Dana Buntrock DanaB@Berkeley.edu - UC Berkeley College of ...



Dana Buntrock DanaB@Berkeley.edu Professor, Department of Architecture, University of California, BerkeleyAcademic experience:Assistant Professor (2000-2003), Associate Professor (2003-2011), Full Professor (2011-). Department of Architecture, College of Environmental Design, University of California, Berkeley. Chair, Center for Japanese Studies (2015-20); Tomoye Takahashi Endowed Chair of Japanese Studies (2018-).Adjunct Assistant Professor (1994-1996), Assistant Professor (1996-2000); School of Architecture, University of Illinois, Chicago. Adjunct Assistant Professor, Department of Architecture, College of Fine Arts, Carnegie Mellon University (1989-1991).Short-term Visiting Positions and Fellowships Visiting Professor (“Invitational Program for Faculty from the World’s Top-Level Universities”), Tokyo Institute of Technology, Tokyo, Japan (June 2015).Abe Fellowship, Social Science Research Council (2013) / Visiting Professor, University of Tokyo, Tokyo, Japan (2014-5).Frederic Lindley Morgan Chair of Architectural Design, Allen R. Hite Art Institute, University of Louisville (2010 Spring).Fulbright Fellow (Japan), Fujimori Lab, Institute for Industrial Science, University of Tokyo (July 2006 - March 2007).Post-doctoral Fellowship, National Science Foundation/Japan Society for the Promotional of Science; Fujimori Lab, Institute for Industrial Science, University of Tokyo (1998).Visiting Academic, University of Adelaide, Adelaide, South Australia (February - April 1994).Education:M. Architecture, High Distinction (May 1988) & M. Urban Planning (December 1988); Taubman College of Architecture, The University of Michigan, Ann Arbor, Michigan.B. Architecture (May 1981); School of Architecture, Tulane University, New Orleans, Louisiana. Professional experience:Architect, Alaska A7505 (1989-09) / NCARB Certified, no. 37,154. Lapsed.第一工房 / Dai’ichi Kobo, 高橋 靗一 / Professor Tei’ichi Takahashi, principal. Tokyo, Japan (1992-4).Minch Ritter Forrest Architects, Juneau, Alaska (1984-6).Quadra Consultants, Juneau, Alaska (1982-4).Awards:2017-8 Distinguished Professor, Association of Collegiate Schools of ArchitectureStatement: , 2011 Great Places Book Award, Environmental Design Research Association. Materials and Meaning.Faculty Award for Outstanding Mentorship of Graduate Student Instructors, University of California, Berkeley (2005). Statement: gsi.berkeley.edu/programs-services/award-programs/faculty-mentor-award/faculty-award-recipients/dbuntrock2005/.Henry Adams Certificate, The University of Michigan, Ann Arbor (1988).Marion Sarah Parker Memorial Prize, The University of Michigan, Ann Arbor (1988). Outstanding female graduate. Honorable Mention, “A University at Timbuctoo.” Van Alen International Competition, National Institute of Architectural Education (1987). Books:Buntrock, Dana, ed. Katsuhiro Miyamoto. “About” Monograph Series no. 22. (Melfi, Italy: Casa Editrice Libria, 2012).Buntrock, Dana. Materials and Meaning in Contemporary Japanese Architecture: Tradition and Today (London: Routledge, 2010). Buntrock, Dana. Japanese Architecture as a Collaborative Process: Opportunities in a Flexible Construction Culture (London: Spon Press, 2001). With a foreward by Fumihiko Maki. Reviews of Materials and Meaning in:Mulligan, Mark. “Fresh Views on Japanese Modernism” (with three others), The Journal of Japanese Studies 39: 2 (Summer 2013), p. 397-406. DOI: 10.1353/jjs.2013.0056.Ari Seligmann. CAAReviews (September 2012), reviews/1872.Weinstein, Norman. “Japan Roundup,” (with three others) Architectural Record 199:11 (November 2011), p. 48. (Available to subscribers at: archrecord.features/critique/books/2011/1111-Japan-Roundup.asp)Choi, Don. Reviewed with three others. Journal of Architectural Education 64:2 (March 2011), p. 171-4. onlinelibrary.doi/10.1111/j.1531-314X.2010.01146.x/pdfMansfield, Stephen. “Those Risky, Robust, Resplendent Architects of Japan,” Japan Times (31 October 2010). japantimes.co.jp/culture/2010/10/31/books/book-reviews/those-risky-robust-resplendent-architects-of-japan/Published excerpt, Materials and Meaning:“Fujimori Terunobu: Neolithic Daddy” Petiot, Fabien and Chloé Braunstein-Kriegel, eds. Crafts, Today’s Anthology for Tomorrow’s Crafts (Paris: Editions Norma, 2018)Reviews of Collaborative Process: O’Keefe, Don. “’Japanese Architecture as a Collaborative Process’: A must-read to understand Japanese architecture” The Japan Times (28 April 2018) , William H., “Building Better Architecture in Japan,” electronic journal of contemporary Japanese architecture (28 April 2008) .uk/reviews/2008/Coaldrake.html.Yatsuka Hajime, 「日本建築の現場への文化人類学的アプロチ [A Cultural Anthropology Approach to the Japanese Architectural Site] 」 Inax 10+1 no. 31 (July 2003). In Japanese.tenplusone.inax.co.jp/archives/2003/07/10175721.html. Miyajima Teruhisa, “Learning from Japan,” 建築文化 Kenchiku Bunka 665 (June 2003), p. 101. In Japanese.Sano Yoshihiko, 「曖昧さから明確へ [From Ambiguity to Clarity] 」 建設通信新聞 Kensetsu Tsūshin Shinbun (23 January 2003). In Japanese.Gumuchdjian, Phillip. “In Search of the J-way” World Architecture 112 (January 2003), p. 22.Pollock, Naomi. “Exploring Japan,” Architectural Record 190:12 (December 2002), p. 59.Hawk, David. Construction Management and Economics 20:7 (October 2002), p. 643-4.“Collaboration in the Design of Japanese Buildings,” Architectural Science Review 45:3 (September 2002) p. 268.Winter, John. “Japan Builds” Architectural Review 1263 (May 2002) p. 96.Published excerpt, Collaborative Process:“Working in the Midst of Construction” ArcCA: The Journal of the American Institute of Architects, California Council 06:1 (2006) p. 27-[31]. , book chapters:“A New Age of Environmental Innovation: from Heritage to High Performance” 「環境イノベーションの新時代：遺産から高性能へ」Human, Architecture and Environment: Takenaka’s Green Buildings / ：人と自然をつなぐ建築?都市: 竹中工務店の考える環境建築 (2018) p. 4-11. In Japanese and English.「アートと科学の結合が競争優位を生む [A Competitive Edge born from the Fusion of Art and Science] 」 in Yoichi Funabashi, ed. ガラパゴス?クール [Galapagos Cool] (Tokyo: Tōyō Keizai Shinpō, 2017) p. 62-89. With Kengo Kuma.English edition: “Dominating the Pritzkers: Japan’s Emergence as a Leader in Design” Reinventing Japan: New Directions in Global Leadership (Praeger: 2018) p. 35-57. With Kengo Kuma. “Vitruvius in Japan: Two outa three ain’t bad,” The Museum Blog Book (London: MuseumsEtc., Ltd.: 2017) p. 98-111.Originally published in Paper, see below. “Prefabricated Housing in Japan,” in Ryan E. Smith and John D. Quale, eds. Off-Site Architecture: Constructing the Future (London: Routledge: 2017), p. 190-213.