QUITMAN EUGENE PHILLIPS: CURRICULUM VITAE



QUITMAN EUGENE PHILLIPSJOAN B. MIRVISS PROFESSOR OF JAPANESE ART HISTORY University of Wisconsin-Madison Phone: (608) 263-2289 Department of Art History Fax: (608) 265-6425 232 Elvehjem Museum of Art qephilli@facstaff.wisc.edu 800 University Ave. Madison, WI 53706ACADEMIC POSITIONS04- Professor, University of Wisconsin-Madison98-04Associate Professor of Japanese Art, University of Wisconsin-Madison92-98Assistant Professor of Japanese Art, University of Wisconsin-Madison91-92Lecturer on Japanese Art (as Graduate Student Instructor), University of California at BerkeleyAFFILIATIONS (UW-MADISON)03-Affiliate, Religious Studies, University of Wisconsin-Madison92-Affiliate, East Asian StudiesVISITING ACADEMIC POSITIONS17-18Visiting Collaborative Researcher, Ritsumeikan University, Kyoto08-09Visiting Scholar, Gakushuin University, Tokyo99-00Visiting Scholar, Kyoto National UniversityMAJOR ADMINISTRATIVE POSITIONS14-17Chair, Art History11-14Director, Center for East Asian Studies06-08Director, Religious Studies Program06-07Chair, Executive Committee of the Faculty Division of the Arts and Humanities01-06Chair, Department of Art History, University of Wisconsin-MadisonEDUCATION1992 Ph.D., University of California, Berkeley, Department of History of Art. Dissertation topic: “The Early Kano School and Yamato-e.”88-89 Visiting Graduate Research Student at the University of Tokyo.1986 M.A., University of California, Berkeley, Department of History of Art.1974 B.A. Magna Cum Laude, Harvard University, Department of English and American Languages and Literature.AWARDS AND FELLOWSHIPS SINCE PH.D.16-Joan B. Mirviss Professor of Japanese Art History11-12U.W. Madison Graduate School, PA support10-11U.W. Madison Graduate School, PA support2008Japan Foundation Fellowship ($10,000)2003 U.W. Madison Graduate School Summer Research Support (1 month salary)2001 U.W. Madison Graduate School Summer Research Support (1 month salary)99-00 Japan Foundation Fellowship (12 months full support)1999 Graduate School Research Committee Summer Salary Support (1 month salary)1998 Metropolitan Center for Far Eastern Art Studies Travel Grant ($4000)95-96 U.W. Madison Institute for Research in the Humanities Fellow (1 semester salary)95-96 U.W. Madison Graduate School Research Support (1 semester salary)95-96 ACLS Fellowship Alternate1995 Metropolitan Center for Far Eastern Art Studies Travel Grant ($5000)1994 Japan Foundation Research Grant (3 months full support)1994 Metropolitan Center for Far Eastern Art Studies Travel Grant ($4,000, declined)1994 Graduate School Research Committee Summer Salary Support (not needed)SCHOLARSHIPBooksThe Practices of Painting in Japan, 1475-1500. Palo Alto: Stanford University Press, 2000.Selected Articles and Book Chapters“Kanō Motonobu’s Shuten Dōji Emaki and Anti-Demon Rituals in Late Medieval Japan,” Japan Review 32 (2019), pp. 45-68.“Taste, Practice, and Identity in Medieval Japan.” In Arts of Japan: The John Weber Collection edited by Melanie Trede. Berlin: Museum für Ostasiatische Kunst, Staatliche Museen zu Berlin, 2005. Pp. 12-19.“Afterward.” In Critical Perspectives on Classicism in Japanese Painting, 1600-1700, edited by Elizabeth Lillehoj. Honolulu: University of Hawaii Press, 2004. Pp. 207-212“Saving the Elite: the Jōfukuji Version of the Ten Kings.” Ars Orientalis 33 (2003): 121-145. “The Price Shuten Dōji Screens: A Study of Visual Narrative.” Ars Orientalis 26 (1996): 1-21.“Portraiture in Japan from 1475-1525.” Japan Foundation Newsletter 22.4 (Dec. 1994): 16-19.“Honchō gashi and the Kano Myth.” Archives of Asian Art 47 (1994): 46-57.