19th Century fiction



19th Century fictionGCSE ANTHOLOGYcenter850009088120NEW SPECIFICATIONEDEXCEL1000000NEW SPECIFICATIONEDEXCEL-114300-3022601. The Adventures of Tom Sawyer by Mark Twain, 1876: In this extract from Chapter 18, Becky Thatcher notices that Tom Sawyer, who had previously shown an interest in her, is now showing an interest in another girl.001. The Adventures of Tom Sawyer by Mark Twain, 1876: In this extract from Chapter 18, Becky Thatcher notices that Tom Sawyer, who had previously shown an interest in her, is now showing an interest in another girl.Then she observed that now Tom was talking more particularly to Amy Lawrence than to anyone else. She felt a sharp pang and grew disturbed and uneasy at once. She tried to go away, but her feet were treacherous, and carried her to the group instead. She said to a girl almost at Tom’s elbow—with sham vivacity:“Why, Mary Austin! you bad girl, why didn’t you come to Sunday school?”“I did come—didn’t you see me?”“Why, no! Did you? Where did you sit?”“I was in Miss Peters’ class, where I always go. I saw you.”“Did you? Why, it’s funny I didn’t see you. I wanted to tell you about the picnic.”“Oh, that’s jolly. Who’s going to give it?”“My ma’s going to let me have one.”“Oh, goody; I hope she’ll let me come.”“Well, she will. The picnic’s for me. She’ll let anybody come that I want, and I want you.”“That’s ever so nice. When is it going to be?”“By and by. Maybe about vacation.”“Oh, won’t it be fun! You going to have all the girls and boys?”“Yes, every one that’s friends to me—or wants to be”; and she glanced ever so furtively at Tom, but he talked right along to Amy Lawrence about the terrible storm on the island, and how the lightning tore thegreat sycamore tree “all to flinders” while he was “standing within three feet of it.”“Oh, may I come?” said Grace Miller.“Yes.”“And me?” said Sally Rogers.“Yes.”“And me, too?” said Susy Harper. “And Joe?”“Yes.”And so on, with clapping of joyful hands till all the group had begged for invitations but Tom and Amy. Then Tom turned coolly away, still talking, and took Amy with him. Becky’s lips trembled and the tears came to her eyes; she hid these signs with a forced gaiety and went on chattering, but the life had gone out of the picnic now, and out of everything else; she got away as soon as she could and hid herself and had what her sex call “a good cry.” Then she sat moody, with wounded pride, till the bell rang. She roused up, now, with a vindictive cast in her eye, and gave her plaited tails a shake and said she knew what she’d do.At recess Tom continued his flirtation with Amy with jubilant self-satisfaction. And he kept drifting about to find Becky and lacerate her with the performance. At last he spied her, but there was a sudden falling of his mercury. She was sitting cosily on a little bench behind the schoolhouse looking at a picture-book with Alfred Temple—and so absorbed were they, and their heads so close together over the book, that they did not seem to be conscious of anything in the world besides. Jealousy ran red-hot through Tom’s veins. He began to hate himself for throwing away the chance Becky had offered for a reconciliation. He called himself a fool, and all the hard names he could think of. He wanted to cry with vexation. Amy chatted happily along, as they walked, for her heart was singing, but Tom’s tongue had lost its function. He did not hear what Amy was saying, and whenever she paused expectantly he could only stammer an awkward assent, which was as often misplaced as otherwise. He kept drifting to the rear of the schoolhouse, again and again, to sear his eyeballs with the hateful spectacle there. He could not help it. And it maddened him to see, as he thought he saw, that Becky Thatcher never once suspected that he was even in the land of the living. But she did see, nevertheless; and she knew she was winning her fight, too, and was glad to see him suffer as she had suffered.lacerate: cutvexation: angersham vivacity: pretend livelinessrecess: an American word for break2. Anna Karenina by Leo Tolstoy, 1873–77In this extract from Part One, Chapter 13, Kitty, who is a princess, is preparing to have dinner with two men, Vronsky and Levin.After dinner, and till the beginning of the evening, Kitty was feeling a sensation akin to the sensation of a young man before a battle. Her heart throbbed violently, and her thoughts would not rest on anything. She felt that this evening, when they would both meet for the first time, would be a turning-point in her life. And she was continually picturing them to herself, at one moment each separately, and then both together.When she mused on the past, she dwelt with pleasure, with tenderness, on the memories of her relations with Levin. The memories of childhood and of Levin’s friendship with her dead brother gave a special poetic charm to her relations with him. His love for her, ofwhich she felt certain, was flattering and delightful to her; and it was pleasant for her to think of Levin. In her memories of Vronsky there always entered a certain element of awkwardness, though he was in the highest degree well-bred and at ease, as though therewere some false note – not in Vronsky, he was very simple and nice, but in herself, while with Levin she felt herself perfectly simple and clear. But, on the other hand, directly she thought of the future with Vronsky, there arose before her a perspective of brillianthappiness; with Levin the future seemed misty.When she went upstairs to dress, and looked into the looking-glass, she noticed with joy that it was one of her good days, and that she was in complete possession of all her forces, – she needed this so for what lay before her: she was conscious of external composure and free grace in her movements.At half-past seven she had only just gone down into the drawing-room, when the footman announced,‘Konstantin Dmitrievitch Levin.’ The princess was still in her room, and the prince had not come in. ‘So it is to be,’ thought Kitty, and all the blood seemed to rush to her heart. She was horrified at her paleness, as she glanced into the looking-glass. At that moment she knew beyond doubt that he had come early on purpose to find her alone and to make her an offer. And only then for the first time the whole thing presented itself in a new, different aspect; only then she realised that the question did not affect her only – with whom she would be happy, and whom she loved – but that she would have that moment to wound a man whom she liked. And to wound him cruelly. What for? Because he, dear fellow, loved her, was in love with her. But there was no help for it, so it must be, so it would have to be.