GSA Advantage



Federal Supply ServiceAuthorized Federal Supply Schedule Price ListOn-line access to contract ordering information, terms and conditions, up-to-date pricing,and the option to create an electronic delivery order are available through GSAAdvantage!?, a menu-driven database system. The INTERNET address GSAAdvantage!? is: .Multiple Award ScheduleFSC Group: Professional Services FSC Class: CONTRACT NUMBER: GS-07F-195AAFor more information on ordering from Federal Supply Schedules go to the GSASchedules page at .CONTRACT PERIOD: April 1, 2018 through March 31, 2023CONTRACTOR:Braun Film and Video Inc.43617 Emerald Dunes PlaceLeesburg, VA 20176-3969(703) 293-9350Website: Email: GSA@CONTRACT ADMINISTRATION SOURCE:Gary Braun(301) 924-1960Gary@BUSINESS SIZE: Small BusinessPrice List Current as of Modification #PS-A812, effective February 4, 2020Prices Shown Herein are Net (discount deducted)CUSTOMER CONTRACT INFORMATION:1a. TABLE OF AWARDED SPECIAL ITEM NUMBERS (SINs)SINSIN Description512110512110 Video/Film Production541810ODCOther Direct Costs for Marketing and Public Relations ServicesOLMOLM Order-Level Materials 1b. LOWEST PRICED MODEL NUMBER AND PRICE FOR EACH SIN: See Price List1c. HOURLY RATES:See Price List2. MAXIMUM ORDER: $1,000,000 3. MINIMUM ORDER: $1004. GEOGRAPHIC COVERAGE: Worldwide5. POINT(S) OF PRODUCTION: 610 Herndon Parkway, Suite 600, Herndon, VA 201706. DISCOUNT FROM LIST PRICES OR STATEMENT OF NET PRICE: Prices listed are Government Net Prices; discounts already deducted.7. QUANTITY DISCOUNT(S): None8. PROMPT PAYMENT TERMS. Information for Ordering Offices: Prompt payment terms cannot be negotiated out of the contractual agreement in exchange for other concessions. Net 30 Days 9. FOREIGN ITEMS: Not Applicable10a. TIME OF DELIVERY: To be determined at task order level.10b. EXPEDITED DELIVERY: Contact Contractor’s Representative.10c. OVERNIGHT AND 2-DAY DELIVERY: Contact Contractor’s Representative.10d. URGENT REQUIREMENTS: Contact Contractor’s Representative.11. FOB POINT: Destination12a. ORDERING ADDRESS: Braun Film and Video, Inc. 43617 Emerald Dunes Pl. Leesburg, VA 2017612b. ORDERING PROCEDURES: For supplies and services, the ordering procedures, information on Blanket Purchase Agreements (BPA’s) are found in Federal Acquisition Regulation (FAR) 8.405-3.13. PAYMENT ADDRESS: Braun Film and Video, Inc.43617 Emerald Dunes Pl.Leesburg, VA 2017614. WARRANTY PROVISION: Not applicable15. EXPORT PACKING CHARGES: Not applicable16. TERMS AND CONDITIONS OF RENTAL, MAINTENANCE, AND REPAIR (IF APPLICABLE): Not applicable17. TERMS AND CONDITIONS OF INSTALLATION (IF APPLICABLE): Not applicable18a. TERMS AND CONDITIONS OF REPAIR PARTS INDICATING DATE OF PARTS PRICE LISTS AND ANY DISCOUNTS FROM LIST PRICES (IF AVAILABLE): Not applicable18b. TERMS AND CONDITIONS FOR ANY OTHER SERVICES (IF APPLICABLE): Not applicable19. LIST OF SERVICE AND DISTRIBUTION POINTS (IF APPLICABLE): Not applicable20. LIST OF PARTICIPATING DEALERS (IF APPLICABLE): Not applicable21. PREVENTIVE MAINTENANCE (IF APPLICABLE): Not applicable22a. SPECIAL ATTRIBUTES SUCH AS ENVIRONMENTAL ATTRIBUTES (e.g. recycled content, energy efficiency, and/or reduced pollutants): Not applicable22b. SECTION 508 COMPLIANCE FOR EIT: Contractor will be deliver work that is Section 508 compliant pursuant to Electronic and Information Technology (EIT) standards (EIT standards can be found here: ), as project scope / task orders require. 23. DUNS NUMBER: 82884400124. NOTIFICATION REGARDING REGISTRATION IN SYSTEM FOR AWARD MANAGEMENT (SAM) DATABASE: Braun Film and Video, Inc. is registered/active in the SAM Database, CAGE Code: 387F8ABOUT USSince 1992 Braun Film & Video, Inc. has been a trusted production partner for Fortune 500 companies, the government, non-profit associations, advertising agencies and public relations firms. We are a GSA Schedule Contract holder since 2013. As a broadcast quality production company, we use the most state-of-the-art production and post-production equipment working exclusively in High-Definition, and employ trained professionals across the board who have been nationally and internationally recognized in their respective disciplines. Production is truly a collaborative exercise and our philosophy is to surround ourselves with the most creative thinkers and doers, the most technically proficient, and the most client-focused individuals we