A MOVEMENT FOR ROSA
[Pages:6]A MOVEMENT FOR ROSA
For Symphonic Band
Commissioned by the Florida Bandmasters Association
Honoring Civil Rights Heroine Rosa Parks
by
Mark Camphouse
In memory of my mother, Esther Camphouse (1919-1989)
Complete Band Instrumentation
1 - Full Score 1 - Piccolo 3 - 1st Flute 3 - 2nd Flute 2 - 1st & 2nd Oboes 3 - 1st Bb Clarinet 4 - 2nd Bb Clarinet 4 - 3rd Bb Clarinet
2 - Bb Bass Clarinet 1 - Bb Contrabass Clarinet
2 - 1st & 2nd Bassoons 4 - 1st & 2nd Eb Alto Saxophones 2 - Bb Tenor Saxohpne 1 - Eb Baritone Saxophone 3 - 1st Bb Trumpet 6 - 2nd & 3rd Bb Trumpets
2 - 1st & 2nd Horns in F 2 - 3rd & 4th Horns in F 4 - 1st & 2nd Trombones 2 - 3rd Trombone 2 - Euphonium T.C. 2 - Euphonium B.C. 4 - Tuba 1 - Piano (acoustical; grand)
1 - Timpani
3 - Percussion I
Vibraphone, Snare Drum, Tenor Drum (low pitch), Tom-Toms (shared with Perc. 4)
2 - Percussion II
Tam-Tam, Glockenspiel, Wood, Block, Marimba (shared with Perc. 4), Crash Cymbals, Crotales
3 - Percussion III
Suspended Cymbal, Tubular Bells, Wind Chimes (shared with Perc. 4), Xylophone, Bongos, Small Triangle
2 - Percussion IV
Marimba (shared with Perc. 2), Bass Drum, Anvil, Tom-Toms (shared with Perc. 1), Wind Chimes (shared with Perc. 3)
TRN Music Publisher, Inc. P.O. Box 197 ? Alto, NM 88312 ? USA
About the Composer . . .
Composer-conductor Mark Camphouse is currently Associate Professor of Music and Director of Bands at Radford University in Virginia. He also serves as conductor of two Virginia based professional groups: The New River Chamber Winds and The Skyline Brass Ensemble. Engagements as a guest conductor, clinician and lecturer have taken him to 27 states, Canada and Europe. Principle commissions include those by The John P. Paynter Foundation, The Revelli Foundation, Florida Bandmasters Association, and The United States Army and Marine Bands. A native Chicagoan born in 1954, Camphouse received his formal musical training at Northwestern University.
About the Music . . .
On December 1, 1955, Rosa Parks was arrested for refusing to give up her seat to a white man on a segregated city bus in Montgomery, Alabama. Mrs. Parks earned the title "Mother to a Movement" for her act of personal courage, sparking the Civil Rights movement of the 1950's. So significant and inspiring was her peaceful act of defiance that the Rev. Dr. Martin Luther King, Jr. inscribed the following words on the frontispiece of his book, Stride Toward Freedom, a copy of which he gave to Mrs. Parks: "To Rosa Parks, whose creative witness was the great force that led to the modern stride toward freedom."
Throughout the history of our great nation, we have glorified (and rightly so) various heroes, most frequently presidents, military figures and athletes. But we must not forget heroes who are perhaps less conspicuous but every bit as significant. Rosa Parks, who worked as a tailor's assistant in a men's clothing store, became secretary of the Montgomery NAACP and the impetus to a major social movement.
America's proud heritage and the accomplishments of its people have been, and continue to be, darkened by racial discrimination. This blight on our country takes many forms, whether subtle or more overt, as with cowardly acts of intimidation and violence by various extremist hate groups. Mrs. Parks addresses this continuing problem in her 1992 book entitled Rosa Parks: My Story.
The final three paragraphs of that book:
I look back now and realize that since that evening on the bus in Montgomery, Alabama, we have made a lot of progress in some ways.
