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Audition PacketDirector- Cyndi FeinmanAsst. Director- Allison GoldinChoreographer- Tyler Patrick MatosScenic Design- Brian WedekingCostumes/Props- Cathleen MarxCharacters/SongsRen McCormack- teenage boy from Chicago:: Male, 18-25. Tenor. Energetic, emotional, rebellious, likeable; emotes his pain through quirky sarcasm and dance; strong dancer- Opening, On Any Sunday, I Can’t Stand Still, I’m Free, Heaven Help Me, Dancing Is Not a Crime, Almost Paradise, FootlooseEthel McCormack- his mother-? Female, 35-45. Soprano. Ren’s mother; had a tough go, just trying to make it…would do anything for her son. Opening, On Any Sunday, Learning to Be Silent, Heaven Help Me, FootlooseReverend Shaw Moore- minister of Bomont-: Male, 35-55. Baritone. The powerful, traditional local church leader; strict, stern, and solemn, still struggling with the death of his son On Any Sunday, Heaven Free, Heaven?Help Me (Reprise), Can You Find It In Your Heart (Reprise), FootlooseVi Moore- his wife-: Female, 30-50. Soprano. Reverend Moore’s loving, supportive, resilient wife.? Opening, Learning to be Silent, Can You Find it in Your HeartAriel Moore- their teenage daughter- Female, 18-25. Mezzo-Pop. Smart, a bit of the bad girl with an edge, sweet, the rebellious minister’s daughter; role requires strong belt, must be a strong singer/dancer.? The Girl Gets Around, Learning to be Silent, Holding Out for a Hero, I’m Free/Heaven Help Me, Almost Paradise, FootlooseWillard Hewitt- Ren’s friend, a country boy. Male, 18-25. Tenor. A simple country bumpkin with a warm heart and a big smile; comedic timing and dance a must. On Any Sunday, I’m Free, Heaven Help Me, Let’s Hear it for the Boy, Mama Says, FootlooseRusty- Ariel’s best friend-? Female, 18-25. Great soprano/pop voice. Ariel’s friend; a bit scatterbrained, sweet, fun, knows everything about everything; role requires strong belt, strong comedic timing and dance On Any Sunday, Somebody’s Eyes, Holding Out for a Hero, Somebody’s Eyes (Reprise), I’m Free/Heaven Help Me, Let’s Hear it for the Boy, FootlooseUrleen- Ariel’s friend- Female, 18+. Mezzo/Alto. Ariel’s friend; the smart one of the group; role requires strong belt, comedic timing, and dance. Opening, On Any Sunday, Somebody’s Eyes, Somebody’s Eyes scene change, Let’s Hear it for the Boy, FootlooseWendy Jo- Ariel’s friend- Female, 18-25. Mezzo. Ariel’s friend; strong belt, comedic timing, and dance required Opening, On Any Sunday, Somebody’s Eyes, Somebody’s Eyes scene change, Let’s Hear it for the Boy, FootlooseChuck Cranston- Ariel’s boyfriend- Male, 18-25. Tenor. The local bad boy and Ariel’s boyfriend Opening, On Any Sunday, Girl Gets Around, Somebody’s Eyes, Somebody’s Eyes scene change, Let’s Hear it for the Boy, FootlooseLyle- Chuck’s friend- Opening, On Any Sunday, Girl Gets Around,? Somebody’s Eyes, Somebody’s Eyes scene change, Let’s Hear it for the Boy, FootlooseTravis- Chuck’s friend- Opening, On Any Sunday, Girl Gets Around, Somebody’s Eyes, Somebody’s Eyes scene change, Let’s Hear it for the Boy, FootlooseJeter- Ren’s friend- Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, Mama Says, FootlooseBickle- Ren’s friend Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, Mama Says, FootlooseGarvin- Ren’s friend Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, Mama Says, FootlooseCowboy Bob- lead vocalist at BBQ- Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Still Rockin, Let’s Hear it for the Boy, FootlooseCowboy Bob’s Band- Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, Mama Says, FootlooseLulu Warnicker- Ren’s