THE OPEN HYMNAL

THEOPEN HYMNAL

EDITION 2

0

1

4

.

0

6

THEOPEN HYMNAL

EDITION 2

0

1

4

.

0

6

2

2J

UNE2

0

1

4

Thi

shymna

li

sapa

r

toft

heOpe

nHymna

lPr

oj

e

c

tt

oc

r

e

a

t

eaf

r

e

e

l

ydi

s

t

r

i

b

ut

a

b

l

e

,

do

wnl

o

a

da

b

l

eda

t

a

b

a

s

eof

Chr

i

s

t

i

a

nhymns

,

s

pi

r

i

t

ua

ls

o

ngs

,

a

ndpr

e

l

ude

/

po

s

t

l

udemus

i

c

.Ia

m do

i

ngmyb

e

s

tt

oc

r

e

a

t

eafina

lpr

oduc

tt

ha

ti

s

"

Hymna

l

qua

l

i

t

y"

,

a

ndc

o

ul

df

e

a

s

i

b

l

yb

eus

e

da

st

heb

a

s

i

sf

o

rapr

i

nt

e

dc

hur

c

hhymna

l

.Thi

smus

i

ci

st

ob

e

di

s

t

r

i

b

ut

e

da

sc

ompl

e

t

es

c

o

r

e

s(

wo

r

dsa

ndmus

i

c

)

,

us

i

nga

l

la

c

c

ompa

ni

me

ntpa

r

t

s

,

i

nf

or

ma

t

st

ha

ta

r

ee

a

s

i

l

y

a

c

c

e

s

s

i

b

l

eonmo

s

tc

o

mput

e

rOS

'

sa

ndwhi

c

hc

a

nb

ef

r

e

e

l

ymo

di

fie

db

ya

nyo

ne

.Thec

ur

r

e

ntf

o

r

ma

to

fc

ho

i

c

ei

st

he

ABCPl

usf

or

ma

t

,

f

a

v

o

r

e

db

yf

o

l

kmus

i

cd

i

s

t

r

i

b

ut

or

so

nt

hei

nt

e

r

ne

t

.Al

ls

c

o

r

e

swi

l

la

l

s

ob

ec

o

nv

e

r

t

e

di

nt

opdf

,

MI

DI

,

a

ndmp3f

o

r

ma

t

s

.

Thema

i

nt

a

i

ne

roft

heOpe

nHymna

lPr

o

j

e

c

ti

sBr

i

a

nJ

.

Dumont(

b

r

i

a

ndo

tjdotdumo

nta

tgma

i

ldo

tc

om)

.Iha

v

e

gonet

hr

o

ughs

e

r

i

o

use

ffo

r

t

st

oma

kes

ur

et

ha

tnoc

o

pyr

i

g

htmi

s

t

a

kema

ke

si

ti

nt

ot

hi

sda

t

a

b

a

s

e

.I

fIa

mi

ne

r

r

o

r

,

pl

e

a

s

ei

nf

o

r

m mea

ss

oo

na

spos

s

i

b

l

e

.Thi

se

nt

i

r

ee

ffo

r

tha

sus

e

do

nl

yf

r

e

es

o

ftwa

r

e

,

a

ndIa

mi

nde

b

t

e

dt

ot

hee

ffor

t

s

ofma

nyot

he

ri

ndi

v

i

dua

l

s

,

i

nc

l

udi

ngt

hea

ut

ho

r

so

ft

hev

a

r

i

o

usABCa

ndABCPl

uss

oftwa

r

e

.Undo

ub

t

e

dl

y

,

Ia

ma

l

s

o

i

nde

b

t

e

dt

oa

l

loft

hegr

e

a

tChr

i

s

t

i

a

nswhowr

o

t

et

he

s

ehymns

.

Thi

sda

t

a

b

a

s

ec

o

me

swi

t

hnogua

r

a

nt

e

e

swha

t

s

oe

v

e

r

.

