Amanda Nell Edgar - University of Memphis



Amanda Nell Edgar

Curriculum Vitae

231 Arts & Communication Building (901) 678-3181

University of Memphis anedgar@memphis.edu

Memphis, TN 38152

ACADEMIC APPOINTMENTS

University of Memphis (2016 – present) Assistant Professor

Department of Communication

University of Memphis (2015 – 2016) Visiting Assistant Professor

Department of Communication

University of Missouri (2011 – 2015) Graduate Teaching Assistant

Department of Communication

University of Arkansas (2009 – 2011) Graduate Teaching Assistant

Department of Communication

RESEARCH

Books

Edgar, A. N. (2019). Culturally speaking: The rhetoric of voice and identity in a mediated culture. Columbus, OH: The Ohio State University Press.

Edgar, A. N. & Johnson, A. E. (2018). The struggle over Black Lives Matter and All Lives Matter. Lanham, MD: Lexington Books.

* Winner of the 2019 National Communication Association African American Communication and Culture Division Outstanding Book Award.

* Reviewed in Rhetoric Review.

Refereed Journal Articles

Edgar, A. N. & Holladay, H. W. (2019). “Everybody’s hard times are different”: Country as a political investment in white masculine precarity. Communication and Critical/Cultural Studies, 16(2), 122-139. doi: 10.1080/14791420.2019.1638952

Holladay, H. W. & Edgar, A. N. (2019). “I’m never gonna stop watching it”: The paradox of parasocial breakups in a post-object era. Journal of Fandom Studies.

Edgar, A. N. & Rudrow, K. J. (2018). “I think of him as an ancestor”: Tupac fans and the intimacy of pop cultural heritage. Communication, Culture & Critique, 11(4), 642-658. doi: 10.1093/ccc/tcy032

Edgar, A. N. & Toone, A. (2017). “She invited other people to that space”: Social justice and place in Beyoncé’s Lemonade fan communities. Feminist Media Studies, 19(1). doi: 10.1080/14680777.2017.1377276

* Reprinted in Dines, G., Humez, J. M., Yousman, B., & Yousman, L. B. (2020). Gender, Race, and Class in Media: A Critical Reader (5th ed.).

Toone, A., Edgar, A. N., & Ford, K. (2017). “She made angry Black woman something that people would want to be”: Lemonade and Black women as audiences and subjects. Participations, 14(2), 203-225.

Edgar, A. N. (2017). The rhetoric of auscultation: Corporeal sounds, mediated bodies, and abortion rights. Quarterly Journal of Speech, 103(4), 350-371. doi: 10.1080/00335630.2017.1360510

Edgar, A. N. (2017). Subordinating sound to screen: Television music supervision in an imagocentric world. Sound Studies, 3(1), 49-63. doi: 10.1080/20551940.2017.1361270

Bean, H. & Edgar, A. N. (2017). A genosonic analysis of ISIL and U.S. counter-extremism video messages. Media, War & Conflict. Retrieved from doi: 10.1177/1750635217694124

Edgar, A. N. (2016). Commenting straight from the underground: NWA, police brutality, and YouTube as a space for neoliberal resistance. Southern Communication Journal, 81(4), 223-236. doi: 10.1080/1041794X.2016.1200123

Corrigan, L. M. & Edgar, A. N. (2015). “Not just the levees broke”: Jazz vernacular and the rhetoric of the dispossessed in Spike Lee’s When the Levees Broke. Communication and Critical/Cultural Studies, 12(1), 83-101. doi: 10.1080/14791420.2014.995685

Edgar, A. N. (2014). Toward a genosonic lens: Linking the anatomy of a “screech” to language and body. Velvet Light Trap, 74, 54-66. doi: 10.7560/VLT7406

Edgar, A. N. (2014). Blackvoice and Adele’s racialized musical performance: Blackness, Whiteness and discursive authenticity. Critical Studies in Media Communication, 31(3), 167-181. doi: 10.1080/15295036.2013.863427

Edgar, A. N. (2014). R&B Rhetoric and Victim-Blaming Discourses: Exploring the Popular Press's Revision of Rihanna's Contextual Agency. Women’s Studies in Communication, 37(2), 138-158. doi: 10.1080/07491409.2014.909374

Edgar, A. N. (2013). YouTube’s “Bad Romance”: Exploring the vernacular rhetoric of Lady Gaga parody videos. The Journal of Social Media in Society, 2(1), 8-29.