‘My God! shall I myself really have to say it to him?’ she thought. ‘Can I tell him I don’t love him? That will be a lie. What am I to say to him? That I love someone else? No, that’s impossible. I’m going away, I’m going away.’She had reached the door, when she heard his step. ‘No! it’s not honest. What have I to be afraid of? I have done nothing wrong. What is to be, will be! I’ll tell the truth. And with him one can’t be ill at ease. Here he is,’ she said to herself, seeing his powerful, shy figure, with his shining eyes fixed on her. She looked straight into his face, as though imploring him to spare her, and gave her hand.‘It’s not time yet; I think I’m too early,’ he said, glancing round the empty drawing-room. When he saw that his expectations were realised, that there was nothing to prevent him from speaking, his face became gloomy.‘Oh, no,’ said Kitty, and sat down to the table.‘But this was just what I wanted, to find you alone,’ he began, not sitting down, and not looking at her, so as not to lose courage.3. 20,000 Leagues Under the Sea by Jules Verne, 1870In this extract from Chapter 7, the narrator, Professor Pierre Aronnax, has fallen into the sea along with his servant, Conseil, and his Canadian colleague, Ned Land. They soon discover that there is something else in the sea with them. “Were you thrown into the sea by the shock of the frigate?”“Yes, Professor; but more fortunate than you, I was able to find a footing almost directly upon a floating island.”“An island?”“Or, more correctly speaking, on our gigantic narwhal.”“Explain yourself, Ned!”“Only I soon found out why my harpoon had not entered its skin and was blunted.”“Why, Ned, why?”“Because, Professor, that beast is made of sheet iron.”The Canadian’s last words produced a sudden revolution in my brain. I wriggled myself quickly to the top of the being, or object, half out of the water, which served us for a refuge. I kicked it. It was evidently a hard impenetrable body, and not the soft substance that forms the bodies of the great marine mammalia. But this hard body might be a bony carapace, like that of the antediluvian animals; and I should be free to class this monster among amphibious reptiles, such as tortoises or alligators.Well, no! the blackish back that supported me was smooth, polished, without scales. The blow produced a metallic sound; and, incredible though it may be, it seemed, I might say, as if it was made of riveted plates.There was no doubt about it! This monster, this natural phenomenon that had puzzled the learned world, and overthrown and misled the imagination of seamen of both hemispheres, was, it must be owned, a still more astonishing phenomenon, inasmuch as it was a simply human construction.We had no time to lose, however. We were lying upon the back of a sort of submarine boat, which appeared (as far as I could judge) like a huge fish of steel. Ned Land’s mind was made up on this point. Conseil and I could only agree with him.Just then, a bubbling began at the back of this strange thing (which was evidently propelled by a screw), and it began to move. We had only just time to seize hold of the upper part, which rose about seven feet out of the water, andhappily its speed was not great. “As long as it sails horizontally,” muttered Ned Land, “I do not mind; but if it takes a fancy to dive, I would not give two straws for my life.”The Canadian might have said still less. It became really necessary to communicate with the beings, whatever they were, shut up inside the machine. I searched all over the outside for an aperture, a panel, or a man-hole, to use atechnical expression; but the lines of the iron rivets, solidly driven into the joints of the iron plates, were clear and uniform. Besides, the moon disappeared then, and left us in total darkness.At last this long night passed. My indistinct remembrance prevents my describing all the impressions it made. I can only recall one circumstance. During some lulls of the wind and sea, I fancied I heard several times vague sounds, asort of fugitive harmony produced by distant words of command. What was then the mystery of this submarine craft, of which the whole world vainly sought an explanation? What kind of beings existed in this strange boat? What mechanical agent caused its prodigious speed?Daybreak appeared. The morning mists surrounded us, but they soon cleared off. I was about to examine the hull, which formed on deck a kind of horizontal platform, when I felt it gradually sinking.“Oh! confound it!” cried Ned Land, kicking the resounding plate; “open, you inhospitable rascals!”Happily, the sinking movement ceased. Suddenly a noise, like iron works violently pushed aside, came from the interior of the boat. One iron plate was moved, a man appeared, uttered an odd cry, and disappeared immediately.Some moments after, eight strong men, with masked faces, appeared noiselessly, and drew us down into their formidable machine.Frigate: a type of warshipNarwhal: a medium-sized toothed whaleMammalia: mammalsCarapace: section of a shellAntediluvian: period of time before the flood in the Bible4. Treasure Island by Robert Louis Stevenson, 1883In this extract from Chapter 1, the narrator, Jim Hawkins, remembers when he first met the man who asked to be addressed as ‘Captain’, Billy Bones.I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behindhim in a handbarrow; a tall, strong, heavy, nut-brown man, his tarry pigtail falling over the shoulders of hissoiled blue coat; his hands ragged and scarred, with black, broken nails; and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cove and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards: ‘Fifteen men on the dead man’s chest— Yo-ho-ho, and a bottle of rum!’ - in the high, old tottering voice that seemed to have been tuned and broken at the capstan bars. Then he rapped on the door with a bit of stick like a handspike that he carried, and when my father appeared, called roughly for a glass of rum. This, when it was brought to him, he drank slowly, like a connoisseur, lingering on the taste, and still looking about him at the cliffs and up at our signboard.‘This is a handy cove,’ says he, at length; ‘and a pleasant sittyated grog-shop. Much company, mate?’My father told him no, very little company, the more was the pity.