Iwoul

dl

o

v

et

oge

te

ma

i

lf

r

om a

nyo

newhous

e

st

heOpe

nHymna

l

,

a

ndIwi

l

lt

a

ker

e

que

s

t

sf

orhymnst

oa

dd.My

de

c

i

s

i

ono

fwhe

t

he

rt

oa

d

dahymnwi

l

lb

eb

a

s

e

dont

he

s

ec

r

i

t

e

r

i

a(

i

nt

hef

o

l

l

o

wi

ngor

de

r

)

:

1

)I

tmus

tb

ei

nt

hepub

l

i

cdoma

i

no

ro

t

he

r

wi

s

ef

r

e

e

l

ydi

s

t

r

i

b

ut

a

b

l

e

2

)I

tmus

tb

eaChr

i

s

t

i

a

npi

e

c

e

3

) Whe

t

he

rIha

v

ea

c

c

e

s

st

oapr

i

nt

e

dc

o

pyo

ft

hemus

i

c(

s

ur

pr

i

s

i

ngl

y

,

aMI

DIfil

ei

sus

ua

l

l

yat

e

r

r

i

b

l

es

our

c

e

)

4

) Whe

t

he

rIl

i

ket

hehymn:

)

I

fyouwo

ul

dl

i

ket

oc

o

nt

r

i

b

ut

et

ot

heOpe

nHymna

lPr

o

j

e

c

t

,

pl

e

a

s

es

e

nda

ne

ma

i

lt

ome

,

Iwo

ul

dl

o

v

et

hehe

l

p!

PLEAS

EEMAI

LMEI

FYOUF

I

NDANYMI

S

TAKES

,

noma

tte

rho

ws

ma

l

l

.Iwa

ntt

oe

ns

ur

et

ha

te

v

e

r

ys

l

ur

,

s

t

e

m,

hyphe

na

t

i

on,

a

ndpunc

t

ua

t

i

onma

r

ki

sc

o

r

r

e

c

t

;

a

ndI

'

ms

ur

et

ha

tt

he

r

emus

tb

emi

s

t

a

ke

sr

i

ghtno

w.

Ope

nHymna

lPr

o

j

e

c

t

,

2

0

1

4Edi

t

i

o

n

¡°

F

r

e

e

l

yyour

e

c

e

i

v

e

d,

s

of

r

e

e

l

yg

i

v

e

.

¡±

-Ma

tthe

w1

0

:

8(

WEB)

COPYING

TheOpe

nHymna

lPr

o

j

e

c

tus

e

sc

o

pyr

i

ghtl

a

wo

ft

heUni

t

e

dS

t

a

t

e

so

fAme

r

i

c

a

.

I

no

t

he

rc

ount

r

i

e

s

,

i

ti

syo

ur

r

e

s

po

ns

i

b

i

l

i

t

yt

ov

e

r

i

f

ye

a

c

hhymna

sb

e

i

ngf

r

e

e

l

yd

i

s

t

r

i

b

ut

a

b

l

e

.

F

o

urpa

r

t

sofahymna

r

ec

o

pyr

i

ght

a

b

l

e

:

1

.Mus

i

c(

me

l

ody)

2

.S

e

tti

ng(

a

l

s

okno

wna

sa

r

r

a

nge

me

nto

rha

r

mo

ny)

3

.Wor

ds(

o

r

i

gi

na

ll

a

ngua

ge

)

4

.Tr

a

ns

l

a

t

i

on(

i

fa

ppl

i

c

a

b

l

e

)

Ea

c

hoft

he

s

epa

r

t

sho

l

dsas

e

pa

r

a

t

ec

o

pyr

i

ghts

t

a

t

us

,

a

ndmus

tb

ec

o

ns

i

de

r

e

di

ndi

v

i

dua

l

l

y

.

Mos

to

ft

hehymnsi

nt

heOpe

nHymna

la

r

ei

nt

hepub

l

i

cdoma

i

ni

na

l

lf

o

uro

ft

he

s

epa

r

t

s

.

S

o

mea

r

eno

t

.

S

pe

c

i

fic

c

o

pyr

i

ghtt

e

r

msa

r

el

i

s

t

e

do

ne

a

c

hs

c

o

r

es

he

e

ta

ndi

ne

a

c

ha

b

cfil

e

.

