catering | |STEFAN DUNDAKOV |
| | | |
|Visual Effects Supervisors | |HOLLY GOSNELL |
| | |FELIX POMERANZ |
| | | |
| | | |
|Post Production |
|Post Production Coordinator | |BRIAN HAYASHI |
| | | |
|Visual Effects Editor | |STEVEN RAMIREZ |
| | | |
|First Assistant Editor | |ADAM KIMMERLIN |
|Assistant Editor | |CASSIE DIXON |
| | | |
|Stereoscopic Assistant | |GINA ZAPPALA |
| | | |
|Post Production Accountant | |TRAVIS MITCHELL |
| | | |
|Assistant Editor (Bulgaria) | |JIVKO CHAKAROV |
|On-Set Editor (Bulgaria) | |CHAVDAR VARIISKI |
| | | |
| | | |
|Post Sound Services Provided by | |WILDFIRE POST |
|Re-Recording Mixers | |CHRIS DAVID |
| | |MARCHALL GARLINGTON |
|Supervising Sound Editor | |TREVOR JOLLY, MPSE |
|Sound Effects Editor | |dave esparza |
|Sound Editors | |STUART PROVINE |
| | |MANDELL WINTER, MPSE |
| | |THOMAS YOUNKMAN |
|Assistant Sound Editors | |CALLIE THURMAN |
| | |SANG KIM |
|Foley Editor | |BRIAN DUNLOP |
|Foley Artist | |ELLEN HEUER |
|Foley Mixer | |JOSHUA REINHARDT |
|ADR Editors | |BOB JACKSON |
| | |SARAH RUDOLPH PAYAN |
|ADR Mixer | |TRAVIS MACKAY |
|ADR Recordist | |WADE BARNETT |
|ADR Voice Casting | |BARBARA HARRIS |
|Mix Recordist | |TIMOTHY LIMER |
| | | |
|Dolby Sound Consultant | |BRYAN ARENAS |
| | | |
| | | |
|Additional Music | |TIM WILLIAMS |
| | |DIETER HARTMANN |
|Orchestrations | |TIM WILLIAMS |
|Supervising Copyist | |ROSS DeROCHE |
|Performed by | |CZECH NATIONAL SYMPHONY |
|Score Recorded by | |JAN KOTZMANN |
|Orchestra Contractor | |DANIEL BORNER |
|Score Mixed by | |GUSTAVO BORNER |
| | |IGLOO STUDIOS (BURBANK, CA) |
|Assistant Engineer | |NICK BAXTER |
|Score Editor | |JUSTIN MOSHKOVITZ |
|Additional Orchestrations | |DREW KRASSOWSKI AND SUSIE SEITER |
|Percussion Editor | |JOANNE HIGGINBOTTOM |
|Score Programming | |WOLFGANG MATTHES |
|Music Editor | |SHANNON ERBE |
|Music Supervisor | |SELENA ARIZANOVIC |
| | | |
|Musicians |
|Tympani, Kettle Drums and Ethnic Percussion | |BRIAN CACHIA |
|Hammered Dulcimer and Ethnic Percussion | |GREG ELLIS |
|Dumbek | |DIETER HARTMANN |
|Vocals | |ANNA DAVIDSON |
|Guitarviol, Electric Guitars and Bass | |TYLER BATES |
| | | |
| | | |
|Optical Track Transfer | |NT AUDIO |
| | | |
| | | |
|Visual Effects Shoot Supervisor | |KEVIN TOD HAUG |
| | | |
| | | |
|Visual Effects Supervisor/ Supervising Producer | |FRIEND M. WELLS |
| | | |
| | | |
|Hyborian Environments created by | |DYLAN COLE |
| | | |
| | | |
|Visual Effects Unit Supervisor | |HOLLY GOSNELL |
|Data Wranglers | |TAYLOR TULIP-CLOSE |
| | |FELIX POMERANZ |
|On-Set Coordinators | |STEFANIA VELICHKOVA |
| | |EMIL SERGIEV |