‘Well, then,’ said he, ‘this is the berth for me. Here you, matey,’ he cried to the man who trundled the barrow; ‘bring up alongside and help up my chest. I’ll stay here a bit,’ he continued. ‘I’m a plain man; rum and bacon and eggs is what I want, and that head up there for to watch ships off. What you mought call me? You mought call me captain. Oh, I see what you’re at—there;’ and he threw down three or four gold pieces on the threshold. ‘You can tell me when I’ve worked through that,’ says he, looking as fierce as a commander.And, indeed, bad as his clothes were and coarsely as he spoke, he had none of the appearance of a man who sailed before the mast; but seemed like a mate or skipper, accustomed to be obeyed or to strike. The man who came with the barrow told us the mail had set him down the morning before at the ‘Royal George;’ that he had inquired what inns there were along the coast, and hearing ours well-spoken of, I suppose, and described as lonely, had chosen it from the others for his place of residence. And that was all we could learn of our guest.He was a very silent man by custom. All day he hung round the cove, or upon the cliffs, with a brass telescope; all evening he sat in a corner of the parlour next the fire, and drank rum and water very strong. Mostly he would not speak when spoken to; only look up sudden and fierce, and blow through his nose like a fog-horn; and we and the people who came about our house soon learned to let him be. Every day, when he came back from his stroll, he would ask if any seafaring men had gone by along the road. At first we thought it was the want of company of his own kind that made him ask this question; but at lastwe began to see he was desirous to avoid them. ... For me, at least, there was no secret about the matter; for I was, in a way, a sharer in his alarms. He had taken me aside one day, and promised me a silver fourpenny on the first of every month if I would only keep my ‘weather-eye open for a seafaring man with one leg,’ and let him know the moment he appeared. Often enough, when the first of the month came round, and I applied to him for my wage, he would only blow through his nose at me, and stare me down; but before the week was out he was sure to think better of it, bring me my fourpenny piece, and repeat hisorders to look out for ‘the seafaring man with one leg.’Capstan: a machine developed for ships to apply force to ropes5. Dombey and Son by Charles Dickens, 1846 – 1848In this extract from Dombey and Son by Charles Dickens, Mr Dombey is taking a journey by train. The very speed at which the train was whirled along, mocked the swift course of the young life that had been borne away so steadily and so inexorably to its foredoomed end. The power that forced itself upon its iron way—its own—defiant of all paths and roads, piercing through the heart of every obstacle, and dragging living creatures of all classes, ages, and degrees behind it, was a type of the triumphant monster, Death.Away, with a shriek, and a roar, and a rattle, from the town, burrowing among the dwellings of men and making the streets hum, flashing out into the meadows for a moment, mining in through the damp earth, booming on in darkness and heavy air, bursting out again into the sunny day so bright and wide; away, with a shriek, and a roar, and a rattle, through the fields, through the woods, through the corn, through the hay, through the chalk, through the mould, through the clay, through the rock, among objects close at hand and almost in the grasp, ever flying from the traveller, and a deceitful distance ever moving slowly within him: like as in the track of the remorseless monster, Death!Through the hollow, on the height, by the heath, by the orchard, by the park, by the garden, over the canal, across the river, where the sheep are feeding, where the mill is going, where the barge is floating, where the dead are lying, where the factory is smoking, where the stream is running, where the village clusters, where the great cathedral rises, where the bleak moor lies, and the wild breeze smooths or ruffles it at its inconstant will; away, with a shriek, and a roar, and a rattle, and no trace to leave behind but dust and vapour: like as in the track of the remorseless monster, Death!Breasting the wind and light, the shower and sunshine, away, and still away, it rolls and roars, fierce and rapid, smooth and certain, and great works and massive bridges crossing up above, fall like a beam of shadow an inch broad, upon the eye, and then are lost. Away, and still away, onward and onward ever: glimpses of cottage-homes, of houses, mansions, rich estates, of husbandry and handicraft, of people, of old roads and paths that look deserted, small, and insignificant as they are left behind: and so they do, and what else is there but such glimpses, in the track of the indomitable monster, Death!Away, with a shriek, and a roar, and a rattle, plunging down into the earth again, and working on in such a storm of energy and perseverance, that amidst the darkness and whirlwind the motion seems reversed, and to tend furiously backward, until a ray of light upon the wet wall shows its surface flying past like a fierce stream. Away once more into the day, and through the day, with a shrill yell of exultation, roaring, rattling, tearing on, spurning everything with its dark breath, sometimes pausing for a minute where a crowd of faces are, that in a minute more are not; sometimes lapping water greedily, and before the spout at which it drinks has ceased to drip upon the ground, shrieking, roaring, rattling through the purple distance!Louder and louder yet, it shrieks and cries as it comes tearing on resistless to the goal: and now its way, still like the way of Death, is strewn with ashes thickly. Everything around is blackened.*inexorably – relentlessly, impossible to stop*foredoomed – destined to fail*husbandry – farming6. Alton Locke by Charles Kinglsey.In this extract, Alton Locke, a young boy, starts work as a tailor-boy in the attic of a tailor’s shop. His employer, Mr Jones, takes him into the main room and hands him over to one of the other men to train Alton up. I stumbled after Mr. Jones up a dark, narrow, iron staircase till we emerged through a trap-door into a garret at the top of the house. I recoiled with disgust at the scene before me; and here I was to work--perhaps through life! A low lean-to room, stifling me with the combined odours of human breath and perspiration, stale beer, the sweet sickly smell of gin, and the sour and hardly less disgusting one of new cloth. On the floor, thick with dust and dirt, scraps of stuff and ends of thread, sat some dozen haggard, untidy, shoeless men, with a mingled look of care and recklessness that made me shudder. The windows were tight closed to keep out the cold winter air; and the condensed breath ran in streams down the panes, chequering the dreary outlook of chimney-tops and smoke. The conductor handed me over to one of the men. "Here, Crossthwaite, take this younker and make a tailor of him. Keep him next you, and jab him up with your needle if he shirks." He disappeared down the trap-door, and mechanically, as if in a dream, I sat down by the man and listened to his instructions, kindly enough bestowed. But I did