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Canterbury College

Level 3 Extended Diploma

Creative Media Production and Technology

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Unit 9 – Characteristics and Contexts in

Media and Communication

And

Unit 10 – Engaging with and Audience in

Creative Media Production

CONTENTS

Chapter 1 - Contextual Study – Week 1 5

Reflective Log 5

Chapter 2 - Own Choice Contextual Study – Week 2 6

Reflective Log 6

Chapter 3 - Copy Transform Combine Scene 1 – Week 3 7

Reflective Log 7

Chapter 4 – Characteristics Analytical Study– Week 4 8

Reflective Log 8

Chapter 5 - Copy Transform Combine Scene 2 – Week 5 9

Reflective Log 9

Chapter 6 - Target Audience Study – Week 7 10

Reflective Log 10

Chapter 7 – Students Choice for Target Audience Study – Week 8 11

Reflective Log 11

Chapter 8 - Copy Transform Combine Scene 3 - Week 9 12

Reflective Log 12

Chapter 9 – Final Scene Production – week 10-13 13

Presentation of Initial Idea 13

Research 13

Planning 13

Presentation of Research and Planning 13

Production 13

Post-Production 13

Evaluation 13

Reflective Logs – one for each week 13

Advanced Production Skills 14

Reflective Logs – one for each week 14

Bibliography 15

Table of Figures 16

Chapter 1 - Contextual Study – Week 1

The Game Recreational Scene

Introduction

To introduce this task we were assigned into groups of 4 to recreate a partiuclar scene from the tv show The Game (The Game, 2014). We were to recreate the scene using 3 point lighting (Back Light, Key Light and Filler Light).

Shot 1 -

[pic][pic]

Figure 1: The Game Recreation shot 1

Figure 2: The Game shot 1 (The Game, 2014)

Shot 1 Analysis – I thought that is picture came out very well as a starting picture as we spent quite a lot of time setting up and adjusting the lights. However a criticism of our picture is that we could have placed the back light (left sided light in this case) slightly more to the right to replicate the image a little better. In addition to this I felt as if the key light was far too bright and it lit the subject up too much in comparision to the real shot.

Shot 2 -

[pic][pic]

Figure 3: The Game Recreation shot 2

Figure 4: The Game shot 2 (The Game, 2014)

Shot 2 Analaysis – During this shot I feel as if the character could have been placed a little more to the left. However when it comes to the lighting in the scene I thought that it was quite well, the character is correctly lit and carries the same amount of mystery as the character in the show does.

Shot 3 -

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Figure 5: The Game Recreation shot 3

Figure 6: The Game shot 3 (The Game, 2014)

Shot 3 Analysis – This shot went quite well when it comes to visuals and the lighting, however the character has their hand on the wrong ear so it doesn’t make for a very good replicar.

Shot 4 –

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Figure 7: The Game Recreation shot 4

Figure 8: The Game shot 4 (The Game, 2014)

Shot 4 Analysis – I felt as if this shot was really over exposed, particulrly on the left hand side of the subjects body, this is because of how bright the key light was, if I was to re-do this shot I would have turned down the key light and I would have turned the back light so it’s facing behind the character more.

Shot 5 –

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Figure 9: The Game Recreation shot 5

Figure 10: The Game shot 5 (The Game, 2014)

Shot 5 Analysis – This shot was also quite good, however it was hard to keep the background dark, as you can see there are lights in the background from the hallway which we didn’t think about. In addition to this there is too much light on the left hand side of the subjects body.

Shot 6 –

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Figure 11: The Game Recreation shot 6

Figure 13: The Game shot 6 (The Game, 2014)

Shot 6 Analysis – This shot I felt could have gone a lot better in hindsight, I feel as if the character on the left should be out of focus more, I also feel as if there is too much hard lighting on the character on the right, there should be smooth lighting to match the scene.

Shot 7 –

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Figure 12: The Game Recreation shot 7

Figure 13: The Game shot 7

Shot 7 Analysis – This shot I thought was very similar to what we were trying to recreate, the lighting was perfect with his right side of his face being more lit than his left. The only negative is that I would have moved the camera a little higher so that the character is level with the camera.