All those laws against segregation have been passed, and all that progress has been made. But a whole lot of white people's hearts have not been changed. Dr. King used to talk about the fact that if a law was changed, it might not change hearts but it would offer some protection. He was right. We now have some protection, but there is still much racism and racial violence.
In recent years there has been a resurgence of reactionary attitudes. I am troubled by the recent decisions of the Supreme Court that make it harder to prove a pattern of racial discrimination in employment and by the fact that the national government does not seem very interested in pursuing violations of civil rights. What troubles me is that so many young people, including college students, have come out for white supremacy and that there have been more and more incidents of racism and racial violence on college campuses. It has not been widespread, but still it is troublesome. It seems like we still have a long way to go.
A Movement for Rosa, commissioned by the Florida Bandmasters Association was composed and orchestrated over a three-month period: August - November, 1992. With a duration of approximately 11 1/2 minutes, this `movement'-- a quasi-tone poem -- contains three contrasting sections. Section I evokes Rosa's early years, from her birth February 4, 1913 in Tuskegee, Alabama, through her marriage in 1932 to Raymond Parks in Pine Level, Alabama. Section II portrays years of racial strife in Montgomery and the quest for social equality. The third section is one of quiet strength and serenity. The hymn, We Shall Overcome (foreshadowed in sections I and II by motivic fragmentation), is heard in its entirety near the end. The work's final measures serve as an ominous reminder of racism's lingering presence in modern American society. In his book Stride Toward Freedom, Dr. King states: "When the history books are written in future generations, the historians will have pause and say, `There lived a great people - a black people - who injected new meaning and dignity into the veins of civilization.' This is our challenge and responsibility."
Clearly, Rosa Parks met those challenges and responsibilities with great dignity and courage. As Congressman John Conyers aptly said: "Rosa Parks moved civil rights issues from the back of the bus to the front of America's conscience."
Mark Camphouse - December 1, 1992
4 In memory of my mother, Esther Camphouse (1919-1989)
Duration: approx. 11:30
A MOVEMENT FOR ROSA
Piccolo Flutes Oboes
& 44
Slowly,
q = 50
Commissioned by the Florida Bandmasters Association
45
44 U? . OE 24 44
MARK CAMPHOUSE
24 44 43 44
solo 1 pl.
1 & 44 oe oe .
,
oeoe
45 oe oe oe. oe. oe
44
oe
,
oe.
oe.
U
.
2 & 44semplicee sost.
(p ? P)
45
44 U? .
OE 24 44
OE 24 44
24 44 24 44
43 44 43 44
1 2
& 44
45
44 U? . OE 24 44 24 44
43 44
1 & 44
45
44 U? . OE 24 44 24 44
43 44
Bb Clarinets
2 & 44
45
44 U? . OE 24 44 24 44
43 44
3 & 44
Bb Bass Clarinet
& 44
Bb C. Bass Clarinet & 44
Bassoons
1 2
? 44
Eb Alto
Saxophones
Bb Tenor
Saxophone
Eb Baritone
Saxophone
Bb Trumpets
Horns in F
Trombones
Euphonium Tuba
1 2
& 44
& 44 & 44
1 & 44
2 3
& 44
1 2
& 44
3 4
& 44
1 2
? 44
3 ? 44
? 44
? 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44
U? . 1? OEsolo 124pl.OE oe 44 oe .
24 oe oe 44 oe b oe oe. oe. 43 oe n,oe. Joe 44
p
esprP.
45
44
U? .
1? solo
OE
124pl.OE # oe oe d44ol#ente ma cantab24ile eoe s#ooest.oe 44 # oe
oe. oe. 43 oe #,oe oe
44
45
44
U? .
p
espPr.
OE 24 44 24 dolente ma cantabile e sost. 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
Piano Timpani Percussion
& 44
? 44
? 44 1 & 44
2 ? 44 3 ? 44 4 ? 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
45
44 U? . OE 24 44 24 44
43 44
TRN9419
Copyright ? MCMXCIV by TRN MUSIC PUBLISHER. All Rights Reserved. Printed in U. S. A. International Copyright Secured.
Picc.
& 44
1 & 44
Fls.