Book Chapters

Edgar, A. N. (2020). Listening to music in cars while Black: Popular music, automobility, and the murder of Jordan Davis. In M. Duffett & B. Peter (Eds.), Popular music and automobiles. London: Bloomsbury.

Click, M. A., Holladay, H. W., & Edgar, A. N. (2020). NFL broadcasts: Interpretive communities. In E. Thompson & J. Mittell (Eds.), How to watch television (second edition). New York: New York University Press.

Madden, S., Janoske, M., Brioles, R. W., & Edgar, A. N. (2018). Mediated misogynoir: Intersecting race and gender in online harassment. In J. Vickery & T. Everbach (Eds.), Mediating Misogyny: Technology, Gender, and Harassment. New York: Palgrave MacMillan.

Digital Publications

Edgar, A. N. (2015, November 16). On the necessary tension between rhetoric and journalism. Rhetoric, Race, and Religion. Retrieved from

Edgar, A. N. (2014, June 1). Looking White, sounding Black: Adele and musical authenticity. (Lead feature essay) Communication Currents, 9(3). Retrieved from

Edgar, A. N. (2013, May 9). The power of women’s voices in The Great Gatsby. Antenna. Retrieved from

Edgar, A. N. (2013, August 30). “A mission to civilize”: In defense of The Newsroom’s fans. Antenna. Retrieved from

Click, M. & Edgar, A. N. (2012, July 12). Mediating the past: History and ancestry in NBC’s Who Do You Think You Are? Antenna. Retrieved from

Edgar, A. N. (2012, July 2). A reflection on Rodney King and the poignancy of satire. Antenna. Retrieved from

Edgar, A. N. (2012, May 22). Grimm and the monstrous feminine. Antenna. Retrieved from

Edgar, A. N. (2012, April 26). “I transcend race, hombre”: Hegemonic masculine whiteness in Eastbound and Down. Antenna. Retrieved from

Book Reviews

Edgar, A. N. (2014). Book review: AuthenticTM: The politics of ambivalence in a brand culture. Critical Studies in Media Communication. Available at

Edgar, A. N. (2013). Book review: Music in television: Channels of listening, ed. James Deaville. Popular Music and Society, 36(4), 547-549. doi: 10.1080/03007766.2012.753711

Under Review

Under Review

Edgar, A. N. (invited as part of an edited volume on Elvis). Operation Blue Suede Shoes: Black Lives Matter and the Meaning of Elvis in Contemporary Memphis.

In Progress

Edgar, A. N. (in progress). Sonic metaphor and coalition-building in social justice advocacy. (Drafting monograph for submission to a university press).

Click, M. A., Edgar, A. N., & Holladay, H. W. (in progress). NFL fans, Colin Kaepernick, and the plantation economy. (Drafting for submission to a ranked media studies journal).

Edgar, A. N., Dechant, A. M., & Eakin, C. (in progress). Media Audiences during COVID-19. (Interviews complete, awaiting transcription).

EDUCATION

University of Missouri, Columbia, MO Ph.D., Communication

Media (Cultural/Critical) emphasis May 2015

Women’s and Gender Studies Graduate Minor

University of Arkansas, Fayetteville, AR M. A., Communication

Rhetoric emphasis May 2011

Fort Hays State University, Hays, KS M.S., Communication Studies Theatre emphasis December 2008

Friends University, Wichita, KS B.A., Music Theatre

August 2007

FELLOWSHIPS, GRANTS, AND AWARDS

Fellowships and Grants

Research Grant, Primary Investigator. $1,200 total award to hire summer research assistant.

Center for Research on Women, March 2017

Research Grant, Primary Investigator (w/Andre Johnson, Co-Investigator). $2,450 total award for study “Networking Lives: #BlackLivesMatter, #AllLivesMatter, and the bridges between online and offline social movements.”