| | | |
|Visual Effects Associate Producer | |RENE SEKULA |
|Visual Effects Production Manager | |MAURA ANDERSON |
| | | |
|Visual Effects Production Office Coordinator | |KALINA KRASTEVA |
|Visual Effects Driver/ Production Assistant | |BOZHIDAR KOSTOV |
|Lab/Post Liason | |JIVKO CHAKAROV |
| | | |
| | | |
|Pre-visualization Services by |
|PROOF, INC. |
| | | |
|Head of Visualization | |RON FRANKEL |
|Visualization Lead | |JON TEER |
|Visualization | |ANNA LEE |
|Animation Supervisor | |STUART ALLEN |
|Animator | |ANDREA TAFT |
| | | |
| | | |
|Visual Effects by |
|WORLDWIDE FX Sofia, Bulgaria |
| | | |
|Inter-Facility Visual Effects Supervisor | |AJOY MANI |
|Visual Effects Production Supervisor | |STEFAN TCHAKAROV |
|Head of Operations | |JORDAN MARKOV |
|Sequence Leads | |DANAIL HADZHIYSKI |
| | |NIKOLAI GACHEV |
| | |ALEXANDER VALEV |
| | |STANISLAV DRAGIEV |
| | |DOBRI GEORGIEV |
| | |VESSELINA GEORGIEVA |
|Visual Effects Art Supervisor | |SIMEON ASENOV |
| | | |
|Coordinators |
|NIKOLAI PESHUNOV | |PLAMEN STATEV | |MILENA PENEVA |
|VASIL GALABOV | |HRISTO GEBREV | |DESISLAVA PAVLOVA |
|SILVIA MARIANOVA | |ANDREY CHAKALOV | |NIKI COULTER |
|JAVOR RADEV | |SVETOSLAV MITEV | |TONCHO TONCHEV |
|KIRIL GEORGIEV | |MELANIE CALLAGHAN |
| | | |
|Project Managers | |RADOSLAV MISAROKOV |
| | |IAVOR RADEV |
|Project Coordinators | |MARTINA CHAKAROVA |
| | | |
|Head of Simulation Department | |PETER TOMOV |
| | | |
|Simulation Department |
|STANISLAV DRAGANOV | |BOYAN STOYANOV | |ALEXANDER DIMOV |
|IVAN IVANOV | |CVETELINA STOILOVA | |GEORGI SLAVOV |
|GEORGI STAYKOV | |LIUBOMIR KIRKOV | |RUMEN KIROV |
| | | | | |
|3D Animators |
|CVETAN IVANOV | |TONY KONDEV | |SVETOSLAV PETKOV |
|GEORGI GAVANOZOV | |YASEN PISAROV | |MARIA MAVROVA |
|RUSLANA KUJUHAROVA | |IVAYLO IVANOV | |STANIMIRA RADEVA |
|IVO KONSULOV | |MARIA PETROVA | |YAKIM PETROV |
|KRISTINA GEORGIEVA | |LIUDMIL BARBOEV | |KIRIL ALTAKOV |
|DIMITYR KRUSEV | |FILIP TSONKIN | |PAUNKA DIMITROVA |
|NIKOLA SIMEONOV | |THOMAS POUWELS | |PEYO PEEV |
|FRANCISCO BORJA ROMERO | |EMILIA BORISOVA | |ANDRII ZAVOLOKIN |
|IVAYLO SLAVOV | |EMIL SERGIEV | |RUSLANA PUSHKAROVA |
|RUSLANA KUJUHAROVA | |MARIN PETROV | |EKATERINA PUSHKAROVA |
| | |NIKOLAI VELINOV | | |
| | | | | |
|Head of Lighting and Rendering Department | |ANGEL IVANOV |
|Lighting and Rendering | |ADRIANA TSVETANOVA |
| | |YORDAN SAVOV |
| | |KENNETH WEIDE |
| | | | | |
|2D Compositors |
|IVELINA DOBREVA | |PETAR MARIANOV | |DIANA MONEVA |
|KIRIL GIZDOV | |NIKOLAI MIHAYLOV | |PETAR KERANOV |
|ROSEN IVANOV | |ANTON DONCHEV | |DESISLAVA VALCHEVA |