2 & 44
Obs.
1 2
& 44
1 & 44
Bb Cls.
2 & 44
3 & 44
Bb Bs. Cl.
& 44
Bb C. Bs. Cl.
& 44
Bssns.
1 2
? 44 oe
F
oeoe
Eb Alto Sxs.
1 2
& 44 oe#oe#oe
F
Bb Ten. Sx.
& 44
Eb Bar. Sx.
& 44
Bb Tpts.
1 & 44
2 3
& 44
1 2
& 44
Hns. (F)
3 4
& 44
1 2
? 44
Trbs.
3 ? 44
Euph.
? 44
Tuba
? 44
Piano Timp.
Perc.
& 44 ? 44
? 44
1 & 44
2 ? 44
3 ? 44
4 ? 44
24 24 24 24 24 24 24 24 24
oe 24 OE
45 45 45 45 45 45 45 45 45
45 oe oe .
24 oe #,oe oe 45 #.
24 45 24 45
24 45 24 45
24 45
24 45 24 45
24 45
24 45
24 45
24 45 24 45 24 45 24 45 24 45 24 45 24 45
44
45 OE U? . OE 2416 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44 ? oe oe oe 45 oe U. OE 24 44
44
p
3 (echo)
OE #oe oe
45
oe #U.
OE 24
44
p (echo)
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? .
OE
241?
2 pls.
OEoe
oe
44
p sost. religioso
44
45 OE U? . OE 24 44
44
45 OE U? .
OE
242
pls.
OE
oeoe
44 oe oe
p sost. religioso
44
45 OE U? .
OE
241
pl.
OE
oe
44
p sost. religioso
44
45 OE U? .
OE
241
pl.
OE
poesost.
44
religioso
44
45 OE U? .
OE
241
pl.
OE
oe
44
44
45 OE U? .
OE 24
p sost.
44
religioso
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
44
45 OE U? . OE 24 44
24 44 24 44 24 44 24 44 24 44 24 44 24 44 24 44 24 44
24 44
24 44
24 44 24 44
24 44 24 44
24 oe oe oe 44
N. B.>
24 44
24 oeoe oeoe oe 44 oe oe
N. B.>
24 oe oe 44
N.
24
B.
oe
>
oe
N.
24
B.
>
oeoe
24N. B.>
44
44 44
24 44
24 44
24 44
24 44
24 44
24 44
5
43 45 43 45 43 45 43 45 43 45 43 45 43 45 43 45 43 45
43 45
43 45
43 45 43 45
43 45
43 45
43
oe
,
oe
oe
45
espr.
43 45
43
oeoe
,
oeoe
oeoe
45
espr.
43 oe , 45
espr.
43
,
oe
45
espr.
43
,
oe
espr.
45
43 45
43 45
43 45
43 45
43 45
43 45
43 45
TRN9419
6
Picc.
1 Fls.
2
Obs.
1
2
1
Bb Cls.
2
3
Bb Bs. Cl. Bb C. Bs. Cl.
Bssns.
1
2
Eb Alto Sxs. 1
2
Bb Ten. Sx.
Eb Bar. Sx.
1
Bb Tpts.
2 3 1 2 Hns. (F) 3 4
1 2 Trbs. 3
Euph.
Tuba
Piano
Timp. 1
2 Perc.
3 4
TRN9419
& 45
24
& 45
24
& 45
24
& 45
24
& 45
24
& 45
24
& 45
24
& 45
24
& 45
24
? 45
24
& 45
24
& 45
24
& 45
24
& 45
24
& 45
& 45 oe#oe oe
P
& 45
24
,
oeoe
24
24
? 45 oeoe
P
? 45 oe
P
oeoe oe Joe 24 oe oe
oe .
24
? 45 Poe oe oe .
24
? 45 & 45 Poe
oe oe .
24 24
? 45
24
? 45
24
& 45
24
? 45
24
? 45
24
? 45
marim24ba?oe? oe?
p
43 44 43 44 43 44
43 44
25
poco p?u mosso, ? = 54
24 43
24 43
24 43
24 43
43 44 ? OE #oe oe
43
?
