Vampire in the Stockholm suburbs: Let the Right One In

(Fares, 2000) and Vingar av glasWings of Glass/ (Bagher, 2000) that address the topic more directly (Wright 2005). Let the Right One In reveals certain correspondences to the other Swedish vampire films, but also profound differences. Like Not Like Others, it uses the vampire motif to explore psychological isolation and exclusion from a ................
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