not remain in peace two minutes. A burst of chatter rose as the foreman vanished, and a tall, bloated, sharp-nosed young man next me bawled in my ear,-- "I say, young’un, do you know why we’re nearer heaven here than our neighbours?" "I shouldn’t have thought so," answered I with a naiveté which raised a laugh, and dashed the tall man for a moment. "Yer don’t? Then I’ll tell yer. Because we’re at the top of the house in the first place, and next place yer’ll die here six months sooner than if yer worked in the room below. Ain’t that logic and science, Orator?" appealing to Crossthwaite. "Why?" I asked. "Because you get all the other floors’ stink up here as well as your own. Concentrated essence of man’s flesh is what you’re breathing. Cellar workroom we calls Rheumatic Ward, because of the damp. Ground-floor’s Fever Ward--them as don’t get typhus gets dysentery, and them as don’t get dysentery gets typhus--your nose’d tell yer why if you opened the back window. First floor’s Ashmy Ward--don’t you hear ’um now through the cracks in the boards, puffing away like a nest of young locomotives? And this here most august and upper-crust loft is the Conscrumptive Hospital. First you begins to cough, then you proceeds to expectorate. Then your cheeks they grows red, and your nose it grows thin, and your bones they stick out, till they comes through your skin. And then, when you’ve sufficiently covered the poor dear aristocracy,” Here he paused and then said in a sing-song voice, “Die, die, die, away you fly. Your body’s in the ground and your soul is in the sky.”And then the ribald lay down on his back, stretched himself out, and pretended to die in a fit of coughing, which though pretend at first swiftly became more real than my poor assaulted ears could stand, and I, shocked and bewildered, let my tears fall fast upon my knees.Younker – slang for youngsterShirks – tries to get away without working hardOrator – speakerAshmy – slang for Asthma August – inspiring admiration/full of dignityExpectorate – coughing up phlegm/mucusRibald – a vulgar, rude, loud person7. Dracula by Bram Stoker: In this extract from ‘Dracula’, Jonathan Harker writes of a strange visit at night in his diary. He has travelled away from England (and his wife Mina) in order to visit Count Dracula but he has since become trapped at the Count’s mansion.I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina's eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on.One said, "Go on! You are first, and we shall follow. Yours' is the right to begin."The other added, "He is young and strong. There are kisses for us all."I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood.I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one's flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.But at that instant, another sensation swept through me as quick as lightning. I was conscious of the presence of the Count, and of his being as if lapped in a storm of fury. As my eyes opened involuntarily I saw his strong hand grasp the slender neck of the fair woman and with giant's power draw it back, the blue eyes transformed with fury, the white teeth champing with rage, and the fair cheeks blazing red with passion. But the Count! Never did I imagine such wrath and fury, even to the demons of the pit. His eyes were positively blazing. The red light in them was lurid, as if the flames of hell fire blazed behind them. His face was deathly pale, and the lines of it were hard like drawn wires. The thick eyebrows that met over the nose now seemed like a heaving bar of white-hot metal. With a fierce sweep of his arm, he hurled the woman from him, and then motioned to the others, as though he were beating them back. It was the same imperious gesture that I had seen used to the wolves. In a voice which, though low and almost in a whisper seemed to cut through the air and then ring in the room he said, "How dare you touch him, any of you? How dare you cast eyes on him when I had forbidden it? Back, I tell you all! This man belongs to me! Beware how you meddle with him, or you'll have to deal with me.”Aquiline: like an eagle (in describing the nose it means curved or hooked like a beak) Coquettishly: flirtatiouslyLanguorous: drained, tired or lifeless8. Bleak House by Charles DickensIn this extract, Dickens is describing LondonSmoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look.The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.Never can there come fog too thick, never can there come mud and mire too deep, to assort with the groping and floundering condition which this High Court of Chancery, most pestilent of hoary sinners, holds this day in the sight of heaven and earth.On such an afternoon, if ever, the Lord High Chancellor ought to be sitting here — as here he is — with a foggy glory round his head, softly fenced in with crimson cloth and curtains, addressed by a large advocate with great whiskers, a little voice, and an interminable brief, and outwardly directing his contemplation to the lantern in the roof, where he can see nothing but fog. On such an afternoon some score of members of the High Court of Chancery bar ought to be — as here they are — mistily engaged in one of the ten thousand stages of an endless cause, tripping one another up on slippery precedents, groping knee-deep in technicalities, running their goat-hair and horse-hair warded heads against walls of words and making a pretence of equity with serious faces, as players might. On such an afternoon the various solicitors in the cause, some two or three of whom have inherited it from their fathers, who made a fortune by it, ought to be — as are they not? — ranged in a line, in a long matted well (but you might look in vain for truth at the bottom of it) between the registrar’s red table and the silk gowns, with bills, cross-bills, answers, rejoinders, injunctions, affidavits, issues, references to masters, masters’ reports, mountains of costly nonsense, piled before them. Well may the court be dim, with wasting candles here and there; well may the fog hang heavy in it, as if it would never get out; well may the stained-glass windows lose their colour and admit no light of day into the place; well may the uninitiated from the streets, who peep in through the glass panes in the door, be deterred from entrance by its owlish aspect and by the drawl, languidly echoing to the roof from the padded dais where the Lord High Chancellor looks into the lantern that has no light in it and where the attendant wigs are all stuck in a fog-bank! This is the Court of Chancery, which has its decaying houses and its blighted lands in every shire, which has its worn-out lunatic in every madhouse and its dead in every churchyard, which has its ruined suitor