can. Our job as Producers is to assemble this ‘team of experts’, and mobilize everyone towards a unified goal. We have a history of honoring schedules and budgets, meeting deadlines and solving any and all unknown issues that may arise during production (and they will!).Good production is more than just being creative however; the ability to execute and our organizational skills are also keys to our success. From quick turnaround local projects with a small staff and a simple approach, to a major production in Europe, the Middle East or Africa, to producing a national broadcast spot with a crew of 50+, every one of our productions receives the same attention to detail and implements our careful system of checks and balances to keep the client involved in all aspects of the production, maintain a coherent messaging platform, and ultimately deliver a compelling and dynamic finished product on schedule and on budget. Our devotion to creativity and technical execution is matched only by our excellence in customer service. Braun is proud to boast an extraordinary ninety-sixth percentile (96%) rating with Dun and Bradstreet Past Performance Evaluation. We are passionate about working with clients to understand their goals and create effective audio, multimedia, video design and editorial projects. It’s a chance to push the boundaries of technology and create something new and innovative every time. Our conveniently located Herndon, VA studio features three, full HD (two 4k capable) broadcast quality post production suites, each equipped for HD video editing, audio editing, color correction, motion graphics, 2D and 3D animation and compositing. All systems are networked and backed up daily. Our office also includes a 1500+ square foot studio space and greenscreen / infinity cyc wall giving us the flexibility to create and shoot many different looks in house, and additionally includes a greenroom, conference room and client workspace, in addition to our personal offices. Braun Film and Video is a Certified Small Business; owners Dave Braun and Gary Braun (President and Vice President, respectively) are Executive Producers with more than a half century of combined experience.LABOR PRICE LISTSINLABOR CATEGORYUNIT OF ISSUEGSA RATE (IFF INCLUDED)512110Senior ProducerHourly$ 92.57512110DirectorHourly$ 123.43512110WriterHourly$ 86.40512110ProducerHourly$ 74.06512110Assistant ProducerHourly$ 55.55512110Production AssistantHourly$ 27.78512110Creative DirectorHourly$ 92.57512110Senior Editor (SD or HD)Hourly$ 74.06512110Editor (SD or HD)Hourly$ 55.55512110Assistant Editor (SD or HD)Hourly$ 33.94512110Production ManagerHourly$ 74.06512110Production CoordinatorHourly$ 61.71512110Director of PhotographyHourly$ 92.57512110Audio EngineerHourly$ 61.71512110GafferHourly$ 74.06512110Key GripHourly$ 74.06512110Grip ElectricalHourly$ 80.23512110Make-up ArtistHourly$ 74.06512110Teleprompter Operator w/ teleprompterHourly$ 67.89512110Hair/Wardrobe StylistHourly$ 74.06512110Media Manager / DITHourly$ 80.23512110Camera OperatorHourly$ 74.06512110Junior Camera OperatorHourly$ 43.20512110Account ManagerHourly$ 74.06512110Stedicam OperatorHourly$ 123.43512110PhotographerHourly$ 154.29512110Set PhotographerHourly$ 74.06512110Art DirectorHourly$ 74.06ODC SUPPORT PRODUCTS PRICE LISTSINSUPPORT SERVICE (ODCs)SUPPORT PRODUCT (ODCs)UNIT OF ISSUEGSA RATE (IFF INCL.)541810ODCResearcherHourly$75.57541810ODCAsst. Writer / ResearcherHourly$56.68541810ODCAssistant CameraHourly$88.16541810ODCBest BoyHourly$75.57541810ODCMake-up Artist AssistantHourly$50.38541810ODCHair/Wardrobe Stylist Asst.Hourly$50.38541810ODCDolly GripHourly$75.57541810ODCSwingHourly$75.57541810ODCAsst. DirectorHourly$88.16541810ODCChyron / CG OperatorHourly$72.42541810ODCFloor DirectorHourly$66.13541810ODCLighting DirectorHourly$72.42541810ODCTape OperatorHourly$72.42541810ODCTechnical DirectorHourly$72.42541810ODCVideo EngineerHourly$66.13541810ODCFood StylistHourly$125.94541810ODCAssistant Food StylistHourly$50.38541810ODCProps MasterHourly$75.57541810ODCAssistant Props MasterHourly$56.68541810ODCSet DesignerHourly$88.16541810ODCJib / Crane OperatorHourly$75.57541810ODCCraft ServicesHourly$56.68541810ODCEffects CoordinatorHourly$81.86541810ODCOriginal Music ComposerHourly$157.43541810ODCLocation ScoutHourly$75.57541810ODCLive Event ProducerHourly$81.86541810ODCEngineerHourly$75.57541810ODCScript Supervisor / ContinuityHourly$69.27541810ODCCasting DirectorHourly$81.86541810ODCTranslatorHourly$60.45541810ODCLanguage SupervisorHourly$70.53541810ODCStory Board ArtistHourly$62.97541810ODCOn-screen Actor (Non-Union)Hourly$1,007.56541810ODCNarrator (on screen) – Non-UnionHourly$755.67541810ODCVoice Over – UnionHourly$670.56541810ODCVoice Over – Non-UnionHourly$503.78541810ODCStandard Def Camera PackageBeta - SPDaily$503.78541810ODCHigh Definition Camera PackageHDX – 900Daily$705.29541810ODC?AF-100 StandardDaily$554.16541810ODC?AF-100 – Cine PackageDaily$1,007.56541810ODC?RED EpicDaily$1,259.45541810ODC?ALEXADaily$1,511.34541810ODC?Canon 7DDaily$453.40541810ODC?HVX – 200Daily$453.40541810ODC?XDCamDaily$654.91541810ODCProduction AccessoriesPrime lens kitDaily$705.29541810ODC?Lightweight ZoomDaily$352.64541810ODC?Camera SliderDaily$151.13541810ODC?Filter PackageDaily$125.94541810ODC?17” HD MonitorDaily$176.32541810ODC?Stedicam PackageDaily$806.05541810ODC?Dolly PackageDaily$503.78541810ODC?Porta Jib (6 foot)Daily$151.13541810ODC?Generator rentalDaily$251.89541810ODC?Turntable rentalDaily$226.70541810ODC?Standard Field Lighting PackageDaily$403.02541810ODC?Standard HMI PAR Lighting PackageDaily$554.16541810ODC?Portable Green ScreenDaily$151.13541810ODC?Computer RentalDaily$125.94541810ODC?Grip Truck 3 Ton (Standard)Daily$755.67 + $1.51 per mile541810ODC?Grip Truck 2 Ton (Standard)Daily$503.78 + $1.51 per mile541810ODC?Standard Field Audio PackageDaily$201.51541810ODCStudio RentalDaily$2,518.89541810ODCMedia Storage500GB Hard DriveEach $100.76 541810ODC?1TB Hard DriveEach $125.94 541810ODC?2TB Hard DriveEach $151.13 541810ODC?3TB Hard DriveEach $201.51 541810ODCTape StockBeta-SP 30 minEach $17.13 541810ODC?DVCPro HD 33 minEach $32.75 541810ODC?XDCam Disc - 85 minEach $27.71 541810ODC?XDCam Disc - 185 minEach$60.45 541810ODCStock PhotographyEach $352.64 541810ODCStock Video FootageEach$2,065.49 541810ODCStock MusicEach$2,518.89 541810ODCSound EffectsEach$68.82 ?541810ODCPost-Production ServicesStandard Def Edit Suite (equipment only)Hourly$166.25 541810ODC?Hi Def Edit Suite (equipment only)Hourly$166.25 541810ODC?Audio Edit Suite (equipment only)Hourly$125.94 541810ODC?Still Graphics (equipment only)Hourly$107.05 541810ODC?Motion Graphics Animation (equipment only)Hourly$141.06 541810ODC?Audio Narration Recording (equipment only)Hourly$125.94 ?541810ODCVideo CompressionAll File FormatsEach - up to 10 min$50.38 541810ODCAudio CompressionAll File FormatsEach - up to 10 min$50.38 541810ODCDVD DuplicationPaper Sleeve packagePer Unit; 1-49 units$4.49 541810ODCPaper Sleeve packagePer Unit; 50-99 units$2.77 541810ODC?Paper Sleeve packagePer Unit; 100-499 units$2.11 541810ODC?Paper Sleeve packagePer Unit; 500-999 units$1.40 541810ODC?Paper Sleeve packagePer unit; 1000+ units$0.83 541810ODCCD DuplicationPaper Sleeve packagePer Unit; 1-9 units$9.07 541810ODC?Paper Sleeve packagePer unit; 1000+ units$1.41 541810ODCDVD / CD PackagingPlastic Slim Jewel Case or Clam Shell SleeveEach$0.35 541810ODCTape DuplicationBetacam - 60 minEach$100.76 541810ODCDigi Betacam - 12 minEach$60.45 ???541810ODCTranscription ServicesStandardPer minute$3.02 541810ODC?RushPer minute$4.03 541810ODCCaptioning and SubtitlingPop-on OriginalPer hour; pro-rated quarterly$705.29 541810ODC?Pop-on ReformatPer hour; pro-rated quarterly$403.02 541810ODC?Timed Roll Up (TRU) ReformatPer hour; pro-rated quarterly$352.64 ????541810ODCMedia ToursSMT (Satellite)First Hour $15,113.35 541810ODC?SMT (Satellite)Each Additional Hour$6,649.87 541810ODC?RMT (Radio)Each Additional Hour$3,526.45 541810ODCWebcast Services (Based on Washington, DC area based productionLocation with access to T1 lineFirst hour $10,277.08 541810ODCAdditional StreamingLocation with access to T1 linePer add'l hour$1,335.01 541810ODCPower Point Slides incorporated into Webcast?Per Webcast $806.05 541810ODCCaptioning incorporated into Webcast?Per hour - Archived version only$654.91 541810ODCAsk a question feature?Per Webcast$604.53 541810ODCRegistration page creation and reporting?Per Webcast$352.64 541810ODCSecond camera and switcher?Per Webcast$2,821.16 ?541810ODCPSA DistributionNational TV - Broadcast and Cable - 4 color packaging Per Campaign $41,366.75 541810ODC?National Radio - 4 color packaging Per Campaign $44,775.82 ????541810ODCShipping Fed Ex Shipment Each$620.51 Courier Delivery Each$150.02 LABOR CATEGORY DESCRIPTIONSCategoryLabor