The Benjamin L. Hooks Institute for Social Change at the University of Memphis, April 2016

Ellsworth G. Huggins Fellowship, $100,000 total award ($20,000 for fifth year funding declined)

University of Missouri, 2011 - 2015

Graduate Professional Council Travel Grant, $200 total award

University of Missouri, October 2014

Frank and Lila Gilman Memorial Fellowship (awarded for outstanding research in rhetoric and public address), $4,000 total award

Department of Communication, University of Missouri, May 2014

Mizzou Advantage “Media of the Future” Travel Grant, $800 total award

University of Missouri, April 2014

Department of Communication Verser Grant, $200 total award

University of Missouri, March 2014

Awards

Janice Hocker Rushing Early Career Research Award, Southern States Communication Association, April 2018

Top Division Paper Panel, National Communication Association Annual Conference, Peace and Conflict Division, November 2016

Bean, H. & Edgar, A. N. A genosonic analysis of ISIL and U.S. counter-extremism video messages.

Top Division Paper, Southern States Communication Association Annual Conference, Language and Social Interaction Division, April 2016

Edgar, A. N. “White People, Man”: Black Stand-up and the Comedy of Whitevoice

Top Division Paper and Nichols-Ehninger Award for Top Student Paper, National Communication Association Annual Conference, Rhetorical and Communication Theory Division, November 2015

Edgar, A. N. Material networks, rhetorical fluidity, and the sensory voice.

Top Division Paper and Nichols-Ehninger Award for Top Student Paper, National Communication Association Annual Conference, Rhetorical and Communication Theory Division, November 2014

Edgar, A. N. Vocal intimacy and the sonic dimensions of race.

Top Division Paper, International Communication Association Annual Conference, ERIC (Ethnicity & Race in Communication) Division Top Paper, May 2014

Corrigan, L. M. & Edgar, A. N. Jazz vernacular and the rhetoric of the dispossessed in Spike Lee’s When the Levees Broke

Graduate Research Award (presented for outstanding achievement in the area of research and publication)

Department of Communication, University of Missouri, May 2014

Outstanding Graduate Student Award, Graduate Student Association

University of Missouri, April 2014

Top Paper and Top Student Paper, Communication Theory Interest Group, Central States Communication Association Annual Conference, April 2013

Edgar, A. N. Toward an agentic performance theory in cultural production studies.

David Zarefsky Award for Top Student Paper, Central States Communication Association Annual Conference, Rhetorical Theory and Criticism Division, April 2013

Edgar, A. N. “Nothing but the same old song”: Exploring the raced, gendered transformation of Rihanna’s rhetorical agency.

Past Officers’ Top Debut Paper, Central States Communication Association Annual Conference, April 2013

Edgar, A. N. “Nothing but the same old song”: Exploring the raced, gendered transformation of Rihanna’s rhetorical agency.

Top Graduate Student Presentation, Charlie in the Heartland: An International Charlie Chaplin Convention, October 2010

Edgar, A. N. “Whose sin was motherhood”: Production of maternal imagery in Chaplin’s The Kid.

Grant Applications

SSRC Rapid Response Grant (in progress, due 6/2020). Edgar, AN. Contagion Audiences. $4,812 requested.

NEH Collaborative Research Grant (under review, submitted 11/2019). Edgar, AN, Eckstein, J, and Byrd, RB. Podcasting history. $247,509 requested.

 

Arthur W. Page Center, Legacy Grant Program (declined, submitted 3/2017). Edgar, AN. White women in digital media. $15,000 requested.

PRESENTATIONS

Selected Conference Presentations

Edgar, A. N. & Holladay, H. W. (2019) “Everybody’s hard times are different”: Country as a political investment in precarity. Paper presented at the meeting of the International Communication Association, Washington, D.C.

Edgar, A. N. & Rudrow, K. J. (2018). “I think of him as an ancestor”: Tupac fans and the intimacy of pop cultural heritage. Poster presented at the meeting of the National Communication Association, Salt Lake City, UT.

Edgar, A. N. (2018). “You can’t always get what you want” and the connotative shifts of sonic icons. Paper presented at the meeting of the Southern States Communication Association, Nashville, TN.

Edgar, A. N. (2017). Toward an intersectional habitus: Bourdieu, social justice, and contemporary media audiences. Paper presented at the meeting of the National Communication Association, Dallas, TX.

Edgar, A. N. & Johnson, A. E. (2017). “There’s so many issues …”: Unraveling marginalizations in #AllLivesMatter Memphis. Paper presented at the meeting of the National Communication Association, Dallas, TX.

Edgar, A. N. & Toone, A. (2017, April). “She invited other people to that space”: Audience habitus, place, and social justice in Beyoncé’s Lemonade. Paper presented at the meeting of the Southern States Communication Association, Greenville, SC.