“Moving Away from the Center,” Katsuhiro Miyamoto. (Seoul, Korea: NemoFactory 2016), p. 16-21.Publications, book chapters (cont.):Foreward, BIPVって何？太陽エネルギーを纏う建築 [What is BIPV? Buildings Clad in Photovoltaics], (Tokyo: Tetuandō, 2015) p. iv-v (Japanese) and 178-9 (English).“Terunobu Fujimori’s Fairy Tales,” in Terunobu Fujimori: Architect (Hatje Cantz Verlag, 2012), p. [50]-9.“The Amazing Mr. Ito” in Toyo Ito (London: Phaidon, 2009), p. [20]-5.“Architecture: Experience and Abstraction,” in Kengo Kuma (Seoul, Korea: C3, 2007), p. 168-73.“Terunobu Fujimori: Working with Japan’s Small Production Facilities,” in Logoria, Rafael and Kim Tanzer, eds. Green Braid: Towards an Architecture of Ecology, Economy, and Equity (London: Routledge, 2007), p. 212-2.“Shimane Museum of Ancient Izumo,” Museums in the 21st Century: Concepts, Projects, Buildings (Munich, Berlin, London, New York: Prestel, 2006), p. 44-9.“The Red School,” in George Wagner, ed. Tokyo from Vancouver (University of British Columbia, School of Architecture, 2005), p. 60-[73].Refereed articles / edited encyclopedia entries:“URBOT’s Sons and Daughters,” Technology|Architecture + Design, 2:2, Special issue: Measured (November, 2018), p. 140-2, DOI: 10.1080/24751448.2018.1497359. With Norihisa Kawashima. “Toyo Ito and Masato Araya’s Experiments in the Structural Use of Aluminum,” Journal of Architecture 21:1 (February 2016), p. 24-54. dx.10.1080/13602365.2016.1138137.“Metabolism” (p. 454-57); “Nakagin Capsule Building” (p. 458-9); “House in a Plum Grove” (p. 462-3); “Ku-an Teahouse” (p. 464-5); “Yoyogi Olympic Pool & Gymnasium” (p. 498-9); “Silver Hut” (p. 500-1) in Architecture: The Whole Story (Munich: Prestel, 2014).“Katsura Imperial Villa: A Brief Descriptive Bibliography, with Illustrations,” Cross-Currents: East Asian History and Culture Review 3 (November 2012, print; June 2012, digital), p. 469-504 and cross-currents.berkeley.edu/e-journal/issue-3/katsura-imperial-villa “Making Small Buildings Large,” Volume 34: Student Publication of the College of Design (2010), p. 36-45. First published as “小さな建物を大きくすること / Making Small Buildings Large” Inax 10+1 (Special issue: 藤森照信：方法としての歩く、見る、語る [Terunobu Fujimori’s Methods: Walking, Looking, Talking]) no. 44 (October 2006). In Japanese.“Church on the Water by Tadao Ando” (p. 258-9); “Itsuko Hasegawa” (p. 590-2); “Toyo Ito” (p. 699-701); “The Metabolists” (p. 838-40); “Metropolitan Festival Hall by Kunio Maekawa” (p. 842); “Peace Memorial and Museum by Kenzo Tange” (p. 989-90); “Kazuyo Sejima” (p. 1194-5); “Kenzo Tange” (p. 1302-4); and “Yoshio Taniguchi” (p. 1304-5) in R. Stephen Sennott, ed. Encyclopedia of Twentieth Century Architecture (New York and London: Fitzroy Dearborn, 2004). “Arata Isozaki” (v. 1, p. 124); “Architecture - Modern Japan” (v. 1, p. 145-8); “Kisho Kurokawa” (v. 3, p. 415-6) and “Kenzo Tange” (v. 4, p. 416) in David Levinson and Karen Christensen, et al., eds. Encyclopedia of Modern Asia (New York: Charles Scribner’s Sons, 2002).“Folly of Sky, Earth, Man: The Work of Hajime Yatsuka” Oz: The Journal of the College of Architecture, Planning and Design, Kansas State University 21 (1999), p. 62-7.“Collaborative Production: Building Opportunities in Japan,” Journal of Architectural Education 50:4 (May 1997) p. 219-29. “The Use of Tradition in Japanese Architecture,” Identity, Tradition, and Built Form: the Role of Culture in Planning and Development: International Association for the Study of Traditional Environments Working Paper Series 95 (December 1996) p. 45-61. With Mira Locher.“Without Modernity: Japan’s Challenging Modernization” Architronic 5:3 (December 1996). (Digital journal; dead link.) Invited Op-Ed pieces:“What Japan Suggests for Seismic Safety,” ArcCA: Journal of the American Institute of Architects, California Council 11:1 (2011), p. 9. 「ネオリベラリズムの時代における日本の建築教育」 / “Japanese Architectural Education in a Neo-Liberal Era,” 建築雑誌 Kenchiku Zasshi 1616 (May 2011), p. 40-1.Interviews (of me):?日本における建築のエネルギー問題を考える [Thinking about the Problem of Energy and Architecture in Japan]?, JIA [Japan Institute of Architects] Magazine 319 (September 2015), p. 4-12.?環境を考える４[Thinking about the Environment, #4]?, KENCHIKU新聞 / Kenchiku Shinbun (June 2015), p. 3.WIDE Architecture Report 19 (January-February 2011), p. 113-117. In Korean + English.Translation (written):Fujimori Terunobu. “Magical Spatial Metamorphosis,” A Japanese Constellation: Architecture for the 21st Century (New York: Museum of Modern Art, 2016), p. 73-6.Fujimori Terunobu. “Why Build a Place Just for Tea?” Ciorra, Pippo and Alessio Rosati, eds. Food: Dal Cucchiaio al Mondo (Rome: Quodlibet & MAXXI, Museo Delle Arti Del XXI Secolo, 2015), p. 89-90.Fujimori Terunobu. “On the Subject of Charred Wood,” Volume 34: Student Publication of the College of Design (2010), p. 46-9.Shinobu Akahori and Misaki Kano. Figurative Horizon: Guiseppe Terragni (Tokyo: ABC/DE/Signe, a division of A de S Publishing, 1999). Translated with Yuko YasudaExhibition reviews:“Metabolism: City of the Future,” Journal of the Society of Architectural Historians 72:3 (September 2012), p. 408-9.“Urban Alchemy: Gordon Matta-Clark,” Journal of the Society of Architectural Historians 71:2 (March 2011), p. 104-6.“Urban Alchemy: Gordon Matta-Clark,” Journal of Architectural Education 64:1 (September 2010), p. 140-2.“Build,” in George Wagner, ed. Tokyo from Vancouver 2 (Vancouver: University of British Columbia, School of Architecture, 2008) p. 116-27. “Seventy-Seven Year Itch,” Artscape Japan (July 2008), dnp.co.jp/artscape/eng/focus/0807_02.html.Review of “Space for Your Future: Recombining the DNA of Art and Design,” Artscape Japan (December 2007), dnp.co.jp/artscape/eng/focus/0712_02.html.“Toyo Ito: The New ‘Real’ in Architecture,” CAAReviews (February 2007), reviews/949.“Summing Up: A Traveling Exhibition that Surveys 20th-Century Architecture Labors Under the Enormity of Its Topic,” Architecture 87:9 (September 1998) p. 43, [45, 47]. Book reviews:“A Japanese Constellation: Toyo Ito, Kazuyo Sejima, SANAA, Ryue Nishizawa, Sou Fujimoto, Akihisa Hirata, Junya Ishigami,” Journal of Architectural Education (September 2017). Digital only: “A Nation, a World, in a Bowl of Tea,” Cross-Currents 7 (November 2013), p. 507-12. cross-currents.berkeley.edu/e-journal/issue-7/Fujimori-SurakThree books on Metabolism, Journal of the Society of Architectural Historians 73:2 (June 2013), p. 256-60.