“The Kanō School and Yamato-e in the Bunroku, Keichō, and Genna Eras.” Proceedings of the International Conference of Orientalists in Japan, 1990, pp. 83-95.Translations(With Karen M. Gerhart) The Museum of Modern Art, Gunma, ed. The Kohō-an Inoue Collection. The Museum of Modern Art, Gunma, 1990.Selected Book Reviews(Accepted for publication) “Dora C.Y. Ching, Louise Allison Cort and, Andrew M. Watsky, ed. Around Chigusa: Tea and the Arts of Sixteenth-Century Japan (Princeton University Press, 2017),” Japanese Studies Book Reviews.“Yukio Lippit, Painting of the Realm: The Kano House of Painters in Seventeenth-Century Japan.” CAA.Reviews. 2013“Melanie Trede, Image, Text, and Audience: The Taishokan Narrative in Visual Representations of the Early Modern Period in Japan.” Artibus Asiae 66.1 (2006): 198-2002.“Melinda Takeuchi, ed., The Artist as Professional in Japan.” Monumenta Nipponica 60.1 (Spring 2005): 140-143.“Brenda Jordan and Victoria Weston, ed., Copying from the Master and Stealing His Secrets.” Monumenta Nipponica 58.3 (2003).“Timon Screech, Sex and the Floating World.” CAA.Reviews. 2000“Kendall H. Brown. The Politics of Reclusion: Painting and Power in Momoyama Japan.” Ars Orientalis 28 (1998): 129-131.“Stephen Addiss, Tall Mountains and Flowing Waters: The Arts of Uragami Gyokudō.” Journal of the American Oriental Society 110.2 (1990): 385-386.Selected Scholarly Papers and Lectures“Shuten Dōji and Anti-Demon Rituals,” Ritsumeikan University, April 18, 2018.“Shuten Dōji: Text, Image, and Ritual,” (adapted for East Asia specialists), Reischauer Institute, Harvard University, February 19, 2010. “Shuten Dōji: Text, Image, and Ritual,” (In Japanese) Gakushuin University, Tokyo. June 11, 2009. “Kanō Motonobu’s Shuten Dōji Scrolls,” The Donald Keene Center of Japanese Culture, Columbia University, September 27, 2007.“The Karma Mirror in Japan,” Franklin Murphy Lecture in Art History, University of Kansas, Monday, November 14, 2005.“Shuten Dōji and Aspects of the Monstrous in Japan, 1500-1800,” University of Pittsburgh, October 27, 2005.“The Material Culture of Gyakushu.” Annual Meeting of the Association for Asian Studies. March 2004.“Mirrors of Action.” New England East Asian Art History Seminar. Oct. 2002.“Saving the Elite: The Jōfukuji Version of the Ten Kings.” Reischauer Institute of Japanese Studies, Harvard University. Oct. 2002.“Ritual Art and the Salvation of the Masses and the Elite.” Kyoto University, Department of Aesthetics and Art History Colloquium, Kyoto, Japan, Dec. 1999. (In Japanese)“Narrating the Salvation of the Elite: the Jōfukuji Paintings of the Ten Kings.” The International Conference of Orientalists in Japan, Tokyo, May 2000. (In Japanese)“The Practice of Japanese Art History in the United States.” Kyoto University, Department of Aesthetics and Art History Colloquium, Kyoto, Japan, Dec. 1999. (In Japanese)Discussant for the Conference, “Classicism in Japanese Art of the Early Edo Period.” The Inaugural Sanwa Symposium, Visalia, California, June 1999.“Art Production and Consumption as Social Practice.” On the panel, “Paradigms in Japanese Art History, Part I.” Association of Asian Studies Annual Meeting, Washington, D.C., March 1998.Chair of the panel, “Paradigms in Japanese Art History, Part I.” Association of Asian Studies, Annual Meeting, Washington, D.C, March 1998. “Contending Masculinities and Feminine Images in Ukiyo-e.” International Conference, “Images of Women in Japanese Culture,” Chicago, Oct. 1995. “Classicism and the Early Kano and Tosa Painters.” On the panel, “Redefining Classicism in the Art of Early Modern Japan.” Association of Asian Studies Annual Meeting, Los Angeles, March 1993.“Honchō gashi and the Shaping of Japanese Painting History.” On the panel, “Terms of Engagement: Re-Phrasing Japanese Art History.” College Art Association Annual Meeting, Feb., 1992, Chicago.