Project Report, Organic Materials in Wall Paintings
Project Report
Organic Materials in Wall Paintings
Edited by Francesca Piqu? and Giovanni Verri
Project Report
Organic Materials in Wall Paintings
Edited by Francesca Piqu? and Giovanni Verri
THE GETTY CONSERVATION INSTITUTE LOS ANGELES
Organic Materials in Wall Paintings: Project Report--Getty Conservation Institute 2015
? 2015 J. Paul Getty Trust
The Getty Conservation Institute 1200 Getty Center Drive, Suite 700 Los Angeles, CA 90049-1684m USA Telephone 310-440-7325 Email gciweb@getty.edu getty.edu/conservation
Production editor: Gary Mattison Designer: Hespenheide Design
ISBN 978-1-937433-29-1
The Getty Conservation Institute works to advance conservation practice in the visual arts, broadly interpreted to include objects, collections, architecture, and sites. It serves the conservation community through scientific research, education and training, model field projects, and the broad dissemination of the results of both its own work and the work of others in the field. And in all its endeavors, it focuses on the creation and dissemination of knowledge that will benefit professionals and organizations responsible for the conservation of the world's cultural heritage.
Front cover: Tintori replica resample OL18BIS photographed in raking light. This is one of the wall painting replicas created by Leonetto Tintori and studied as part of the Organic Materials in Wall Painting project. The Tintori replicas are archived at the Laboratorio per Affresco di Vainella, Prato, Italy. Photo: OMWP.
Organic Materials in Wall Paintings: Project Report--Getty Conservation Institute 2015
Dedication
This book is dedicated to the memory of Giorgio Torraca (1927?2010) and Leonetto Tintori (1908?2000) in recognition of their enormous contribution and inspiration for this project and for the field of wall paintings conservation.
3 Organic Materials in Wall Paintings: Project Report--Getty Conservation Institute 2015
Contents
PART ONE
Project Overview
Project Description
7
Tintori's Replicas
10
Use of Tintori's Replicas for the Project
10
Evaluation of Techniques: Methodology, Levels, and Criteria
13
PART TWO
Techniques Used for Identification of Organic Materials
Noninvasive Techniques
UV-Induced Fluorescence Photography
17
Time-Resolved Laser-Induced Fluorescence Spectroscopy (TR-LIF)
and Fluorescence Lifetime Imaging (FLIM)
20
Integrated Multi-spectral Imaging Systems
25
Fiber Optic Reflectance Spectroscopy (FORS)
29
Fiber Optic Fluorescence Spectroscopy (FOFS)
32
Mid-FTIR Fiber Optic Spectroscopy
35
Invasive Techniques
Cross-Section Preparation
38
UV Examination and Stain Tests on Cross Sections
39
FTIR Reflectance and FTIR?Attenuated Total Reflectance (ATR)
Spectroscopy on Cross Sections
43
Micro-FTIR Spectroscopy
46
High-Performance Liquid Chromatography (HPLC)
49
Gas Chromatography?Mass Spectrometry (GC?MS)
52
Enzyme-Linked Immunosorbent Assay (ELISA) for
Protein Identification
58
Organic Materials in Wall Paintings: Project Report--Getty Conservation Institute 2015
PART THREE
Research Results
62
Papers and Publications
63
? Wall Painting Replicas for the Scientific Study of Organic Binders (2015) 66 Cristina N. Grandin and Giuseppe A. Centauro
? Ultraviolet-Induced Luminescence Imaging (2015)
76
Giovanni Verri, Annette T. Keller, Francesca Piqu?, and Alfredo
Aldrovandi
?Time-Resolved Fluorescence Spectroscopy and Fluorescence Lifetime
Imaging for the Analysis of Organic Materials in Wall Painting
Replicas (2015)
83
Daniela Comelli, Austin Nevin, Giovanni Verri, Gianluca
Valentini, and Rinaldo Cubeddu
?Noninvasive, In Situ Identification of Binding Media Using Reflection
Mid-FTIR (2015)
97
Costanza Miliani, Antonio Sgamellotti, Giovanni Verri,
Paolo Benedetti, B. Giovanni Brunetti, Alessia Daveri, and
Francesca Rosi
?FTIR in Reflectance and Attentuated Total Reflectance for the Analysis of
Stratigraphic Cross Sections of Wall Paintings Samples (2015)
111
Austin Nevin and Charlotte Martin de Fonjaudran
?Use of ELISA in Identifying Proteins in the Tintori Wall
Painting Replicas
122
Joy Mazurek and Jennifer Porter
Appendix 1: Cataloging of the Wall Painting Replica Samples
132
Images of Tintori replicas
Appendix 2: Archive Sample of Replica OL18bis
136
Sample data set
Organic Materials in Wall Paintings: Project Report--Getty Conservation Institute 2015
................
................
In order to avoid copyright disputes, this page is only a partial summary.
To fulfill the demand for quickly locating and searching documents.
It is intelligent file search solution for home and business.
Related searches
- acknowledgement for project report school
- acknowledgement for project report college
- acknowledgement for project report format
- science project report format
- science fair project report template
- science project report template
- mba project report pdf
- quarterly project report template
- project report sample
- sample project report format
- sample project report template
- project report out template