Aunt- Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, FootlooseWes Warnicker- her husband Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, FootlooseCoach Roger Dunbar- high school gym teacherOpening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, FootlooseEleanor Dunbar- his wife Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, FootlooseA cop Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, FootlooseBetty Blast- owner of Burger Blast Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, FootloosePrincipal Harry Clark, Townspeople, High School Students, Church Choir Opening, On Any Sunday, Somebody’s Eyes, I’m Free/Heaven Help Me, Let’s Hear it for the Boy, FootlooseSong ListFootloose- Rusty, Wendy Jo, Urleen, CompanyOn Any Sunday- Shaw, Ren, Ethel, CompanyGirl Gets Around- Chuck, Ariel, Travis, LyleI Can’t Stand Still- RenSomebody’s Eyes- Rusty, Urleen, Wendy Jo, CompanyLearning to Be Silent- Vi, Ethel, and ArielHolding Out for? Hero- Ariel, Rusty, Wendy Jo, UrleenSomebody’s Eyes Reprise 1 & 2- Rusty, Wendy Jo, Urleen, Chuck, Lyle, TravisHeaven Help Me- ShawI’m Free/Heaven Help Me- Ren, Shaw, and CompanyStill Rockin’ Cowboy Bob and his BandLet’s Hear it for the Boy- Rusty and the CompanyCan You Find it in Your Heart- ViDancing is not a Crime- RenMama Says- Willard, Bickle, Garvin, Jeter and RenMama Says Encore- Willard and BoysAlmost Paradise- Ren and RielHeaven Help Me- ShawCan You Find It in Your Heart- ShawFootloose- CompanyCalendarDECEMBER 19th- 3:15-3:45pm INFO MEETING FOR STUDENTSJanuarySundayMondayTuesdayWednesdayThursdayFridaySaturday1/51/63pm-5pmDance Call1/73pm-5pmAuditions1/83pm-5pmCallbacks1/91/101/111/121/133:30-5:30Vocals- Opening1/144pm-6pmChoreo- Opening1/153:30-5:30Vocals: Girl Gets Around, I Can’t Stand Still, Learning to be Silent, Holding Out for a Hero, Scene 7 vocals1/163:30-5:30Vocals/ChoreoOpening1/171/181/191/20NO SCHOOL1/214pm-6pmVocals/Choreo Somebody’s Eyes & I can’t stand still1/223:30-5:30Vocals/Choreo Somebody’s Eyes & I can’t stand still1/233:30-5:30Vocals/Choreo Somebody’s Eyes & I can’t stand still1/241/251/261/27MIDTERM WEEK- individual songs by appointmentVocals/StagingSomebody’s Eyes reprise, Heaven Help Me, Still Rockin’, Can You Find it in Your Heart, Dancing is Not A Crime1/28MIDTERM WEEK- individual songs by appointmentVocals/Staging Somebody’s Eyes reprise, Heaven Help Me, Still Rockin’, Can You Find it in Your Heart, Dancing is Not A Crime1/29MIDTERM WEEK- individual songs by appointmentVocals/Staging Somebody’s Eyes reprise, Heaven Help Me, Still Rockin’, Can You Find it in Your Heart, Dancing is Not A Crime1/30MIDTERM WEEK- individual songs by appointmentVocals/Staging Somebody’s Eyes reprise, Heaven Help Me, Still Rockin’, Can You Find it in Your Heart, Dancing is Not A Crime1/313:30-6:00Choreo/VocalsI’m free/Heaven Help MeFebruarySundayMondayTuesdayWednesdayThursdayFridaySaturday2/12/22/34pm-6pmVocals/Choreo: I’m Free/Heaven Help Me2/44pm-6pmVocals/Choreo: Finale2/54pm-6pmVocals: Almost Paradise, Heaven Help me/Can You Find it in Your Heart reprise2/63:30-6pmStaging Act I- scenes 1-52/74pm-6pmVocals/Choreo Finale2/82/92/103:30pm-6pmStaging Act I?Scenes 6-92/112/124pm-6pmStaging Act II Scenes 1-52/133:30-6:00pmStaging Act II Scenes 6-72/142/152/162/17Vacation: TECH2/18Vacation: TECH2/19Vacation: TECH2/20Vacation: TECH2/21Vacation: TECH2/222/232/243:30-5:30REVIEW ALL vocals2/253:30-5:30REVIEW Act I Choreo2/262/273:30-5:30REVIEW Act II Choreo2/282/29MarchSundayMondayTuesdayWednesdayThursdayFridaySaturday3/13/24pm-6pmAct I Clean-up3/34pm-6pmAct I Clean up3/43/53:30-5:30Act II Clean up3/63/73/83/93:30-5:30Act II Clean