#oe oe
P
44 #oe oe #
espr. F
,
p sost. religioso
oe oeoe
p sost. religioso
43 44 ?
div.
OE #oeoe #
43 44 ?
p sost. religioso
OEoe
p sost. religioso
43 44
43 44 ?
all
OE oeoe
p sost. religioso
43 44
N.
24
B.>
oe #oe
oe
43
oe
24N.
B.
oe
>
oe#
oe
P
43 # oe
P
oe noe
24N. B.> oeoe # oeoe
43
P
oeoe
24
43
oe
24 oe
oe
43
P
P
oe
p sost.
N.
24
B.
oeoe
>
oeoe
43
P
bb oeoe
24 43
43 44
24 43
43 44
24 43
43 44 ? 43 44
2 pls.
OE #oe oe
p sost. religioso
N.
24
B.>
oe #oe
oe
43
oe
P
24 43
43 . 44 .
OE
p
43 44
43 ..
44 ..
,
all
oeoe
p
43 .
44 .
, all
oe
p
43
oeoe
44
oe oe #
, all
oe
pP
43 espr. 44
Fp , all
43
p .
. 44
oe
oe oe
24 43
24 43
N.
24
B.
oeoe
>
oeoe
oe
43
oe
oe b oeoe
P
24N.
B.
oe
>
oe
43
boe
P
24N.
B.
oe
>
oe
24N. B.> oeoe
24
43 b oe oe
P
43
P
boe boe
43
43 44
43 44
43 44
24 43 24 43
24 43
43 44
tam-tam
?OE
oeY ~~24~ oe-
OEl.v.
43
43 44
24 43
43 ?....
44 ?....
?
?
OE?
24 Y ~~~~ 43
B. D.
45
44
45
44
45
44
45 ?
1? 1 pl.
oe.
3
oe. 44 oe oe oe Joe oe oe oe oe
P
F espr. 3
sost.
45 # oe.
oe. 44 oe oe# oe Joe oe oe oe oe
45
oe.
F espr. 3
3
oe.
44 a oe
F
oe
45
unis.
45
45
44 oe
oe a
F
oe
oe 44 oe a oe
F
oe 44 oe a oe
F
45
oeoe 44
45
44
45
44
45
44
45 # oe.
oe. 44
45
44
45
1? 1 pl.
?
oeoe ..
oeoe.. 44
45
2? 1 pl.P sost.
44
45
oe.
oe. oe 44
45
oe 44
45 b oe oe oe oe oe oe oe oe oe 44
espr.
3
45
3
boe oe oe oe oe oe Noe oe
oe
44
espr.
45
44
45
44
45
44
45
44
oeoe N N oeoe
F
?
OE a#ll# oeoe
F sost.
?OE #oe
F sost.
?OE #oe
oe oe#oe
F sost.
Joe oe oe oe oe
F espr. 3
3
oeoe # oeoe
F
oeoe oeoe
Foe N oe
F
oe Noe
F
oe
F
Noe
45
44
45 suspY. c~y~m~.~~~~.~~~~~~~~~~~~~44~~
Joe-
l.v.
?
OE
45 p
44 P
................
................
In order to avoid copyright disputes, this page is only a partial summary.
To fulfill the demand for quickly locating and searching documents.
It is intelligent file search solution for home and business.
Related download
- standards ela7r1c and ela7ccrl1
- a movement for rosa
- rosa parks speech staff
- rosa louise parks skillsworkshop
- civil rights on a city bus
- a brief biography of rosa parks 1913 2005
- long branch public schools homepage
- classroom teacher resources on rosa parks
- thinking guide activities expository
- barack obama rosa parks american rhetoric
Related searches
- make a resume for a job
- writing a resume for a job
- help with a resume for a job
- summary for a resume for a job
- a poem for a friend
- getting a loan for a house
- creating a thesis for a research paper
- getting a loan for a foreclosure
- writing a resume for a teacher
- solving a formula for a variable calculator
- music and movement for preschoolers
- solve a formula for a variable calculator