THE OPEN HYMNAL
THEOPEN HYMNAL
EDITION 2
0
1
4
.
0
6
THEOPEN HYMNAL
EDITION 2
0
1
4
.
0
6
2
2J
UNE2
0
1
4
Thi
shymna
li
sapa
r
toft
heOpe
nHymna
lPr
oj
e
c
tt
oc
r
e
a
t
eaf
r
e
e
l
ydi
s
t
r
i
b
ut
a
b
l
e
,
do
wnl
o
a
da
b
l
eda
t
a
b
a
s
eof
Chr
i
s
t
i
a
nhymns
,
s
pi
r
i
t
ua
ls
o
ngs
,
a
ndpr
e
l
ude
/
po
s
t
l
udemus
i
c
.Ia
m do
i
ngmyb
e
s
tt
oc
r
e
a
t
eafina
lpr
oduc
tt
ha
ti
s
"
Hymna
l
qua
l
i
t
y"
,
a
ndc
o
ul
df
e
a
s
i
b
l
yb
eus
e
da
st
heb
a
s
i
sf
o
rapr
i
nt
e
dc
hur
c
hhymna
l
.Thi
smus
i
ci
st
ob
e
di
s
t
r
i
b
ut
e
da
sc
ompl
e
t
es
c
o
r
e
s(
wo
r
dsa
ndmus
i
c
)
,
us
i
nga
l
la
c
c
ompa
ni
me
ntpa
r
t
s
,
i
nf
or
ma
t
st
ha
ta
r
ee
a
s
i
l
y
a
c
c
e
s
s
i
b
l
eonmo
s
tc
o
mput
e
rOS
'
sa
ndwhi
c
hc
a
nb
ef
r
e
e
l
ymo
di
fie
db
ya
nyo
ne
.Thec
ur
r
e
ntf
o
r
ma
to
fc
ho
i
c
ei
st
he
ABCPl
usf
or
ma
t
,
f
a
v
o
r
e
db
yf
o
l
kmus
i
cd
i
s
t
r
i
b
ut
or
so
nt
hei
nt
e
r
ne
t
.Al
ls
c
o
r
e
swi
l
la
l
s
ob
ec
o
nv
e
r
t
e
di
nt
opdf
,
MI
DI
,
a
ndmp3f
o
r
ma
t
s
.
Thema
i
nt
a
i
ne
roft
heOpe
nHymna
lPr
o
j
e
c
ti
sBr
i
a
nJ
.
Dumont(
b
r
i
a
ndo
tjdotdumo
nta
tgma
i
ldo
tc
om)
.Iha
v
e
gonet
hr
o
ughs
e
r
i
o
use
ffo
r
t
st
oma
kes
ur
et
ha
tnoc
o
pyr
i
g
htmi
s
t
a
kema
ke
si
ti
nt
ot
hi
sda
t
a
b
a
s
e
.I
fIa
mi
ne
r
r
o
r
,
pl
e
a
s
ei
nf
o
r
m mea
ss
oo
na
spos
s
i
b
l
e
.Thi
se
nt
i
r
ee
ffo
r
tha
sus
e
do
nl
yf
r
e
es
o
ftwa
r
e
,
a
ndIa
mi
nde
b
t
e
dt
ot
hee
ffor
t
s
ofma
nyot
he
ri
ndi
v
i
dua
l
s
,
i
nc
l
udi
ngt
hea
ut
ho
r
so
ft
hev
a
r
i
o
usABCa
ndABCPl
uss
oftwa
r
e
.Undo
ub
t
e
dl
y
,
Ia
ma
l
s
o
i
nde
b
t
e
dt
oa
l
loft
hegr
e
a
tChr
i
s
t
i
a
nswhowr
o
t
et
he
s
ehymns
.
Thi
sda
t
a
b
a
s
ec
o
me
swi
t
hnogua
r
a
nt
e
e
swha
t
s
oe
v
e
r
.