|DIMITRINA TORNEVA | |MARIA BUIUKLIEVA | |IVAYLO ANDONOV |
|KREMENA GAN | |JULIA PETROVA | |VELISLAVA MIHAYLOVA |
|IVAYLO MARINOV | |KALIN KRUMOV | |NIKOLAY KOLEV |
|IVELIN IVANOV | |DELIAN KETIPOV | |IAVOR ASENOV |
|MILENA HRISTOVA | |MARIA BUIUKLIEVA | |ANTON COLOV |
|SANDRA ROACH | |DOBROMIR HRISTOV | |BORIS SOKOLOV |
|CLAUDIA MEGLIN | |GALINA CHANEVA | |SVILEN AINADJIEV |
|IVAYLO NAYDENOV | |MILEN JELIAZKOV | |GEORGI KARANTILSKI |
|STANISLAV STAVREV | |RUMIANA DIMITROVA | |JOSE KARAM |
|IVAN GROZEV | |TSVETELIN DIMITROV | |DIEGO EMILIANO RIESTRA OLGUIN |
|VALIA AVRAMOVA | |ADRIANA VALCHEVA |
| | | |
|Matte Painting Concept | |LUCA GABRIELE ROSSETTI (II) |
|Digital Matte Painting Supervisors | |METIN GUNGOR |
| | |SERDER SIMGA |
|Digital Matte Painters | |CLARA PARATI |
| | |FLORENCE DUBIN |
| | |MANUEL MARTIN |
| | |PIOTREK SWIGUT |
|Digital Matte 3D Artists | |DUSAN STRUGAR |
| | |GIACOMA CAVALLETTI |
| | |VLADIMIR DOBREV |
|Head of Rotoscoping Department | |STANISLAV KOLEV |
| | | |
|Rotoscoping |
|IVAN GROZEV | |CVETAN TOMOV | |ANTON KANTARDJIEV |
|ENCHO NEDEVSKI | |DIMITAR DIMITROV | |VASILENA MAKAKOVA |
|GEORGI ATANASOV | |MIHAELA TODOROVA | |DANIEL VASEV |
|VALERIA VALEVA | |TSVETOMIRA PETROVA |
| | | |
|Colorists | |ZORNICA KRASTEVA |
| | |SOFIA GESHEVA |
| | | |
|Visual Effects Editors | |NIKOLAI MIHAYLOV |
| | |NIKOLAY PACHOV |
| | |DESISLAVA LAZAROVA |
| | |ANGELINA HRISTOVA |
| | | |
|Visual Effects Concept Artists |
|PAVEL BAYRAKTARSKI | |KALOIAN STOYANOV | |SVETOSLAV HRISTOV |
|KONSTANTIN VITKOV - TITIS | |SAVA STEFANOV | |DRAGOMIR KOSTADINOV |
|GEORGI GEORGIEV | |VELIN SEMIONOV | |FILIP TSONKIN |
|RADOSLAV ILIEV | |TOMA GENOV | |DINKO DIMOV |
|DARINA BOSHNAKOVA | |VENCISLAV KRYSTEV | |DAMIAN DINEV |
| | |DIMITYR KRUSEV | | |
| | | | | |
| | | | | |
| | |Technical Support | | |
|PETER MARINOV | |GEORGI MIHOV | |DANIEL DONCHOV |
|VALENTIN TODOROV | |ALEKSANDAR TOROMANOV | |VIACHESLAV NEIKULOV |
|NIKOLAJ KONDAREV | |NIKOLAY KVETSINSKI | |DILYAN AINADJIEV |
| | |GEORGI ARSENOV | | |
| | | |
|I/O Department | |MIROSLAV LIONDEV |
| | |ALEXANDER TSVETKOV |
| | | |
| | | |
|Visual Effects by |
|WORLDWIDE FX Shreveport, Louisiana |
| | | |
|Visual Effects Studio Supervisor | |GREG NELSON |
|Supervising Leads | |ANDREW SAGAR |
| | |AUSTIN MEYERS |
| | | |
|Sequence Leads |
|ADAM KLEIN | |JACK HEBERT | |LAURIE POWERS |
|DUSTY EMERSON | |AMY PUTRYNSKI | |BRAD BAXTER |
| | |MANI TRUMP | | |
| | | |
|Visual Effects Editors | |ERIC TUXEN |
| | |EMILY PERLA |
| | | |
|3D Animators |
|DAVE HUDSON | |ALEXANDER LLANOS | |BRANDT HARRIS |
|FAUSTO TEJADA | |JAMES GOING | |KAY PARK |