Bean, H. & Edgar, A. N. (2016, November). A genosonic analysis of ISIL and U.S. counter-extremism video messages. Paper presented at the meeting of the National Communication Association, Philadelphia, PA. Presented on Top Paper Panel in the Peace and Conflict Division.

Edgar, A. N. (2016, May). Voicing Uncle Tom: Vocal identity and vocal intimacy in the works of Morgan Freeman. Paper presented at the meeting of the Rhetoric Society of America, Atlanta, GA.

Edgar, A. N. (2016, April). “White People, Man”: Black Stand-up and the Comedy of Whitevoice. Paper presented at the meeting of the Southern States Communication Association, Austin, TX. Awarded Top Paper in the Language and Social Interaction Division.

Edgar, A. N. (2015, November). Material networks, rhetorical fluidity, and the sensory voice. Paper presented at the meeting of the National Communication Association, Las Vegas, NV. Awarded Top Paper and the Nichols-Ehninger Award for Top Student Paper in the Rhetorical and Communication Theory Division.

Edgar, A. N. (2014, November). Vocal intimacy and the sonic dimensions of race. Paper presented at the meeting of the National Communication Association, Chicago, IL. Awarded Top Paper and the Nichols-Ehninger Award for Top Student Paper in the Rhetorical and Communication Theory Division.

Edgar, A. N. (2014, November). Subordinating sound to screen: Perspectives of television music supervisors on creativity and selection labor. Paper presented at the meeting of the National Communication Association, Chicago, IL.

Edgar, A. N. (2014, November). “I’m actually an American”: Who Do You Think You Are? and NBC’s Cosmopolitan Global Ancestry. Paper presented at the meeting of the National Communication Association, Chicago, IL.

Edgar, A. N. (2014, September). Vocal impersonation and the politics of Saturday Night Live. Paper presented at Flow: A critical forum on television and media, Austin, TX.

Corrigan, L. M. & Edgar, A. N. (2014, May). Jazz vernacular and the rhetoric of the dispossessed in Spike Lee’s When the Levees Broke. Paper presented at the meeting of the International Communication Association, Seattle, WA. Awarded Top Paper in ERIC (Ethnicity and Race in Communication) Division.

Edgar, A. N. (2013, November). “Pushed aside on words”: Toward a genosonic rhetorical theory. Paper presented at the meeting of the National Communication Association, Washington, D.C.

Edgar, A. N. (2013, April). Reviving burlesque: Constructing a community of empowerment across generations. Paper presented at the meeting of the Gender Matters Conference, Chicago, IL.

Edgar, A. N. (2013, April). “Nothing but the same old song”: Exploring the raced, gendered transformation of Rihanna’s rhetorical agency. Paper presented at the meeting of the Central States Communication Association, Kansas City, MO. Awarded David Zarefsky Award for Top Student Paper in the Rhetorical Theory and Criticism Division.

Edgar, A. N. (2013, April). “I'm just glad that bitch is dead”: NBC’s Grimm and the monstrous feminine. Paper presented at the meeting of the Central States Communication Association, Kansas City, MO.

Edgar, A. N. (2013, April). Toward an agentic performance theory in cultural production studies. Paper presented at the meeting of the Central States Communication Association, Kansas City, MO. Awarded Top Paper and Top Student Paper in the Communication Theory Interest Group.

Edgar, A. N. (2012, November). Saturating a revitalized genre: A comparative rhetorical analysis of High School Musical and Glee. Paper presented at the meeting of the National Communication Association, Orlando, FL.

Edgar, A. N. (2012, November). Against the presumption of agency: Accounting for social relations in the entertainment-education model. Paper presented at the meeting of the National Communication Association, Orlando, FL.

Edgar, A. N. (2012, November). “Someone like you”: Adele and the policing of raced musical boundaries. Paper presented at the meeting of the National Communication Association, Orlando, FL.

Edgar, A. N. (2012, April). Boobs, explosions, and “boner-popping perverts”: Reviving Clinton-era masculinity through Beavis and Butthead’s nostalgic gaze. Paper presented at the meeting of the Popular Culture Association/American Culture Association, Boston, MA.

Edgar, A. N. (2012, March). Taking sides and bridging identities: “Which side are you on” and the feminist reclamation of labor music. Paper presented at the meeting of the Central States Communication Association, Cleveland, OH.