with his slipshod heels and threadbare dress borrowing and begging through the round of every man’s acquaintance, which gives to monied might the means abundantly of wearying out the right, which so exhausts finances, patience, courage, hope, so overthrows the brain and breaks the heart, that there is not an honourable man among its practitioners who would not give — who does not often give — the warning, “Suffer any wrong that can be done you rather than come here!”9. Great Expectations by Charles DickensIn this extract, Pip meets Miss Havisham, a woman who has not left her home since being jilted at the altar. We went into the house by a side door - the great front entrance had two chains across it outside - and the first thing I noticed was, that the passages were all dark, and that she had left a candle burning there. She took it up, and we went through more passages and up a staircase, and still it was all dark, and only the candle lighted us.At last we came to the door of a room, and she said, "Go in."I answered, more in shyness than politeness, "After you, miss."To this, she returned: "Don't be ridiculous, boy; I am not going in." And scornfully walked away, and - what was worse - took the candle with her.This was very uncomfortable, and I was half afraid. However, the only thing to be done being to knock at the door, I knocked, and was told from within to enter. I entered, therefore, and found myself in a pretty large room, well lighted with wax candles. No glimpse of daylight was to be seen in it. It was a dressing-room, as I supposed from the furniture, though much of it was of forms and uses then quite unknown to me. But prominent in it was a draped table with a gilded looking-glass, and that I made out at first sight to be a fine lady's dressing-table.Whether I should have made out this object so soon, if there had been no fine lady sitting at it, I cannot say. In an arm-chair, with an elbow resting on the table and her head leaning on that hand, sat the strangest lady I have ever seen, or shall ever see.She was dressed in rich materials - satins, and lace, and silks - all of white. Her shoes were white. And she had a long white veil dependent from her hair, and she had bridal flowers in her hair, but her hair was white. Some bright jewels sparkled on her neck and on her hands, and some other jewels lay sparkling on the table. Dresses, less splendid than the dress she wore, and half-packed trunks, were scattered about. She had not quite finished dressing, for she had but one shoe on - the other was on the table near her hand - her veil was but half arranged, her watch and chain were not put on, and some lace for her bosom lay with those trinkets, and with her handkerchief, and gloves, and some flowers, and a prayer-book, all confusedly heaped about the looking-glass.It was not in the first few moments that I saw all these things, though I saw more of them in the first moments than might be supposed. But, I saw that everything within my view which ought to be white, had been white long ago, and had lost its lustre, and was faded and yellow. I saw that the bride within the bridal dress had withered like the dress, and like the flowers, and had no brightness left but the brightness of her sunken eyes. I saw that the dress had been put upon the rounded figure of a young woman, and that the figure upon which it now hung loose, had shrunk to skin and bone. Once, I had been taken to see some ghastly waxwork at the Fair, representing I know not what impossible personage lying in state. Once, I had been taken to one of our old marsh churches to see a skeleton in the ashes of a rich dress, that had been dug out of a vault under the church pavement. Now, waxwork and skeleton seemed to have dark eyes that moved and looked at me. I should have cried out, if I could."Who is it?" said the lady at the table."Pip, ma'am.""Pip?""Mr. Pumblechook's boy, ma'am. Come - to play.""Come nearer; let me look at you. Come close."It was when I stood before her, avoiding her eyes, that I took note of the surrounding objects in detail, and saw that her watch had stopped at twenty minutes to nine, and that a clock in the room had stopped at twenty minutes to nine."Look at me," said Miss Havisham. "You are not afraid of a woman who has never seen the sun since you were born?"I regret to state that I was not afraid of telling the enormous lie comprehended in the answer "No."10. Jane Eyre by Charlotte BronteIn this extract, Jane The red-room was a square chamber, very seldom slept in, I might say never, indeed, unless when a chance influx of visitors at Gateshead Hall rendered it necessary to turn to account all the accommodation it contained:??yet it was one of the largest and stateliest chambers in the mansion.??A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre; the two large windows, with their blinds always drawn down, were half shrouded in festoons and falls of similar drapery; the carpet was red; the table at the foot of the bed was coveredwith a crimson cloth; the walls were a soft fawn colour with a blush of pink in it; the wardrobe, the toilet-table, the chairs were of darkly polished old mahogany.??Out of these deep surrounding shades rose high, and glared white, the piled-up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane.??Scarcely less prominent was an ample cushioned easy-chair near the head of thebed, also white, with a footstool before it; and looking, as I thought, like a pale throne.This room was chill, because it seldom had a fire; it was silent, because remote from the nursery and kitchen; solemn, because it was known to be so seldom entered.??The house-maid alone came here onSaturdays, to wipe from the mirrors and the furniture a week's quiet dust:??and Mrs. Reed herself, at far intervals, visited it to review the contents of a certain secret drawer in the wardrobe, where were stored divers parchments, her jewel-casket, and a miniature of her deceased husband; and in those last words lies the secret of the red-room--the spell which kept it so lonely in spite of its grandeur.Mr. Reed had been dead nine years:??it was in this chamber he breathed his last; here he lay in state; hence his coffin was borne by the undertaker's men; and, since that day, a sense of drearyconsecration had guarded it from frequent intrusion.My seat, to which Bessie and the bitter Miss Abbot had left me riveted, was a low ottoman near the marble chimney-piece; the bed rose before me; to my right hand there was the high, dark wardrobe,with subdued, broken reflections varying the gloss of its panels; to my left were the muffled windows; a great looking-glass between them repeated the vacant majesty of the bed and room.??I was not quitesure whether they had locked the door; and