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The complete maus a survivor's tale

Art Spiegelman worked on Maus for over a decade prior to publication of the first chapters in book form in 1986. A prototype four page strip dealing with his mother's suicide (reprinted here) dates back to 1973, and there was a sustained serialisation within the pages of his Raw anthology from 1980. Had he not already used it, Raw would have been a valid title for this exploration of the fractious relationship between father and son, and the paternal experiences during World War II. The combination of horrific occurrences and family dynamics is a rich seam of exploration, and while Spiegelman's background was from a sphere that embraced autobiographical intrusion in comics, his material had previously prioritised formal experimentation (see Breakdowns). There are two narrative strands to Maus. The interaction of the present day has Art attempting to prise very painful recollections from his father, and in the 1940s we have Vladek's experiences first in Poland occupied by the Nazis, then as a Jew in Auschwitz concentration camp. The title originates in the distancing technique Spiegelman employs by classifying races as forms of animal, with Jews depicted as anthropomorphic mice. Cats portraying Germans is a natural extension, but the metaphor expires by the time we have Poles as pigs. The opening chapter indicates the relationship between father and son. It's noted that it's been a long time since Art and Vladek saw each other (despite both living in New York), and after relating the circumstances of how he met his wife Vladek explicitly requests the material not be made public. Despite the previous gap between visits, with a mission of further revelations Art can now regularly visit his father. This could be interpreted as a desire to repair a connection long lapsed, but is conveyed as self-interest. Vladek is contrary, miserly, over-bearing and unable to process the viewpoints of others. He doesn't understand why it's wrong to throw out Art's coat and replace it with a new one because he believes it's tatty, yet as the story flows this can be reinterpreted as uncharacteristic generosity in the light of later exhortations to stop wasting matches. As his horrific recollections continue it prompts the examination of how any of us would have survived the persecution and constant fear of death he abided without also becoming twisted. It's noted, though, that others have, without becoming Vladek. While not on the same scale, it also prompts us to wonder how anyone could live with the man those events shaped. As much as Maus is about what Vladek endured, it's also a purge for Art. For all the weighty Pulitzer Prize winning expectation attached to Maus, it's an eminently readable book, both narratives related in simple fashion via almost sketched art that's persistently strong on emotional resonance and detail. Interspersing the horrors with the frustrations of later life with Vladek leavens what might otherwise have been relentless misery, but a melancholy air prevails throughout. Similar top rank honest and harrowing autobiographical depictions of family life have followed (Epileptic, Fun Home, You'll Never Know). These haven't diminished the power and achievement of Maus, which remains the seminal achievement it was hailed when first published. The original publication was as two volumes, subtitled My Father Bleeds History and And Here my Troubles Began. 25 years after the first book publication, Spiegelman compiled much of the research and background materials along with interviews about the project as MetaMaus. Loading ... Publisher: Random House Adult Copyright Date: 1996 Edition Date: 1997 Pages: 295 pages Availability: Available ISBN: Publisher: 0-679-40641-7 Perma-Bound: 0-605-18373-2 ISBN 13: Publisher: 978-0-679-40641-9 Perma-Bound: 978-0-605-18373-5 Dewey: 940.53 Dimensions: 24 cm. Subject Heading: Spiegelman, Vladek. Comic books, strips, etc. Spiegelman, Art. Comic books, strips, etc. Holocaust, Jewish (1939-1945). Poland. Biography. Comic books, strips, etc. Holocaust survivors. United States. Biography. Comic books, strips, etc. Children of Holocaust survivors. United States. Biography. Comic books, strips, etc. Language: English THE DEFINITIVE EDITION: The Pulitzer Prize-winning graphic novel acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal) and "the first masterpiece in comic book history" (The New Yorker).A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma. Maus: a survivor's guide Maus II: a survivor's guide. "A loving documentary and brutal fable, a mix of compassion and stoicism [that] sums up the experience of the Holocaust with as much power and as little pretension as any other work I can think of."-The New Republic "A quiet triumph, moving and simple-impossible to describe accurately, and impossible to achieve in any medium but comics."-The Washington Post "Spiegelman has turned the exuberant fantasy of comics inside out by giving us the most incredible fantasy in comics' history: something that actually occurred.... The central relationship is not that of cat and mouse, but that of Art and Vladek. Maus is terrifying not for its brutality, but for its tenderness and guilt."-The New Yorker "All too infrequently, a book comes along that's as daring as it is acclaimed. Art Spiegelman's Maus is just such a book."-Esquire "An epic story told in tiny pictures."-The New York Times "A remarkable work, awesome in its conception and execution... at one and the same time a novel, a documentary, a memoir, and a comic book. Brilliant, just brilliant."-Jules Feffer It is the story of Vladek Speigelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity. Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us. Art Spiegelman is a contributing editor and artist for The New Yorker, and a co-founder / editor of Raw, the acclaimed magazine of avant-garde comics and graphics. His drawings and prints have been exhibited in museums and galleries here and abroad. Honors he has received for Maus include the Pulitzer Prize, a Guggenheim fellowship, and nominations for the National Book Critics Circle Award. He lives in New York City with his wife, Fran?oise Mouly, and their two children, Nadja and Dashiell. Acclaimed as 'the most affective and successful narrative ever done about the Holocaust ' (Wall Street Journal) and 'the first masterpiece in comic book history' (New Yorker), Maus is the story of Vladek Spiegelman, a Jewish survivor ... Show more... It is the story of Vladek Speigelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity. Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us. At last Here is the definitive edition of the book acclaimed as "the most affecting and successful narrative ever done about the Holocaust" ("Wall Street Journal") and "the first masterpiece in comic book history" ("The New Yorker"). It now appears as it was originally envisioned by the author: "The Complete Maus. "It is the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. "Maus" approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in "drawing us closer to the bleak heart of the Holocaust" ("The New York Times"). "Maus "is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. "Maus "studies the bloody pawprints of history and tracks its meaning for all of us. The Pulitzer prize winning author of "Maus" and "Maus II", Art Spiegelman was born in Stockholm, Sweden, and grew up in Rego Park, New York. He is also the co-founder/editor of RAW, the acclaimed magazine of avant-garde comix and graphics and the illustrator of the lost classic "The Wild Party" by Joseph Moncure March. Spiegelman's work has been published in more than sixteen languages and has appeared in "The New York Times, Village Voice, " and "Playboy", among others. He has been a contributing editor and cover artist for "The New Yorker" since 1992. Spiegelman attended the High School "A loving documentary and brutal fable, a mix of compassion and stoicism [that] sums up the experience of the Holocaust with as much power and as little pretension as any other work I can think of." -The New Republic "A quiet triumph, moving and simple-impossible to describe accurately, and impossible to achieve in any medium but comics." -The Washington Post "Spiegelman has turned the exuberant fantasy of comics inside out by giving us the most incredible fantasy in comics' history: something that actually occurred.... The central relationship is not that of cat and mouse, but that of Art and Vladek. Maus is terrifying not for its brutality, but for its tenderness and guilt." -The New Yorker "All too infrequently, a book comes along that's as daring as it is acclaimed. Art Spiegelman's Maus is just such a book." -Esquire "An epic story told in tiny pictures." -The New York Times "A remarkable work, awesome in its conception and execution... at one and the same time a novel, a documentary, a memoir, and a comic book. Brilliant, just brilliant." -Jules Feffer Publication Date 1996-11-30 Country of Publication United States Illustrations illustrations Residence New York City, NY, US Subtitle A Survivor's Tale UK Release Date 1900-01-01 AU Release Date 1996-11-19 NZ Release Date 1996-11-19 US Release Date 1996-11-19

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