|RYAN MARKLEY | |YAEL MAJORS | |AARON ASKEW |
| | |ERIC SLACK | | |
| | | |
|2D Compositors |
|ATHENA LAWLESS | |BRANDON TAYLOR | |DREW TOBIN |
|DUSTIN SCHOLL | |ERROLL HANSE | |JILL ANDERSON |
|JONATHON LUKE | |NATHAN GRUBBS | |GREG PECK |
|CARSON MAJORS | |ALVADO LANDABERDE | |BRANDON JOHNSTON |
|CHAD HERRADA | |CHRIS COOPER | |ESTEBAN OLIDE |
|JASON THOMAS | |JENNIFER MELTON | |JOHN GRAY |
|JOHNATHAN ERICKSON | |JOSH GARZA | |JOSH RIVAS |
|KEITH GREEN | |MICHAEL NITIKIN | |NICK DAUPHINAIS |
|WES MEYERS | |WILLIAM TATUM III | |JOSH ALLEN |
| | | | | |
|Digital Matte Painting | |CHRISTIAN KUGLER |
| | | |
|Technical Support | |ALEX DAIGLE |
| | |JOHN BRIZZI |
| | |JUSTIN MARTIN |
|Coordinators | |CHRIS TUCKER |
| | |BRENDA FINSTER |
| | |JOEY SCARPINATTO |
| | |MATT JENNINGS |
|Quality Control | |CORY REED |
| | |MATT JENNINGS |
|I/O Coordinator | |TRAVIS HOWE |
|Project Management | |STEPHEN H. PORTER |
| | |TERI KERR |
| | | |
|Administration | |PAUL BLECHER |
| | |LAUREN ASKEW |
| | |BECKY EMERSON |
| | | |
| | | |
|Hyboria Digital Environments produced by |
|TRITONE/ CRAZY HORSE EFFECTS |
| | | |
|Matte Paintings by | |TRITONE IMAGES |
|Modeler | |CODY DERRA |
|Research | |ELI SANTANA |
|Production Support | |NICK GERASIMOU |
| | | |
|Visual Effects by | |CRAZY HORSE EFFECTS |
|Visual Effects Executive Producer | |CHRISTINA GRAFF |
|Visual Effects Producer | |MAGDALENA WOLF |
|Visual Effects Supervisor | |PAUL GRAFF |
|Lead Compositor | |JOSHUA LaCROSS |
|Digital Effects Supervisor | |LUKE McDONALD |
|Compositors | |BRIAN SALES |
| | |CHRISTINA SPRING |
| | |GREG SCRIBNER |
| | |ADAM MATIS |
|Visual Effects Coordinator | |JUDY WEBSTER |
|Visual Effects Production Assistant | |CARL STERN |
| | | |
|Roto by | |FILAMENTS VISUAL EFFECTS |
| | | |
| | | |
|Dweller Animation Sequence Produced by |
|BASE FX |
| | | |
|Visual Effects Producer | |MATHIEU BURRI |
|Visual Effects Supervisor | |CHRISTOPHER BREMBLE |
|Digital Matte Painting Supervisor | |RON GRESS |
|Digital Matte Painters | |LIU ZHIPING |
|Compositing Supervisor | |NICK HSIEH |
|Lead Compositors | |AH DEE |
| | |ZHAO JINYI |
|Compositors | |YIN YONG |
| | |SARAH ZHANG |
| | |LI GENG |
| | |LI HAI |
| | |LIU MENG |
| | |WANG JUNHONG |
| | |ZHANG DONGXU |
|Digital Effects Supervisor | |REN JIBO |
|Digital Effects TD | |HUANG PEIZHI |
|Digital Effects Artists | |ZHANG FAN |
| | |QIAO FENG |
|Lighting Supervisor | |TANG BING BING |
|Pipeline TD | |LIU LU |
|Lighting Artists | |WU TONG |
| | |WANG JIE |
| | |ZHANG YUE |
|Concept Art Supervisor | |ZHANG PENG |
|Concept Design Artist | |YUAN SHUO |