when I dared move, I got up and went to see.??Alas! yes:??no jail was ever more secure.Returning, I had to cross before the looking-glass; my fascinated glance involuntarily explored the depth it revealed.??All looked colder and darker in that visionary hollow than in reality:??and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit:??I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers.??I returned to my stool.Superstition was with me at that moment; but it was not yet her hour for complete victory:??my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigour; I had tostem a rapid rush of retrospective thought before I quailed to the dismal present.11. War of the Worlds by H.G. WellsIn this extract, the character Ogilvy goes to investigate a meteorite that he saw land. But very early in the morning poor Ogilvy, who had seen the shooting star and who was persuaded that a meteorite lay somewhere on the common between Horsell, Ottershaw, and Woking, rose early with the idea of finding it. Find it he did, soon after dawn, and not far from the sand pits. An enormous hole had been made by the impact of the projectile, and the sand and gravel had been flung violently in every direction over the heath, forming heaps visible a mile and a half away. The heather was on fire eastward, and a thin blue smoke rose against the dawn.The Thing itself lay almost entirely buried in sand, amidst the scattered splinters of a fir tree it had shivered to fragments in its descent. The uncovered part had the appearance of a huge cylinder, caked over and its outline softened by a thick scaly dun-coloured incrustation. It had a diameter of about thirty yards. He approached the mass, surprised at the size and more so at the shape, since most meteorites are rounded more or less completely. It was, however, still so hot from its flight through the air as to forbid his near approach. A stirring noise within its cylinder he ascribed to the unequal cooling of its surface; for at that time it had not occurred to him that it might be hollow.He remained standing at the edge of the pit that the Thing had made for itself, staring at its strange appearance, astonished chiefly at its unusual shape and colour, and dimly perceiving even then some evidence of design in its arrival. The early morning was wonderfully still, and the sun, just clearing the pine trees towards Weybridge, was already warm. He did not remember hearing any birds that morning, there was certainly no breeze stirring, and the only sounds were the faint movements from within the cindery cylinder. He was all alone on the common.Then suddenly he noticed with a start that some of the grey clinker, the ashy incrustation that covered the meteorite, was falling off the circular edge of the end. It was dropping off in flakes and raining down upon the sand. A large piece suddenly came off and fell with a sharp noise that brought his heart into his mouth.For a minute he scarcely realised what this meant, and, although the heat was excessive, he clambered down into the pit close to the bulk to see the Thing more clearly. He fancied even then that the cooling of the body might account for this, but what disturbed that idea was the fact that the ash was falling only from the end of the cylinder.And then he perceived that, very slowly, the circular top of the cylinder was rotating on its body. It was such a gradual movement that he discovered it only through noticing that a black mark that had been near him five minutes ago was now at the other side of the circumference. Even then he scarcely understood what this indicated, until he heard a muffled grating sound and saw the black mark jerk forward an inch or so. Then the thing came upon him in a flash. The cylinder was artificial--hollow--with an end that screwed out! Something within the cylinder was unscrewing the top!"Good heavens!" said Ogilvy. "There's a man in it--men in it! Half roasted to death! Trying to escape!"12. The Picture of Dorian Gray by Oscar WildeIn this extract, Dorian Gray is showing Basil Hallward the portrait Hallward painted of Dorian. The portrait has changed and shows all of Dorian’s evil actions whilst Dorian remains looking innocent."Each of us has heaven and hell in him, Basil," cried Dorian with a wild gesture of despair.Hallward turned again to the portrait and gazed at it. "My God! If it is true," he exclaimed, "and this is what you have done with your life, why, you must be worse even than those who talk against you fancy you to be!" He held the light up again to the canvas and examined it. The surface seemed to be quite undisturbed and as he had left it. It was from within, apparently, that the foulness and horror had come. Through some strange quickening of inner life the leprosies of sin were slowly eating the thing away. The rotting of a corpse in a watery grave was not so fearful.His hand shook, and the candle fell from its socket on the floor and lay there sputtering. He placed his foot on it and put it out. Then he flung himself into the rickety chair that was standing by the table and buried his face in his hands."Good God, Dorian, what a lesson! What an awful lesson!" There was no answer, but he could hear the young man sobbing at the window. "Pray, Dorian, pray," he murmured. "What is it that one was taught to say in one's boyhood? 'Lead us not into temptation. Forgive us our sins. Wash away our iniquities.' Let us say that together. The prayer of your pride has been answered. The prayer of your repentance will be answered also. I worshipped you too much. I am punished for it. You worshipped yourself too much. We are both punished."Dorian Gray turned slowly around and looked at him with tear-dimmed eyes. "It is too late, Basil," he faltered."It is never too late, Dorian. Let us kneel down and try if we cannot remember a prayer. Isn't there a verse somewhere, 'Though your sins be as scarlet, yet I will make them as white as snow'?""Those words mean nothing to me now.""Hush! Don't say that. You have done enough evil in your life. My God! Don't you see that accursed thing leering at us?"Dorian Gray glanced at the picture, and suddenly an uncontrollable feeling of hatred for Basil Hallward came over him, as though it had been suggested to him by the image on the canvas, whispered into his ear by those grinning lips. The mad passions of a hunted animal stirred within him, and he loathed the man who was seated at the table, more than in his whole life he had ever loathed anything. He glanced wildly around. Something glimmered on the top of the painted chest that faced him. His eye fell on it. He knew what it was. It was a knife that he had brought up, some days before, to cut a piece of cord, and had forgotten to take away with him. He moved slowly