Shot 8 –

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Figure 14: The Game Recreation shot 8

Figure 15: The Game shot 8

Shot 8 Analysis – I thought that the left sided character is perfectly framed on the left-hand side however when it comes to the right character the camera should have been a little higher up on his body and perhaps a little more zoomed in.

Shot 9 –

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Figure 16: The Game Recreation shot 9

Figure 17: The Game shot 9 (The Game, 2014)

Shot 9 Analysis – This shot is also framed quite well with the only problem being how much of the shoulder we see of the right sided character, as it isn’t out of focus it confuses the audience into what they should be focusing on.

Shot 10 –

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Figure 18: The Game Recreation shot 10

Figure 19: The Game shot 10 (The Game, 2014)

Shot 10 Analysis – During this shot the character should have been holding a pen in his hand and in my opinion, he shouldn’t have held such a dominating stance. However, everything else in the shot seems to be good.

Shot 11 –

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Figure 20: The Game Recreation shot 11

Figure 21: The Game shot 11 (The Game, 2014)

Shot 11 Analysis – This shot I thought went reasonably well, however my only negative is that the characters face should have been further up. Perhaps I would have zoomed in more on the camera in addition to this.

Shot 12 –

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Figure 22: The Game Recreation shot 12

Figure 23: The Game shot 12 (The Game, 2014)

Shot 12 Analysis – This shot I thought was too light on the left-hand side of the characters face which makes it far too bright, as opposed to in the game the colours and lighting is a lot smoother. In addition to this in the recreation the character looks like he is leaning into the shot so if I were to re-do the shot I would have made him sit with a straighter back or I would have moved the camera closer to the subject.

Shot 13 –

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Figure 24: The Game Recreation shot 13

Figure 25: The Game shot 13 (The Game, 2014)

Shot 13 Analysis – I thought that this picture looked good with the colours however a minor negative is how lit the table and the radio is, personally I feel as if I should have turned down the key light to replicate the lighting in the game.

Shot 14 –

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Figure 26: The Game Recreation shot 14

Figure 27: The Game shot 14 (The Game, 2014)

Shot 14 Analysis – The lighting setup for this shot wasn’t great in my opinion, first of all the back light in this shot shouldn’t have been visual to the audience and secondly when it comes to the framing the camera should have been further up on the tripod so that you can’t see any of the table like in the real shot.

Shot 15 –

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Figure 28: The Game Recreation shot 15

Figure 29: The Game shot 15 (The Game, 2014)

Shot 15 Analysis – Again as I mentioned previously this shot is far too overexposed on the left-hand side of the character on the right, I also feel as if the character on the left is far too much in the shot. However, a positive of this shot is that both of the characters are looking in a similar direction so it makes it obvious that they are talking to each other.

Shot 16 –

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Figure 30: The Game Recreation shot 16

Figure 31: The Game shot 16 (The Game, 2014)

Shot 16 Analysis – As well in this shot I feel as if the camera should have been higher on the tripod so much so that you can’t see much of the table, it is unfortunate that the table we used was grey it makes it stand out a lot more in our shots.

Shot 17 –

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Figure 32: The Game Recreation shot 17

Figure 33: The Game shot 17 (The Game, 2014)

Shot 17 Analysis – We should have planned better on the storyboard as we didn’t pay attention to the subject’s arms being crossed so we didn’t know that this was the case.

Shot 18 –

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Figure 34: The Game Recreation shot 18

Figure 35: The Game shot 18 (The Game, 2014)

Shot 18 Analysis – I thought that this picture went fairly well, the framing was improved from the other shots and the overall scene was lit quite well.

Shot 19 –

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Figure 36: The Game Recreation shot 19

Figure 37: The Game shot 19 (The Game, 2014)

Shot 19 Analysis – In this shot the framing is perfect in correlation to the real scene, the subject is perfectly placed on the right however the only negative I would highlight is that there is too much head space above our subject.

Shot 20 –

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Figure 38: The Game Recreation shot 20

Figure 39: The Game shot 20 (The Game, 2014)

Shot 20 Analysis – This shot wasn’t very successful in my opinion, the character was far too centralised which makes him look very awkwardly positioned, he should have been placed more to the left. In addition to this the camera should have been higher on the tripod, furthermore the background should have been lit a lot better, so I would have perhaps made the back light a lot brighter and the key light too.