|3D Supervisor | |QIN WEI |
|Creature TD | |SUN YICUN |
|Rigger | |PENG CHENGXI |
|Lead Modeler | |JIA HONGLONG |
|Lead Texture Artist | |QIN YAO |
|Lead Layout Artist | |XIAOXUAN SUN |
|Layout Artists | |JIANG WEICHENG |
| | |DONG MEI |
|Animation Supervisor | |KAILUN |
|Lead Animator | |ZHANG JINGRUI |
|Animators | |ZHANG RANHAO |
| | |ZENG SONG |
| | |AI FENG |
|Production Coordinators | |SONIA NIU |
| | |JIN XI |
| | |LEE ANNE YU |
| | |LUO WEIXI |
| | |JOSH LU |
| | | |
| | | |
|Sand Warrior Sequence Produced by |
|RELIANCE MEDIAWORKS LIMITED |
| | | |
|Executive Visual Effects Producer | |TOM HORTON |
|Head - Production | |SUDHIR REDDY |
|Head – Creative | |SANJOT SONALKAR |
|Lead Visual Effects Supervisor | |SIMON CARR |
|Visual Effects Supervisor | |ABHINAV SAH |
|CG Head | |TUSHAR KEWLANI |
|Visual Effects Producter | |AMIT JHAMB |
|Head – R&D | |JULIAN MANN |
|Head of Technology | |DAVID FOWLER |
|Head of Pipeline | |MARTIN PENGELLY PHILLIPS |
|Visual Effects Coordinator | |JOHN PURDIE |
|Senior Production Coordinators | |BRAJESH KUMAR |
| | |MANSI SHAH |
|Visual Effects Editors | |COLLETTE NUNES |
| | |PANKAJ S. BHALERAO |
|Effects Artists | |VIJAY BHARADWAJ |
| | |VIJAY GUPTA |
| | |MANIE BHATIA |
| | |ABHIJIT SURYAVANSHI |
| | |DIPESH V. PALAN |
| | |SAMEER SONAWANE |
| | |SAUBIK BHATTACHARYA |
|Additional CG Effects by | |REALISE STUDIOS |
|Matte Painting Artists | |VINOD MORE |
| | |VAIDEHI SHINDE |
|Lead Compositor | |JESSE PARKHILL |
|Compositing Artist | |S. SREEDHAR |
|Senior Compositors | |BEN TURNER |
| | |DAVID EMENY |
| | | |
|Compositors |
|ILAMURUGU SELVAN | |N. RANEN SINGH | |JAYESH CHAVAN |
|SAI KRISHNA RIMMALAPUDI | |UDDIPTA MAITRA | |PRAKASH BHOIR |
|SHIVAJI WAIKHOM SINGH | |SUDHEESH KK | |VINOD MEGHANATH |
|SAURABH PANDEY | | | |PARTH GHATGE |
|YOGESH BADHE | |SAGAR DHUMAL | |SAMEER KUDALE |
| | | |
|Texturing Artist | |AVNISH JHA |
|Lighting Artists | |RAJEEV RANJAN |
| | |DHEERAJ NAKRA |
|Animators | |GOKUL CHANDRAN |
| | |MANDAR SAWANT |
| | |SHYAM KRISHNAN |
| | |NEERAJ KUMAR SHARMA |
| | | |
| | | |
|Man O’ War Character Animation Produced by |
|DR. PICUTRE STUDIOS |
| | | |
|Visual Effects Supervisor | |VLADIMIR LESCHINSKI |
|CG Supervisor | |LEONID ERMOSHIN |
|3D Generalist | |DMITRY TSIRUKHIN |
|Rendering Artist | |ARTEM VOINSKIY |
|Animation Artist | |ALEX RYLKIN |
|Compositing Artist | |MAXIM NIKIFOROV |
| | | |
| | | |
|Prologue Sequence Designed by | |yU+co |
| | | |
| | | |
|STEREOSCOPIC 3D CONVERSION |
| |
|GENER8 |
| | | |
|Producer | |PAUL BECKER |
|Production Manager | |FRANK BENTON |