“The Kano School and Yamato-e in the Bunroku, Keichō, and Genna Eras.” The International Conference of Orientalists in Japan, Tokyo, May 1990. (In Japanese)“Kano Shuten Dōji Paintings: The Transformation from Handscrolls to Screens.” The Association for Research on Ancient and Medieval Japanese Paintings, Tokyo, Japan, Feb. 1990. (In Japanese)“Chinese Poets and Poetics in the Painting of Yosa Buson.” On the panel, “Yosa Buson (1716-83): Image, Meaning, Context.” Association of Asian Studies Annual Meeting, March 1988.“The Narrative Structure of the Shuten Dōji Screens in the Shin'enkan Collection.” Japan-American Art History Workshop for Junior Scholars, Tokyo, March 1987. (In Japanese)PUBLIC LECTURES(Numerous interviews about Japanese works in the Chazen Museum for Sunday Afternoon Live at the Chazen.)“The Emergence, Growth, and Impact of the Kano School of Japanese Painting,” Minneapolis Institute of Arts, May 18, 2008.“A Wealth of Ukiyo-e at UW,” International Learning Community, University of Wisconsin, Madison, November 28, 2006.“Religious Studies at U.W. Madison, an Update,” Downtown Kiwanis Club, November 20, 2006.“Shuten Dōji,” International Learning Community, University of Wisconsin, Madison, October 25, 2005. “Dan/Jo Man/Woman, Love and Distain. The Ruth & Sherman Lee Institute for Japanese Art at the Clark Center, Hanford, CA. May, 2004.“The Mirror in Japanese Religion.” University of Wisconsin, LOGOS, November, 2003.“Representations of Kabuki in Woodblock Prints.” University of Wisconsin, Elvehjem Museum of Art, May 2003.“Techniques of Japanese Pictorial Narration.” The Ruth & Sherman Lee Institute for Japanese Art at the Clark Center, Hanford, CA. Sept. 2002.“Visions of the Afterlife in Japanese Art.” Members Lecture at the Ruth & Sherman Lee Institute for Japanese Art at the Clark Center, Hanford, CA. Sept. 2002.“Symbol and Surface: Painting and Craft Decoration in Edo, Japan.” University of Wisconsin, Elvehjem Museum of Art. Oct. 2001.“Tea Houses in the Seventeenth Century.” The Wakamatsu Society, San Francisco, CA. March 1989.“Kōetsu's Craft and the Art of Rimpa Painting.” The Wakamatsu Society, San Francisco, CA. April 1987.EXHIBITIONSKabuki: the Drama of Japanese Prints. Co-curator with Andrew Stevens. University of Wisconsin, Elvehjem Museum of Art. Spring 2003Paper Women. Curated with graduate seminar students and Andrew Stevens. University of Wisconsin, Elvehjem Museum of Art. Fall 1995OTHER PROFESSIONAL ACTIVITIESOrganizer of “Monstrosity and Alterity,” a Mellon Workshop sponsored by the Center for the Humanities at the University of Wisconsin. 2005-2007Organizer of “Imagining the Afterlife,” a Mellon Workshop sponsored by the Center for the Humanities at the University of Wisconsin, 2004-2005. Manuscript reviewer for Art Bulletin, Monumenta Nipponica, Journal of Japanese Studies, Ars Orientalis, University of Hawai'i Press, University of Washington Press, and the Asia Center at Harvard.Outside examiner for the Swarthmore Honors Program, 1994, 1998, 2001, and 2002.SERVICE TO THE FIELD97-Read book manuscripts for university presses (Harvard, Hawaii, Washington) and Brill97-Outside reviewer of tenure and promotion cases for universities, including Utah, Maryland (twice), Columbia, Harvard (twice), Washington, Berkeley, U. Mass., Kansas (twice), Duke, Dartmouth, Pittsburgh, and Michigan.00-10Clark Center for Japanese Art, Education Committee2006Member (as outside expert) of tenure review committee at Columbia University2002Volunteer Mentor at CAA2002Member (as outside expert) of tenure review committee at Tufts University00-01Chair, Japanese Art History Forum Website Planning Committee97-99Elected Member, Japanese Art History Forum Steering Committee96-99Moderator, Japanese Art History Forum (JAHF) Internet ListSERVICE TO THE COMMUNITY02-Volunteer instructor for the UW Odyssey Project18Volunteer instructor (once so far) for Odyssey Behind Bars ................
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