Eve Andrée Laramée



Eve Andrée Laramée

126 Java St. Brooklyn, NY 11222 • 718.389.4309 718.384.4797

Website Email: wander@

EDUCATION

MFA, San Francisco Art Institute BA, San Diego State University

SOLO EXHIBITIONS AND INSTALLATIONS

2015 Roswell Museum and New Media/New Mexico, Waste of Space, Roswell, NM

2014 Pace University Bianco Room, in conjunction with the Humanitarian Disarmament and

Arms Control Forum, NYC. NukeNOtes

2012 Roger Williams University Gallery, Be Brave: Considering Radioactive Waste, Bristol, RI

2011 Santa Fe Art Institute, NM. HALF LIFE: Eve Andrée Laramée and Kim Stringfellow (two-person)

2010 Museum of the American Philosophical Society, Philadelphia, PA.

Luminious Darwin: The Lost Notebooks of Charles Darwin

2009 Emory University Art Gallery, Atlanta GA. Halfway to Invisible

2004 Linda Durham Gallery, Galisteo, NM. A Natural History of Discontinuity

2003 Wave Hill, Bronx, New York, Hudson River Project: Sugar Mud

2001 Mass MoCA, North Adams, MA, Apparatus for the Distillation of Vague Intuitions

2000 Austin Museum of Art, Austin, TX. Eve Andrée Laramée: New Works

1999 M.I.T. List Center for the Arts, Massachusetts Institute of Technology, Cambridge, MA.

A Permutational Unfolding

Delaware Center for the Arts, Wilmington DE, Secret History: Strangers in the Laboratory

1998 Contemporary Arts Museum, Saint Louis. Apparatus for the Distillation of Vague Intuitions

1997 Islip Art Museum, East Islip, NY. Secret History: Yves Fissiault: Artist of the Cold War Era

1996 John Gibson Gallery, New York, NY. Eve Andrée Laramée: Sculpture and Drawings

The New York Kunsthalle, New York, NY. A Scientific Observation of a Private Obsession

Rice University Art Gallery, Houston, TX. Facts are Slippery

University Art Gallery, San Diego State University, San Diego, CA. Cellular Memories

1995 Moltkerei Werkstatt, Köln, Germany. A Scientific Observation of a Private Obsession

55/51 Raum fur Zeitkunst, Monchengladbach, Germany. To Cause a Disappearance

1994 TZ'Art & Co. Gallery, New York, Apparatus for the Distillation of Vague Intuitions

Randolph Street Gallery, Chicago, IL. Apparatus for the Distillation of Vague Intuitions

Robert Lehman Gallery, UrbanGlass, Brooklyn, NY. The Science of Approximation

Donna Beam Gallery, University of Nevada, Las Vegas. Voltaic Cell Drawings

1993 John Gibson Gallery, New York, NY. Instruments and Apparatus

James Madison University Gallery, Harrisonburg, VA. Eve Andrée Laramée: Drawings, 1983-1993

1992 College of Saint Rose, Albany, NY. A Brief Episode of Clarity

1991 John Gibson Gallery, New York, NY. New Sculpture

Art 3, Groupe de Recherche et de Mediation en Art Contemporain, Valance, France.

Valence: The Capacity to Combine

Sandra Gering Gallery, New York, NY. Voltaic Cell

Rotunda Gallery, Brooklyn, NY. Requiem for a Blue Fluid

1990 Zilkha Gallery, Wesleyan University, Middletown, CT. The Eroded Terrain of Memory

1988 Real Art Ways, Hartford, CT. The Effect of Forces upon Matter

Franklin Furnace, New York, NY. Circular Waves on Water: Fermi's Eyes

1987 White Columns, New York, NY. The Reason For

1986 Museum of New Mexico, Santa Fe, NM. X-Ray Yankee Zulu & the Amps, Part II

1985 Los Angeles Institute for Contemporary Art, CA. X-Ray Yankee Zulu and the Amps , Part I

Center for Contemporary Arts, Santa Fe, NM. The Messenger

Performance Projects, Tucson, AZ, Solidified Time: Hydrocarbon Hell (for Los Angeles)

1983 The Albuquerque Museum, Albuquerque, NM . Venusian Lagoons

1982 Downtown Center for the Arts, Albuquerque, NM. Antarctica: Inertial Residue

1981 University of New Mexico campus grounds, Aqua Lava River, Albuquerque, NM

1980 A.R.E., San Francisco, CA Vaporization

GROUP EXHIBITIONS (selected)

2016 Forthcoming:

Islip Art Museum, “The New Classics” East Islip, NY (September 2016 – January 2017)

New installation, “Debris Impacts” with prints and video, “Waste of Space”

University of Buffalo Art Galleries, Buffalo, NY. “Radioactivity and Radioactive Waste”

Fingesten Gallery, Pace University, NYC. “Visual Inquiries: Artists Inspired by Science”

New gouache paintings

(2017) Radiator Gallery, Long Island City, NY “Deep Ecology”

2015 Institute of Visual Arts, University of Wisconsin, Milwaukee. Placing the Golden Spike:

Landscapes of the Anthropocene. New installation: ”Inverse Alchemy: Shadows in Reverse”

Outpost Gallery, Santa Fe, NM. I Want to Believe (maybe). New photographs

Gerald Peters Gallery, Peter’s Projects, Santa Fe, NM. Axle Indoors. Painting: “Slow Burn”

University of California San Diego, Association for Environmental Studies & Sciences

Conference Exhibit, Confronting Frontiers, Borders and Boundaries. Digital work “Hot Rocks”

2014 Daejeon Museum of Art, Daejeon, South Korea. Project Daejeon: The Brain

Simons Center for Physics and Geometry, Stony Brook University, Tracking the Cosmos, NY

Center for Contemporary Art, Santa Fe, NM. Art Collision & Repair Shop

Gallery 101, Arc Across the Vortex, Brooklyn, NY

Mooney Center Gallery, College of New Rochelle, Spiral Bound, New Rochelle, NY

The Bruce High Quality Foundation, The Last Brucennial, New York, NY

It’s All About Things, My Girl, Port Chester, NY.

2013 Central Booking Gallery, New York, NY. Un/Natural Occurrences

ISIS Gallery, Notre Dame University, Indiana. Post-Natural

Yeh Art Gallery, St. John’s University, Queens, NY. Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront

Museum of Modern Art, Rio de Janiero, Brazil. 3rd International Uranium Film Festival

Traveled to multiple venues through 2014: Germany, Portugal, India, Washington DC,

Santa Fe, NM, Brooklyn, NY Navajo Nation Window Rock, AZ,

2012 Museum of Modern Art, Rio de Janiero, Brazil. 2nd International Uranium Film Festival

Traveled to: Eiszeit and Moviemento in Berlin-Kreuzberg, Germany; and to India (New Dehli, Shillong, Ranchi, Pune, Mumbai, Kerala, Hydarabad, Chennai)

516 ARTS, Albuquerque, NM. ISEA2012 Machine Wilderness

SevenEleven Gallery, New York, NY. Alchemy

University Art Gallery, New Mexico State Univer, Las Cruces. Thinking New Mexico

Axle Contemporary, Santa Fe, NM. The Flatfile Show

James Kelly Gallery, Site Unseen 7: Benefit for Site Santa Fe, New Mexico

2011 DeutcheBank Gallery, New York, NY. Beyond the Horizon

Cleveland Sculpture Center, Cleveland, OH. Groundwater: Out of Sight/Site Out of Mind

Central Booking, Brooklyn, NY. Earthwork

Texas State University Art Gallery, San Marcos, TX. SubStainability

Romanov Grave 214 Gallery, National University, La Mesa, CA. Spiral Bound

OUTPOST: Artist Resources Gallery, Brooklyn, NY. “GeoLoco” (November)

Santa Fe Art Institute, Santa Fe, NM. HALF LIFE: Patterns of Change, Cycles of Creation, Decay and Renewal in Art and Life

Rotunda Gallery, Brooklyn, NY. 30: A Brooklyn Salon.

Art 101 Gallery, Brooklyn, NY. WILLIAMSBURG2000

EcoArt Space, New York, NY. What Matters Most?

Decker Gallery, MICA, Baltimore, MD, Faculty Sabbatical Exhibition

2010 Swarm Gallery, Oakland, CA. Things Are Expanding

Borowsky Gallery, Philadelphia, PA. Mapping: Outside/Inside

Axle Contemporary, Santa Fe, NM. Moving Stills

Exit Art, New York, NY. What Matters Most?

2009 Jonathan O’Hara Gallery, New York, NY, The Funnyface Project

Woven Spaces, Brooklyn, NY. Luxury Condos, and the Rest: The Making of a Place

Center for Contemporary Art, Santa Fe, NM. Mapping the Green Future

2008-9 La Villa Arson, Nice, France, Acclimation

SlashSeconds, online exhibition on , United Kingdom; Vanishing Point

2007 Boulder Museum of Contemporary Art, Weather Report: Art and Climate Change

Armand Hammer Museum of Art and Cultural Center, at UCLA, Los Angeles, CA. Hammer

Contemporary Collection Part 1

Fine Art Galleries, Bowling Green State University, WATER, Bowling Green, Ohio; AER

Green Museum, online exhibition curated by Andrea Polli

2006 Shanghi Zendai Museum of Modern Art, Shanghai, China, Lovely Shanghai Music

Hannover Kunstverein, Hannover, Germany, Lovely Shanghai Music

Exit Art, New York, The Drop

Abington Art Center, Jenkintown, PA Elements

New Image Gallery, James Madison University, Harrisonburg, VA, Contemporary Mathematical Photography and New Media

Affect Images, Universität zu Köln, Cologne, Germany, Deleuzian Events,

2005 Akademie der Künste, Berlin, Germany, Anthology of Art (traveling exhibition)

Bizart Gallery, Shanghai, China, Record 404/Lovely Shanghai Music

2004 Museum of Modern and Contemporary Art, Geneva, Switzerland, 404, Yellow Pages

Brooklyn College at the Brooklyn War Memorial, NY. Floorplay

Dorsky Gallery, Long Island City, NY. Residue

Sonoma Museum of Visual Art, Santa Rosa, CA. Trace

Kunsthalle Palazzo Liestal, Bazel, Switzerland, 404: Yellow Pages

Martin-Gropius-Bau, Berlin, Germany. Anthology of Art

ZKM (Zentrum fur MedienKunst), Karsruhe, Germany. Anthology of Art

Akademie der Kunst, Berlin, Germany, Anthology of Art

Bundeskunsthalle, Bonn, Germany. Anthology of Art

Turm Gallery, Helmstedt, Germany 404,Yellow Pages

Dabora Gallery, Brooklyn, NY. Mortis Dabora: Tall Tales of Death III

Exit Art, New York, NY, Public Execution/Big Glass (collaboration with Serkan Ozkaya)

Brent Sikkema Gallery, NY. Postcards from the Edge

2003 Museum für Angewandte Kunst, Frankfurt, Germany, Corporal Identities: Body Language

Klingspor Museum, Offenbach, Germany, Corporal Identities: Body Language

Chicago Atheneum, Chicago, IL, Corporal Identities: Body Language

American Museum of Arts and Design, New York, NY. Corporal Identities: Body Language

Cincinnati Art Museum, Cincinnati, Ohio. Drawings of Choice from a New York Collection

Georgia Museum of Art, Athens, GA, Drawings of Choice from a New York Collection

Gallerie Lelong, New York, NY; Postcards from the Edge

Santa Fe Art Institute, Santa Fe, NM. H2O

Bowdoin College Museum of Art, Maine, Drawings of Choice from a New York Collection.