Shot 21 –

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Figure 40: The Game Recreation shot 21

Figure 41: The Game shot 21 (The Game, 2014)

Shot 21 Analysis – This shot was okay but there is far too much light on the left-hand side of the subject’s face which confuses the audience into thinking what’s producing this light?

Shot 22 –

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Figure 42: The Game Recreation shot 22

Figure 43: The Game shot 22 (The Game, 2014)

Shot 22 Analysis – To start with this shot is far too zoomed into the characters face, as well as this we should have moved the back light so that it was in shot in the background to replicate the light in the real show. As well as this the character’s stance should have been more reserved and relaxed as it is in the show, in the show he looks relieved for finally telling this information which is something that we should have included.

Overall

To conclude I thought that this task went well as it served as a good reminder as to how to use 3-point lighting. However most importantly I found it helpful to play around with the lights and how turning off certain lights effected the scene and the messages that would be given to the audience. I thought that there were some shots that I wish that we spent a little more time on so that certain aspects were better lit and framed however it had taught me to be patient when taking pictures.

Broadchurch Report

Chosen scene: Beach scene in which the reporter discovers who the victim’s body is

Estimated time: 29:17 – 31:20

Production

Having David Tennant as a lead main character is very important in a television show such as this, he alone will bring in viewers for his previous works successes like doctor who. Following on from Doctor Who he had just finished his role in it when he started filming for Broadchurch, so his name will be on the tip of everybody’s tongues at the time. The location of the production is important as it was set in a sea-side town, typically sea-side towns have very little to no crimes at all so the fact a murder/suicide took place it shook the whole town.

Personal

The Writer Chris Chibnall has completed previous work with the BBC on the television show Torchwood, which is a very similar programme to Broadchurch, they both have criminal investigation elements. This highlights the fact that he was well known to the BBC before, so after seeing the successes of Torchwood they decided that Chris would be perfect to create and write the script to Broadchurch. In addition to this the fact that the Broadchurch was shown on BBC ONE shows just how much faith the BBC had in how successful the television show will be.

Social

To start with, the fact that it’s a boy that’s gone missing when usually its only girls that go missing is significant. In the national headlines you never really hear about boys that have disappeared it is always usually girls. For example, the most popular child disappearance? Madeline McCann. There’s a reason that everybody knows that name and it’s because of the sheer amount of media coverage the case has got and continues to get. I believe that it was very brave for the writers of Broadchurch to choose a male victim for the TV show as it highlights just how little you hear about them. As I mentioned previously that the show was released just about the Madeline McCann disappearance, I thought that an additional reason to the victim being a boy is to highlight that this sort of thing can also happen to boys, written by Chris Chibnail, it makes perfect sense that his opinion is that there definitely isn’t enough media coverage over boys disappearing.

This brings me onto my next point of how the television show portrayed the media in a dark light, during this scene there is a distinct lack of empathy from the reporter character towards the other characters and the storyline, after previously getting rejected from a newspaper job advert the reporter is eager to gain media so that he can move away from his low level newspaper reporter job. It shows the reporter instantly running to conclusions without listening to more than one source or getting any official statements, his instant reaction is to start to tweet about what’s happening, which in my opinion is to highlight the growing trend in social media and the need to stay up to date with all the new and recent news. This is key from the writers as it suggests the need to be recognized online in what is a massive stream of networks.

Political

The Police were portrayed in a positive light I thought during the television show, however they were always shown to be one step behind solving the investigations. They appeared to be very reliant on the problem-solving abilities of Alec Hardy (David Tennant) to progress further in the investigations and to gather more evidence. However, when the body was found on the beach I felt as if the police turned into a witch hunt for the suspect, almost as if you couldn’t trust anybody in the town unlike before.

Next, I would like to comment on the overall pacing of this scene in the Broadchurch, the scene starts with the slow playing of a piano to represent the mood of the two characters at that moment, they were scared and very emotional as they see the scene of the death for the first time. However, as the reporter starts to recognize the two characters the music slowly starts to intensify and an additional drum beating noise is added to show the audience that perhaps the reporter is up to something he shouldn’t be doing. The shots start to become quicker when the reporter calls Miller to confirm who the dead body is before they begin an argument, this is a very interesting technique as this quick cutting between shots shows how angry Miller is at the reporter. I believe the reasoning behind this is to highlight the thought process of the reporter.