towards it, passing Hallward as he did so. As soon as he got behind him, he seized it and turned round. Hallward stirred in his chair as if he was going to rise. He rushed at him and dug the knife into the great vein that is behind the ear, crushing the man's head down on the table and stabbing again and again.There was a stifled groan and the horrible sound of some one choking with blood. Three times the outstretched arms shot up convulsively, waving grotesque, stiff-fingered hands in the air. He stabbed him twice more, but the man did not move. Something began to trickle on the floor. He waited for a moment, still pressing the head down. Then he threw the knife on the table, and listened.He could hear nothing, but the drip, drip on the threadbare carpet. He opened the door and went out on the landing. The house was absolutely quiet. No one was about. For a few seconds he stood bending over the balustrade and peering down into the black seething well of darkness. Then he took out the key and returned to the room, locking himself in as he did so.The thing was still seated in the chair, straining over the table with bowed head, and humped back, and long fantastic arms. Had it not been for the red jagged tear in the neck and the clotted black pool that was slowly widening on the table, one would have said that the man was simply asleep.How quickly it had all been done! He felt strangely calm, and walking over to the window, opened it and stepped out on the balcony. The wind had blown the fog away, and the sky was like a monstrous peacock's tail, starred with myriads of golden eyes. He looked down and saw the policeman going his rounds and flashing the long beam of his lantern on the doors of the silent houses. The crimson spot of a prowling hansom gleamed at the corner and then vanished. 13. Frankenstein: Or the Modern Prometheus by Mary Shelley, 1818 (second edition 1823).In this extract from chapter 5, Victor Frankenstein has just finished making a creation made from dead body parts. It was on a dreary night of November that I beheld the accomplishment of my toils. With an anxiety that almost amounted to agony, I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet. It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips.The different accidents of life are not so changeable as the feelings of human nature. I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room and continued a long time traversing my bed-chamber, unable to compose my mind to sleep. At length lassitude succeeded to the tumult I had before endured, and I threw myself on the bed in my clothes, endeavouring to seek a few moments of forgetfulness. But it was in vain; I slept, indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her, but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel. I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed; when, by the dim and yellow light of the moon, as it forced its way through the window shutters, I beheld the wretch—the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited, where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life.Oh! No mortal could support the horror of that countenance. A mummy again endued with animation could not be so hideous as that wretch. I had gazed on him while unfinished; he was ugly then, but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived.14. The Time Machine by H.G. WellsThis is an extract from a novel. The narrator has travelled to the future and met with what he thinks are the only descendants of man. However, he now encounters another being. ‘Well, one very hot morning—my fourth, I think—as I was seeking shelter from the heat and glare in a colossal ruin near the great house where I slept and fed, there happened this strange thing: Clambering among these heaps of masonry, I found a narrow gallery, whose end and side windows were blocked by fallen masses of stone. By contrast with the brilliancy outside, it seemed at first impenetrably dark to me. I entered it groping, for the change from light to blackness made spots of colour swim before me. Suddenly I halted spellbound. A pair of eyes, luminous by reflection against the daylight without, was watching me out of the darkness. ‘The old instinctive dread of wild beasts came upon me. I clenched my hands and steadfastly looked into the glaring eyeballs. I was afraid to turn. Then the thought of the absolute security in which humanity appeared to be living came to my mind. And then I remembered that strange terror of the dark. Overcoming my fear to some extent, I advanced a step and spoke. I will admit that my voice was harsh and ill-controlled. I put out my hand and touched something soft. At once the eyes darted sideways, and something white ran past me. I turned with my heart in my mouth, and saw a queer little ape-like figure, its head held down in a peculiar manner, running across the sunlit space behind me. It blundered against a block of granite, staggered aside, and in a moment was hidden in a black shadow beneath another pile of ruined masonry. ‘My impression of it is, of course, imperfect; but I know it was a dull white, and had strange large greyish-red eyes; also that there was flaxen hair on its head and down its back. But, as I say, it went too fast for me to see distinctly. I cannot even say whether it ran on all-fours, or only with its forearms held very low. After an instant’s pause I followed it into the second heap of ruins. I could not find it at first; but, after a time in the profound obscurity, I came upon one of those round well-like openings of which I have told you, half closed by a fallen pillar. A sudden thought came to me. Could this Thing have vanished down the shaft? I lit a match, and, looking down, I saw a small, white, moving creature, with large bright eyes which regarded me steadfastly as it retreated. It made me shudder. It was so like a human spider! It was clambering down the wall, and now I saw for the first time a number of metal foot and hand rests forming a kind of ladder down the shaft. Then the light burned my fingers and fell out of my hand, going out as it dropped, and when I had lit another the little monster had disappeared. ‘I do not know how long I sat peering down that well. It was not for some time that I could succeed in persuading myself that the thing I had seen was human. But, gradually, the truth dawned on me: that Man had not remained one species, but had differentiated into two distinct animals: that my graceful children of the Upper-world were not the sole descendants of our generation, but that this bleached, obscene, nocturnal Thing, which had flashed before me, was also heir to all the ages.15. The Turn of the Screw by Henry JamesThis is an extract from a novella. The narrator has