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Bibliography and useful resourcesCultural contextAuthorYearTitlePublisherAitken, SC and Zonn, LE. (Eds.)1994Place, Power, Situation and Spectacle: Geography of FilmLanham, MD, USA. Rowman & Littlefield PublishersBartow, O.2005The “Jew” in Cinema: From the Golem to Don’t Touch My HolocaustBloomington, IN, USA. Indiana University PressBell, BW, Grosholz, ER and Stewart, JB.1996W.E.B Du Bois on Race and Culture: Philosophy, Politics and PoeticsAbingdon, UK. RoutledgeBeller, J.2006The Cinematic Mode of Production: Attention Economy and the Society of the SpectacleLebanon, NH, USA. University Press of New EnglandBird, SE. (Ed.)1996Dressing in Feathers: The Construction of the Indian in American Popular CultureAnn Arbor, MI, USA. University of Michigan PressBogle, D.1973Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretative History of Blacks in American FilmsNew York, NY, USA. Viking PressBronfen, E.2004Home in Hollywood: The Imaginary Geography of CinemaNew York, NY, USA. Columbia University PressCashmore, E.1984Dictionary of Race and Ethnic RelationsAbingdon, UK. RoutledgeCollins, F and Davis, T.2004Australian Cinema after MaboCambridge, UK. Cambridge University PressCombs, CS.2014Deathwatch: American Film, Technology, and the End of LifeNew York, NY, USA. Columbia University PressCousins, M.2011The Story of Film: A Concise History of Film and an Odyssey of International CinemaLondon, UK. Pavilion BooksCresswell, T and Dixon,?D. (Eds.)2002Engaging Film: Geographies of Mobility and IdentityLanham, MD, USA. Rowman & Littlefield PublishersDennison, S and Lim, SH. (Eds.)2006Remapping World Cinema: Identity, Culture and Politics in FilmLondon, UK. Wallflower PressDiPaolo, M.2011War, Politics and Superheroes: Ethics and Propaganda in Comics and FilmJefferson, NC, USA. McFarland & CompanyDowning, JDH. (Ed.)1998Film and Politics in the Third WorldAutonomediaDyer, R.1997White: Essays on Race and CultureAbingdon, UK. RoutledgeElsaesser, T.2014European Cinema: Face to Face with HollywoodAmsterdam, The?Netherlands. Amsterdam University PressFinney, A.2014The International Film BusinessAbingdon, UK. RoutledgeFisher, J and Prager, B.2010The Collapse of the Conventional: German Film and its Politics at the Turn of the Twenty-First CenturyDetroit, MI, USA. Wayne State University PressFranklin, DP.2006Politics and Film: The Political Culture of Film in the United StatesOxford, UK. Rowman & Lilttlefield PublishersGaudreault, A and Marion, P.2015The End of Cinema?: A Medium in Crisis in the Digital AgeNew York, NY, USA. Columbia University PressGay Pearson, W and Knabe, S.2011Reverse Shots: Indigenous Film and Media in an International ContextWaterloo, Ontario, Canada. Wilfrid Laurier University PressGoldsmith, B and O'Regan, T.2005The Film Studio: Film Production in the Global EconomyLanham, MD, USA. Rowman & Littlefield PublishersGuynn, W.2016Unspeakable Histories: Film and the Experience of CatastropheNew York, NY, USA. Columbia University PressHaas, PJ and Christensen,?T.2015Projecting Politics: Political Messages in American FilmsAbingdon, UK. RoutledgeHarbord, J.2002Film CulturesLondon, UK. Sage PublicationsHardy, J.2014Critical Political Economy of the Media: An IntroductionAbingdon, UK. RoutledgeJancovich, M, Faire,?L and Stubbings, S.2003The Place of the Audience: Cultural Geographies of Film ConsumptionLondon, UK. British Film InstituteLastra, J.2000Sound Technology and the American Cinema: Perception, Representation, ModernityNew York, NY, USA. Columbia University PressLobato, R.2012Shadow Economies of Cinema: Mapping Informal Film DistributionLondon, UK. British Film InstituteMonaco, J.1981How