up3/104pm-6pmAct I?3/113/124pm-6pmAct II Clean up3/134pm-6pmClean up as needed3/14TECH WEEKEND3/15TECH WEEKEND3/163:30-6pmAct I3/174pm-6pmAct II3/184pm-6pmAct I3/194pm-6pmAct II3/204pm-9pmWHOLE SHOW RUN THROUGH3/2110am-4pmCostumes/Choreo3/2210am-4pmTECH REHEARSAL3/234pm-9pmTECH REHEARSAL3/244pm-9pmTECH REHEARSAL3/254pm-9pmTECH REHEARSAL3/263:30Show #13/277pmShow #23/287pmShow #33/29Strike!AUDITIONS32-bars of any musical theater song (in the style of the show)?IN ORDER TO BE CAST YOU NEED THE FOLLOWING:· ? ? ? WHO’S WHO: ON SIGN-UP FORM· ? ? ? HEADSHOT: ON SIGN-UP FORM· ? ? ? SIGNED CONTRACT: ON SIGN-UP FORM?AUDITIONEES: The? song you choose to? sing for your audition is? very important. The song should demonstrate your vocal abilities at your highest performance level and show your range capabilities, the quality of your voice and your vocal prowess. 32-bars ONLY.?You can choose to bring accompaniment on a device (a speaker will be available).?Performance resumes with an up to date head shot attached should be given to the Director at the time of your audition. Do not email.Notes:? Do not underestimate the importance of a strong audition.? Study your audition material and treat the audition and material with a thoughtful plan. Be familiar with your songs and stage manner.? Memorization is a plus as long as it does not become a deterrent in the flow of your auditionSHOW DATES:? March 26, 27, 28, 2020 – NO CONFLICTS ARE ACCEPTABLE? ? ? ? ? Beginning on March 1, 2020.? NO CONFLICTS can occur that were not stated in the contract and approved prior by the director.????Schedule:??Dance Auditions (Monday 1/6 3:15-5:30)Vocal Auditions (Tuesday 1/7 3:00-5:30)?Call Backs (Wednesday 1/8 3:15- 5:15)FIRST REHEARSAL: 1/13?Rehearsals run from 3:30 until 5:30 PM OR 4:00-6:00 most days, but please remain flexible. Some cast members will also be required to attend a weekly (7-9 PM) pit rehearsal starting in March.? Please be advised that if you have any conflicts, you must enter them on your contract form. Hiding conflicts will result in loss of role at the discretion of the director.??Sign up for audition on ??Auditions are “closed” except for Call Backs, which will be open only for those called back.? Please utilize both days and please be patient if we are delayed.?YOUR AUDITION CONTRACT MUST BE COMPLETELY FILLED OUTAND BROUGHT TO YOUR AUDITIONRehearsals will normally be from 3:30-5:30 OR 4:00 PM until 6:00 PM on Mon., Tue., and Thursdays and begin January 13th, along with occasional weekend rehearsals and evening rehearsals with the Pit. Attendance is required for all rehearsals. NO CONFLICTS ARE ACCEPTABLE BELOW including Sunday Rehearsal on November 17th @ 10:00am:MonTueWedThuFriSatSunWeek of March 16-21Run-ThruRun-ThruRun-ThruRun-ThruTechFull DressFull DressWeek of March 22-28Full DressFull DressFull DressPerfPerfPerfStrike ANYONE CAST IN A LEAD OR SUPPORTING ROLE CAN HAVE NO CONFLICTS WITH OTHER CLUBS, ATHLETICS, HS EVENT or OUTSIDE EMPLOYMENT (unless agreed to prior with the director and that rehearsals take precedence to meetings, outside rehearsals, practices and games including Saturday events). Absolutely no conflicts will be allowed during the final two weeks listed above. I also have read and understand the above conflict policy. I agree to act in a professional manner upon casting and perform my assigned parts accordingly. I understand that I must be on time for all rehearsals and will notify the stage manager if I cannot attend a rehearsal.If I do not adhere to this commitment I understand I can forfeit my role. ................
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