“The Eyes Think,” a review of Katsura: Picturing Modernism in Japanese Architecture. Photographs by ISHIMOTO Katsuhiro, Los Angeles Review of Books (July 2011). article/the-eyes-think/“Review Essay: Yasuhiro Ishimoto’s photographs of Katsura Imperial Retreat,” Visual Resources 27:2 (May 2011), p. 185-90. “Billington, David P. The Art of Structural Design: A Swiss Legacy,” Journal of the Society of Architectural Historians 65:3 (September 2006), p. 431-3. “Digital Duplication” a review of Branko Kolarevic, ed. Architecture in the Digital Age: Design and Manufacturing and Branko Kolarevic and Ali Malkawi, eds. Performative Architecture: Beyond Instrumentality. Journal of Architectural Education 60:1 (September 2006) p. 67-8. “Representative Rebel?” (Review of Jonathan Reynolds’ Maekawa Kunio and the Emergence of Japanese Modernist Architecture), Art Journal 62:1 (Spring 2003), p. 98-101.Reports, non-refereed (trade) publications and on-line journals: “Foreward: Gusandong Village Library” Architect’s Insight (Seoul: Pixelhouse, December 2018) p. 4-5. In English and Korean.“World Class Architecture” [sic] Taiwan Architect 建築師 526 (October 2018) p. 108-9. In Chinese.“Three Architects: Three Approaches to Environmental Design.” A + U Special issue: PASSIVETOWN (April 2018), p. 14-9 (in English + Japanese).“Vitruvius in Japan: Two outa three ain’t bad,” Paper no. 24 (January 2016), paper-magazine/filter/issue/Issue-24Vitruvius-in-Japan-Two-out-of-Three-ain-t-Badby-Dana-BuntrockJapan Architect 100, Special issue: Looking Back, the 60 years: JA 60th Anniversary (Winter 2016), p. 152 (English) and 153 (Japanese).“Wei Wu Ying Cultural Center,” Taiwan Architect 建築師466 (October 2013), p. 98-101. In Chinese.“Simple to Sublime,” Taiwan Architect 建築師 464 (August 2013), p. 98-102. In Chinese.“Is Your Building Brutalist?” Clog (February 2013), p. 138-9.“Teshima Art Museum by Ryue Nishizawa; Teshima Island, Japan,” Architectural Review (March 2011), p. 32-7. “Japan as a Pritzker Powerhouse: An Argument for its Advantage,” WIDE Architecture Report 19 (January-February, 2011), p. 104-112. In Korean. Accompanied by bilingual publication of a short interview with me (p. 113-117), and a second with Martha Thorne, executive director, Pritzker Architectural Prize (p. 118-121). Originally a paper at the International Symposium on Architectural Interchanges in Asia, Kitakyushu, Japan (November 2010).“Ground Breaker: Book End,” Azure 26:203 (October 2010), p. 30-1. “Outer Limit,” Azure 26:197 (January/February 2010), p. [48]-52. “After his triumph in Sendai, Toyo Ito charted a new course, which is now becoming visible,” Architectural Record 196:1 (2008 January), p. 94-[5]; archrecord.projects/portfolio/archives/0801newlibrary-2.asp.“A New Wave,” World Architecture 109 (September 2002), p. 52-60.“Lightweight Heavyweight,” World Architecture 97 (June 2001), p. [46]-53.“Shigeru Ban: Architect of the Year,” Interiors 160:1 (January 2001), p. 48-61.“Innovation: Lessons from Japan and the United States,” Matter 3:1 (Winter 2000) n.p. With Max Underwood.“Cosmic Abstraction” Architectural Review 205:1224 (February 1999), p. [56]-8.“Outside Line: Uozu, Japan,” Architecture 87:9 (September 1998), p. 118-9.“Port Authority,” Architecture 87:8 (August 1998), p. [68]-73.“Natural Performer,” Architecture 86:4 (1997 April), p. 104-9.“Tanpopo Landscape,” Architectural Review 201:1199 (January 1997), p. 64-7. “Yoshio Taniguchi, Minimalist,” Architecture 85:10 (October 1996) p. 96-[103].“Shigeru Ban, Tubular Technics,” Architecture 85:10 (October 1996) p. [104]-9.“Office Landscape,” Architectural Review 199:1190 (April 1996), p. 60-3.“Diversity by Design,” Japan Update 28 (January 1994), p. 20-1.“Architecture: Japan’s Newest Export” distributed by Camerapress, London (1993 July). Translated into Spanish as “Arquitectura de Exportacion,” El Mercurio (14 August,1993). Also distributed in Portugal, although date and name of publication are not known.“Kensetsu: Big Builders,” Japan Update 10 (July 1992), p. 8-[9].Peer-reviewed papers:“(Not) Big in Japan: What the Nobel Prize Reveals about the Pritzker Prize, ‘Architecture’s Nobel’,” Society of Architectural Historians Annual Meeting (April, 2018).“Toyo Ito’s Second Age of Aluminum: Toyo Ito And Masato Araya’s Experiments In The Structural Use Of Aluminum,” ACSA/AIK 2014 International Conference, Seoul, S. Korea (June 2014). With Masato Araya.“Japan as a Pritzker Powerhouse: An Argument for its Advantage,” International Symposium on Architectural Interchanges in Asia, Kitakyushu, Japan (November 2010).“Taichung’s Opera House: Its Antecedents and Implications,” panel on “Modern Architecture in East Asia: Regionalism / Transnationalism,” College Art Association (February 2009).“Arch 264,” 2008 ACSA Northeast Fall Conference and UMass Wood Structures Symposium: “Without a Hitch: New Directions in Prefabricated Architecture” (September 2008). Searchable proceedings at: scholarworks.umass.edu/wood/2008/ Peer-reviewed papers (cont.):“Shaping the Context for Successfully Saving Industrial Heritage,” Symposium on Forestry Cultural Industry and Spatial Development in Taichung, Taiwan (May 2004). Invited speaker. “The Influential Outsider: Two Examples from Japan [Terunobu Fujimori and Osamu Ishiyama],” Association of Architectural Historians of Great Britain Annual Meeting, London (April 2003).“A Place for Pao” and “Assembling Architecture,” ACSA Annual Meeting, New Orleans, Louisiana (April 2002).“Japanese Architecture as a Collaborative Process: Some Observations on Team Players,” at “Experiences in Design Build: The Expanding Dimensions of Practice and Education,” a symposium jointly sponsored by the AIA and ACSA, Atlanta, Georgia (February 2002).“Outside Currents Strike a ‘Small Island Nation’: Global Trade and Japan’s Contractual Flexibilities,” Association of Colleges and Schools of Architecture International meeting, Hong Kong (June 2000).“Customization in Japan: Opportunities and Constraints,” International Science and Technology Conference, cosponsored by ACSA and CIB (International Council for Research and Innovation in Building and Construction), Montreal, Québec, Canada (June 1999).“Innovation: Lessons from Japan and the United States on Challenging New Technologies,” 3rd Annual International Symposium on Asia Pacific Architecture, Manoa, Hawai’i (1999 April). With Max Underwood. “All Work and No Pay: Japanese Architectural Firms’ Strategies in Hard Times,” ACSA Northeast Regional Conference, Halifax, Nova Scotia, Canada (October 1998).