Iwoul
dl
o
v
et
oge
te
ma
i
lf
r
om a
nyo
newhous
e
st
heOpe
nHymna
l
,
a
ndIwi
l
lt
a
ker
e
que
s
t
sf
orhymnst
oa
dd.My
de
c
i
s
i
ono
fwhe
t
he
rt
oa
d
dahymnwi
l
lb
eb
a
s
e
dont
he
s
ec
r
i
t
e
r
i
a(
i
nt
hef
o
l
l
o
wi
ngor
de
r
)
:
1
)I
tmus
tb
ei
nt
hepub
l
i
cdoma
i
no
ro
t
he
r
wi
s
ef
r
e
e
l
ydi
s
t
r
i
b
ut
a
b
l
e
2
)I
tmus
tb
eaChr
i
s
t
i
a
npi
e
c
e
3
) Whe
t
he
rIha
v
ea
c
c
e
s
st
oapr
i
nt
e
dc
o
pyo
ft
hemus
i
c(
s
ur
pr
i
s
i
ngl
y
,
aMI
DIfil
ei
sus
ua
l
l
yat
e
r
r
i
b
l
es
our
c
e
)
4
) Whe
t
he
rIl
i
ket
hehymn:
)
I
fyouwo
ul
dl
i
ket
oc
o
nt
r
i
b
ut
et
ot
heOpe
nHymna
lPr
o
j
e
c
t
,
pl
e
a
s
es
e
nda
ne
ma
i
lt
ome
,
Iwo
ul
dl
o
v
et
hehe
l
p!
PLEAS
EEMAI
LMEI
FYOUF
I
NDANYMI
S
TAKES
,
noma
tte
rho
ws
ma
l
l
.Iwa
ntt
oe
ns
ur
et
ha
te
v
e
r
ys
l
ur
,
s
t
e
m,
hyphe
na
t
i
on,
a
ndpunc
t
ua
t
i
onma
r
ki
sc
o
r
r
e
c
t
;
a
ndI
'
ms
ur
et
ha
tt
he
r
emus
tb
emi
s
t
a
ke
sr
i
ghtno
w.
Ope
nHymna
lPr
o
j
e
c
t
,
2
0
1
4Edi
t
i
o
n
¡°
F
r
e
e
l
yyour
e
c
e
i
v
e
d,
s
of
r
e
e
l
yg
i
v
e
.
¡±
-Ma
tthe
w1
0
:
8(
WEB)
COPYING
TheOpe
nHymna
lPr
o
j
e
c
tus
e
sc
o
pyr
i
ghtl
a
wo
ft
heUni
t
e
dS
t
a
t
e
so
fAme
r
i
c
a
.
I
no
t
he
rc
ount
r
i
e
s
,
i
ti
syo
ur
r
e
s
po
ns
i
b
i
l
i
t
yt
ov
e
r
i
f
ye
a
c
hhymna
sb
e
i
ngf
r
e
e
l
yd
i
s
t
r
i
b
ut
a
b
l
e
.
F
o
urpa
r
t
sofahymna
r
ec
o
pyr
i
ght
a
b
l
e
:
1
.Mus
i
c(
me
l
ody)
2
.S
e
tti
ng(
a
l
s
okno
wna
sa
r
r
a
nge
me
nto
rha
r
mo
ny)
3
.Wor
ds(
o
r
i
gi
na
ll
a
ngua
ge
)
4
.Tr
a
ns
l
a
t
i
on(
i
fa
ppl
i
c
a
b
l
e
)
Ea
c
hoft
he
s
epa
r
t
sho
l
dsas
e
pa
r
a
t
ec
o
pyr
i
ghts
t
a
t
us
,
a
ndmus
tb
ec
o
ns
i
de
r
e
di
ndi
v
i
dua
l
l
y
.
Mos
to
ft
hehymnsi
nt
heOpe
nHymna
la
r
ei
nt
hepub
l
i
cdoma
i
ni
na
l
lf
o
uro
ft
he
s
epa
r
t
s
.
S
o
mea
r
eno
t
.
S
pe
c
i
fic
c
o
pyr
i
ghtt
e
r
msa
r
el
i
s
t
e
do
ne
a
c
hs
c
o
r
es
he
e
ta
ndi
ne
a
c
ha
b
cfil
e
.