Category DescriptionEducation / ExperienceSenior ProducerThe Senior Producer is responsible for the creative and financial leadership of a project from pre-production through post-production and final delivery. He/she oversees the budget, hiring of key personnel, and is responsible for the quality of the final deliverables. BA /15+DirectorThe Director collaborates with the creative during production. He/she plans blocks each shot of the script and during filming, directs talent and crews. BA/15+WriterThe Writer is responsible for scripts. He/she also writes proposals and collateral materials, such as press releases and web copy. BA/15+ProducerThe Producer reports to the Senior Producer and oversees the day-to-day management of each production. The producer hires key personnel for shooting, prepares shoot schedules, supervises crews, conducts interviews as needed, and manages post-production. BA/10 +Assistant ProducerThe Assistant Producer reports to the Producer and or coordinator and executes many of the tasks for the producer or coordinator, such as preparing shoot schedules and supervising crews on basic shoots. The associate producer also works with the assistant editor to ensure that all tasks necessary for editing are completed.BA/2+Production AssistantProduction assistants assist crew personnel on the set and in the production office. They perform many unskilled tasks in assisting with the production.NA/1+Creative DirectorThe Creative Director is the center of the conceptual and creative direction for productions. He/she will work directly with client and/or crew on set and off to ensure that pitched creative is delivered on screen.BA/10+Senior EditorThe Editor takes the on-line cut to the final Master. The Senior Editor works on advanced systems, such as the AVID DS or AVID, and Graphic elements that require special skills and experience. BA/10+EditorThe Editor assembles the footage into a rough cut and an on-line edit that follows the script and the director’s vision. The Editor has a thorough technical understanding of all sources of material and how to incorporate those materials into the cut. BA/5+Assistant EditorThe Assistant Editor works with the editors and producer to facilitate the editing and duplication process. He/She is responsible for transcriptions of all interviews, logging and digitizing footage, duplicating DVDs, making DVD labels, and delivering the order.BA/2+Production ManagerThe Production Manager writes budgets and keeps a list of crew personnel and their rates. The Production Manager hires crews, rents equipment and negotiates prices. The PM keeps the production on schedule and budget. He/she reports to the Producer on the progression of the project. BA/10+Production CoordinatorThe coordinator reports directly to the producer creating production books, coordinating crews, provides phone support and scheduling.BA/3+Director of PhotographyThe Director of Photography is responsible for the final look of the project. The Director of Photography may shoot and direct the lighting department. BA/10+Audio Recordist / EngineerThe Audio Recordist/ Sound Engineer is responsible for capturing the sound that goes with the images on camera. The sound recordist must be experienced in recording in all environments from the studio to on location and have expert knowledge of all the audio equipment. HS/5+GafferThe Gaffer is the lighting designer. The Gaffer has experience lighting all environments, interior or exteriors. The Gaffer works closely with the camera operator or director of photography to create the mood and style of the production.HS/10+Key GripThe Grip is familiar with all lighting and other grip equipment. He is responsible for setting stands, flags, dolly track, silks and making sure that all equipment is safely secured.HS/3+Grip ElectricalThe Grip electrician makes sure the power needs for lighting is sufficient. They are in charge of bringing power to the set, which involves laying cables from power source. HS/5+Make-up ArtistMake-up artists provide makeup and touch up to persons appearing in front of the camera, prior to and throughout the production day.HS/5+Teleprompter OperatorThe teleprompter operator has the ability to adapt a Teleprompter on any camera used in a production and upload scripts into their computer and control speed for talent comfort.HS/5+Hair/Wardrobe StylistIn general stylist