|Stereographer | |BEN BRECKENRIDGE |
|Rotomation Lead | |MARK WOLSEY |
|Matchmove and Rotoscope Supervisor | |VIKAS RAJPUT |
|Assistant Art Lead | |WARREN LYSCHESKO |
| | | |
| | | |
|STEREO INTERNATIONAL |
| | | |
|3D Stereo Producer | |REBECCA RAMSEY |
|Stereo Supervisor | |PRASANNA SIDDHARTHAN |
|3D Stereo Coordinator | |TRACY HARNELL |
|Visual Effects Editors | |LUIS PAZOS |
| | |BERNARDO RODRIGUEZ |
|Data Wrangler | |JIM OWENS |
| | | |
| | | |
|LEGEND 3D |
| | | |
|Producer | |SABRINA ARNOLD |
|Chief Stereographer | |BARRY SANDREW |
|Lead Stereographer | |JILL HUNT |
|Associate Stereographer | |LAUREL COSTA |
|Visual Effects Supervisors | |JARED SANDREW |
| | |TONY BALDRIDGE |
|Compositing Supervisor | |ADAM GHERING |
|Compositing Lead | |KEITH KOLOD |
|Production Supervisor | |JAMIE PASTOR |
|Production Development | |GEOFF GOODMAN |
| | | |
| | | |
|3DLIVEFLIX |
| | | |
|Producer | |CHRISTIAN PARIS |
|3D Executive Producer | |MICHEL ROCHER |
|Supervisors | |ESTEBAN ORTEGA |
| | |RAUL LEON |
| | |ENRIQUE NAVARRETE |
| | | |
| | | |
|HIVE STUDIOS |
| | | |
|CEO | |SERGEY LEE |
|Head of Studio | |SOPHYA HUZBASIC |
|Art Directo | |SRBOLJOB HETLEROVIC |
|Lead Stereographer | |SERGEY ROZHKOV |
|Leads | |LJUBOMIR PEKLAR |
| | |DENIS MALKOV |
| | |GEORGY SPROGIS |
| | |SERGEY DEGAY |
| | | |
| | | |
|ROCKET SCIENCE |
| | | |
|Stereoscopic Producer | |STEPHEN CASTOR |
|Stereoscopic Artist | |JOSH LOVEMAN |
|Stereographer | |MIKE GIBILISCO |
|Stereoscopic Conversion | |MELINA BAST |
|Stereoscopic Compositors | |JOE PERNICONE |
| | |SEAN AHMED |
|Visual Effects TD | |BRANDON CASTOR |
| | |DOMINIC CRAIN |
|Matchmove TD | |SHELDON JAFINE |
|Visual Effects Production Assistant | |LAURA CASTOR |
|3D Pipeline Coordinator | |VANESSA GOMEZ |
|3D Pipeline Technical Manager | |RUBEN GONZALEZ |
|3D Pipeline Programmer | |WARREN MACHI |
|Production Assistants | |JUSTIN CASTOR |
| | |ZOE KATZ |
| | | |
| | | |
|RELIANCE MEDIAWORKS |
| | | |
|Head of Operations | |INDRANEEL GUHA |
|Conversion Producer | |PREET SINGH |
|Senior Production Manager | |SACHIN BHANUSHALI |
|Production Manager | |YATIN VIJ |
|Conversion Supervisors | |SURYAPAL RAWAT |
| | |AKHILESH JAIN |
|Rotomation Supervisor | |JASON ALPHONSO |
|Rotomation Assistant Supervisor | |AKHIL VERMA |
|Rotoscopy Supervisor | |JAHEERUL HUDA |
| | | |
| | | |
|IDENTITY FX |
| | | |
|Stereoscopic Producers | |ALISON SAVITCH |
| | |DAVID SCOTT VAN WOERT |
|Stereoscopic Supervisor | |LEO VEZZALI |
|Stereoscopic Coordinators | |CHARLES LAWSON |
| | |JAMIE YU |
| | | |
|Stereoscopic Conversion Artists |
|ANTHONY PLA | |ALICIA SUGGS |
