ARTS CRITICISM
In “The Ice Storm” (1997), Ang Lee masterfully demonstrated his ability to expose what was toxic in the now exotic-seeming milieu of 1970s suburbia, and he brings the same rigor, and the same painstaking craft, to the deftly observed particulars of “Brokeback” — the trailers, shacks and combine dealerships against which the tragedy unfolds. The power of these movies comes from their ... ................
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