Rochester Institute of Technology, NY, Bausch & Lomb Gallery, Poetry of Science

Arkansas Art Center, Little Rock, AK, Drawings of Choice from a New York Collection

Santa Fe Art Institute, Santa Fe, NM. H2O

A.I.R. Gallery, New York, NY. Wish You Were Here Too!, Benefit exhibition

2002 Bienal de São Paulo, Brazil, Plural Maps: Lost in São Paulo , (collab. w/ Lucia Leao)

Art in Embassies Program, U.S. Department of State, American Embassy in Ottawa, Canada.

Sperone Westwater Gallery, New York, NY. Postcards from the Edge (Visual AIDS Benefit)

Köln Art Fair, Köln, Germany (work sponsored by Linda Durham Gallery, NYC)

Krannert Art Museum, Champaign, IL, Drawings of Choice from a New York Collection

Bronx River Museum Art Center, Bronx, NY; Artsthma

Shepard Fine Art Gallery, University of Nevada, Reno, “Drawings”

Vancouver Access, Vancouver, BC, Canada, con/quest

Rotunda Gallery, Brooklyn, NY. 20/02

Cooper Union for the Advancement of Art and Science, Urban Visionaries Benefit Exhibit

New York Foundation for the Arts Benefit Exhibition, Tribeca Gallery, New York

Community Word Project Benefit Exhibition, Bronx, New York

2001 MASS MoCa, North Adams, MA. Unnatural Science (installation, see above) (2000-2001)

Art in Embassies Program, United States Department of State, American ambassador to Canada, Ottawa

Palm Beach Institute of Contemporary Art, Palm Beach, FL, BROOKLYN!

Sara Meltzer Gallery, Visual AIDS: Postcards from the Edge, benefit exhibition

Kresge Art Museum, Michigan State University, East Lansing, MI. Botanica: Contemporary Art

and the World of Plants (traveling exhibition)

Robert Hull Fleming Art Museum, University of Vermont, Burlington, VT. Botanica

University Gallery, University of Delaware, Newark, DE. Botanica

Western Gallery, Western Washington University, Bellingham, WA; Botanica

2000 John Michael Kohler Art Center, Sheboygan, WI. Garden of Pleasure

Untitled (Space) with the Yale School of Medicine, New Haven, CT. Foreign Bodies

Plymouth State College Art Gallery, Plymouth, NH. Textiles and Technology

The Sharjah Arts Museum, Sharjah, United Arab Emirates, Outreach Exhibition

Carleton College Art Gallery, Northfield, MN, Botanica: Cont. Art and the World of Plants

Alexandria Museum of Art, Alexandria, LA, Botanica

University Galleries, Illinois State University, Normal, IL, Botanica

Tarble Arts Center, Eastern Illinois University, Charleston, SC. Botanica

Chicago Cultural Center, Chicago, IL, Botanica: Contemp. Art and the World of Plants

Pelham Art Center, Pelham, NY. The Third Dimension

Eyewash Gallery, Brooklyn, NY. Valentine

Eyewash Gallery, Brooklyn, NY. Selections from Williamsburg

1999 Ludwig Forum für Internationale Kunst, Aachen, Germany. Natural Reality: Artistic Positions Between Nature and Culture (public art installation & museum show)

Arti et Amicitiae, Amsterdam, The Netherlands. The Mind on Scale.

Hudson River Museum, Yonkers, NY. Drip, Blow, Burn, (installation)

Tweed Museum of Art, Univ. of Minn, Duluth. Botanica: Contemp, Art & the World of Plants

Plains Art Museum, Fargo, ND, Botanica: Contemporary Art and the World of Plants

Alexander & Bonin Gallery, New York, NY; Postcards from the Edge

Hallwalls, Buffalo, NY. Phenotypology

1998 Palazzo Osterio Magno, Cefalù (Palermo), Italy. EUROPE-USA

John Gibson Gallery, New York, NY. RAW IDEA

Mandeville Gallery, Union College, Schenectady, NY. Into Focus: Art on Science

White Box, Philadelphia, PA. Visible/Invisible

1997 Venice Biennale XLVII, Venice, Italy. Unimplosive Art

John Gibson Gallery, New York, NY. Mother Nature

The Rotunda Gallery, Brooklyn, NY. Suture

1996 Katonah Museum, Katonah, New York. Making Sense: Five Installations on the Senses

John Gibson Gallery, New York, NY. 21 Century Sculpture

Museo de Arte Extremeno Iberoamericano, Badajoz, Spain. Los Ojos del Guadiana,

Guandiana River Project, Spain and Portugal. Além da Agua (collabor. with Gratis collective)

Silverstein Gallery, New York, NY. Menu du Jour

University of Arizona Gallery, Tempe, AZ. Fossil Abstractions

Coffin Creek Gallery, Mudgee, New South Wales, Australia. Ways of Seeing: Drawings by

Eleven International Artists

Robert Lehman Gallery, UrbanGlass, Brooklyn, NY. ”People Who Live in Glass Houses...”

Richmond Art Center, CA. Generations: The Lineage of Influence in Bay Area Art

Kunstform Weil der Stadt, Weil der Stadt, Germany. Johannes Kepler

1995 Gallerie des Archives, Paris, France. Conversational Archive

New Museum of Contemporary Art, New York, NY. Human/Nature

Desert Sculpture Park, Mitzpe-Ramon, Israel. Construction in Process V: Coexistence

Lombard/Freid Fine Arts, New York, NY. Wheel of Fortune

University Art Galleries, Illinois State University, Normal, IL. Residue

Art Omi, Omi, New York. Open Studio (installation: Slipping Through Holes in the System) 871 Fine Arts, San Francisco, CA. The Multiple from Duchamp to the Present

Domestic Setting Gallery, Los Angeles, CA. A Vital Matrix

Mad River Post, New York, NY. Lines of Flight

1994 The High Museum, Atlanta, GA. Metaphysical Metaphors

Manes Kunsthalle, Prague, The Czech Republic. The Cave of Making

Basel Art Fair, Basel, Switzerland. Margarete Roeder Gallery, New York and Köln

Berlin-Shafir Gallery, New York, NY. Free Falling

Fordham University Gallery, New York, NY. Gene Culture

1993 John Gibson Gallery, New York, NY. The Nineties

The International Artists Museum, Lodz, Poland. Construction in Process IV

TZ'Art & Co. Gallery, New York, NY. NATURALUNNATURAL

Salama-Caro Gallery, London, England. Irony & Ecstasy

Elga Wimmer Gallery, New York, NY. As Above, So Below

Jessica Berwind Gallery, Philadelphia, PA. Drawings from 55 Ferris Street

The Drawing Center, New York, NY. The Return of the Cadavre Exquis (traveling show)

The Corcoran Gallery of Art, Wash. DC. The Return of the Cadavre Exquis

Santa Monica Museum of Art, Santa Monica, CA. The Return of the Cadavre Exquis

Forum for Contemporary Art, St. Louis, MO. The Return of the Cadavre Exquis

The American Center, Paris, France. The Return of the Cadavre Exquis

Rotunda Gallery, Brooklyn, NY. Dirty Ornament

1992 Museum of Contemporary Art, Chicago, IL. Art at the Armory: Occupied Territory

John Gibson Gallery, New York, NY. Natural Science

Zilkha Gallery, Wesleyan University, Middletown, CT., Irony and Ecstasy: Contemporary

American Drawings

Institute of Contemporary Art, Moscow, Russia, Irony and Ecstasy: Contemp. Amer. Drawings

The Artists Museum, Berlin, Germany. Red Cross

1991 Islip Art Museum, East Islip, NY. Featured Artists of the Permanent Collection

P.S. 1 Museum, Long Island City, NY. New York Diary: Almost 25 Different Things

Basel Art Fair, Basel, Switzerland, John Gibson Gallery, New York.

1990 The Hudson River Museum, Yonkers, NY. Natural Order

Contemporary Arts Museum, Houston, TX. Revered Earth (traveling show)

The Mint Museum, Charlotte, NC Revered Earth

Nexus Contemporary Art Center, Atlanta, GA. Revered Earth

University of Arizona Museum of Art, Tucson, AZ. Revered Earth

Center for Contemporary Arts, Santa Fe. Revered Earth

Parsons School of Design, New York, NY. Revered Earth

Gracie Mansion Gallery, New York, NY. The Fifth Essence

The New Museum of Contemporary Art, New York, NY. Benefit Auction

Art in General, New York, NY. Installations: Part II

Center for Photography at Woodstock, Woodstock, NY. Natural History Recreated

Parsons School of Design, New York, NY. A Selection of Selections: NYFA Fellows

1989 The New Museum of Contemporary Art, New York, NY. Strange Attractors: Signs of Chaos

Wallach Art Gallery, Columbia University, NY. Terra Firma: Land and Landscape in Art of the 80's

Tom Cugliani Gallery, NYC. Lydia Dona, Sue Etkin, Gretchen Faust, Eve Andrée Laramée, Kiki Smith

Boston University Art Gallery, Terra Firma? - Earth Watch: Earth Sense: Earth Sites

1988 Stux Gallery, New York, NY. Fatal Strategies

Institute for Contemporary Art - P.S. 1, Long Island City, NY. Studio Artists Exhibition

City Gallery, Department of Cultural Affairs, New York, NY. Installations: Six Views