|KEVIN YUILLE | |BRANDY HANDELMAN |
|JEREMY NELSON | |PETER SALVIA |
|JOSEPH ZAKI | |EVAN GHIGLIOTTY |
|TROY MOORE |
| | | |
|In House Roto | |JON BIRD |
| | |STEVEN HUYNH |
| | |JUAN CHACON |
| | |ERIC OFOE |
|Technical Support | |CARLOS MENDEZ |
| | | |
| | | |
|Laser Film Recording | |EFILM |
| | | |
|Film Laboratory, Los Angeles | |DELUXE |
| | | |
| | | |
|Digital Intermediate Service Provided by |
|COMPANY 3 |
| | | |
|Digital Intermediate Colorist | |ROB SCIARRATTA |
|2D Digital Intermediate Producers | |ELIZABETH HITT |
| | |LIZA KERLIN |
|3D Digital Intermediate Producer | |CHRIS PREJZA |
|Digital Conform | |ADAM FRAZIER |
| | |PAUL CARLIN |
| | |JOE KEN |
|Color Assist | |PAUL SAGE |
| | |DANE BERGESON |
| | |TRAVIS FLYNN |
| | |JORDAN FOX |
|Digital Intermediate Technologist | |MIKE CHIADO |
|Head of Production | |DEVIN STERLING |
|Account Executive | |DAVID FELDMAN |
|Executive Producer | |STEFAN SONNENFELD |
| | | |
| | | |
|For MILLENNIUM FILMS |
| | | |
|President of International Sales & Distribution | |CHRISTIAN MERCURI |
|Executive in Charge of Post Production | |TODD GILBERT |
|Vice President, International Business & Legal Affairs | |DIMITER D. NIKOLOV |
|Vice President, International Distribution | |ADELE YOSHIOKA |
|Executive in Charge of Marketing | |MARCIN JANOWSKI |
|Creative Executive | |ALEXANDRE COSCAS |
|Human Resources | |BRADLEY WEISS |
|Nu Image Inc. Accounting | |CHRISTINE J. FORGO |
| | |IMELDA SANTIAGO |
| | |JULIE ◊ WEISEL |
| | |JODIE KUHUSKI MERCURI |
| | |BETHANY KLUBEK |
| | |RAY TAMAYO |
| | |ANNIE DOMINGO |
| | |PATRICIA STANLEY |
| | |GUSTAVO SANTANA |
| | | |
| | | |
|Production Financing by | |COMERICA ENTERTAINMENT GROUP |
| | |ADAM J. KORN |
| | |ANDREW C. ROBINSON |
| | | |
|Completion Bond by | |FILM FINANCES |
| | | |
|Insurance Services | |CLAUDE H. FOREST |
| | | |
| | |ALLIANZ BULGARIA |
| | | |
|Additional Legal Services Provided by | |DAVID ALBERT PIERCE, ESQ |
| | |ANTHONY J. HANNA, ESQ. |
| | |PIERCE LAW GROUP LLP |
| | | |
| | |LAW OFFICES OF DENNIS ANGEL |
| | | |
|Travel | |AVIVA SHARON |
| | |NEW ACT TRAVEL |
| | |DAN TEA TRAVEL |
| | | |
|Camera and Lenses provided by | |NU BOYANA FILM STUDIOS |
| | |VANTAGE (GERMANY) |
| | | |
|Electric Equipment provided by | |NU BOYANA FILM STUDIOS |
| | |DYNACORD (BULGARIA) |
| | |MOVIE PEOPLE (ITALY) |
|Grip Equipment provided by | |NU BOYANA FILM STUDIOS |
|Dolly Provided by | |NU BOYANA FILM STUDIOS |
|Boats and Ships provided by | |MARINA GROUP LTD |
| | | |
| | | |
| | | |
|Special Thanks |
|MINISTRY OF ENVIRONMENT AND WATER – REPUBLIC OF BULGARIA |