Al

lc

o

nt

e

ntpr

o

duc

e

ds

pe

c

i

fic

a

l

l

yb

yt

heOpe

nHymna

lwhi

c

hi

sno

tapa

r

to

fahymni

spl

a

c

e

di

nt

ot

hepub

l

i

c

do

ma

i

n.

Thi

si

nc

l

ude

sc

ompi

l

a

t

i

on,

i

ndi

c

e

s

,

we

bpa

ge

s(

o

rpa

r

t

st

he

r

e

oF

)

,

s

c

r

i

pt

sus

e

dt

oa

s

s

e

mb

l

et

hehymna

l

,

a

nda

l

l

ot

he

rda

t

afil

e

s

.

Wo

r

kf

r

o

m ot

he

ro

pe

ns

our

c

epr

o

j

e

c

t

si

sno

to

urc

o

pyr

i

ghta

ndr

e

ma

i

nsc

o

pyr

i

ghto

ft

her

e

s

pe

c

t

i

v

e

o

wne

r

s

.

Thi

si

nc

l

ude

sb

uti

sno

tl

i

mi

t

e

dt

ot

he"

Ze

b

r

aTa

b

l

e

s

"s

c

r

i

ptb

yDa

v

i

dS

.

Mi

l

l

e

rus

e

dont

hewe

bpa

ge

s

,

whi

c

h

r

e

ma

i

nsc

o

pyr

i

ghto

fDa

v

i

dS

.

Mi

l

l

e

r

.

PUBLICDOMAIN

Al

lhymnsorhymnpa

r

t

sl

i

s

t

e

da

s"

pub

l

i

cdo

ma

i

n"a

r

eno

tunde

rc

opyr

i

ghtpr

o

t

e

c

t

i

oni

nt

heUni

t

e

dS

t

a

t

e

so

f

Ame

r

i

c

a

.

I

no

t

he

rwo

r

dst

he

r

ei

sa

b

s

o

l

ut

e

l

ynoo

wne

r

s

hi

po

ft

hei

nt

e

l

l

e

c

t

ua

lpr

o

pe

r

t

yt

ha

tt

hewo

r

ds

,

t

r

a

ns

l

a

t

i

o

n,

mus

i

c

,

ors

e

tti

ngr

e

pr

e

s

e

nt

s

.

Noo

nema

yr

e

s

t

r

i

c

tyo

uf

r

o

m us

i

ngt

he

s

ehymnpa

r

t

si

na

nywa

y(

i

nt

heUS

A)

.

S

i

mi

l

a

r

l

y

,

youma

yno

tr

e

s

t

r

i

c

tot

he

r

s

f

r

o

m us

i

ngt

he

mi

na

nywa

y

.

I

fyouc

ha

ngeapo

r

t

i

ono

ft

hepub

l

i

cdo

ma

i

nwo

r

k,

yo

uma

yonl

yc

l

a

i

mc

o

pyr

i

ghto

n

t

hepo

r

t

i

o

nwhi

c

hyo

uha

v

ec

ha

nge

d.

OTHER

Ea

c

hwor

ki

nt

heOpe

nHymna

lwhi

c

hi

sno

ti

nt

hepub

l

i

cdo

ma

i

ngi

v

e

ss

pe

c

i

ficl

i

c

e

ns

et

e

r

mso

nt

hes

c

o

r

es

he

e

ta

nd

i

nt

hea

b

cs

o

ur

c

efil

e

.

Mos

to

ft

he

s

eha

v

eal

i

c

e

ns

ewhi

c

hr

e

a

dss

i

mi

l

a

rt

ot

hef

o

l

l

o

wi

ng(

f

r

o

mt

hehymn"

Aut

ho

ro

fAl

lLi

f

e

"

)

:

Wor

ds

:

Co

pyr

i

ght2

0

0

9

,

Br

i

a

nJ

.

Dumo

nt

.

The

s

el

yr

i

c

sma

yb

ef

r

e

e

l

yr

e

pr

oduc

e

dorpub

l

i

s

he

df

o

rChr

i

s

t

i

a

n

wor

s

hi

p

,

pr

o

v

i

de

dt

he

ya

r

eno

ta

l

t

e

r

e

d,

a

ndt

hi

sno

t

i

c

ei

sone

a

c

hc

o

py

.