Edgar, A. N. (2012, March). Assessing the media machine: The draw of feminist poles in popular media research. Paper presented at the meeting of the University of Missouri Women’s and Gender Studies Graduate Conference, Columbia, MO.

Edgar, A. N. (2011, October). A “Bad Romance”: Music video, subversive content, and the vernacular rhetoric of YouTube parody. Paper presented at the meeting of the National Communication Association, New Orleans, LA.

Edgar, A. N. (2011, September). Never say never: Bieber fever and the re-gendering of the American dream. Paper presented at the meeting of the Reception Studies Society, Maryville, MO.

Edgar, A. N. (2011, April). “The girl that went away a murderess and came back a slain heroine”: Reclaiming power from media chivalry in the Helen Spence Eaton case. Paper presented at the meeting of the Southern States Communication Association, Little Rock, AR

Edgar, A. N. (2010, October). “Whose sin was motherhood”: Production of maternal imagery in Chaplin’s The Kid. Paper presented at the meeting of the International Charlie Chaplin Conference, Zanesville, OH. Awarded Top Graduate Student Presentation.

Edgar, A. N. (2010, October). Empowering disempowerment: Erskine Caldwell, Bertholt Brecht and feminist re-vision. Paper presented at the meeting of the Arkansas Philological Association, Fayetteville, AR.

Invited Presentations

Edgar, A. N. (2017). “We’re Killing People at an Astronomical Rate”: #AllLivesMatter, Postracialism, and the Politics of Fear, Southern Colloquium on Rhetoric.

Bean, H. & Edgar, A. N. (2016). A genosonic analysis of ISIL and U.S. counter-extremism video messages, US Central Command (CENTCOM) Teleconference Briefing.

Edgar, A. N. (2016). Clear and consistent policy in the unpredictable context of social media, ServiceMaster Corporate Training Session.

Edgar, A. N. (2015). White sounds, Black resistance: Critical/cultural vocalics and the rhetoric of Whitevoice, University of Iowa, Department of Communication.

Edgar, A. N. (2012). Grimm, beautiful dead women, and America’s culture of violence, Popcorn and Pop Culture Series, College Avenue Residence Hall, University of Missouri.

Edgar, A. N. (2012). Glee and the social implications of racial and gendered stereotypes, Hatch Residence Hall, University of Missouri.

Edgar A. N. (2012). Tough Guise: Masculinity and violence in the mass media, Media REFlections, Kansas Wesleyan University.

TEACHING EXPERIENCE

Courses

Graduate

Survey of British Cultural Studies (graduate seminar) Spring 2020

Masculinity Studies (directed readings) Spring 2019

Feminist Media Studies (directed readings and seminar) Spring 2018 – Fall 2018

Research, Writing, and Publication in the Cultural Studies Tradition (graduate seminar) Spring 2017

Criticism of Sound, Music, and the Voice (graduate seminar) Spring 2016

Undergraduate

Media and Information Literacy (Traditional, Online-Hybrid, and Online) Fall 2015 – Fall 2019

Audiences Beyond Ratings Fall 2019

Rhetoric of Popular Culture (Traditional and Online) Fall 2015 – Fall 2018; Summer 2019

Television Criticism Spring 2014 – Fall 2014

Message Design and Writing for the Media Spring 2012 – Spring 2014; Spring 2015

Undergraduate Honors College

Media Fans and Antifans (Freshman Honors Forum) Fall 2017, 2018, 2019

Undergraduate General Education

Oral Communication (Traditional, Online-Hybrid, and Honors sections) Fall 2009 – Fall 2015

Graduate Advising

Current Advisees Michelle Carr (PhD candidate)

Rachael Camp (PhD student)

Advisee Alumni Keven James Rudrow (PhD, Spring 2020)

Cameron Brown (MA, Summer 2019)

Current Committees Adam Hughes (PhD student)

Stephanie Montgomery (PhD student)

Noor Aswad (PhD student)

Ayo Morton (PhD student)

Completed Committees Sarah Mayberry Scott (PhD, Summer 2019)

Makaila Mabry (MA, Spring 2019)

Aidan Boatman (MA, Spring 2019)

Alice Reid (MA, Summer 2018)

Kyle Christensen (PhD, Summer 2018)

Scarlett Hester (PhD, Summer 2017)

Kristin Hungerford (PhD, Summer 2016)

Sidney Burngasser (MA, Summer 2016)