“The Political Economies of Japan’s Traditional Craft and Contemporary Collaborations,” ACSA Technology Conference, Cleveland, Ohio (March 1998). “Iemoto and University: Two Japanese Modes of Architectural Education,” ACSA West Central Regional Conference, (October 1997). “Japan’s Traditional and Contemporary Craft,” Society of Architectural Historians of Australia and New Zealand Annual Meeting, Adelaide, South Australia, Australia (July 1997). “The Use of Tradition in Japanese Architecture,” International Association for the Study of Traditional Environments, Berkeley, California (December 1996). With Mira Locher.“The Development and Implications of Post-fordist Manufacturing” and “Material and Ornament in Katsura and Nikko,” Association of Colleges and Schools of Architecture International Meeting, Copenhagen (May 1996).“Japanese Building Production: Four Models of Design Development and Delivery” and “Terunobu Fujimori: Working with Japan’s Small Production Facilities,” Association of Colleges and Schools of Architecture Annual Meeting, Boston, Massachusetts (March 1996).“Architecture and Innovation in Japan: the Development of a New Light-modulating Glass,” ACSA Technology Conference, Ann Arbor, Michigan (January 1994).“Values Transmission in Architectural Education,” Conference on the Beginning Design Student, Santa Fe, New Mexico (March 1990). Grants / FellowshipsP.I., (on behalf of the Center for Japanese Studies) “Nurturing Networks, Growing Stronger Scholars,” Japan Foundation U.S.-Southeast Asia-Japan Collaboration and Exchange Initiative (2017-21), ~ $75,000 annually for three anizer and moderator. “New Topics, Technologies and New Times: Japan Ahead,” UC Berkeley (February 2017). Sponsored by the Center for Japanese Studies and Institute for East Asian Studies, UC Berkeley and the Japan Society for the Promotion of Science. P.I. “Architecture and Energy: Innovations in Japan,” Center for Japanese Studies, UC Berkeley (2014-5), $10,000.P.I. “Innovative Responses to Energy Use in Buildings, with a Focus on Taiwan and Korea,” Institute for East Asian Studies, UC Berkeley (2014-5), $14,850.P.I. “Engineering Innovations in the work of Masato Araya Committee on Research Faculty Research Grant, UC Berkeley (2013-4), $3000.Abe Fellowship, Social Sciences Research Council (2013), $46,500. Organizer and panelist. “After 3.11: New Architecture + Engineering,” UC Berkeley (March 2014). Sponsored by the Center for Japanese Studies and Institute for East Asian Studies, UC Berkeley and the Japan Society for the Promotion of Science. / Fellowships (cont.)P.I. “Seeing Energy: Infrared Photography for Publication,” Center for Japanese Studies, UC Berkeley (2013-4), $5,000.P.I. “Building Performance in Japan,” Center for Japanese Studies, UC Berkeley (2012-3), $5,000.P.I. “Natural Energy for Comfort in Buildings,” Center for Global Partnership, Japan Foundation (2012), $62,480.00. See also “Panels.”"Shaped by Disaster: Architectural and Engineering Practices after 3/11." Faculty Residential Research Award, Institute for East Asian Studies, UC Berkeley (Spring 2012), $9,240.P.I. “Energy Conservation Workshop,” graduate student assistance in computer modeling, Center for Japanese Studies, UC Berkeley (2010-2011), $7,500. See also “Panels.”P.I. “Toyo Ito's Taichung Opera House: Site Observation during Construction,” Committee on Research, UC Berkeley (2010-2011), $7,000.P.I. “Special Summer Research Grant: Taichung Opera House,” Committee on Research, UC Berkeley (2010-1), $2,873.52.P.I. “Translations of an era: Toyo Ito’s critical writings on the art of architecture in post-war Japan,” Committee on Research Faculty Research Grant, UC Berkeley (2009-10), $4,500.P.I. “Toyo Ito’s Taichung Opera House: A Lens on Transnationalism,” Center for Japanese Studies, UC Berkeley (2008-2009), $7,000.Fulbright Fellow (Japan), University of Tokyo (July 2006 - March 2007). Also listed above.P.I., “Structural Innovations in Japanese Architecture,” University of California Humanities Grant for translation support (2000-1), $3000.P.I., “Structural Innovations in Japanese Architecture,” University of California Academic Senate Junior Faculty Research Grant (2000-1), $8000.Graham Foundation, for color printing and translation related to my book, Japanese Architecture as a Collaborative Process, $10,000.Member, working group, “Affordable Housing Design Catalog,” City Design Center, University of Illinois, Chicago (1999 – 2001). Fannie Mae and private donors; about $200,000. ., Research support as visiting research associate. Japanese Ministry of Education, #97203 (1998). ?1,200,000 (~ $10,000). Post-doctoral Fellowship, National Science Foundation/Japan Society for the Promotional of Science, Center for Collaborative Research and the Institute for Industrial Science, University of Tokyo (1998). The report written at completion of this fellowship can be read at . Also listed above.P.I., National Science Foundation, Grant # 9704033 (1998). $3000 to support one return trip for a conference.Panels (as panelist unless otherwise noted):“Food, Agriculture + Human Impacts on the Environment: Japan, Asia and Beyond,” UC Berkeley (November, 2017).“Bureaucratic Approaches to Building Energy in Japan + the U.S.” Abe Fellows Global Forum, Stanford University (October, 2017). Published as “Bureaucratic Approaches to Building and Energy Use in Japan and the United States,” Confronting Climate Change: What Can the US and Japan Contribute to Creating Sustainable Societies? (SSRC Abe Global Report, 2018), p. 27-30 and summary of Q+A.“Drive for the Nobel Prize: the 2017 CJS-JSPS International Symposium,” with the Japan Society for the Promotion of Science (31 October-1 November, 2017).Moderator. “Director’s Forum,” Terasaki Center for Japanese Studies, UCLA (May 2017).Organizer and moderator. “New Topics, Technologies and New Times: Japan Ahead,” UC Berkeley (February 2017). Sponsored by the Japan Society for the Promotion of Science, UC Berkeley’s Center for Japanese Studies + UC Berkeley’s Institute for East Asian Studies. Research Presentation, 2017 Abe Retreat, SSRC, Rye Brook, New York (January 2017)Moderator and co-organizer. “Before Hiroshima and Nagasaki,” “Perspectives on 70 Years of the Nuclear Age: From Berkeley, a Birthplace of the Atomic Bomb,” UC Berkeley (September/October 2015). Sponsored by the Japan Society for the Promotion of Science, UC Berkeley’s Center for Japanese Studies.“Architectural Education + Space,” Tokyo Institute of Technology, Tokyo, Japan (June 2015).