1987 Institute for Contemporary Art -The Clocktower, New York, NY. Open Studio

1986 Museum of New Mexico, Santa Fe, NM. Personal Environments

1985 Los Angeles Center for Photographic Studies, Los Angeles, CA. Strata: Time Exposures

1984 Downtown Center for the Arts, Albuq, NM. Artists Against U.S. Intervention in Central America

1982 University of New Mexico, Albuquerque, NM , Process at Large

ZONE, Springfield, MA, Artists Books

1978 Los Angeles Institute of Contemporary Art, Artwords and Bookworks (traveling show)

Artists Space, New York, NY. Artwords and Bookwork

New Orleans Contemporary Arts Center; New Orleans, LA. Artwords and Bookwork

Heron School of Art, Indianapolis, IN. Artwords and Bookwork

1976 Camerawork and LaMamelle, San Francisco, CA. Photography and Language

Laguna Museum of Art, Laguna Beach, CA. 22nd Annual All California Show

PUBLIC COLLECTIONS

The MacArthur Foundation, Chicago, IL

Museum of Modern Art, New York, NY

Museum of Contemporary Art, Chicago, IL

Massachusetts Institute of Technology, Cambridge, MA

Smithsonian Institution, Cooper-Hewitt, National Design Museum

Fogg Art Museum , Harvard University, Cambridge, MA

UCLA Armand Hammer Art Museum, Los Angeles, CA

Geneva Art Museum, The Cabinet des Estampes, Geneva, Switzerland

The Albuquerque Museum, Albuquerque, NM

The Islip Art Museum, East Islip, NY

Vescom B.V., Deurne, Holland

Fine Arts Museum of Long Island, Hempsted, NY

The International Artists Museum, Lodj, Poland and Berlin, Germany

Art 3, Groupe de Recherche et Mediation de Arte Contemporain, Valence, France

The AIDS CARE Hospice Collection, Chicago, IL

University of Nevada

San Diego State University (Permanent commissioned public art work)

University of Southern Maine

James Madison University, Harrisonburg, PA

HONORS AND AWARDS

2016 Pace University, Scholarly Research Grant for research expenses

2016 Pace University, Summer Research Grant

2015 Pace University, Keenan Faculty Development Grant

2015 Pace University, Scholarly Research Grant, for research expenses

2015 Pace University, Scholarly Research Grant, for release time

2014 Pace University, Keenan Faculty Development Grant

2014 Pace University Summer Research Grant

2011 Maryland Institute College of Art, Brenner Faculty Grant

2010 Pollock Krasner Foundation, Grant

2009 Goldwell Open Air Museum, Rhyolite, NV; AIR Grant, Slouching Towards Yucca Mountain

2009 Maryland Institute College of Art, Brenner Faculty Development Grant, Yucca Mountain project

2009 Emory University Center for Creativity and Arts, Interdisciplinary Grant for Halfway to Invisible

2008 Maryland Institute College of Art, Faculty Research Grant, Desert Trilogy project

2008 Maryland Institute College of Art, Faculty Development Grant, Luminous Darwin project

2007 Maryland Institute College of Art, Lucas Grant, SLSA Conference

2007 Maryland Institute College of Art, Lucas Grant, Burning Man Kinetic Sculpture research

2006 Maryland Institute College of Art, Faculty Development Grant, SLSA Conference

2005 Maryland Institute College of Art, Lucas Grant, Fluid Geographies project

2004 Pollock-Krasner Foundation, Grant

2004 MacDowell Colony Fellowship, Peterborough, NH.

2004 Santa Fe Art Institute, Studio Residency, Santa Fe, NM

2003 MacDowell Colony Fellowship, Peterborough, NH

2003 Fairfield University Faculty Research Grant, Hudson River Project

2003 Fairfield University Humanities Institute Grant

2002 Fairfield University Summer Research Stipend, Fluid Geographies: Los Alamos Project

2002 Fairfield University Faculty Research Grant, Netherzone project

2001 New York Foundation for the Arts, Fellowship, Performance Art/Multidisciplinary Works

2001 MacDowell Colony Fellowship, Peterborough, NH

1998 Delaware Center for Contemporary Arts, NEA Education & Access Grant

1995 Mid-Atlantic Arts Foundation, Regional NEA Grant, Sculpture

1995 New York Foundation for the Arts, Artist-in-Residence Grant (Arts in Education)

1995 ART/OMI, Studio Fellowship, Omi, New York

1994 Pilchuck Glass School, Artist-in-Residence Fellowship, Stanwood, WA

1992 Guggenheim Museum, Sculptor-in-Residence Fellowship, Chesterwood, MA

1992 The Andy Warhol Foundation for the Visual Arts, Grant, set design

1992 John Michael Kohler Arts Center, Artist-in-Residence Fellowship, Kohler, WI

1992 New York Experimental Glass Workshop, Artist-in-Residence Fellowship, Brooklyn

1990 Art Matters, Inc, Fellowship, New York, NY

1990 The Shifting Foundation, Grant, Chicago, IL

1989 New York Foundation for the Arts, Fellowship, Emerging Forms, New York, NY

1987-8 Institute for Contemporary Art, The Clocktower, NYC. National Studio Program Fellowship

1986 CEPA, Buffalo, NY, Artist-in-Residence Grant

1984-6 New Mexico Arts Division, Artist-in-Residence Grant

TEACHING EXPERIENCE

Full Time

Pace University, New York, NY. Professor, August 2013 -

Maryland Institute College of Art, Baltimore MD, Professor of Interdisciplinary Sculpture, 2004-2012

Fairfield University, Fairfield, CT, Assistant Professor and Director of Visual Art Program, 2001-2004

Part Time

Sarah Lawrence College, Bronxville, NY Guest Professor, Sculpture/Installation/Performance, 1997-2001

James Madison University, Harrisonburg, VA. Installation, D.P. Wampler Art Professor, 1993

University of Nevada, Las Vegas, Artist in Residence, 1994 (one semester)

Massachusetts Institute of Technology, Cambridge, MA. Visiting Professor (sabbatical replacement), 1992

Adjunct

Cooper Union School of Art, New York, NY. Visiting Professor, Sculpture, Installation, 1999, 1995

Rhode Island School of Design, Providence, RI. Graduate Seminar (theory), Instructor, 1993, 1992

Vermont College of Norwich University, MFA in Visual Art Program, Artist-Teacher, 1995 – 2002

Maryland Institute College of Art, Adjunct Professor, Installation, Sculpture, Foundations, 1993-94,96

Cooper-Hewitt National Museum of Design, New York, NY. Art Educator, 1995

California College of the Arts, Oakland, CA. Summer Graduate School, Instructor, Summer 1994,1995

School of the Museum of Fine Arts, Boston, MA. Sculpture, Visiting Professor, 1990

New York University. Adjunct Professor, Sculpture, Installation, Drawing for Sculptors, Art Theory, 1989-1994

ADMINISTRATIVE EXPERIENCE

Chair of Art and Art History, Pace University, New York, NY. August 2013 – August 2016

Director and Founder, Center for the Arts, Society & Ecology, Pace University, 12/2015 -present

Pace University Society of Fellows Annual Symposium and Retreat co-organizer (with Prof. Eaton,

Biology) Connections: Art & Ecology! How artistic and scientific collaborations can enlighten and

sustain our world. Three day symposium, Warwick Center, NY.

Chair of Interdisciplinary Sculpture, Maryland Institute College of Art, Baltimore MD, August 2004-2009

Director of Visual Art Program, Fairfield University, Fairfield, CT, Sept. 2001 - June, 2004

Founder and Director, ART/MEDIA, Albuquerque and Santa Fe, NM curated exhibitions, lecture series,

performance series, artists projects in mass media billboards, TV, radio and print) including

Hans Haacke, Jenny Holzer, Rachel Rosenthal and others. 1983-86

PROFESSIONAL & CURATORIAL EXPERIENCE

2014 Co-curator (with Jessica Gagnon), TERRAFORM, Pace University, 41 Park Row, NYC

2012 Co-curator (with Beverly Naidus), Atomic Legacy Art, BIONEERS Conference, San Raphael, CA

2012 Curator, uncommonplace, InFlux Gallery, Baltimore, MD

2011 Curator, Let’s Get Lost, Main Zero Gallery, Maryland Institute College of Art, Baltimore, MD

2008 Curator, Flying Out of this World, Meyerhoff Gallery, Maryland Institute College of Art, Baltimore

2007 Curator, Wandering: Explorations of Space and Place, Meyerhoff Gallery, MICA Baltimore, MD

2001 Founder and Director, AORTA Fund (Artists on the Road Travel Assistance: “socialsculpture”)

2000 Co-curator,Wunderkammer, exhibition at the Rotunda Gallery, Brooklyn, NY

1986-9 Editorial Design Production Associate, ARTFORUM Magazine, New York, NY.

1986-9 Production Associate, Interview Magazine, New York, NY.

1986 Curator, Subversive Acts: Artists Working with the Media Politically, Fine Arts Museum, Univ. of New Mexico, Albuquerque & the College of Santa Fe Gallery

1986 Curator,Tuning In: Video Exhibition, Museum of Fine Arts, Santa Fe and College of Santa Fe

1982 Co-Curator,Off the Pedestal: Large Scale Sculpture, Downtown Center for the Arts, Albuquerque

1978 Curator,Gray Matter, San Diego State University Art Gallery

1977 Curator, Group 5: An Environment, Casa Real, San Diego, CA

1976 Coordinator, 7th Annual Women's Festival of the Arts, San Diego, CA

1975 Assistant Coordinator, 6th Annual Women's Festival of the Arts, San Diego, CA

LECTURES, SYMPOSIA, INTERVIEWS AND WORKSHOPS

2016 Institute for Contemporary Art, Miami, FL. Fiction Science or Science Fiction? Seminar/wrkshp

Hawaii International Conference on Arts & Humanities, Honolulu, HI. EcoArt panel discussion

2015 Center for Contemporary Art, Santa Fe, NM, panel discussion, Fire Map Team

Rutgers University, Camden, NJ, visiting artist

Network Ecologies: Exploring relations between environmental art, environmental science,

environmental activism, University of Hull, UK. Remote conference paper presentation

Women’s National Book Association, “Women Writing on the Environment: Strong Voices

Impacting Change”, Pace University, panel discussion participant

Pace University and the Center for Community Action and Research, “Chasing Ice:

Changing the Tide of History”, film discussant with Prof. Ilan Safit, Philosophy

Pace University Society of Fellows Annual Retreat, Warwick Center, NY. Seminar organizer.

