Chapter 2: “Oh, horrible, most horrible

Beyond capturing, in advance of the fact, the peculiar effect of telephony, we argue that Hamlet ventures an order of telephonic resistance or unreadability. It resists the call. Even as Hamlet (and we) find ourselves compelled to answer, the play refuses to capitulate to the weak sovereignty of a dead father-king whose voice comes back ... ................
................

In order to avoid copyright disputes, this page is only a partial summary.