“Building Performance: Getting the Most out of Your Professionals,” Urban Land Institute Asia Pacific Summit (June 2015) urbanland.sustainability/importing-energy-efficient-techniques/Panels (as panelist unless otherwise noted, cont.):“Sustainable Architecture, Cities: Methods of Design,” Architectural Institute of Japan, Tokyo (March 2015). In Japanese.“Innovation: Energy in Japanese Architecture,” University of Tokyo, Tokyo, Japan (November 2014).Organizer and panelist. “After 3.11: New Architecture + Engineering,” UC Berkeley (March 2014). Sponsored by the Japan Society for the Promotion of Science, UC Berkeley’s Center for Japanese Studies + UC Berkeley’s Institute for East Asian Studies. 「3.11以降の「建築家の職能」について [“After 3.11; Architects’ Task”]」 “Post-Architecture?Energy?Japan 2012,” University of Tokyo, Tokyo, Japan (June 2013).Respondent, “Eco-Activism in Japan and the U.S. Post-Fukushima,” UC Berkeley (February 2012).Co-organizer, with Prof. Susan Ubbelohde and Dr. Masayuki Mae of the University of Tokyo. “Architecture.Energy.Japan.2012,” UC Berkeley (August 2012). Funded by the Center for Global Partnership.“Tokyo Workshop: Architecture.Energy.2011,” UC Berkeley (November 2011).Co-organizer, with Prof. Susan Ubbelohde. “Tokyo Workshop: Architecture.Energy.2011,” Tokyo, Japan (June 2011). Funded in part by UC Berkeley’s Center for Japanese Studies. More at , with Masami Kobayashi. “Computer-aided Practice” and “Education for the Built Environment,” International Union of Architects, Tokyo, Japan (September 2011).“Japan’s Aftermath,” UC Berkeley (March and April 2011) news.berkeley.edu/2011/03/17/nuclear-panelists-japan-radiatio/.“The Value of International Exchange in an Increasingly Global Profession,” Fulbright Symposium: Fulbright Experience and U.S.-Japan Soft Power, Tokyo, Japan (June 2010).Moderator. “Architects and Design-Build,” American Institute of Architects-San Francisco (January 2006).“A Clear Vision: Architecture, Art and Culture of Transparency,” Toledo, Ohio (May 2005). Sponsored by WGTE.Moderator. “Tradition and Technology in Contemporary Japanese Architecture,” Japan Society, New York (February 2004). Also moderated a related shorter session, “Japan Forum 2004,” Chicago (March 2004).Moderator. “Environmental Design: Process and Technology in the Making” and “Imagination's Muse? Imagination's Other?” Wurster Redux, UC Berkeley (October 2003). “Fab: Making It Possible,” American Institute of Architects-San Francisco and Dwell (June 2003).Moderator, presenter and coordinator. “Architecture in Japan: A Collaborative Process,” featuring myself, Tim Macfarlane (Dewhurst Macfarlane) and Tim Culbert (project architect for the Miho Museum in Japan). Japan Society and Material Connexion, New York (February 2003). Book signing followed.Moderator. “Back to Nature: Building with Alternative Construction Materials,” Design Matters, Chicago (October 2001).Moderator and coordinator. “Architects Forum,” featuring Jun Aoki, Yoko Kinoshita, and Makoto Shin Watanabe. Japan Society and The Architectural League of New York, New York (June 2001).Respondent. “Anthropology and Isotropy: Building is Matter Spatialized and Place Materialized,” ACSA Northeast Regional Conference, Halifax, Nova Scotia, Canada (October 1998).Moderator, Supplementary English Session. Le 12éme Congrés de L’Union Internationale des Femmes Architectes, Tokyo, Japan (September 1998).Moderator. “Architecture,” Chinese Studies Association of Australia Annual Conference, Adelaide, Australia (July 1997).Moderator and panelist. “Re-inhabiting the Void: Prospects for Public Space Design,” Symposium, University of Illinois, Chicago (May 1996).“Roles, Curricula, Vision,” Association of Computer-Aided Design in Architecture, Seattle, Washington (October 1995). “Asian Cities as Alternate Models of Urbanism,” panel called “Visions of the City of Tomorrow,” Chicago Athenaeum, Chicago (October 1994).Respondent. Kisho Kurokawa lecture, Chicago Architectural Club, Chicago (October 1994).Exhibited work:Illustration, “Home-for-all,” part of an exhibition held jointly at the Toyo Ito Museum of Architecture, Imabari and Sendai Mediatheque (July-?, 2011).Photograph of the Ota-ku Resort Complex in Nagano used in expanded versions of the Toyo Ito show “The New Real” in Hayama, Japan (2007) and Taipei, Taiwan (2008).Three images in “Travel sketches” Chicago Architectural Club, I Space Gallery, Chicago (January 2000).Invited lectures, selected:“What Could Go Wrong?” Georgia Institute of Technology, School of Architecture (January 2019). Shorter version for non-professionals also offered as part of the Epworth Winter Bible Institute (March, 2019).“Bureaucratic Approaches to Building Energy in Japan + the U.S.” Abe Fellows Global Forum, Stanford (October 2017).“Vitruvius in Japan: Two Out of Three Ain’t Bad,” Danish Association of Architects, Skypetalk (January 2016).“The Profession of Architecture: Different Practices in Different Places,” Shibaura University, Tokyo, Japan (June 2015).“Japanese Architecture: What it is; what it ain’t [and why it matters],” University of Tokyo, Tokyo, Japan (May 2105).“Architecture, Energy, Japan,” briefing to a contingent from the Dwight D. Eisenhower School for National Security and Resource Strategy (a.k.a. National Defense University), U.S. Embassy, Tokyo, Japan (March 2015).“An American in Japan,” Seoul National University, Seoul, Republic of Korea (November 2014).“Opportunities for Innovation Today,” University of Tokyo, Tokyo, Japan (November 2104).“How Architecture Relates to Energy: Japan,” to a contingent from the Dwight D. Eisenhower School for National Security and Resource Strategy, UC Berkeley (April 2014).“Retrofit,” Softbank Tomodachi Leadership Program, UC Berkeley (July 2013).“Transnational Technology Transfer,” National Cheng Kung University, Tainan, Taiwan (June 2013). Keynote lecture and panel moderator. Included in an in-house publication: Lin, Wan-Jen and Ching-Mou Hou, eds. Constructing Visions (2014) p. 189-216.“Architecture and Energy: Japan,” to a contingent from the Dwight D. Eisenhower School for National Security and Resource Strategy, UC Berkeley (April 2013).“Rebuilding: Tange after WWII,” Softbank Tomodachi Leadership Program, UC Berkeley (July 2012).“Toyo Ito’s Road to Taichung,” Washington State University, Pullman, Washington (April 2012).“Tradition and Today: After 3.11,” University of Idaho, Moscow, Idaho (April 2012)“Tradition and Today,” J.B. Speed Museum, Louisville, Kentucky (January 2010); North Carolina State University (February 2010); University of Virginia (February 2010); Tulane University (March 2010); Institute for Advanced Architecture of Catalonia, Barcelona, Spain (March 2010); Miami University of Ohio (March 2010); University of Michigan, Ann Arbor (April 2010); Carnegie Mellon University (April 2010); University of Wisconsin, Milwaukee (April 2010); Illinois Institute of Technology (October 2010), UC Berkeley Institute for East Asian Studies (October 2010) and the University of Oregon, Portland and Eugene campuses (February 2011).