to Read a Film: The Art, Technology, Language, History and Theory of Film and MediaNew York, NY, USA. Oxford University PressMonaco, J.2009How to Read a Film: The World of Movies, Media, Multimedia: Language, History, TheoryNew York, NY, USA. Oxford University PressNaficy, H.1999Home, Exile, Homeland: Film, Media and the Politics of PlaceAbingdon, UK. RoutledgeNagib, L, Perriam,?C and Dudrah,?R. (Eds.)2012Theorizing World CinemaNew York, NY, USA. I.B. Tauris & Co Ltd.Parkinson, D.2012History of Film (World of Art)London, UK. Thames & HudsonThompson, K and Bordwell,?D.2009Film History: An IntroductionNew York, NY, USA. McGraw-Hill EducationTurner, G. (Ed.)2001The Film Cultures ReaderAbingdon, UK. RoutledgeUlin, JC.2013The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World?Burlington, MA, USA. Focal PressUtterson, A. (Ed.)2005Technology and Culture: The Film ReaderAbingdon, UK. RoutledgeBibliography and useful resourcesFilm elementsAuthorYearTitlePublisherAltman, R.1984“A Semantic/Syntactic Approach to Film Genre”Cinema Journal. Vol?23, number 3. Pp 6–18.Barker, M and Arthurs,?J.2001The Crash Controversy: Censorship Campaigns and Film ReceptionLondon, UK. Wallflower PressBordwell, D and Thompson,? K.2016Film Art: An IntroductionNew York, NY, USA: McGraw-HillBrown, B.2002Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and VideographersBurlington, MA, USA. Focal PressBrown, B.2011Cinematography: Theory and Practice: Image Making for Cinematographers and DirectorsBurlington, MA, USA. Focal PressBuscombe, E.1970“The Idea of Genre in American Cinema”Screen. Vol?11, number?2. Pp?33–45.Chapman, J, Glancy,?M and Harper,?S.2007The New Film History: Sources, Methods, ApproachesLondon, UK. Palgrave MacMillanChatman, S.1980Story and Discourse: Narrative Structure in Fiction and FilmNew York, NY, USA. Cornell University PressChristie, I. (Ed.)2014Audiences: Defining and Researching Screen Entertainment ReceptionAmsterdam, The?Netherlands. Amsterdam University PressCook, DA.2016A History of Narrative FilmNew York, NY, USA. W.W. Norton & CompanyDavis, G, Dickinson,? K, Patti,?L and Villarejo, A.2015Film Studies: A Global IntroductionAbingdon, UK. RoutledgeDix, A.2008Beginning Film StudiesManchester, UK. Manchester University PressFabe, M.2014Closely Watched Films: An Introduction to the Art of Narrative Film TechniqueOakland, CA, USA. University of California PressFife Donaldson, L.2014Texture In Film (Palgrave Close Readings in Film and Television)London, UK. Palgrave MacmillanFoster, TC.2016Reading the Silver Screen: A Film Lover’s Guide to Decoding the Art Form That MovesNew York, NY, USA. Harper PerennialGibbs, J.2002Mise-en-Scène: Film Style and InterpretationNew York, NY, USA. Columbia University PressHall, B.2015Understanding CinematographyRamsbury, UK. The Crowood Press LtdHill, J and Church Gibson,?P. (Eds.)2000World Cinema: Critical ApproachesOxford, UK. Oxford University PressHill, J and Church Gibson,?P. (Eds.)2002The Oxford Guide To Film StudiesNew York, NY, USA. Oxford University PressLenos, M and Ryan, M.2012An Introduction to Film Analysis: Technique and Meaning in Narrative FilmNew York, NY, USA. Bloomsbury PublishingMartin, A.2014Mise en Scène and Film Style: From Classical Hollywood to New Media Art?London, UK. Palgrave MacmillanMcClean, ST.2008Digital Storytelling: The Narrative Power of Visual Effects in FilmCambridge, MA, USA. The MIT PressMcIver, G.2016Art History for FilmmakersLondon, UK and New York, NY, USA. Fairchild BooksMoran, A and Aveyard, K.2013Watching Films: New Perspectives on Movie-going, Exhibition and ReceptionBristol, UK. Intellect BooksNelmes, J. (Ed.)2011Introduction to Film