SERVICE

Community Service

Web designer, The Henry McNeal Turner Project, (January 2019 – present)

Black Lives Matter/All Lives Matter Co-presenter, St. Luke’s Lutheran Church, Memphis (January 2019)

Black Lives Matter/All Lives Matter Co-presenter, Gifts of Life Ministries, Memphis (November 2018)

Invited guest on Black Lives Matter, Rainbow Push Hour, WLOK Memphis (October 2018)

Consultant, Center for Global Engagement, U.S. State Department Counter-Terrorism Messaging (January 2018)

Consultant, ServiceMaster social media training for corporate employees and franchise managers (November 2016 – January 2017)

Social Media Discussion Coordinator and Presenter, City of Memphis Youth Empowerment Seminar (November, 2016)

Social Media Expert, WMC Action News 5 (interviewed in September 7, 2016 story on police social media policy); story available at

Copy Editor and Social Media/Publicity Consultant, Peace at Home Family Shelter (2012 – 2015)

Coach, Platform speaking, interpretation of literature, and debate, Kansas Wesleyan University Collegiate Debate Camp, Salina, KS, 2008 – present

Disciplinary Service

Committee member, Feminist Scholar of the Year, Organization for Research on Women and Communication (December 2019-January 2020)

Conference Organizer, Balancing the Mix: Popular Music and Social Justice Conference, University of Memphis (January 2018 – March 2019)

On-site organizer, New Perspectives on Elvis International Conference, University of Memphis (March 2017 – August 2017)

Editorial Review Board, Rhetoric & Public Affairs (Spring 2020 – present); Journal of Social Media and Society (Summer 2016 – present)

Ad Hoc Reviewer, Critical Studies in Media Communication (Summer 2019); Communication, Culture & Critique (Spring 2019); Feminist Media Studies (Fall 2018); Journal of Multimodal Rhetorics (Fall 2017); Women’s Studies in Communication (Fall 2017, Fall 2018); Communication and Critical/Cultural Studies (Summer 2014, Fall 2014, Spring 2015, Fall 2016, Summer 2019)

Reviewer, Respondent, and Panel Chair, National Communication Association Conference, Critical/Cultural Studies Division (2016-present) and Southern States Communication Association Conference, Popular Communication Division (2017)

Reviewer, International Communication Association Conference, Popular Communication Division (2013, 2014, 2019), National Communication Association Conference, Various divisions (2013 – present), Southern States Communication Association Conference, Popular Communication Division (2016 – present), Rhetoric Society of America (2019 – present)

Planning Committee, Console-ing Passions (Feminist Media Studies) 2014 Conference (April 2013 – April 2014)

Departmental and University Service

Lamdba Pi Eta Undergraduate Honors Society Advisor, University of Memphis (Fall 2017 – Summer 2020)

Policies and Procedures Committee, Department of Communication and Film, University of Memphis (Fall 2019 – present)

Strategic Plan Committee, Helen Hardin Honors College, University of Memphis (Spring 2019 – Fall 2019)

Undergraduate Committee, Department of Communication and Film, University of Memphis (Fall 2015 - Summer 2019)

College of Communication and Fine Arts Research Working Group/Committee, University of Memphis (Fall 2018-Spring 2020)

Undergraduate Works in Progress Symposium (WIPS) Evaluator, Helen Hardin Honors College, University of Memphis (Fall 2016, Fall 2017, Fall 2018)

College of Education Faculty Research Grant Reviewer (Spring 2017)

Media Studies Search Committee (Fall 2019-Spring 2020); Administrative Assistant search committee member (Spring 2019); Health Communication search committee member (Fall 2016 – Spring 2017); Film and Video Production search committee member (Summer – Fall 2016)

Judge, Michael Osborn Speech Competition, University of Memphis (November 2016, April 2016)

President, Association of Communication Graduate Students, University of Missouri Communication Department (Fall 2013 – Spring 2014)

Undergraduate Media Production Awards Committee, University of Missouri Communication Department (Spring 2013)

Head Judge, MU Annual Spelling Bee First Generation Scholarship Competition (Fall 2012)

Officer, Graduate Student Advisory Board, University of Arkansas Department of Communication (Fall 2009 – Spring 2011)

PROFESSIONAL MEMBERSHIPS

Organization for Research on Women and Communication

International Communication Association

National Communication Association

Southern States Communication Association

Tennessee Communication Association

National Association for Media Literacy Education

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