encountered what she believes to be a ghost called Quint about the house before.I can say now neither what determined nor what guided me, but I went straight along the lobby, holding my candle high, till I came within sight of the tall window that presided over the great turn of the staircase. At this point I precipitately found myself aware of three things. They were practically simultaneous, yet they had flashes of succession. My candle, under a bold flourish, went out, and I perceived, by the uncovered window, that the yielding dusk of earliest morning rendered it unnecessary. Without it, the next instant, I saw that there was someone on the stair. I speak of sequences, but I required no lapse of seconds to stiffen myself for a third encounter with Quint. The apparition had reached the landing halfway up and was therefore on the spot nearest the window, where at sight of me, it stopped short and fixed me exactly as it had fixed me from the tower and from the garden. He knew me as well as I knew him; and so, in the cold, faint twilight, with a glimmer in the high glass and another on the polish of the oak stair below, we faced each other in our common intensity. He was absolutely, on this occasion, a living, detestable, dangerous presence. But that was not the wonder of wonders; I reserve this distinction for quite another circumstance: the circumstance that dread had unmistakably quitted me and that there was nothing in me there that didn't meet and measure him.I had plenty of anguish after that extraordinary moment, but I had, thank God, no terror. And he knew I had not—I found myself at the end of an instant magnificently aware of this. I felt, in a fierce rigor of confidence, that if I stood my ground a minute I should cease—for the time, at least—to have him to reckon with; and during the minute, accordingly, the thing was as human and hideous as a real interview: hideous just because it WAS human, as human as to have met alone, in the small hours, in a sleeping house, some enemy, some adventurer, some criminal. It was the dead silence of our long gaze at such close quarters that gave the whole horror, huge as it was, its only note of the unnatural. If I had met a murderer in such a place and at such an hour, we still at least would have spoken. Something would have passed, in life, between us; if nothing had passed, one of us would have moved. The moment was so prolonged that it would have taken but little more to make me doubt if even?I?were in life. I can't express what followed it save by saying that the silence itself—which was indeed in a manner an attestation of my strength—became the element into which I saw the figure disappear; in which I definitely saw it turn as I might have seen the low wretch to which it had once belonged turn on receipt of an order, and pass, with my eyes on the villainous back that no hunch could have more disfigured, straight down the staircase and into the darkness in which the next bend was lost.16. The Picture of Dorian Gray by Oscar WildeIn this extract the main character Dorian Gray is travelling in a hansom (a carriage) to an Opium Den in London.On and on plodded the hansom, going slower, it seemed to him, at each step. He thrust up the trap and called to the man to drive faster. The hideous hunger for opium began to gnaw at him. His throat burned and his delicate hands twitched nervously together. He struck at the horse madly with his stick. The driver laughed and whipped up. He laughed in answer, and the man was silent.The way seemed interminable, and the streets like the black web of some sprawling spider. The monotony became unbearable, and as the mist thickened, he felt afraid.Then they passed by lonely brickfields. The fog was lighter here, and he could see the strange, bottle-shaped kilns with their orange, fanlike tongues of fire. A dog barked as they went by, and far away in the darkness some wandering sea-gull screamed. The horse stumbled in a rut, then swerved aside and broke into a gallop.After some time they left the clay road and rattled again over rough-paven streets. Most of the windows were dark, but now and then fantastic shadows were silhouetted against some lamplit blind. He watched them curiously. They moved like monstrous marionettes and made gestures like live things. He hated them. A dull rage was in his heart. As they turned a corner, a woman yelled something at them from an open door, and two men ran after the hansom for about a hundred yards. The driver beat at them with his whip.Suddenly the man drew up with a jerk at the top of a dark lane. Over the low roofs and jagged chimney-stacks of the houses rose the black masts of ships. Wreaths of white mist clung like ghostly sails to the yards."Somewhere about here, sir, ain't it?" he asked huskily through the trap.Dorian started and peered round. "This will do," he answered, and having got out hastily and given the driver the extra fare he had promised him, he walked quickly in the direction of the quay. Here and there a lantern gleamed at the stern of some huge merchantman. The light shook and splintered in the puddles. A red glare came from an outward-bound steamer that was coaling. The slimy pavement looked like a wet mackintosh.He hurried on towards the left, glancing back now and then to see if he was being followed. In about seven or eight minutes he reached a small shabby house that was wedged in between two gaunt factories. In one of the top-windows stood a lamp. He stopped and gave a peculiar knock.After a little time he heard steps in the passage, and the chain being unhooked. The door opened quietly, and he went in without saying a word to the squat misshapen figure that flattened itself into the shadow as he passed. At the end of the hall hung a tattered green curtain that swayed and shook in the gusty wind which had followed him in from the street. He dragged it aside, and entered a long, low room which looked as if it had once been a third-rate dancing-saloon. Shrill flaring gas-jets, dulled and distorted in the fly-blown mirrors that faced them, were ranged round the walls. Greasy reflectors of ribbed tin backed them, making quivering discs of light. The floor was covered with ochre-coloured sawdust, trampled here and there into mud, and stained with dark rings of spilt liquor. Some Malays were crouching by a little charcoal stove playing with bone counters, and showing their white teeth as they chattered. In one corner, with his head buried in his arms, a sailor sprawled over a table, and by the tawdrily-painted bar that ran across one complete side stood two haggard women mocking an old man who was brushing the sleeves of his coat with an expression of disgust. ................
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