provide hair styling and wardrobe, beyond makeup, to persons appearing in front of the camera. Stylist are in charge of wardrobe making sure the colors match with set design.HS/5+Media Manager / DITThe Media Manager/Digital Information Technician is responsible for the import and management of all digital media on set. This includes securing shot media and safely transferring and storing to portable systems for transport to post.BA/3+Camera OperatorThe Camera Operator operates the video camera during shooting. Camera operators shoot on Industry standard state of the art cameras appropriate to production. Their skills require them to know all aspects of operating the camera including but not limited to focus, focus pull, lens applications, settings, and lighting.BA 5+Junior Camera OperatorA Junior Camera Operator shares the skill set of the camera operator but carries less education/experience. Junior Camera Operators shoot on Industry standard state of the art cameras appropriate to production. Their skills require them to know all aspects of operating the camera including but not limited to focus, focus pull, lens applications, settings, and lighting.HS/3+Account ManagerThe Account Manager is a primary point of contact for the client and will liaison between client and production crew when necessary helping manage schedules, purchase orders, etc.BA/5+Steadicam OperatorThe Steadicam Operator is a specialized camera operator experienced with the Steadicam rig, a device used to keep the camera stable while the cameraperson moves. Steadicams are used in live action or complex movement on objects.BA/5+PhotographerThe Still Photographer uses state of the art digital photographic equipment to capture the subject, event, setting or image as dictated by the statement of work. He/She knows all aspects of photography and camera operation including lighting, focus, composition, etc.BA/5+Set PhotographerSet Photographer use digital photographic equipment to document the events of a set/shoot day. They know all aspects of photography and camera operation including lighting, focus, composition, etc.HS/3+Art DirectorFormulates design concepts and directs and coordinates set design, construction, and erection activities to produce sets for motion picture and television productions: Reads the script and confers with heads of production and direction to determine setting requirement.BA/5+OTHER DIRECT COSTS - LABOR CATEGORY DESCRIPTIONSCategoryLabor Category DescriptionEducation / ExperienceResearcherCoordinates and conducts issue/topic and background research, frequently in coordination with writer.BA/3+Assistant Writer / ResearcherWorks under the direction of researcher and/or writer to assist in aggregation and organization of collected materialsBA/1+Assistant CameraCrew member in charge of 'focus pulling' (maintaining image sharpness) and/or basic care and maintenance of camera on and off set.BA/3+Best BoyCrew member operating as assistant to gaffer and/or key grip, overseeing lighting and/or grip departments and responsibilities.HS/3+Make-up Artist AssistantAssists Make-up Artist in maintenance of talent's on-camera appearance throughout production.HS/1+Hair / Wardrobe Stylist Asst.Assists Hair/Wardrobe Stylist in selection, pairing and execution of on-camera talent's hair and wardrobe needs throughout production.HS/1+Dolly GripCrew member responsible for building, operation and maintenance of camera dolly on set.HS/3+SwingCrew member responsible for the assembly and striking of the set.HS/3+Asst. DirectorWorks in conjunction with Producer and Director to ensure scene blocking and tone as well as cast/crew and production schedules are maintained.BA/3+Chyron / CG OperatorLive/Live to tape production crew member responsible for Chyron and Graphic creation and/or roll-in.BA/1+Floor DirectorCrew member responsible, working in conjunction with Director, managing all aspects of the production floor (or set) with specific focus on crew members.HS/3+Lighting DirectorCrew member responsible, working in conjunction with the Director, for the composition, tone and design of all lighting on set.HS/5+Tape OperatorLive/Live to tape production crew member responsible for roll-in of pre-taped and/or other pre-produced media.BA/1+Technical DirectorLive/Live to tape production crew member responsible for video switcher operation on multi-camera productions.BA/3+Video