“Book Break: Materials and Meaning in Contemporary Japanese Architecture,” Foreign Correspondents’ Club, Tokyo, Japan (June 2010)“SUMIKA” J.B. Speed Museum, Louisville, Kentucky (April 2010).“Constructing Culture: Three Japanese Architects Struggle with Shinto,” University of Pennsylvania (April 2008).“(not) Ruskin, (not) Really Regional: Japan’s Red and Rural,” Clemson University, Clemson, SC (March 2008).“The Long and Short Lives of Buildings in Japan and California,” American Studies group at Tohoku University, part of the series "The United States: Its Present and Future,” Sendai, Japan (February 2007).“Time Today,” American Institute of Architects Japan and Temple University Japan, Tokyo (November 2006).“The Materials of Architecture: Meaning and Modernization,” Presentation to current and former Fulbrighters, Tokyo, Japan (April 2007).(Untitled) Light Resource Vancouver Lectures, Architectural Institute of British Columbia and University of British Columbia, Vancouver, British Columbia, Canada (November 2003). “Architectural Practices in Japan: Interesting Differences and Remarkable Results,” Tulane University (September 2003).“Japanese Architecture as a Collaborative Process,” University of Manitoba, Manitoba, Calgary, Canada (September 2003).“Building and Culture: Japan,” Catholic University, Washington, D.C. (February 2002).“Japanese Architecture as a Collaborative Process,” University of Michigan College of Architecture Board of Governors, selected faculty, and students, Ann Arbor, Michigan (January 2002). “Japan and Sustainable Architecture,” SEArch, UC Berkeley (October 2001). “Flexible within Clear Boundaries,” Georgia Institute of Technology, Atlanta, Georgia (March 2001).“Collaboration in Construction Materials Fabrication in Japan,” Architects Designers and Planners for Social Responsibility and O2 Bay Area, Berkeley (November 2000). “Starting out on Site,” New Jersey Institute of Technology, Newark, New Jersey (March 2000).“The Japanese Construction Site as a Locus of Collaboration,” Chicago Architectural Club, Chicago (September 1999).Invited lectures (cont.):“Achieving Innovation: Japanese Architecture Today,” Indianapolis Museum of Art and the Indianapolis Chapter, AIA, Indianapolis, Indiana (March 1999).“The Chicago City Beautiful Movement and the Chicago Plan of the 1900s,” Waseda University, Tokyo (December 1998).“Two Models of Innovation: Recent Work by Fumihiko Maki and Toyo Ito,” University of Hawai’i at Manoa (October 1998).“Collaborative Construction: Alternatives from Japan,” Arizona State University, Tempe, Arizona (October 1997). “Between Tradition and Today,” University of Adelaide, Adelaide, South Australia (April 1994).“Distinctive Details, Innovative Architecture,” Carnegie Mellon University, Pittsburgh, Pennsylvania (February 1994).“Ephemeral Materials in Japanese Architecture,” Taiwan National Institute of Technology, Taipei, and Tunghai University, Taichung, Taiwan (May 1993).“Generations in Japanese Architecture,” Chun-Hua Polytechnic Institute, Hsin Chu, Taiwan (May 1993).“Structural Differences between Japan and the U.S: We’re Talking about Walls this Time,” The Japan Center for Michigan Universities, Hikone, Japan (October 1992).Photography, published in books and magazines (* photos accompany my text): Th?nnissen, Udo. Reciprocal Frameworks: Tradition and Innovation (Zurich: gta Verlag, 2015), p. 90, 92.Architecture of Terunobu Fujimori: Venice Biennale: 10th International Architectural Exhibition/ Japanese Pavilion (Tokyo: Japan Foundation, 2006), p. 26.Toyo Ito: The New “Real” in Architecture (Tokyo: Toyo Ito Exhibition Executive Committee, 2006), p. 146. (Republished in Chinese with the English title Generative Order, Taichung, Taiwan: 2008, with two small photos of mine, p. 536 and 537; only 536 credited.)Ryoji Suzuki, July 2001- May 2004: Experience in Material No. 47, Project Konpira (Osaka: acetate, 2006), pcp 2.Photographs accompany “The Red School” in George Wagner, ed. Tokyo from Vancouver. (University of British Columbia, School of Architecture, 2005), p. 60-[73]. *Watts, Andrew. Modern Construction Facades (Wien and New York: Springer, 2004), p. 78, 81, 83.Trulove, Jim. New American Interiors (New York: Watson-Guptill, September 2004), p. [30]-1.Toyo Ito: Sendai Mediatheque Verb Monograph (Barcelona: Actar, 2003), p. 62.Masi’ishi Shin’ichi, ed. Takahashi Teiichi/Daiichi-Kobo Associates: 1960-2005 (Tokyo: Toto, 2003), p. 101, 206, 211, 214-215.Maffei, Andrea. Toyo Ito: Works, Projects, Writings (Milan: Electa, 2001), p. 184, 325.Brotto, Carles. New Country Houses (Barcelona: Links International, 2001), p. 187-91.Massey, Anne. Interior Design of the Twentieth Century (London: Thames and Hudson, 2001), p. 191.Fujimori Terunobu. Tanpopo Hausu no Dekiru Made [Tanpopo House through Completion] (Tokyo: Asahi Shinbun Sha, 1999), p. [75], [87], [215], 231, [238], 296, 299.Fujimori Terunobu. Terunobu Fujimori Y’Avant Garde Architecture’ (Tokyo: Gallery Ma, 1998), p. 22, 40, 93, 100, 101.Guzowski, Mary. Daylighting for Sustainable Design (New York: McGraw-Hill. 1999), p. 264.“Making Small Buildings Large” Volume 34: Student Publication of the College of Design (2010), p 36-45.*Wallace, Bruce. “Terunobu Fujimori and the Roots of Reinvention,” Los Angeles Times (30 September 2007). Republished, The Yomiuri Shimbun (English-language edition) with two photos, (8 October 2007), p. 11, 13.Moreno Shonquis. “Lush Life” Surface 64 (Spring 2007), p. 133-35.Fujimori Terunobu. “Tsubaki Chateau” Journal of Architecture and Building Science of the Architectural Institute of Japan 118:1502, Special issue: Selected Architectural Designs, 2003 (March 2003), p. 68-9.「手でもんだ銅板をビューで留める [Smoothly Attaching Copper Sheet by Hand] 日系アーキテクチュア / Nikkei Architecture 723 (22 July 2002), p. 74-5.“Lightweight Heavyweight” World Architecture 97 (June 2001), p. [46]-53.*Accompanying various articles by Andrew Barrie: Monument 42 (June/July 2001), p. 49; Australia Style 53 (July 2001), p. 110; Cross Section (September 2001), p. 7-9; Architecture New Zealand 4 (July/August 2001), p. 60-3; and [New Zealand] Sunday Star Times (5 August 2001), p. F4.