Lecture, “A.R.T. Activism, Remediation, Transformation through art and science collaborations

2014 Daejeon Museum of Art, Daejeon, South Korea. Project Daejeon: The Brain

AESS Association of Environmental Studies and Sciences Conference, “Welcome to the Anthropocene”; Panel: “Power, Vulnerability, Responsibility; Paper presentation: GLOW: Tracking Our Nuclear Legacy Through Eco/Environmental Art

Simons Center for Physics and Geometry, Stony Brook University, lecture, Kepler: Noetics,

Poetics and Beyond

Pace University, public lecture, Environmental & Ecological Art and Science Collaborations

MICA/AICAD Summer Program in New York, visiting artist lecture

2013 Massachussetts Institute of Technology, MIT List Visual Art Center, Cambridge, MA,

lecture given in conjunction with climate change geographer Ronald Eastman,

“Nature, State of the World, Human Impact”, 11/18/13

Columbia University Honors Program, NYC, “GLOW: Tracking our Invisible

Nuclear Legacy through Environmental Art”, 10/14/13

School of the Museum of Fine Arts, Boston, lecture on artwork and research,11/19/13

William Patterson University, lecture on artwork and research, 10/28/13

Gasser/Gruenert Gallery, New York, NY. Green Alchemy, lecture on my artistic research

2012 ISEA2012: Machine Wilderness: Re-envisioning Art, Technology and Nature.

“Radical Cosmologies: Conversations on Culture, Technology and Research” panelist

“EcoArt and the Evolving Landscape of Situated Practices” panelist

FRINGE FESTIVAL, Washington DC. “The Post Reality Show: Talk Media!” interview with

Randall Packer. Show title: Return to the Desert, with Charles Lane and Eve Andree Laramée

Roger Williams University, Bristol, RI, “Be Brave: Considering Radioactive Waste”

2011 Santa Fe Art Institute, Santa Fe, NM. “Invisible Fire: Mapping Our Atomic Legacy,” lecture

Georgia O’Keeffe Museum, Santa Fe, NM. “Creativity and Sustainability,” lecture

San Jose State University, San Jose, CA. “Art, Science and Ecology, Did somebody say

Interdisciplinary participation?” lecture

University of New Mexico, Albuquerque, NM. Half Life, lecture, Art and Ecology Program.

Central Booking, Earthwork, panel discussion. Brooklyn, NY.

MICA DUMBO Program, Studio Visit, Brooklyn, NY

2010 Land Arts of the American West, Texas Tech University, Lubbock, TX. Field-based work with graduate students to Jackpile Uranium Mine, Paguate, NM, and Uranium Mining Museum

Museum of the American Philosophical Society, Philadelphia. “Parody and Science” panelist

Center for Sustainable Practice in the Arts, Parsons The New School for Social Reasearch,

New York, NY. “Agents of Change: Artists and Sustainability” panel discussion

California Institute of the Arts, Valencia, CA. “BioArt Speaker Series,” Visiting artist

University of California, Irvine. “Current Work and Research,” Irvine, CA, Visiting artist

University of California, San Diego. La Jolla, CA. “Current Work and Research” Visiting artist

Synapse Program Interdisciplinary Think Tank, University of Akron, Akron, OH. “Water”

University of Akron, Akron, OH. Department of Art, “Current Work on Water,” lecture

California State University, San Bernardino. “Art, Science, Nature,” Visiting artist

Lafayette College, Easton, PA, visiting artist lecture series

San Jose State University, San Jose, CA. Visiting artist lecture and critiques

Texas Tech University, Lubbock, TX. “Landscape as Knowledge,” Lecture and Discussion with Art Historian Ann Reynolds

San Francisco State University, Artist studio visit, graduate program.

2009 Rhode Island School of Design, visiting artist lecture/critiques

Alfred University, Alfred, NY. visiting artist

University of Texas, Austin, TX, lecture: “Archiving the Invisible”

MICA Korea Program/Korean National Univ of the Arts; Seoul, S.Korea, remote visiting artist

Maryland Institute College of Art, Baltimore, MD. Ecology and Art Research Cluster; lecture

“Research as a Power Tool”

MICA in Dumbo Program, Brooklyn, NY. lecture/studio visit

2008 MICA Korea, National University of the Arts; Seoul, South Korea, visiting artist (two weeks)

Emory University, Atlanta, GA, visiting artist lecture

University of New Mexico, Albuquerque, NM

MICA in Dumbo Program, Brooklyn, NY. lecture/studio visit

Maryland Institute College of Art, “Report from Burning Man 2008;” LLC Department lecture

2007 MICA Korea, National University of the Arts; Seoul, South Korea, visiting artist (two weeks)

Montclair Art Museum, “Extreme Nature”, panel discussion, Montclair, New Jersey

University of California, San Diego (UCSD); La Jolla, CA; lecture

Korean National University of the Arts, Seoul, Korea; lecture

Sarah Lawrence College, Bronxville, NY; lecture

Georgia O’Keefe Museum, Santa Fe, NM; workshop

Santa Fe Community College, Santa Fe, NM, lecture

MICA in Tribeca Program, Brooklyn, NY. lecture/studio visit

Virtual Concerts: A Public Think Tank, Environmental Art Podcast, “The Nuclear Option?” 20-minute interview w Aviva Rahmani.

2006 Oxbow School, Napa, California, Artist-in-Residence

Keisho Art Academy, Hajima City Culture Center, Nagoya Japan, lecture Land Art and Landscape”

Society for Literature, Science and the Arts Biannual International Conference, Amsterdam “Close Encounters” panel discussion paper presented: "Doubles, Dopplegangers and Clones"

MICA in Tribeca Program, Brooklyn, NY. lecture/studio visit

Georgia O’Keefe Museum, Santa Fe, NM; workshop

2005 Society for Literature, Science and the Arts Annual Conference, Chicago. “Emerging Systems, Cognitive Environments,” paper presented “Doubles, Alter-egos, Doppelgängers, Shadows and other Surrogate Selves”

Association of International Schools of Art Annual Conference, Baltimore, MD. “Techno- cultures in Art: Two Projects”

Iowa State University, Ames, Iowa; “Breaking the Barriers: Art, Humanities, and Science,” symposium presentation and workshop. “Art Meets Science in the 21st Century”

Maryland Institute College of Art, Alumni Weekend panel discussion “Art’s Moral Imperative?”

College Art Association annual conference; “Creating and Teaching ECOtistical Art”

symposium lecture/workshop presented: “The Pedagogical Challenges of Teaching Studio

Ecological Art” focusing on strategies and techniques for research for artists working with

environmental scientists and activists.

Maryland Institute College of Art, “Seeing Science, Seeing Art” symposium on art and science

Tyler School of Art , Temple University, Philadelphia, PA; lecture and critiques

MICA in Tribeca Program, Brooklyn, NY. lecture/studio visit

2004 Indiana State University, Terre Haute, IN. Lecture, and juror of student art show

Maryland Institute College of Art, Baltimore, MD. Lecture, “Recent Work” and critiques

Hartford Art School, Hartford, CT. Lecture “Recent Work”

Hudson River Museum, Yonkers, NY. Panel discussion, “Imaging the Hudson River”

SUNY New Paltz, studio visit/lecture to graduate class

Dorsky Gallery, Long Island City, NY. “Processing Art: The Artist Perspective”

Wave Hill, Bronx, NY; “Hudson River Projects” panel discussion

MICA in Tribeca Program, Brooklyn, NY. lecture/studio visit

2003 Rhode Island School of Design, Providence, RI. Visiting Artist, Glass Department

Northern Illinois University, DeKalb, IL, Visiting Artist and Critic , Graduate Program

University of Nevada, Reno, NV. Visiting Artist and Critic

University of Akron, Akron, OH, Visiting Artist / Studio Lecture

2002 CBC Radio interview, Montreal, Canada Art-in-Embassies Program, U.S. Dept. of State

College Arts Association Conference, Philadelphia, PA. “Free Radicals: Visionary Artists, Maverick Educators;” panelist

Queens College, Queens, New York, Visiting Artist

Brown University, Providence, RI. “Eve Andrée Laramée: Sculpture and Installation”

University of Wisconsin, Madison, WI. “Installation Art: From Spectacle to Process,” Lecture

Santa Fe Art Institute, Summer Workshop “Fluid Geographies,” Santa Fe, NM

Georgia O’Keefe Museum, Workshop on Alter-Egos, Santa Fe, NM

2001 Yale University School of Medicine, New Haven. “Art and Science: A Permutational Unfolding”

Oberlin College, Oberlin Ohio, “Alter Egos and Dopplegangers” Workshop in the “Visionary

Artists, Maverick Educators” series. Funded by the Henry Luce Foundation.

Queens Museum of Art, Queens, (Corona Park) New York, “Art and Science” Lecture

The Lawrenceville School, Hamilton, NJ., Lecture

New York University, Tisch School of the Arts, New York, NY., Lecture

School of Visual Arts, Computer Arts Department, New York, NY. Lecture

2000 Yale University School of Medicine, New Haven, CT, Lecture “Art and Science”

SUNY New Paltz, New Paltz, NY. Lecture

1999 ANPAP Congress (Brazilian National Association for Researchers in the Visual Arts), Sao Paulo, Brazil, paper presented: “A Permutational Unfolding: Art and the Culture of Science”

Austin Museum of Art, Austin, TX; lecture

MIT List Visual Art Center, Cambridge, MA; lecture

Maryland Institute College of Art, Baltimore, MD; lecture

1998 Eyebeam-Blast internet symposium, “Artistic Practice in the Network” Symposium Co-host,

Barnard College, New York, NY. “Hardwired: Science, Technology and the Construction of Gender”

Union College, Schenectady, NY, “In Focus: Art on Science,” panel discussion

San Francisco Art Institute, “Recycling and Installation Art,” lecture

Washington University, St. Louis, MO; lecture and critiques

1997 Documenta X, Kassel, Germany, “Blast Forum: Spatial Articulations” Internet symposium

San Diego State University, “Issues of Public Art,” lecture

1996 Rice University, Houston, TX. lecture

University of Illinois, Carbondale, IL, Visiting Artist

San Diego State University, Visiting Artist lecture

1995 California College of Arts and Crafts, Oakland, CA. "The Terrain of Objects" Grad. Wksp.

Illinois State University, Normal, IL. Panelist, "Residue"

University of Illinois, Champagne-Urbana, IL.Visiting Artist

1994 Seattle Art Museum, Seattle, WA; lecture

School of the Art Institute of Chicago, Chicago, IL; Visiting Artist

California College of Arts and Crafts, Oakland, CA. "Reinventing Identity in the Age of the Desiring Machines", Graduate Workshop