StudiesAbingdon, UK. RoutledgeRoss, Edward2015Filmish: A Graphic Journey Through FilmLondon, UK. SelfMadeHeroSikov, E.2009Film Studies: An IntroductionNew York, NY, USA: Columbia University PressStaiger, J.2000Perverse Spectators: The Practices of Film ReceptionNew York, NY, USA. New York University PressVan Sijll, J.2005Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must KnowStudio City, CA, USA. Michael Wiese ProductionsWierzbicki, J.2009Film Music: A HistoryAbingdon: RoutledgeFilm focus: Film movementsAuthorYearTitlePublisherBazin, A and Cardullo,?B. (Ed.)2011André Bazin and Italian NeorealismNew York, NY, USA. Continuum International Publishing GroupBerry, C, Lu, X and Rofel,?L. (Eds.)2010The New Chinese Documentary Film Movement: For the Public RecordHong Kong. Hong Kong University PressChaudhuri, S.2005Contemporary World Cinema: Europe, the Middle East, East Asia and South AsiaEdinburgh, UK. Edinburgh University PressCheuk, PT.2009Hong Kong New Wave Cinema (1978–2000)Bristol, UK. Intellect BooksCheung, EMK, Marchetti,?G. and See-Kam,?T. (Eds.)2010Hong Kong Screenscapes: From the New Wave to the Digital FrontierHong Kong. Hong Kong University PressCooke, P.2002German Expressionist FilmsHarpenden, UK. Pocket EssentialsCooke, P and Homewood, C.2011New Directions in German CinemaNew York, NY, USA. I.B. Tauris & CoDesser, D.1988Eros Plus Massacre: Introduction to Japanese New Wave Cinema?Bloomington and Indianapolis, IN, USA. Indiana University PressJin, DY.2016New Korean Wave: Transnational?Cultural Power in the Age of Social MediaChampaign, IL, USA. University of Illinois PressKelly, RT.2011The Name of this Book is Dogme95London, UK. Faber & FaberKing, G.2002New Hollywood Cinema: An IntroductionNew York, NY, USA. I.B. Tauris & CoKnight, J.2003New German Cinema: Images of a GenerationLondon, UK. Wallflower PressLeong, A.2006Korean Cinema: The New Hong KongVictoria, BC, Canada. Trafford PublishingLim, SH and Ward, J. (Eds.)2011The Chinese Cinema BookLondon, UK. British Film InstituteMartin, S.2011New Waves in CinemaHarpenden, UK. Kamera BooksNeupert, R.2007A History of the French New Wave CinemaMadison, WI, USA. The University of Wisconsin PressPizzera, J.2010Cinéma du look: Spiegel einer GenerationSaarbrücken, Germany. VDMPop, D.2014Romanian New Wave Cinema: An IntroductionJefferson, NC, USA. McFarland & CompanyRahbaran, S.2015Iranian Cinema Uncensored: Contemporary Film-makers Since the Islamic RevolutionNew York, NY, USA. I.B. Tauris & CoRajadhyaksha, A and Willemen, P. (Eds.)1999Encyclopedia of Indian CinemaAbingdon, UK. RoutledgeRich, BR.1998Chick Flicks: Theories and Memories of the Feminist Film MovementDurham, NC, USA. Duke University PressRoberts, I.2008German Expressionist Cinema: The World of Light and ShadowLondon, UK. Wallflower PressScheunemann, D.2006Expressionist Film — New PerspectivesRochester, NY, USA. Camden HouseShiel, M.2006Italian Neorealism: Rebuilding the Cinematic CityNew York, NY, USA. Columbia University PressStevenson, J.2004DOGME UNCUT: Lars Von Trier, Thomas Vinterberg, and the Gang that Took on HollywoodSanta Monica, CA, USA. Santa Monica PressSwann, P.2008British Documentary Film Movement, 1926–1946Cambridge, UK. Cambridge University PressTapper, R.2002The New Iranian Cinema: Politics, Representation and IdentityNew York, NY, USA. I.B. Tauris & CoTaylor, BF.2012The British New Wave: A Certain Tendency?Manchester, UK. Manchester University PressTemple, M and Witt,?M. (Eds.)2004The French Cinema BookLondon, UK. British Film InstituteTweedie, J.2013The Age of New Waves: Art Cinema and the Staging of GlobalizationOxford, UK. Oxford University PressVincendeau, G. and Graham,?P.2009The French New Wave: Critical LandmarksLondon, UK. British Film InstituteWest, A.2016Films of the New French Extremity: Visceral Horror and National IdentityJefferson, NC, USA. McFarland & CompanyWiegand, C.2012French New WaveHarpenden, UK. Pocket EssentialsFilm focus: Genre and film styleAuthorYearTitlePublisherAltman, R.1987The American Film MusicalBloomington, IN, USA. Indiana University PressAltman, R.1999Film/GenreLondon, UK. British Film InstituteBurgoyne, R.2008The Hollywood Historical Film (New Approaches to Film Genre)Malden, UK. Blackwell PublishingCostanzo, WV.2014World Cinema Through Global GenresChichester, UK. Wiley-BlackwellDel Mar Azcona, M.2010The Multi-Protagonist Film (New Approaches to Film Genre)Chichester, UK. Wiley-BlackwellFriedman, L and Desser,?D.2013An Introduction to Film GenresNew York, NY, USA. W.W. Norton & CompanyEberwein, R.2009The Hollywood War Film (New Approaches to Film Genre)Chichester, UK. Wiley-BlackwellFowkes, KA.2010Fantasy Film (New Approaches to Film Genre)Chichester, UK. Wiley-BlackwellGrant, BK.2007Film Genre: From Iconography to Ideology (Short Cuts)London, UK. Wallflower PressGrant, BK.2012Film Genre Reader IVAustin, TX, USA. University of Texas PressGrant, BK.2012The Hollywood Film Musical (New Approaches to Film Genre)Chichester, UK. Wiley-BlackwellGrindon, L.2011The Hollywood Romantic Comedy: Conventions, History and Controversies (New Approaches to Film Genre)Chichester, UK. Wiley-BlackwellLangford, B.2005Film Genre: Hollywood and BeyondEdinburgh, UK. Edinburgh University PressLuhr, W.2012Film Noir (New Approaches to Film Genre)Chichester, UK. Wiley-BlackwellMcGee, P.2006From Shane to Kill Bill: Rethinking the WesternMalden, UK. Blackwell PublishingTasker, Y.2015The Hollywood Action and Adventure Film (New Approaches to Film Genre)Chichester, UK. Wiley-BlackwellWorland, R.2006The Horror Film: An Introduction (New Approaches to Film Genre)Malden, UK. Blackwell PublishingFilm focus: TheoryAuthorYearTitlePublisherBranigan, E and Buckland,?W.2015The Routledge Encyclopedia of Film TheoryAbingdon, UK. RoutledgeBraudy, L and Cohen,?M.2009Film Theory and CriticismOxford, UK. Oxford University PressColman, F.2014Film Theory: Creating a Cinematic GrammarNew York, NY, USA. Wallflower PressElsaesser, T and Hagener,?M.2015Film Theory: An Introduction Through the SensesAbingdon, UK. RoutledgeEtherington-Wright,?C and Doughty,?R.2011Understanding Film TheoryLondon, UK. Palgrave MacmillanOsborne, R and Brew, A.2014Film Theory for BeginnersLondon, UK. Zidane PressStam, R.2000Film Theory: An IntroductionMalden, UK. Blackwell PublishingFilm production roles—cinematographerAuthorYearTitlePublisherBrown, B.2011Cinematography: Theory and Practice: Image Making for Cinematographers and DirectorsBurlington, MA, USA. Focal PressFrost, JB.2009Cinematography for Directors: A Guide for Creative CollaborationStudio City, CA, USA. Michael Wiese ProductionsHall, B.2015Understanding CinematographyRamsbury, UK. The Crowood PressLandau, D.2014Lighting for CinematographyNew York, NY, USA. Bloomsbury PublishingMalkiewicz, K and Mullen,?MD.2005Cinematography: Third Edition: The Classic Guide to FilmmakingNew York, NY, USA. FiresideStump, D. ASC2014Digital Cinematography: Fundamentals, Tools, Techniques, and WorkflowsBurlington, MA, USA. Focal PressTomaric, JJ.2015Film Skills Cinematography: Master the Art and Craft of Light and the Lensn.p.: CreateSpace Independent Publishing PlatformFilm production roles—directorAuthorYearTitlePublisherCox, A.2016Alex Cox’s Introduction to Film: A Director’s PerspectiveHarpenden, UK. Kamera BooksKatz, SD.1991Film Directing Shot by Shot: Visualizing from Concept to ScreenStudio City, CA, USA. Michael