Al
lc
o
nt
e
ntpr
o
duc
e
ds
pe
c
i
fic
a
l
l
yb
yt
heOpe
nHymna
lwhi
c
hi
sno
tapa
r
to
fahymni
spl
a
c
e
di
nt
ot
hepub
l
i
c
do
ma
i
n.
Thi
si
nc
l
ude
sc
ompi
l
a
t
i
on,
i
ndi
c
e
s
,
we
bpa
ge
s(
o
rpa
r
t
st
he
r
e
oF
)
,
s
c
r
i
pt
sus
e
dt
oa
s
s
e
mb
l
et
hehymna
l
,
a
nda
l
l
ot
he
rda
t
afil
e
s
.
Wo
r
kf
r
o
m ot
he
ro
pe
ns
our
c
epr
o
j
e
c
t
si
sno
to
urc
o
pyr
i
ghta
ndr
e
ma
i
nsc
o
pyr
i
ghto
ft
her
e
s
pe
c
t
i
v
e
o
wne
r
s
.
Thi
si
nc
l
ude
sb
uti
sno
tl
i
mi
t
e
dt
ot
he"
Ze
b
r
aTa
b
l
e
s
"s
c
r
i
ptb
yDa
v
i
dS
.
Mi
l
l
e
rus
e
dont
hewe
bpa
ge
s
,
whi
c
h
r
e
ma
i
nsc
o
pyr
i
ghto
fDa
v
i
dS
.
Mi
l
l
e
r
.
PUBLICDOMAIN
Al
lhymnsorhymnpa
r
t
sl
i
s
t
e
da
s"
pub
l
i
cdo
ma
i
n"a
r
eno
tunde
rc
opyr
i
ghtpr
o
t
e
c
t
i
oni
nt
heUni
t
e
dS
t
a
t
e
so
f
Ame
r
i
c
a
.
I
no
t
he
rwo
r
dst
he
r
ei
sa
b
s
o
l
ut
e
l
ynoo
wne
r
s
hi
po
ft
hei
nt
e
l
l
e
c
t
ua
lpr
o
pe
r
t
yt
ha
tt
hewo
r
ds
,
t
r
a
ns
l
a
t
i
o
n,
mus
i
c
,
ors
e
tti
ngr
e
pr
e
s
e
nt
s
.
Noo
nema
yr
e
s
t
r
i
c
tyo
uf
r
o
m us
i
ngt
he
s
ehymnpa
r
t
si
na
nywa
y(
i
nt
heUS
A)
.
S
i
mi
l
a
r
l
y
,
youma
yno
tr
e
s
t
r
i
c
tot
he
r
s
f
r
o
m us
i
ngt
he
mi
na
nywa
y
.
I
fyouc
ha
ngeapo
r
t
i
ono
ft
hepub
l
i
cdo
ma
i
nwo
r
k,
yo
uma
yonl
yc
l
a
i
mc
o
pyr
i
ghto
n
t
hepo
r
t
i
o
nwhi
c
hyo
uha
v
ec
ha
nge
d.
OTHER
Ea
c
hwor
ki
nt
heOpe
nHymna
lwhi
c
hi
sno
ti
nt
hepub
l
i
cdo
ma
i
ngi
v
e
ss
pe
c
i
ficl
i
c
e
ns
et
e
r
mso
nt
hes
c
o
r
es
he
e
ta
nd
i
nt
hea
b
cs
o
ur
c
efil
e
.
Mos
to
ft
he
s
eha
v
eal
i
c
e
ns
ewhi
c
hr
e
a
dss
i
mi
l
a
rt
ot
hef
o
l
l
o
wi
ng(
f
r
o
mt
hehymn"
Aut
ho
ro
fAl
lLi
f
e
"
)
:
Wor
ds
:
Co
pyr
i
ght2
0
0
9
,
Br
i
a
nJ
.
Dumo
nt
.
The
s
el
yr
i
c
sma
yb
ef
r
e
e
l
yr
e
pr
oduc
e
dorpub
l
i
s
he
df
o
rChr
i
s
t
i
a
n
wor
s
hi
p
,
pr
o
v
i
de
dt
he
ya
r
eno
ta
l
t
e
r
e
d,
a
ndt
hi
sno
t
i
c
ei
sone
a
c
hc
o
py
.