“House in Nasu, Japan,” Interior 94, Taipei, Taiwan (August 2000), p. 128-33.Photography, published in books and magazines (* photos accompany my text, cont.): Dietz, Paula. “Back to Nature,” Architectural Review 207:1235 (January 2000), p. 80-3. Dietz, Paula. “A Tokyo Street is Transformed into a Residential Eden,” Architectural Record 187:6 (June1999), p. 60. “Folly of Sky, Earth, Man: the Work of Hajime Yatsuka” Oz 21 (June 1999), p. 63-7.*On the work of Terunobu Fujimori, Interior and Architecture 5:56, Beijing, China (May 1999), p. 112-20.“Cosmic Abstraction,” Architectural Review 205:1224 (February 1999), p. [56]-8.* “Outside Line: Uozu, Japan,” Architecture 87:9 (September 1998), p.118-9.* “Port Authority,” Architecture 87:8 (August 1998), p.[68]-73.*“Downside to Japanese Job Creation,” World Architecture 59 (September 1997), p. 33. “Natural Performer,” Architecture 86:4 (April 1997), p. 104-9.* “Tanpopo Landscape,” Architectural Review 201:1199 (January 1997), p. 64-7.* Reid, T.R. “Architecture: Japan,” Architecture 85:10, (October 1996), p. 94-5.“Yoshio Taniguchi, Minimalist” and “Shigeru Ban, Tubular Technics,” Architecture 85:10 (October 1996), p. 96-109.*“Office Landscape,” Architectural Review 199:1190 (April 1996), p. 60-3.*“Diversity by Design,” Japan Update 28 (January 1994), p. 21.*“Kensetsu: Big Builders,” Japan Update 10 (July 1992), p. 8.*Editorial BoardsCross-Currents: East Asian History and Culture Review (2010-4)Journal of Architectural Education (1999-2002). Professional service:Chair, Center for Japanese Studies, UC Berkeley (2015-20).Board of Directors, Japan Society of Northern California (2018-)Reviewer, Japan Ministry of Education, Culture, Sports, Science and Technology Research Scholarships (June 2017).Fulbright Specialist Roster Candidate. (January 2016 - January 2021).Juror, The 7h LIXIL International University Architectural Competition (2017). Comments in Shinkenchiku (January 2017), p. 38-43; Shinkenchiku (June 2017), p. 28-31and A+U 557 (February 2017), p. 1-4.Juror, The 6th LIXIL International University Architectural Competition (2016). Comments in Shinkenchiku (February 2016), p. 20-1; Shinkenchiku (June 2016), p. 35-8; A+U 545 (February 2016), p. 2-3; A+U 553 (October 2016), p. 2-3.Juror, The 5th LIXIL International University Architectural Competition (2015). Comments in Shinkenchiku (January 2015), p. 48-9; Shinkenchiku (June 2015), p. 31-4; and A+U 534 (February 2015), p. 2-3.Reviewer. Architecture and City Planning?peer review panel, Fulbright Scholar Program, Institute of International Education (2011-3).Juror. American Institute of Architects Japan, Chapter Awards (2007).Interviewer. U.S.-bound Fulbright M.B.A. applicants, Tokyo, Japan (2007).Member. Architect Screening and Selection Committees, Berkeley Art Museum, UC Berkeley (2004-2006). Member. Alumni Society Board of Governors, Taubman College of Architecture and Urban Planning, University of Michigan, Ann Arbor (1997-2003).Nominee. ACSA pool for NAAB accreditation review teams (1999-2003). Member, University of Oklahoma accreditation team (February 2000).Topic Co-chair. “Technology and Quality of Life,” Association of Collegiate Schools of Architecture International Meeting (2000). Judge. Newhouse Architecture Competition (1999). High school competition held with the Chicago Public School District.Fellow. Honors College, University of Illinois, Chicago (1994-2000). Supervised 4-6 undergraduates each term.Student interviewer, Honors College, University of Illinois, Chicago (1996, 1997 and 1999). Co-editor. Reviews (Fall 1995). Chronicle of UIC faculty and student work. Slide donations: over 900 slides to the University of Illinois, Chicago slide library (1994-2000), over 1200 slides to the UC, Berkeley Visual Resources Library (2000-today); Australian Architecture Electronic Gallery (2002).The Committee to Promote Preservation of Myonichikan (by F. L. Wright). Translation services, photography (1991-1994).Professional service (cont.):Tau Sigma Delta, Honorary Fraternity, The University of Michigan, Ann Arbor (1987-8). Revived the Tau Sigma Delta lecture series, enticing Peter Eisenman with 50-yard-line tickets to the OSU-Michigan game.American Institute of Architects. Committee Chair, Alaska Convention Committee (1983) and Secretary/Treasurer, Southeast Alaska Section, (1985)._________Published texts related to workshops and classes:LaRiviere, Frank. “Architecture and Energy Workshops 2011 and 2012: Towards an integrated approach to designing buildings with low energy demand and high occupant comfort. Part 1.” JIA [Japan Institute of Architects] Bulletin (July 2013). English: members/bulletin/2013/07/10b.html; Japanese: members/bulletin/2013/07/10a.html“Energy Efficient Japan,” Frameworks (May 2013). ced.berkeley.edu/frameworks/2013/energy-efficient-japan/Kawashima, Norihisa. 10+1 [digital] (January 2013) 10plus1.jp/monthly/2013/01/enq-2013.php#2205. In Japanese.Kawashima, Norihisa. 「建築とエネルギー カリフォルニアに置けるサステナブル?デザインの動向/ Architecture and Energy: The Sustainable-Design Movement in California,” 建築雑誌/Journal of Architecture and Building Science 128:1644 (April 2013), p. 34-7. In Japanese.Lueck, Ben. “Endangered in Berkeley,” Clog (February 2013). p. 68-9. From Arch 269 “Renovation & Reuse” (Fall 2012).Gasser, Dan. “Architect/Artisan Collaboration,” ArcCA: The Journal of the American Institute of Architects, California Council 11:4 (February 2012), , Paz, et al. “California Prefab: Market Report,” ArcCA: The Journal of the American Institute of Architects, California Council 11:2 (September 2011), p. [30]-3. El-Husseiny, Momen. (Book review), Journal of Architectural Education 62: 3 (February 2009), p. 90-2Reiner, Tom. “Design for Innovation through Fabrication,” Connector 8:1 (Spring 2004), p. 10.Padgett, Brian. “Off-site Fabrication: Opportunities and Evils,” ArcCA: The Journal of the American Institute of Architects, California Council 3:1 (May 2003), p. 29-30. work with students:“Nest We Grow,” The 4th LIXIL International University Architectural Competition. Honors and awards, “Nest We Grow” “Nest We Grow.” 2017 Nominee/Honorable Mention: "Applied Innovations," Zumtobel Group Award. “Nest We Grow.” 2016 New York Council Design Award, Society of American Registered Architects. “Nest We Grow.” 2016 “Green Building by Nature,” U.S. WoodWorks Wood Design Award, project-gallery/“Nest We Grow.” 2015 U.S. Vectorworks Design Scholarship for Architecture. “Nest We Grow.” Nomination, 2014/5 Mies Crown Hall Americas Prize. “Nest We Grow.” Grand Prize, The 4th LIXIL International University Architectural Competition (2014). newsrelease.lixil.co.jp/news/2014/070_company_1125_01.html. Exhibitions, “Nest We Grow” and others“Nest We Grow,” at two LIXIL galleries in Tokyo (2015).