|MINISTRY OF CULTURE – REPUBLIC OF BULGARIA |
|SOFIA MUNICIPALITY |
|KAVARNA MUNICIPALITY |
|LUKOVIT MUNICIPALITY |
|ARTBEATS |
|GETTY IMAGES |
|DE LANE LEA |
|WILDFIRE STUDIOS |
|SOUND ONE |
|SONIC MAGIC STUDIOS |
|NHB STUDIOS BERLIN GMBH |
| | | |
| | | |
| | | |
|Songs |
|"NAZLAH AL SALLALLEM" | |"RAQSET AL-HAJJALAH" |
|Performed by Cairo Orchestra | |Courtesy of ARC Music Productions International Limited |
|Written by Sami Nossair | | |
|Published by Kousan Music Publishing | | |
|Courtesy of Hollywood by Arrangement | | |
| | | |
| | | |
|"HABBETIK B’JNOON" |
|Courtesy of ARC Music Productions International Limited |
| | | |
| | | |
|© 2011 CONAN PRODUCTIONS, INC. |
|All Rights Reserved. |
| | | |
|CONAN PRODUCTIONS, INC. is the author and creator of this motion picture for purposes of copyright and other laws in all |
|countries throughout the world. |
| | | |
|This motion picture is protected under laws of the United States and other countries. Any unauthorized exhibition, |
|distribution or reproduction of this motion picture or videotape of any part thereof (including the soundtrack) may result in |
|civil and criminal penalties. |
| | | |
|This motion picture is registered with the IFTA® anti-piracy program. |
| | | |
|The events, characters and firms depicted in this motion picture are fictitious. Any similarity to actual persons, living or |
|dead, or to actual firms is purely coincidental. |
| | | |
|CONAN®, CONAN THE BARBARIAN® and all related logos, characters, names and distinctive likenesses thereof are trademarks or |
|registered trademarks of CONAN PROPERTIES INTERNATIONAL, LLC unless otherwise noted. |
|All Rights Reserved. |
| | | |
| | | |
| | | |
|DOLBY LOGO | |MPAA LOGO, #45830 |
|KODAK (CINELABS, BULGARIA) LOGO | |DELUXE LOGO |
|yU+Co LOGO | |EFILM LOGO |
|SDDS LOGO | |DTS LOGO |
|SAG LOGO | |IATSE LOGO |
|WILDFIRE STUDIOS LOGO | |CHAPMAN LEONARD LOGO |
| | |NU BOYANA FILM STUDIOS LOGO |
................
................
In order to avoid copyright disputes, this page is only a partial summary.
To fulfill the demand for quickly locating and searching documents.
It is intelligent file search solution for home and business.
Related searches
- learning about the brain for kids
- all about the winter solstice
- facts about the equinox
- quotes about the meaning of life
- bad things about the internet
- essay about the importance of learning english
- information about the roman empire
- interesting facts about the workplace
- interesting facts about the uae
- fun facts about the uae
- sermon about the family
- essay about the importance of learning en