1993 San Francisco Art Institute, San Francisco, CA; Visiting Artist

California College of Arts and Crafts, Oakland, CA,Visiting Artist

San Francisco State University, Visiting Artist

Millersville University, Harrisonburg, VA; Visiting Scholar, "Earth: The Next Generation"

Syracuse University,Visiting Artist, "Matrilineage: Women, Art, Change" Symposium

1992 Rhode Island School of Design, Providence, RI; Visiting Artist

Museum of Contemporary Art, Chicago, Panelist, "Occupied Territory: Installation Art"

Artists Talk on Art,Panelist, "Site-Specific Installation," New York, NY

1991 Omega Institute, Panelist, "Chaos Theory in Science, Art and Culture," Rhinebeck NY

1990 Sarah Lawrence College, Bronxville, NY; Visiting Artist, lecture and critiques

Rhode Island School of Design, Visiting Artist lecture and critiques

1989 Chicago Academy of Sciences, Panelist, "The Spectacle of Chaos" Symposium

Bard College, Annandale-on-Hudson, NY, Visiting Artist

Rhode Island School of Design, Visiting Artist, "Time-based Art" lecture and critiques

1988 New York University, Visiting Artist

Rhode Island School of Design, Visiting Artist, "Installation and Time-based Art"

1987 National Sculpture Conference: Works by Women, Lecturer, "Installation," Cincinnati, OH

1986 The Cornish College of Art, Visiting Artist, "Installation & Time-based Art," Seattle

University of Buffalo, Visiting Artist, Buffalo, NY

College of Santa Fe, Workshop Instructor

1985 University of New Mexico, Visiting Artist, Albuquerque, NM

1984 University of New Mexico, Visiting Artist, Albuquerque, NM

1984-6 New Mexico Arts Division, Artist in Residence, various schools & institutions

PEDAGOGICAL WORKSHOPS/CLASSES ATTENDED

2016 Fine Art Digital Printing, International Center of Photography, NYC. Pace/ICP Program.

2015 Curanderismo Part 1: Traditional Healing of the Body, University of New Mexico.

Six-week online course in traditional indigenous Southwest and Mexican herbal healing.

International Peace & Planet Conference, Cooper Union for the Advancement of Art & Science Art + Feminism Wikipedia Train the Trainers and Edit-a-Thon, Museum of Modern Art, NYC.

Teaching Effectively Online, Pace University online seminar series. Certificate of Completion.

Adobe Premiere Intensive Video Editing Workshop, Manhattan Edit Workshop. Certificate.

2014 Wikipedia/Wikimedia International Conference, Wikimedia Foundation, NYC.

Conference and several workshops attended.

Wikimedia School of Open (WIKISOO) – Writing Wikipedia Articles. Wikimedia Foundation.

Six-week online course.

PUBLISHED WRITINGS AUTHORED BY THE ARTIST

“Drawing out the Dross” fessay in Interalia Magazine: Art, science, consciousness, UK.

Print and online. Forthcoming in January 2016.

“Inverse Alchemy Shadows in Reverse” Seven-page essay with five images, in the book Placing the

Golden Spike: Landscapes of the Anthropocene, (ISBN: 9781624621048), Edited by Dehlia Hannah.

University of Wisconsin Press, Milwaukee MN, and Publication Studio Press, Portland, OR. 2015.

“Atomic Archive” Eight page essay,with ten images, in peer-reviewed journal, Evening will Come:

Journal of Poetics, special issue Hiroshima/Nagasaki 70 years, edited by Brandon Shimoda. Is. # 56.

The Volta Publishers, September 2015.

“Radioactive Waste in Space” short essay, photo and video published in Archive of Nuclear Harm in

conjunction with the Nuclear Futures Partnership, Australia Council for the Arts. 2015



“RadWaste Disposition” essay and photographs, Central Booking Magazine, Vol IV, Issue III, 2014

“Floating Desalination Plant”, A-Biennial: Behold the Intangible, edited by Weronika Trojanska,

Sternthal Books, Montreal, Canada, 2014

“Finding a Diamond in the Middle of a Muddy Road: The Phelps Dodge Copper Refinery on Newtown Creek”, text and photos of artwork, in exhibition catalog: Silent Beaches, Untold Stories: New

York City’s Forgotten Waterfront”, introduction by curator Elizabeth Alpert, St. John’s University, 2013

“Tracking Our Atomic Legacy: Now We Are All Sons of Bitches” WEAD Magazine Issue #5

“NukeNOtes” ARID Journal for Desert Art, Environment and Sustainability, Vol 1, No. 1, Fall, 2012

“RadWaste Disposition” Central Booking Magazine (forthcoming)

“Seeing the Unseen” Chapter co-authored with Yincai Xiao, Kalyan Chakravarthy Thokala, in the book,

Biologically-Inspired Computing for the Arts: Scientific Data through Graphics, IGI Global Pub., 2011

“Invisible Fire: Mapping Our Atomic Legacy,” WEAD Magazine, Spring, 2012

“Slouching Towards Yucca Mountain,” /seconds journal, number 12: Archetype: Going

Underground/The Cruel Scene of the Image, U.K. , 2010

“Halfway to Invisible,” exhibition catalog, 2010

“Misty’s Disappearance,” /seconds journal, number 4: Vanishing Point; U.K., , 2008

“CORPOS D’AGUA (Bodies of Water),” Revista NADA Journal, Lisbon, Portugal, 2008

“Fluid Geographies,” Revista NADA Journal, Lisbon, Portugal, 2008

"Wandering: Psychogeographical Explorations of Space and Place," Exhibition essay, Middendorf

Gallery, Maryland Institute College of Art, November, 2006

“Introduction,” Interdisciplinary Sculpture Senior Commencement Exhibition Catalog, 2006

“Ann Reynolds and Eve Andrée Laramée in Conversation with Joan Waltemath on Smithson at the Whitney Museum,” Brooklyn Rail, October 2005

“Netherzone: A Psychogeographical Farce”. CAA Art Journal, Fall 2004, (issue on art and risk)

“Sugar Mud”, Chain (magazine) #12 , “Facts” issue, 2005

“ONLY QUESTIONS”, in Interaction: Artistic Practice in the Network, Eyebeam/D.A.P., New York, 2001

“Netherzone”, New Observations, Cultural Travelers Guide, Spring-Summer 2001

“A Permutational Unfolding: Art and the Culture of Science”, ANPAP Congress (Brazilian National

Association for Researchers in the Visual Arts), Sao Paulo, Brazil. 1999

“Wandering” (with Lewis DeSoto) in Innerscapes: An Anthology of Artists’ Writings, Maurizio Pelligrin,

editor,Trieste Contemporanea, Trieste, Italy, 1998

“A Permutational Unfolding” , New Observations, issue on Cultures of Cyberspace edited by Alan

Sondheim, Winter, 1998

"No Vacancy", Artist Project, Journal of Contemporary Art, Spring 1992, Vol 5 #1

"The Messenger", New Observations #82, Fall, 1991

"Inventing Wilderness: The National Parks", New Observations #81, Spring, 1991

"The Eroded Terrain of Memory", catalog essay, Zilkha Gallery, Wesleyan Univ, Middletown, 1990

"The effects of forces upon matter...", brochure, Real Art Ways, Hartford, 1989

“Belle Notorious”, High Performance Magazine, v. 5 no. 1, 1986

"Process and Natural Phenomena as Conceptual Points of Departure in Extended Format Sculpture," LEONARDO, Journal for the Arts, Sciences and Technology, Vol. 18, Issue 1, 1985

"Notes on Sculpture," catalog essay, The Albuquerque Museum, Albuquerque., NM, 1983

"One Becomes the Table," Artproof, Volume 1, Number 2 1978

PUBLIC ART WORKS

"PRETTY VACANT: Desertification" for Weather Report: Art and Climate Change, Boulder Museum of

Contemporary Art, CO. Art work distributed through the Boulder Sunday newspaper. 2007

“100 Years, 100 Stones,” San Diego State University, California 1997. Public art sculpture commission.

“Secret History,” University of Southern Maine, Gorham, ME. 2001. Public art printmaking commission.

“1% for Art: Kensington Library Project”, commission awarded, artist withdrew due to scheduling. 2000

PERFORMANCES AND COLLABORATIVE PROJECTS

Fire Map, collaborative installation with Jamie Hamilton, Jerry Wellman and Stacey Neff,

Center for Contemporary Art, Santa Fe, NM. 2014-2015

Invisible Fire: Mapping Radioactivity in Ohio Groundwater, collaboration with computer scientists, Yingcai

Xiao and Kalyan Chakravarthy Thokala, Akron University, Synapse Program.

Slouching Towards Yucca Mountain, collaboration with Courtney “scrap” Wrenn, Chelsea Noggle, Michel

Tallichet, Emily Montoya, Benji Geary. 2009-2011

Time Travel Machine, collaborative installation at Burning Man, 2009. With Erika Wanenmacher, Benji

Geary, Emily Montoya and Ethan Urbanik, Tom Jennings, Mykl Wells, David Forbes.

Hippie Trap, collaborative installation/performance at Burning Man, 2008, With Erika Wanenmacher, Benji

Geary, Emily Montoya. 2008

Blade Runner Noodle Shop, w/ Erika Wanenmacher, Benji Geary, Emily Montoya, Burning Man 2007

Deleuzian Events: “Gilles, the Singing Cowboy Philosopher: A Film for Hanjo Berressem”, Affect Images,

Köln, Germany, 2006

Turbulence, SEISMOGRAPH: Art Research Station, United Kingdom, 2006

Record 404/Lovely Shanghai Music, with Team404 and John Armleder, Bizart Gallery, Shanghai, China

and the Hannover Kunstverein, Hannover, Germany

The Center for Parascientific Research presents: Mia L’Amar, Oberlin College, Oberlin, OH. 2001

Yves Fissiault: Artist of the Cold War Era, Islip Art Museum, Dowling College, East Islip, NY. 1997

Gesture as Value, with Jerelyn Hanarahan’s collaborative project, Francesca Pia Gallery, Bern,

Switzerland, 1996

Além da Agua, Guandiana River Project with GRATIS collective (collaborative proj), Spain/Portugal, 1996

This Body is a Map, performance with Danny Tisdale, multiple sites in Egypt & Israel ,1995

Nothing Can Happen Only Once, set design for Bebe Miller Dance Company; Co-commissioned by the Wexner Center, Columbus, Walker Art Center, Minneapolis, and Brooklyn Academy of Music, 1993-94

Center for Parascientific Research, ongoing collaboration with Duane Griffin, 1984 - 1999

Blast 1: The Blue Box and Blast 3: Remaking Civilization; Artists projects, 1991, 1993

Agribusiness: The John Deere Myth, Intersection for the Arts, San Francisco, CA. 1989

Notes from the Nuke Farm, performance, Albuquerque, NM, 1982

Coffee-Sugar Syndrome; Apart/A Part; Physics Problem; Parallel/Parallax/Paradox; Performances at the

San Francisco Art Institute, 1980

BIBLIOGRAPHY: EXHIBITION CATALOGS AND BOOKS

Alpert, Elizabeth, Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront, book.