Al
lot
he
rr
i
ght
sr
e
s
e
r
v
e
d.
Thi
sme
a
nst
ha
tyo
uma
yf
r
e
e
l
yus
e
,
pr
i
nt
,
r
e
pr
o
duc
e
,
a
ndma
kea
v
a
i
l
a
b
l
ef
oro
t
he
r
st
hewo
r
ki
nque
s
t
i
on,
pr
o
v
i
de
d
t
ha
tt
hepur
po
s
ei
sf
o
rChr
i
s
t
i
a
nwo
r
s
hi
pa
ndt
ha
tt
hec
o
pyr
i
ghtt
e
r
msa
r
el
e
fti
nt
a
c
ta
nda
r
er
e
pr
o
duc
e
dwi
t
ht
he
c
o
pyr
i
ght
e
dwo
r
k.
Thi
sdo
e
sno
tpr
e
v
e
ntyo
uf
r
om us
i
ngt
hec
o
pyr
i
ght
e
dwo
r
ka
sapa
r
to
fa
not
he
rwo
r
kwhi
c
hwi
l
l
b
es
o
l
df
o
r
pr
o
fit
,
pr
o
v
i
de
dt
ha
tt
he
s
et
e
r
msa
r
eme
t
.
Ot
he
rl
i
c
e
ns
et
e
r
msma
yb
ea
v
a
i
l
a
b
l
e
,
b
utc
a
no
nl
yb
ene
go
t
i
a
t
e
dwi
t
ht
hec
o
pyr
i
ghtho
l
de
r
.
I
fyo
uwo
ul
dl
i
ket
ous
e
oneo
ft
he
s
ewo
r
ksb
utr
e
qui
r
ead
i
ffe
r
e
ntl
i
c
e
ns
e
,
t
heOpe
nHymna
lwi
l
la
tte
mptt
ohe
l
pyo
ut
oc
o
nt
a
c
tt
he
c
o
pyr
i
ghtho
l
de
r
.
Wema
yb
ec
o
nt
a
c
t
e
dv
i
ae
ma
i
la
t
:
b
r
i
a
ndo
tjdo
tdumonta
tgma
i
ldotc
o
m
ASSEMBLY
I
ti
st
hec
ont
e
nt
i
o
na
ndi
nt
e
nt
i
o
no
ft
heOpe
nHymna
lPr
o
j
e
c
tt
ha
twhe
nnume
r
oushymnsa
r
ega
t
he
r
e
di
nt
oa
c
o
l
l
e
c
t
i
o
n,
s
uc
ha
so
neo
ft
hepr
i
nt
a
b
l
ee
di
t
i
o
ns
,
t
hehymnst
he
ms
e
l
v
e
sr
e
ma
i
ns
e
pa
r
a
t
ea
ndi
nde
pe
nde
ntwo
r
ks
.
Thus
,
t
hec
o
pyr
i
ghta
ppl
i
e
dt
oa
nyo
nehymni
snota
ppl
i
c
a
b
l
ei
na
nywa
yt
ot
hec
o
pyr
i
ghto
fa
no
t
he
r
.
OPEN HYMNAL,
I
NDEXBYC
OMMON T
I
TLE¨CE
DI
TI
ON 2
0
1
4
.
0
6
Ti
t
l
e
AGr
e
a
ta
ndMi
g
ht
y
Wonde
r
No
. S
e
c
t
i
o
n
4
6
CHRI
S
TMAS
Co
mp-Aut
ho
r
/Tr
ans
l
at
o
r
l
e
xi
t
y i
ni
t
al
i
c
s
Tune
3 Ge
r
ma
nusof
EsI
s
tEi
nRo
s
Cons
t
a
nt
i
nopl
e Ent
s
pr
unge
n
&Ne
a
l
e
(
Rhyt
hmi
c
)
f
r
om Al
t
e
sCa
t
hol
i
s
c
he
Ge
i
s
t
l
i
c
he
Ki
r
c
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nge
s
e
ng,
K?l
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1
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r
a
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t
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i
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s
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e
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fl¨¹s
s
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c
hs
t
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................
................
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