“Politics on the Presidio: Portraying History in a Popular Setting,” (Fall 2001 undergraduate studio) National Japanese American Historical Society, San Francisco (13 May - 15 September 2002).Books, “Nest We Grow”Gutierrez, Rosa Urbano, Elements of Sustainable Architecture (Routledge, forthcoming).Creative Food Cycle Food Interaction Catalogue (forthcoming) p. 10-3 (?).Feireiss, Kristin and Hans-Jürgen Commerell, eds. Zumtobel Group Award, 2017: Innovations for Sustainability and Humanity in the Built Environment (Berlin: Aedes, 2017) p. 92-5.Celebrating Excellence in Wood Architecture, 2015-2016 Wood Design Award Winners (Ottawa: Canadian Wood Council, 2016) p. 322-5.Print journals, authored by others, on “Nest We Grow”FuturArc 49 (July – August 2016), p. 32-9.Garden Design Journal (March 2016), p. 15-9.Toyota優活誌 44 (Winter 2015), p. 18-9. In Chinese (Taiwan).Wired [UK] (October 2015), p. 22 + wired.co.uk/magazine/archive/2015/10/start/japanese-hanging-garden.新假期 Weekend Weekly 822 (8 June 2015), p. 6-7. In Chinese.Green [Taiwan] 035 (June 2015), cover + p. 16-7. In Chinese.Mark 56 (June/July 2015), p. 42-3;Arquitectura Viva 174 (May 2015), p. 64-7. In Spanish.Architect (May 2015), p. 72 + Moniteur du btp (24 April 2015), p. 11. In French.Interni China (April 2015), p. 36-9. In Chinese.Taiwan Architect 484 (April 2015), p. 110-5. In Chinese.LegnoArchitettura 19 (April 2015), cover + p. 20-7. In Italian. Video included in 2016 LegnoArchitettura Forum.Frameworks (Fall 2014) + ced.berkeley.edu/frameworks/2014/lixil-international-university-competition-nest-we-grow/.A+U (July 2014), p. 2-3; (March 2015), p. 2-3.Shinkenchiku (April 2014), p. 36; (June 2014), p. 31-2; (January 2015), p. 44-7. In Japanese.Digital, original content, authored by others:592660/nest-we-grow-college-of-environmental-design-uc-berkeley-kengo-kuma-and-associates/ (5th most popular building for the year: ); en/project/nest-we-grow#;stories/7103/uc-berkeley-students-designed-a-wooden-community-food-hub-with-the-help-of-kengo-kuma.watercooler-topics/2015/01/beyond-shelter-nest-we-grow-agricultural-research-center-2441258.html;California. . domusweb.it/en/architecture/2015/01/15/nest_we_grow.html; Forbes. sites/yjeanmundelsalle/2017/02/14/food-hub-nest-we-grow-in-japan-built-under-the-supervision-of-kengo-kuma-unites-the-community/#4f91d4057630Home Is (Fall, 2015) no. 3 p. 35-44. html (in German);prote.in/en/feed/2015/02/nest-we-growwww10.blogs/arch-showcase/2015/02/04/nest-we-grow-in-hokkaido-japan-by-kego-kuma-and-associates/;baunetz.de/meldungen/Meldungen-Studenten_bauen_mit_Kengo_Kuma_in_Japan_4213041.html (in German);gooood.hk/nest-we-grow.htm (in Chinese);metalocus.es/content/en/blog/nest-we-grow-memu-meadows (in Spanish);Independent Study, undergraduate:Whiting, Sam. “Student leads way on restoring rare ‘ultimate bungalow’ that houses Sigma Phi,” San Francisco Chronicle (29 April 2014). 2013-4 Student De-Cal: Thorsen House ADA and other upgrades. The article was followed by a student talk at AIA-SF.ARCH 160, undergraduate:Six projects by students from Arch 160, Introduction to Construction were published in print: Berkeley Arts + Design 03 (2019) and are available on-line on the sites listed below.:Cholsaipan, Chutikarn et al. “Cantilevered Stairs,” p. 54-55. , Setareh and Natya Admira Dharmosetio, “Concrete Puzzle,” p. 56-7. , Brenda et al. “Le Stair,” p. 60-61. , Benzi et al. “Morphosis,” p. 62-3. , Josselenn et al. “Polygonal Fireplace,” p. 64-5. , Setareh, et al. “The Wood Planter Project,” p. 66-67. 265, graduate:Franck, Karen, ed. AD 86:1, Special issue: Architecture Timed: Designing with Time in Mind, Profile no. 239 (January/February 2016), p. 134. Photograph by Woranol Sattayavinij. Raffaelli, Baires. The Fast Guide to Architectural Form (Amsterdam: BIS Publishers, 2016), p. 16-7. Photograph by "Amy" Hay Mew Hwang.Zona 6, Supplement to Arbitare 054 (August 2010), n.p. Photograph by Li Qingyue.Buntrock, Dana. “Making Small Buildings Large,” Volume 34: Student Publication of the College of Design (2010). All photos by Erin Tompkins.Buntrock, Dana. Materials and Meaning in Contemporary Japanese Architecture (London: Routledge: 2010). Bj?rn Lundquist, p. 38, 42 and 43; Eduardo Pintos Perez, p. 62; Erin Tompkins, p. 38, 42, 43, 55 and 60.“House before House,” Pasajes Arquitectura y Critica 109 (September 2009). Jeff Gaines, p. 19; Eduardo Pintos, p. 21; Woranol Sattayavinij, p. 24. “La Cultura Expresada a Través del Concreto,” Noticreto 95 (July/August 2009) Maria Carrizosa, p. 17; Ibone Santiago, p. 16; Woranol Sattayavinij, p. 17.Teaching-related funding and support:Instructional Mini-grant, honoraria for Chris Downey to speak to Arch 260 (2010). Instructional Improvement Grant, $4000 for “best practices manual” for CCM router in our shop (2008).Instructional Mini-grant, $853 for “Personal Protection Equipment” (hardhats, safety glasses and orange vests) to be used by students (2008).Instructional Mini-grant, honoraria to speakers from the office of Frank Gehry, to speak to ARCH 264 (2008).Equipment Purchase Minigrant, $1175 for plasma cutter (2008).Committee on Teaching Grant, $3500 for adding materials on Japanese architecture to our Visual Resources Library, linked to ARCH 265 (2005). Instructional Technology Minigrant, $1000 for a subscription to Inventables. Linked specifically to ARCH 160, Introduction to Construction (2005).Presidential Chair Fellow, University of California, Berkeley, Included $2000 funding for teaching initiatives (2003-2004).ACSA Robert Taylor Grant for Faculty Development, $1000 to add “Japanese Craft and Construction” to the University catalog (2003).P.I., Committee on Teaching $1000 grant for support of Arch 152: “Introduction to Construction” (2002).Teaching-related funding and support (cont.):Member, working group, “Reintegrating Architectural, Urban Design, and Planning Theory and Practice in Design Education,” $65,000 from the Graham Foundation for four semesters integrated coursework at Washington University and the University of Illinois at Chicago (2000).P.I. Special Bachelor of Arts lecture series, University of Illinois at Chicago, privately funded lecture series ($5000) supported eleven speakers discussing architecture as a discipline (1996).Member, teaching team. City Design Center-funded studio ($25,000), University of Illinois at Chicago (1995). ................
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