Contributed photographs for book cover image of historical Bushwick Creek, inside book

photograph of Phelps Dodge Copper Refinery on Newtown Creek,,and contains writings about

my artwork/research on Bushwick Creek and Newtown Creek.

Ward, Kiron. Leslie Marmon Silko’s Almanac of the Dead, and the End of the “New World.” Photographs

of the Jackpile Uranium Mine published in the book, Apocalypse Revisitied: A Critical Study on End Times, edited by Melis Mulazimoglu Erkal, ISBN 978-1-84888-340-6 2015

Polli, Andrea (chapter author) editors: Stephen Henry Schneider, Michal Mastrandrea, Terry L. Root. Encyclopedia of Climate and Weather Vol.1, Chapter: Cultural Works Addressing Climate and Weather, pg. 321-322. Oxford University Press, 2012

Moyer, Twylene and Harper, Glenn. The New Earthwork: Art, Action, Agency, “Eve Andrée Laramée: Revealing What No One Wants To See”, University of Washington Press and the ISC Press, Washington DC, 2012

Hannah, Dehlia. “Performative Experiments: Aesthetic Interventions in the Philosophy of Science”

PhD Dissertation, Columbia University, 2012

Berressem, Hanjo and Bucher, Michael and Schwagmeier, Uwe. Between Science and Fiction: The Hollow Earth, LIT Verlag Publishers, Berlin, Münster, Wien, Zurich, London, 2012.

Polli, Andrea. Transdiscourse, “Mediated Environments” Springer-Verlag, 2011

Morgan, Catrin. “Phantom Settlements”, Ditto Press: Royal College of Art, UK., 2011

International Sculpture Center, “The New Earthwork: Art, Action, Agency.” 2011

Ramade, Bénédicte and Eric Mangion, Acclimation: Green Pandemonium (A Kind of Joyful Cult of the Darwinian Missing Link), Monografik Publishers, France, 2010

Shanken, Edward A. Art and Electronic Media, (Themes and Movements Series), Phaidon Press, 2009

Robertson, Jean and McDaniel, Craig. Themes of Contemporary Art: Visual Art after 1980, Oxford University Press, 2009 (also published in Korean by Soosung Publishing Company)

Ball, Phillip. Brilliante Denker, Kühne Pioniere: Zehn bahnbrechende Entdeckungen, pg. 218. 2007

Lippard, Lucy. Weather Report: Art and Climate Change, Boulder Museum of Contemp. Art, 2007

Lippard, Lucy. Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing West,

The New Press, New York and London, 2014

Eshoo, Amy. 560 Broadway: A New York Drawing Collection at Work, 1991-2006, Yale Univ Press, 2007

Leuthold, Steven. “Light, Color, Interiority and the Aesthetics of Enchantment” in Kronegger, Marlies and Anna-Teresa Tymieniecka, The Aesthetics of Enchantment in the Fine Arts: Analecta Husserliana The Yearbook of Phenomenological Research, Vol LXV, Springer Publishing, 2007

Ottman, Klaus. Thought Through My Eyes: Writings on Art, 1977-2005, pg. 109. Spring Pub, Inc. 2006

Armleder, John and Team 404. Record 404/Lovely Shanghai Music, book published by Ecart Publications, recording issued by the Villa Magica Label, Geneva, Switzerland, 2005

Armleder, John and Ecart Editions. 404 Yellow Pages, Ecart Publications, Geneva, Switzerland, 2004

Freese, Peter, and Charles B. Harris. The Holodeck in the Garden: Science and Technology in Contemporary American Fiction, Dalkey Archive Press, original from the Univ of Michigan Press, 2004

Kimball, Roger. Art’s Prospect: A Challenge of Tradition in an Age of Celebrity, Ivan R. Dee, Pub, 2004

Ball, Phillip. Chemical Aesthetics, UK Royal Society of Chemistry, 2005

Ball, Phillip. Elegant Solutions: Ten Beautiful Experiments in Chemistry, UK Royal Society of Chemistry, 2005

Miles, Malcolm. New Practices – New Pedagogies: A Reader; Routledge, London, 2005

Hönnighausen, Lothar, Julia Apitzsch, Wibke Reger. Space, Place, Environment, Pulbished by Stauffenburg Verlag, 2004, original from Indiana University

Weintraub, Linda. In the Making: Creative Options for Artists, New York, NY: DAP Press, 2003

Museum of Art and Design. New York, Klingspor Museum Offenback, Germany, and the Museum für

Angewandte Kunst, Frankfurt, Germany; Corporal Identity: Body Language, 9th Triennial for

Form and Content, 2003

Joe Thompson, Virginia Shore, Anne Johnson. MASS MoCA - The Arts Revitalize a City/ MASS MoCA - Les Arts Revitalisent Une Ville, United States Embassy Ottawa, Art in Embassies Prog, Wash DC, 2003

Kimball, Roger. Art’s Prospect: The Challenge of Tradition in an Age of Celebrity, pg. 19. University of Michigan Press,2003. and Blackstone Audiobooks, narrated by Christopher Lane, 2003

McEvilley, Thomas; John Cage, Dove Bradshaw. The Art of Dove Bradshaw: Nature, Change and Indeterminacy, pg. 110. Mark Batty Publisher, 2003.

Gamwell, Lynn. Exploring the Invisible: Art, Science and the Spiritual, Princeton Univ. Press, 2002

Gerz, Jochen, Anthologie der Kunst/Anthology of Art, DuMont Verlag and Actes Sud Publishers, Nürnberg and Köln, Germany, 2004

Krannert Art Museum, Drawings of Choice from a New York Collection, Univ. of Wash. Press, 2002

Tabbi, Joe. Cognitive Fictions, pg. 29. University of Minnesota Press, 2002

Gaddis, William. The Rush for Second Place: Essays and Occasional Writings, Penguin Publishers, 2002

Armleder, John. 404: Yellow Pages, Ecart Publications JRP Editions, Geneva, Switzerland, 2003

Crandall, Jordan and Scholder, Amy, Editors. Interaction: Artistic Practice in the Network, Eyebeam Atelier and D.A.P. Inc., New York, 2001

Wilson, Steve . Information Arts: Intersections of Art, Science and Technology, MIT Press, Cambridge, 2001

Stafford, Barbara Maria and Frances Terpak. Devices of Wonder: From the World in a Box to Image on a Screen, Getty Research Institute, Getty Museum, Los Angeles, 2001

Beardon, Colin and Lone Malmborg, Digital Creativity: A Reader; Taylor & Francis Publishers, 2002

Heon, Laura and Ackerman, John. Unnatural Science, MASS MoCA, North Adams, MA, 2000

Kronegger, Marlies, Editor. The Aesthetics of Enchantment in the Fine Arts, Springer, 2000

Marcus, George E. Zeroing in on the Year 2000: The Final Edition, Univ. of Chicago Press, 2000

Yelle, Richard. Glass Art from UrbanGlass, Schiffer Publishing, book, 2000

Miles, Malcom. The Uses of Decoration: Essays in the Architectural Everyday, pgs. 133, 244. University of Michigan Press, 2000

Bernstein, Marianne and Thomas Duffy. Foreign Bodies: Art, Medicine, Technology, Untitled(Space),

New Haven, 2000

Reynolds, Ann. “Histories of Science, Histories of Art,” Austin Museum of Art exhibit brochure, 1999

Crary, Jonathan, Barbara Maria Stafford, Jennifer Riddell, Jessica Riskin. MIT List Center for Visual Art,

Eve Andrée Laramée: A Permutational Unfolding, Cambridge, MA. 1999

Spooner, Peter. Botanica: Contemporary Art and the World of Plants, Tweed Museum of Art, 1999

Strelow, Heike. Ludwig Forum für Internationale Kunst, Natural Reality: Artistic Positions Between Nature and Culture, Aachen, Germany. 1999

Strano, Carmello. Europe - U.S.A. and the Epoch of Unimplosive Art, published by the Sicilian

Government - Tourism Department, Italy, book 1998

Watkin, Mel. “Eve Andrée Laramée: Apparatus for the Distillation of Vague Intuitions” Forum for Contemporary Art, Saint Louis, MO. 1998

Kelley, Michael, Encyclopedia of Aesthetics, Oxford University Press, pg. 504. 1998

Damjanov, Jadranka. UMJETNOST AVANTURA (ART ADVENTURE), “Umjetnost I Povijest – Razvoj Moderne Osjetljivosti” (Art and History – The Development of Modern Sensibility”, Ministry of the Culture of the Republic of Croatia, Zagreb, 1998

Strano, Carmello. Unimplosive Art, Venice Biennale XLVII, Venice (Giudecca), Italy. 1997

Klein, Adrienne and Joachim Frank. Union College, Into Focus Art on Science, Schenectady, NY. 1998

Wasko, Ryszard, Editor. The Artists Museum: International Provisional Artists Community, The Artists Museum, Lodz, Poland, 1997

Hart, Jane. Domestic Setting Gallery, Los Angeles, CA. A Vital Matrix, Los Angeles, 1995

Kahn, Robin; Kathy Acker, Avital Ronell. Time Capsule: A Concise History by Women Artists, pgs. 501- 501, pg. 684. Creative Time in cooperation with SOS International, 1995

Phillips, Patricia C. Katonah Museum, Making Sense: Five Installations on Sensation, New York, 1996

Pryzbilla, Carrie. The High Museum of Art, Metaphysical Metaphors, Atlanta, exhibit brochure,1994

Klein, Ulricke. The Business of Art Unveiled: New York Art Dealers Speak Up, pg. 72. 1994

Oliveria, Nicholas, Nicola Oxley, Michael Petry. Installation Art, book Smithsonian Institution Press, Wash. DC and Thames & Hudson, London. 1994

Schnaffner, Ingrid, Charles Simic, Mary Ann Caws, The Drawing Center, New York, NY. The Return of the Cadavre Exquis. 1993

