Maurice Ravel: Concerto for Piano and Orchestra in G major
[These three chords are a sequence of those above – again, a series of ii7-V7-I progressions.] Fig.137. E7. Fig.138. Amin. Fig.139. Dim7 built on D#. Two bars before . Fig. 14, passage-work concludes on the chord of E¨ (2 bars). The right hand of the piano part is dissonant against these chords, and the movement is often at odds with the ... ................
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