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Becoming What Women Want: Formations of Masculinity in Postfeminist Film and Television
by
Lauren Jade Thompson
A thesis submitted in partial fulfilment of the requirements for the degree of
Doctor of Philosophy in Film and Television Studies
University of Warwick, Department of Film and Television Studies
December 2012
TABLE OF CONTENTS
LIST OF ILLUSTRATIONS
V
ACKNOWLEDGEMENTS
XI
DECLARATION
XII
ABSTRACT
XIII
INTRODUCTION
1
THE HIDDEN GENDER, THE HIDDEN CONSUMER, THE HIDDEN HOMEMAKER:
POSTFEMINISM AND MASCULINITY
28
A REVIEW OF THE LITERATURE
28
UNDERSTANDING POSTFEMINISM
28
NEO-FEMINISM
34
"ELEMENTS OF A SENSIBILITY"
38
HIDDEN POSTFEMINIST SUBJECTS
44
MASCULINITY AND CONSUMPTION
50
HISTORICISING MASCULINITY: THE INVISIBLE GENDER
57
POSTFEMINISM, NEOLIBERALISM AND CLASS
67
UNDERSTANDING MEN AND HOME
73
MASCULINITY AND THE MAINTENANCE OF HETEROSEXUAL COUPLING IN
MAKEOVER AND LIFESTYLE TELEVISION
78
INTRODUCTION
78
CONTEXT
81
MAKEOVER HISTORIES
85
ii
CORPUS LIFESTYLE TELEVISION AND THE COUPLE MAKEOVER AND APPEARANCE SURVEILLANCE, MAKEOVER AND GENDER AESTHETIC TECHNOLOGIES AND CONSUMPTION MAKING MAKEOVER MASCULINE THE SUIT HARD AND SOFT BODIES DOMESTIC LIFE AND COUPLING COHABITATION AND LABOUR SEX FEELINGS & SUBJECTIVITY CONCLUSIONS
90 96 107 108 118 121 132 141 147 154 165 169 180
CONTEMPORARY MASCULINITY AND THE SITCOM
183
INTRODUCTION
183
SITCOM HISTORIES
185
INCOMPLETE MAKEOVERS: MASCULINITY, TECHNOLOGIES OF THE SELF AND THE SITCOM
195
SITCOM DOMESTICITY
207
MASCULINE DISRUPTION OF FEMININE HOMES
213
MASCULINE DOMESTICITY IN THE SITCOM: DYSFUNCTION AS EQUILIBRIUM
223
INSIDE THE HETEROSEXUAL CLOSET
242
FORMATIONS OF MASCULINITY IN HOW I MET YOUR MOTHER
247
A SUBJECT FOR THE NOUGHTIES: AN UNMARRIED MAN DEFINING THE ROMANTIC SEX COMEDY MAKING MASCULINITY
272
275 284
iii
THE PLAYBOY BACHELOR THE MAN CHILD BROKEN MEN AGEING MASCULINITIES CONCLUSIONS, ENDINGS, AND BACKLASH
294 317 333 352 364
CONCLUSION: NEW HEGEMONIES OF MASCULINITY
367
APPENDIX 1: ROMANTIC SEX COMEDY DVD COVERS
381
APPENDIX 2: DVD COVERS: A SHIFT IN AESTHETICS?
382
BIBLIOGRAPHY
383
FILMOGRAPHY FILMS TELEVISION PROGRAMMES
396 396 399
iv
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