Condé, Susan. Fractalis: La complexité fractale dans l'art, La Diffárence, Paris. 1993

Rorimer, Ann, and Beryl Wright. Museum of Contemporary Art, Chicago, IL, Art at the Armory: Occupied

Territory. 1991

Briggs, John. Fractals: the Patterns of Chaos, Simon and Schuster, New York, 1992

Armitage, Diane. Revered Earth, Center for Contemporary Arts, Santa Fe, NM. 1990

Bloemink, Barbara. A Natural Order, The Hudson River Museum, Yonkers, NY. 1990

Ottmann, Klaus. The Eroded Terrain of Memory, Wesleyan University, Middletown, CT. 1990

Boston University Art Gallery, Terra Firma? Earth Watch, Earth Sense, Earth Sites, 1989

Ferrer, Elizabeth and Muffett Jones. Terra Firma: Land and Landscape in Art of the 80's, Columbia University, Wallach Art Gallery, New York, NY. 1989

Ottmann, Klaus. Strange Attractors: The Spectacle of Chaos, KAOS Inc., Chicago, IL. 1989

Real Art Ways, Hartford, CT, Eve Andrée Laramée, exhibit brochure, 1989

Trippi, Laura. Strange Attractors: Signs of Chaos, New Museum of Contemporary Art, New York. 1989

Institute for Contemporary Art - P.S. 1, National and International Studio Programs 1987-1988, NY. 1988

Ottmann, Klaus. Fatal Strategies, Stux Gallery, New York, NY. exhibit brochure, 1988

Squibb Gallery. Interaction: Science and Art, Princeton, NJ. 1987

White Columns. Update 1986-87, New York, NY. 1987

Museum of Fine Arts. Personal Environments, Santa Fe, NM. 1986

The Albuquerque Museum. Eve Laramée, Albuquerque, NM. 1983

BIBLIOGRAPHY: ARTICLES AND REVIEWS (selected)

Abatemarco, Michael. “Waste Management: Artist Eve Andree Laramee” profile for Earth Day,

Pasatiempo Magazine, The New Mexican (newspaper). April 22-28, 2016

Abatemarco, Michael. “Spaced Out”, Pasatiempo Magazine, The New Mexican (newspaper), 1/16/2015

Abatemarco, Michael. “Invisible Disasters: Eve Andrée Laramée on our Atomic Zeitgeist”, The New Mexican, Pasatiemo Magazine, April 29-May 5, 2011

Albright, Thomas. "Eve Laramée: Better Art Through Chemistry," San Francisco Chronicle, 9- 6-80

Anker, Suzanne. “Gene Culture: Molecular Metaphor in Visual Art”, Leonardo, v. 33 no. 5, 2000

Askey, Ruth. "The Mailbox as Museum," Artweek, March 18, 1978

Baker, Kenneth. "Military Armory Undergoes Art Exorcism" San Francisco Chronicle, 11/8/92

Biggers, Ashley M. “I Want to Believe (maybe): When art and science fiction collide, Santa Fean

Magazine, January 15, 2015

Broadrup, Elizabeth. "Commissions," Sculpture, January-February, 1991

Ball, Edward, "The Greening of Art," Village Voice, July 31, 1990

Boettger, Suzaan. “Global Warnings,” Art in America, June-July 2008

Boyce, Roger. “UnNatural Science”, New Art Examiner, Dec/Jan 2000/2001

Bless, Nancy. “Signs and Wonders”, Sculpture, December, 1999, Vol. 10 No. 10

Burns, David. Eve Andree Laramee: Topophilia, CAA Art Journal, Spring, 2006

Cembalest, Robin. “101 Women Artists Who got Wikipedia Pages this Week, “ ARTnews, 2/06/14

Cochran, Rebecca Dimling. “Eve Andrée Laramée” review, Sculpture Magazine, November 2009

Condé, Susan. "Les Methodes et Techniques du Fractal," Ligeia #9-10, 4/1991

Cornwell, Regina “Lucy Lippard on Eco Art and Climate Change,” December 6, 2007,



Cook, Sarah. “Form over Content”, MUTE: Culture and Politics After the Net, Sept. 9, 2001

Croak, James. “Body and Soil”,

D’art et de Culture #3, “Acclimation: Ailleurs – Nice Expositions” Automne, 2008 issue.

DeLue, Rachel Z., Amerian Art, “Art and Science in America” Vol. 23, No. 2, Summer, 2009

Despard, Erin. PUBLIC Journal, “Gardens”, Canada. Spring 2010

DeVolksrant, VKBlog (Netherlands) “Darwin in Philadelphia”, Sept. 17, 2009

Durfee, Roy. "ART/MEDIA," Artspace, Vol. 10 No. 3, Summer, 1986

Durland, Steven. "ART/MEDIA Offers an Alternative to the Status Quo in New Mexico," High Performance, number 33, 1986

Dyson, Freeman J. “Miracles of Rare Device”, The Sciences, March/April 1999

Fairfield, Douglas. “Twilight’s Last Greening” The Santa Fe New Mexican, October 9, 2009

Fehrenkamp, Ariane. “Eve Andrée Laramée: 100 Years, 100 Stones.” Sculpture, October, 1998

Flusser, Villem. "Environment," Artforum, April, 1989

Friere, Emerson, Pedro Peixoto Ferreira, Cecilia Diaz-Isenrath. “Code et Création: En distillant des intuitions” Multi Ciencia, Revista Interdisciplinar dos Centros e Nucleos da Unicamp, A Mente Humana #3, outubro de 2004. also published as: “Código e Criação: Destilando Intuiçoes” in NADA #3, Sept. 2004. Also presented at “Challenges for a Ubiquitous Identity” Ciber Art Bilbao Conference, Bilbao, Spain

Gamble, Allison. "Strategic Occupation", New Art Examiner, Jan. 1993

Gerz, Jochen. Anthology of Art, School of Visual Arts of Braunschweig, Germany and the University

of Rennes, France. 2002

Goldbert, Michael,. “The Butterfly Effect: the Natural History Museum, Visual Art and the Suspenstion of Belief”, The Museum of Contemporary Art, Sydney, Australia, 2005 Conference: New Constellations: Art, Science and Society Conference paper, 2005

Goodeve, Thryza Nichols. “Eve Andrée Laramée: MIT List Visual Art Center,” ARTBYTE, Nov, 1999

Gutterman, Scott. "Review: The Fifth Essence," Art International, Fall, 1990

GLASS Magazine, #87: Twenty-fifth Anniversary Issue, Summer, 2002. pp. 25, 37, 47.

Grimm, Julie Ann. “A Colorful Collaboration on Climate Change” The New Mexican, Oct 1, 2009

Hagen, Charles. "Eve Andrée Laramée", John Gibson Gallery, The New York Times Oct. 11, 1991

Haithman, Diane. “U.S. Diplomacy Gets a Little Help from Artists”, Los Angeles Times, 9/13/02

Halary, Charles. “Les Rapports Ondulatoires de L’Electromagnétisme avec les Artistes” 2009

Harrison, Helen A. “Works of Curious, Conflicting Directions: Yves Fissiault: Artist of the Cold War Era,”

New York Times, Long Island Edition, April 13, 1997

Harper, Kelsey. Eve Andrée Laramée Opens for Evolve”, Emory Wheel, Atlanta, GA, Feb. 9, 2009

Hart, Jane, “Eve Andrée Laramée at San Diego State University,” Zing magazine, Winter 96/Spring 97

Heartney, Eleanor. "Eve Laramée at John Gibson", ARTnews October,1991

Holst, Lise. "Terra Firma: Land and Landscape in Art of the 1980's," ARTnews January, 1990

Holmes, Tamara, and Jessica Weglein, Juxtapositions, “Art Furthering Science: Professor Reinforces Research Through Artistic Expression”. Maryland Institute College of Art. Sept/Oct 2011

Honigman, Ana. “Questioning Authority, A Conversation with Eve Andrée Laramée”, Sculpture Magazine Vol. 21 No. 6, July/August 2002

Howard, Dorothy. “Wikipedia Meets Feminism”, The World is my Oyster, Feb. 5, 2014

Huang, Lili, “In Praise of Things”, The Point Magazine, Issue 8 on The New Humanities, 2014

Hunter, Allison. “Unfolding Laramée” review in Electronic Book Review, ebr11: WebArts,



Jones, Muffe. "Fetish, Process and the Waste Stream: Artists' Anxieties and Contemporary Art," New Observations, #81, Spring, 1991

Jovanovic, Rozalia, “7Eleven presents Alchemy,” Flavorpill, January 12, 2012

Keenan, Annabel. “Invisible Exposure,” Emory Wheel, Atlanta, GA. Feb. 9, 2009

Keim, Brandon, WIRED SCIENCE (WIRED Magazine), “Disturbing or Beautiful? Artists Evaluate Man’s Impact on Nature”, Aug. 2011. horizon/?pid=1772

Kernan, Nathan. “Review: Unnatural Science”, Burlinton Magazine, Vol 142, No. 1172, 2001

Kimball, Roger. The New Criterion, “The Museum as Fun House”, Volume 19, No. 6, Feb. 2001

Kimmelman, Michael. "Searching for Order in a Show Based on Chaos,", New York Times, Sept 15, 1989

Kimmelman, Michael. “Natural History, The Early Version”, The New York Times, Nov. 24, 2000

Klein, Jennie. “Internet Inter Alia,” PAJ: A Journal of Performance and Art, PAJ 73 (Vol. 25:1), Johns Hopkins Press, 2003

Knight, Christopher. "A Parting Shot for Chicago's Armory" Los Angeles Times, Sept. 30, 1992

Kramer, Hilton. “Greatest Generation? Not By a Long Shot, But Interesting Show: Laramée, Johns and Kelly Travel,” New York Observer, May 19, 2003

Kurt, Hildegard. “Wo ist die Natur? Natural Reality. Künstler Positionen zwischen Natur und Kultur”



Kurt, Hildegart. “Kultur und Kunst in der Agenda 21: Anmerkungen zu einem schwierigen Verhältnis,” conference,“Nature, Art, Aesthetics, Ecology,” Munich, 1999

La Strada, “Acclimation”, 3-16 Novembre 2008 and 12 janvier-1fevrier, 2009

Lamensdorf, Jennie. “TACTICAL AMNESIA: Historicizing Uranium Mining at the New Mexico Mining Museum.” University of Texas, Austin. 2011

Levin, Kim. "Choices: Eve Andrée Laramée," Village Voice, October 1, 1991

Levin, Kim. "Choices: New York Diary," Village Voice, April 30. 1991

Levy, Ellen K. "Natural History Re-Created," Center Quarterly, Vol II, No. 4 1990