Al

lot

he

rr

i

ght

sr

e

s

e

r

v

e

d.

Thi

sme

a

nst

ha

tyo

uma

yf

r

e

e

l

yus

e

,

pr

i

nt

,

r

e

pr

o

duc

e

,

a

ndma

kea

v

a

i

l

a

b

l

ef

oro

t

he

r

st

hewo

r

ki

nque

s

t

i

on,

pr

o

v

i

de

d

t

ha

tt

hepur

po

s

ei

sf

o

rChr

i

s

t

i

a

nwo

r

s

hi

pa

ndt

ha

tt

hec

o

pyr

i

ghtt

e

r

msa

r

el

e

fti

nt

a

c

ta

nda

r

er

e

pr

o

duc

e

dwi

t

ht

he

c

o

pyr

i

ght

e

dwo

r

k.

Thi

sdo

e

sno

tpr

e

v

e

ntyo

uf

r

om us

i

ngt

hec

o

pyr

i

ght

e

dwo

r

ka

sapa

r

to

fa

not

he

rwo

r

kwhi

c

hwi

l

l

b

es

o

l

df

o

r

pr

o

fit

,

pr

o

v

i

de

dt

ha

tt

he

s

et

e

r

msa

r

eme

t

.

Ot

he

rl

i

c

e

ns

et

e

r

msma

yb

ea

v

a

i

l

a

b

l

e

,

b

utc

a

no

nl

yb

ene

go

t

i

a

t

e

dwi

t

ht

hec

o

pyr

i

ghtho

l

de

r

.

I

fyo

uwo

ul

dl

i

ket

ous

e

oneo

ft

he

s

ewo

r

ksb

utr

e

qui

r

ead

i

ffe

r

e

ntl

i

c

e

ns

e

,

t

heOpe

nHymna

lwi

l

la

tte

mptt

ohe

l

pyo

ut

oc

o

nt

a

c

tt

he

c

o

pyr

i

ghtho

l

de

r

.

Wema

yb

ec

o

nt

a

c

t

e

dv

i

ae

ma

i

la

t

:

b

r

i

a

ndo

tjdo

tdumonta

tgma

i

ldotc

o

m

ASSEMBLY

I

ti

st

hec

ont

e

nt

i

o

na

ndi

nt

e

nt

i

o

no

ft

heOpe

nHymna

lPr

o

j

e

c

tt

ha

twhe

nnume

r

oushymnsa

r

ega

t

he

r

e

di

nt

oa

c

o

l

l

e

c

t

i

o

n,

s

uc

ha

so

neo

ft

hepr

i

nt

a

b

l

ee

di

t

i

o

ns

,

t

hehymnst

he

ms

e

l

v

e

sr

e

ma

i

ns

e

pa

r

a

t

ea

ndi

nde

pe

nde

ntwo

r

ks

.

Thus

,

t

hec

o

pyr

i

ghta

ppl

i

e

dt

oa

nyo

nehymni

snota

ppl

i

c

a

b

l

ei

na

nywa

yt

ot

hec

o

pyr

i

ghto

fa

no

t

he

r

.

OPEN HYMNAL,

I

NDEXBYC

OMMON T

I

TLE¨CE

DI

TI

ON 2

0

1

4

.

0

6

Ti

t

l

e

AGr

e

a

ta

ndMi

g

ht

y

Wonde

r

No

. S

e

c

t

i

o

n

4

6

CHRI

S

TMAS

Co

mp-Aut

ho

r

/Tr

ans

l

at

o

r

l

e

xi

t

y i

ni

t

al

i

c

s

Tune

3 Ge

r

ma

nusof

EsI

s

tEi

nRo

s

Cons

t

a

nt

i

nopl

e Ent

s

pr

unge

n

&Ne

a

l

e

(

Rhyt

hmi

c

)

f

r

om Al

t

e

sCa

t

hol

i

s

c

he

Ge

i

s

t

l

i

c

he

Ki

r

c

he

nge

s

e

ng,

K?l

n,

1

5

9

9&P

r

a

e

t

o

r

i

us

AnWa

s

s

e

r

fl¨¹s

s

e

n Da

c

hs

t

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