Wiese ProductionsKatz, SD.2004Film Directing: Cinematic Motion: A Workshop for Staging ScenesStudio City, CA, USA. Michael Wiese ProductionsMackendrick,? A and Cronin,? P.2004On Film-Making: An introduction to the Craft of the DirectorNew York, NY, USA. Faber & FaberProferes, N.2008Film Directing Fundamentals: See Your Film Before ShootingBurlington, MA, USA. Focal PressRabiger, M and Hurbis-Cherrier,?M.2013Directing: Film Techniques and AestheticsBurlington, MA, USA. Focal PressRussell, K.2001Directing Film: The Directors Art from Script to Cutting RoomLondon, UK. BatsfordFilm production roles—editorAuthorYearTitlePublisherDancyger, K.2010The Technique of Film and Video EditingBurlington, MA, USA. Focal PressKeast, G.2015The Art of the Cut: Editing Concepts Every Filmmaker Should KnowHonolulu, HI, USA. Kahala PressMeuel, D.2016Women Film Editors: Profiles in the Invisible Art of American MoviesJefferson, NC, USA. McFarland & CompanyMurch, W.2001In the Blink of an Eye: A Perspective on Film EditingLos Angeles, CA, USA. Silman-James PressOldham, G.2012First Cut: Conversations With Film EditorsBerkeley, CA, USA. University of California PressReisz, K and Millar, G.2009Technique of Film Editing, Reissue of Second EditionBurlington, MA, USA. Focal PressWadsworth, C.2016The Editor’s Toolkit: A Hands-On Guide to the Craft of Film and TV EditingBurlington, MA, USA. Focal PressFilm production roles—soundAuthorYearTitlePublisherBeck, J and Grajeda, T. (Eds.)2008Lowering the Boom: Critical Studies in Film SoundChampaign, IL, USA. University of Illinois PressHolman, T.2010Sound for Film and TelevisionBurlington, MA, USA. Focal PressMoroz, P.2016To Become a Sound Designer: Advice For Starting Up as a Sound Designern.p.: CreateSpace Independent Publishing PlatformSonnenschein, D.2001Sound Design: The Expressive Power of Music, Voice and Sound Effects in CinemaStudio City, CA, USA. Michael Wiese ProductionsViers, R.2008The Sound Effects Bible: How to Create and Record Hollywood Style Sound EffectsStudio City, CA, USA. Michael Wiese ProductionsViers, R.2012Location Sound Bible: How to Record Professional Dialogue for Film and TVStudio City, CA, USA. Michael Wiese ProductionsWinters, P.2016Sound Design for Low and No Budget FilmsBurlington, MA, USA. Focal PressFilm production roles—writerAuthorYearTitlePublisherBorders, M. (Ed.)2013Screenwriting 101 by Film Crit Hulk!n.p.: Bad Ass DigestCowgill, LJ.2005Writing Short Films: Structure and Content for ScreenwritersNew York, NY, USA. Watson-Guptil PublicationsDavis, R.2008Writing Dialogue for Scripts: Effective Dialogue for Film, TV, Radio and StageNew York, NY, USA. Bloomsbury PublishingField, S.2005Screenplay: The Foundations of Screenwriting: A Step-by-Step Guide from Concept to Finished ScriptNew York, NY, USA. Bantam DellNash, P.2012Short Films: Writing the Screenplay (Creative Essentials)Harpenden, UK. Creative EssentialsWalter, R.2010Essentials of Screenwriting: The Art, Craft, and Business of Film and Television WritingLondon, UK. Penguin Books (Plume)Yorke, J.2014Into the Woods: How Stories Work and Why We Tell ThemLondon, UK. Penguin BooksWebsites for film researchOrganizationWebsiteAll movie guide Film Institute podcasts World Network Lights Film Journal Academy of Film and Television Arts SoundCloud Film Institute Criterion Collection Frame a Painting Education resources Documentary Association Movie Database Ed York Film Academy Student Resources York Times: ‘Anatomy of a Scene’ Film School on Film Art 3: Film Riot Magazine of Cinema film journal Film School Post Lab Shoot Pictures, Don’t They? Copilot Film Studies ................
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