EngineerLive/Live to tape production crew member responsible for oversight/maintenance of broadcast video studio and/or equipment. Society of Broadcast Engineers certification required.BS/3+Food StylistCrew member responsible for making food that will appear on camera look appetizing and appealing.BA/3+Assistant Food StylistAssists Food Stylist in execution of his/her duties.HS/1+Props MasterCrew member responsible for buying, building or otherwise acquiring props required for production and managing care and placement of those props during production.HS/5+Assistant Props MasterAssists Props Manager in execution of his/her duties.HS/1+Set DesignerCrew member responsible for, under direction from creative staff and Director, designing the production space, or 'set'.BA/3+Assistant Set DesignerAssists Set Designer in execution of his/her duties.HS/1+Jib / Crane OperatorSpecialized camera operator experienced with using a crane, or Jib, to achieve high, sweeping camera moves.HS/3+Craft ServicesResponsible for providing food and beverage services, on set, to the cast and crew.HS/2+Animal HandlerCrew member specially trained in the management and training of animals for participation in on-camera production.BA/3+Assistant Animal HandlerAssists Animal Handler in execution of his/her duties.HS/1+Effects CoordinatorCrew member responsible, under Director and Producer's instruction, for any/all special effects that occur on set or in post-production.BA/3+Original Music ComposerCrew member responsible for creation of original music composition specific to a given production.BA/3+Location ScoutCrew member responsible for identifying and locating appropriate, suitable locations for production to occur.BA/3+Live Event ProducerProducer specializing in the execution and management of live events. Responsibilities include oversight and administration of all personnel and resources required for event implementation .BA/3+EngineerCrew member responsible for management and maintenance of equipment at a particular studio or set. The engineer can provide troubleshooting and executional support.BS/5+Script Supervisor / ContinuityCrew member responsible for ensuring continuity of script and content on set.BA/3+Casting DirectorManages all aspects of assembling cast for production including casting calls, auditions, and liaison between actors and production personnel.BA/3+TranslatorLanguage arts specialist responsible for translating copy points, direction and/or scripts from one language to another for productions delivered in multiple languages.BA/2+Language SupervisorLanguage arts specialist / crew member on set and/or in post-production responsible for confirming and ensuring accurate translation.BA/2+Story Board ArtistCreates illustrative or photo-based storyboards for a production with the goal of conveying what a completed production may look like.BA/3+On-screen ActorPerformer who appears on camera in a production - with or without spoken lines.HS/1+Narrator (on screen) – Non-UnionPerformer / Program 'host' who appears on screen and narrates action (both on screen and off) for a particular production.HS/1+Voice Over – UnionPerformer who appears in voice only in a given production. 'Voice Over' talent is never seen on camera. AFTRA/SAG Membership required.HS/1+Voice Over – Non-UnionPerformer who appears in voice only in a given production. 'Voice Over' talent is never seen on camera.HS/1+Service Contract Labor Standards:??The Service Contract Labor Standards (SCLS), formerly known as the Service Contract Act (SCA), is applicable to this contract as it applies to the entire?Multiple Award Schedule (MAS) and all services provided.? While no specific labor categories have been identified as being subject to SCLS/SCA due to exemptions for professional employees (FAR 22.1101, 22.1102 and 29 CRF 541.300), this contract still maintains the? provisions and protections for SCLS/SCA eligible labor categories.? If and / or when the contractor adds SCLS/SCA labor categories to the contract through the modification process, the contractor must inform the Contracting Officer and establish a SCLS/SCA matrix identifying the GSA labor category titles, the occupational code, SCLS/SCA labor category titles and the applicable WD number.? Failure to do so may result in cancellation of the contract. ................
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