Limón, Enrique, “Paper Rub: X marks the spot”, Santa Fe Reporter, August, 22, 2012

MacDonal, Christine. “CyberArts: Shaping the Imagination”, Art New England, April/May, 1999

McCraken, David. "Bringing Order to the 'Spectacle of Chaos," Chicago Tribune, Sept. 8, 1989

McQuaid, Cate. “Exploring the nexus of art, science and history, The Boston Globe, June 8, 1999

Mahoney, Robert. "Fatal Strategies," ARTS, May, 1988

McCoy, Ann, “Interview: Eve Andrée Laramée with Ann McCoy”, Brooklyn Rail, September, 2014

Melrod, George. "Natural Science", ARTnews, January, 1993

Melrod, George. "Eve Andrée Laramée at TZ'Art & Co." Art In America, July 1994

Miles, Malcolm, Cultural Geographies, Vol. 17 # 1, “Representing Nature: Art and Climate Change, 2010

Miles, Malcolm, Urban Design Quarterly The Quarterly Journal of the Urban Design Group, Issue 76, “Public Art, Urban Space and Democracy”, October 2000

Morgan, Cynthia. “Residue” New Art Examiner, v. 23, September, 1995

Morgan, Robert C. “Shelagh Keeley, Samm Kunce and Eve Andrée Laramée, Review, 5/15/97

Morgan, Robert C. "Regaining the Rights of Reproduction: Artists Who Look Back on the Natural," Center

Quarterly, Vol. II, Number 4, 1990

Morgan, Robert C. "Fatal Strategies," CEPA Quarterly, Vol 3, Issue 2/3, 1988

Morgan, Robert C. "New York Diary, P.S. 1 Museum", ARTS, October, 1991

Myers, Terry R. "Construction in Process", FLASH ART, Jan./Feb. 1994

Nelson, Gayle. “Art Seen New York: Eve Andrée Laramée”, SIREN, Summer 1997. p. 22

Nereim, Anders. "Whose Muse? The Spectacle of Chaos," Inland Architect, Jan,1990

Nickard, Gary. "Eve Laramée," CEPA Quarterly, Vol. 2, Issue 1, Fall, 1986

Oldknow, Tina. Corning Museum of Glass, New Glass Review 23, 2002. pp. 28-30, 39

Oliveira, Nicolas, Oxley, Nikola & Petry, Michael. "On Installation" A/D Art & Design Magazine #30

Ottmann, Klaus. "L'activite Fractaliste," Art Press, February, 1990

Ottmann, Klaus. "The Spectacle of Chaos," Flash Art, Vol 62, #9, Summer 1987

Peterson, Kristen. “For members of one artist residency, the desert is their muse,” Las Vegas Sun, August 13, 2009

Phillips, Patricia C. "Eve Andrée Laramée" Review, ARTFORUM, December, 1993

Phillips, Patricia C. “Sculptor's Drawings: Marking Time and Space”, Sculpture, Jan-Feb 1995

Phillips, Patricia C. "Faith and Reason, Function and Fiction: On the Work of Eve Andrée Laramée", GLASS, Number 54, Winter,1993

Phillips, Patricia C. “UrbanGlass”, Sculpture, Vol. 16, No.8, October, 1997

Pincus, Robert. “For Role in Centennial, SDSU casts ‘100 Stones’”, San Diego Union-Tribune, May 30, 1997

Pincus, Robert. “Blood and Salt and Soul” San Diego Union-Tribune, May 2, 1996

Ramade, Benedicté. “Acclimation”, La Strada,3-16 Novembre 2008 and 12 janvier-1fevrier, 2009

Ramade, Benedicté. “Acclimation”, Saison des Cultures, , September-October, 2008

Reppert, Jason, “Art of Alchemy Brings Materials to a Higher State,” Huffington Post, January 11, 2012

Rothstein, Edward. “Hear the One About the Goofy Robot?,” New York Times, September 30, 2000

Saison des Cultures, “Acclimation”, September-October, 2008

Sculpture Magazine, News: New Sculpture Chair for MICA, October, 2004, page 12

Saper, Craig. “Introduction: GIS Databases in Digital Humanities, or, ZeitGIS(t): Imaging Place From Deep Thoreau(t) to U(l)mer FREsBEE”, 2001

Sardy, Marin. “Media Mix”, Santa Fean Magazine, June-July 2009.

SIAM News, the News journal of the Society for Industrial and Applied Mathematics, review of: “Exploring the Invisible” (Princeton University Press), April, 2003

Smith, Roberta. "In Installation Art, A Bit of the Spoiled Brat", The New York Times, Jan. 3, 1993

Smith, Roberta. “In Their Own Worlds: Giant Hybrids of Fact and Fantasy”, N.Y. Times, 9/11/2000

Sozanski, Edward. “ Lending Art to Darwin’s Science”, The Philadelphia Inquirer, 5/10/2009

Sureck, Suzy, Editor. "Construction in Process", New Observations #102

Tauches, Karen. “Eve Andrée Laramée at Emory Visual Arts Gallery, BURNAWAY Blog, March 3, 2009

Temin, Christine. “'Unnatural' selection at MASS MoCA,” The Boston Globe, July 28, 2000

This Week in New York, “Alchemy”, Feb. 9, 2012.

Txopitea, Ainize. “What is the Impact of Chaos Theory on Digital Art?”, YoChaos, London, 2003

VVork Blog, The Real Thing curated by Vvork for MU Einhoven 2/27/09 – 3/22/09, “Halfway to Invisible”

Weathers, Chelsea. “SUBstainability” …might be good blog, February 18, 2011

Wei, Lilly. “Wunderkammer: Wonderworks”, Art News, vol. 99 no. 1, October, 2000

Yood, James. "Art at the Armory: Occupied Territory", ARTFORUM,1992

WEB PROJECTS & CD-ROMS

“Misty’s Disappearance,” text and image project on /seconds 4 (slashseconds) on Vanishing Point, 2008

“Netherzone,” Splash page: Newsgrist, web project May, 2002.

“Secret History: Yves Fissiault, Artist of the Cold War Era,” CD-ROM, published in conjunction with the book: From Mercator Projection to Freudian Phantasm: The Myth of the Hollow Earth in Literature, Science and Culture. Hanjo Berressem and Uwe Schwagmeier, eds. Amsterdam/New York: Rodopi. 2001

“El Gólem Informático: notas sobre esthética del techno arte,” CD-ROM, Directed by Margarita Schultz,

Universidad de Chile, 2000

“The Origins of ,” ZKM Zentrum für Kunst und Medientechnologie Karlsruhe, Germany,1998 and

“The Origins of ,” Beyond Interface website for the “Museums and the Web” International Conference, “The Origins of ,” GASBOOK 5, published by SHIFT, Tokyo, Japan

WIKIPEDIA ENCYCLOPEDIA ARTICLES, PRIMARY AUTHOR

Created article, ongoing contributions of editorial content, photos and citations:

Ecological Art

Nuclear Labor Issues

Women in Punk Rock

Aviva Rahmani, biography

Linda Weintraub, biography

Maureen Connor, biography

Nade Haley, biography

International Uranium Film Festival

ART/MEDIA

Significantly edited articles, not primary author:

Environmental Art (added section on EcoArt, edited content throughout article, adding women

artists, citations and images)

Waste Isolation Pilot Plant (authored much of the 2014 radiological incidents section)

Pondcrete (editor since February 9, 2014, added images, content and citations)

Uranium Mining Debate (added section on uranium mining and indigenous peoples)

FILMS & VIDEOS ON THE ARTIST

“Catalyst Conversations: Eve Andree Laramee and Ronald Eastman” MIT List Visual Arts Center, 2014

(start at 17:50)

“William Paterson University Presents: Eve Andree Laramee”

“Caught in the Act: 30 Years of Art in Brooklyn” Brooklyn Independent Television, BRIC BCAT TV

Network and the Rotunda Gallery, Brooklyn. Joe Pacheco Director, 2011

“Downside Up: How Art can Change the Spirit of a Place,” Nancy Kelly, Director, Mass MoCa, Banff

Center for the Arts Co-producers; Corporation for Public Broadcasting

“Visionary Artists/Maverick Educators” Pedagogical Archives of Oberlin College, Henry Luce Foundation

“100 Years 100 Stones,” Georg Eversheim, director, San Diego State University, producer, 1998

“How to Make a Public Art Work,” Georg Eversheim, director, San Diego State Univ., producer, 1998

“Unnatural Reality: Parks on Trucks,” German television, Harriet Weber-Schäfer, Director, Ludwig Forum

Museum, Co-Producer, 1999

“Art/Media,” New Mexico Arts Division & CCA, producer, shot by Steina & Woody Vasulka, 1986

INTERVIEWS

Yale University Radio (WYBC), interviewed by Brainard Carey

Brooklyn Rail, interviewed by Ann McCoy

The Post Reality Show, Desert Return, interviewed by Randall Packer

CBC Radio, Canada Broadcasting Corporation, “Art in Embassies”

Sculpture Magazine, interviewed by Anna Honigman

SERVICE TO COMMUNITY / PROFESSIONAL ASSOCIATIONS

Lifetime Member, National Speleological Society

Artists Curatorial Advisory Board Member, Rotunda Gallery, Brooklyn, NY. Ongoing active.

Grant Panelist, Media Arts Grants, BRIC Rotunda Gallery, 2014-15

Grant/Fellowship Review Panelist , New York Foundation For the Arts, New York, NY. 2003

Grant/Fellowship Review Panelist, Sculpture Space, Utica, NY. 2002

Wikipedia/Wikimedia Foundation, Member of the following Projects:

WikiProject Women scientists; WikiProject Visual Arts; WikiProject Countering Systemic Bias;

WikiProject Women artists; WikiProject Punk music; WikiProject Arts; WikiProject Women’s

history; WikiProject Japan; WikiProject Rock music

Grant Review Panelist, Illinois Council on the Arts, Chicago, IL, 2000

Grant Review Panelist, Mid-Atlantic Arts Council, Baltimore, MD, 1997

Editorial Board Member, Journal of Biomedical Discovery and Collaboration

The AORTA Fund, (Artists on the Road Travel Assistance) Founder, Brooklyn, NY

Board Member, International Artists Museum, Lodz, Poland and Berlin, Germany

Steering Committee Member, Coalition Against Nukes, New York

Steering Committee Member, STAR Coalition (Standing for Truth About Radiation), New York

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