Reflective Log

The Game Recreation shots

I thought that this task went well as it served as a good reminder as to how to use 3-point lighting. However most importantly I found it helpful to play around with the lights and how turning off certain lights effected the scene and the messages that would be given to the audience. I thought that there were some shots that I wish that we spent a little more time on so that certain aspects were better lit and framed however it had taught me to be patient when taking pictures.

Broadchurch Report

Feedback:

You have explained the plot of the Tv show Broadchurch thoroughly which is good as it shows you’ve understood the task well, as well as linking its storyline to a real-life police case shows you’ve done research. Moreover, how you explain your opinion about the reporter leaking out private information and what it shows about the characters intentions is well down as you have noticed details about the show that link to the present regarding social media and its influence. Additionally, I like how you have analysed aspects of certain scenes in Broadchurch e.g. the music changing with the atmosphere of what’s going on in the scene with the characters and how the shots go from one to another.

Chapter 2 - Own Choice Contextual Study – Week 2

3 Point Lighting

Introduction

During this task I was instructed to sculpt a scene that represented 3-point lighting, this would include showing the picture in different forms: With only the key light, With only the Back Light, With only the Fill Light and with all the lights on together. The reasoning behind this was to get a better understanding about the impact each of the lights make on the subject and the in addition to this how to set up the 3-point lighting.

Chosen Film 3 Point Lighting Example (Pulp Fiction)

3 Point Lighting SetUp

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Figure 45: Pulp Fiction Recreation Setup

This was the camera setup for my groups 3-point lighting task, however I didn’t take the picture at the correct moment so not only was the camera not in the right position the lights also weren’t on. So, if I was to re-do this task I would have taken the setup picture with the main lights off and the 3-point lighting on.

All 3 Lights

The lighting used for this picture included, the key light, the back light and the filler light. In comparison with the picture I was replicating from pulp fiction with the briefcase I thought that I did a good job with the restrictions I had. I was unfortunately unable to find a briefcase to have as a target for the light to project from however I decided to use a reflector to bounce the light off and onto the subject’s neck/face. In addition to this I feel like I should have turned up the fill light to make the subjects face more yellow/orange to fully replicate the mystery of the briefcase. Furthermore, I feel like the rest of the lighting was very good, I felt like the key light and the back light did their jobs very well at lighting the subject in the correct way.

Key Light

In this image whilst just using the key light I thought that it adds a lot of mystery to the subject. There is shadowing around the right side of his face however it is quite soft light, so it isn’t as dramatic as it could have been. However, a negative of this picture is that other groups lights were facing my subject, so you can visibly see white fluorescent light on the right side of the subjects face.

Back Light – Reflector

In this image I used only the back light to show how much light is added by the having only the back light on. Also, in this picture I used the reflector which is placed just below the subject and the back light is facing the reflector. The light is quite harsh on the subjects face and it illuminates his whole face. The light also outlines the figure of the subject, showing a harsh outline around his shoulder, arms and face.

Fill Light

In this image the light is very harsh around most of the subjects body, while having the fill light on it shows a clear outline around the right side of the subjects face however you can only see their facial features on the right side as the light is cut off at his nose.

Back and Key Light

This was using only the back and the key light in the photograph, I think that this lighting setup adds a lot to the subject. The lighting is very smooth on the subjects face however there is some shadows on the top right of their face which adds mystery to the image.

Fill and Back Light

This image has a lot of hard light, the right side of the subjects face is very over exposed so much so that there is no definition of his jawline. However the left hand side of the subjects fcae is very dark and shadowy however you can still make out faint details.

Fill and Key Light

With this setup I used just a fill light and a key light which lit the subject up very well in my opinion. The left hand side of his face is very smooth when it comes to lighting with it being easy to distinguish his facial features.

Luther Contextualisation

Introduction

To introduce this work, we were assigned to pick a television show of our choice as long as it was British and a television show. The reasoning behind it needing to be British is that the budgets are entirely different, when you compare US production budgets to those of the UK’s they are completely different. I decided to start looking through Netflix and stumbled upon Luther (Luther, 2010), although I hadn’t previously watched it the description peaked my curiosity.

Production

The main production company of Luther (Luther, 2010) was the BBC which is very significant as it not only shows the trust they had in the writer Neil Cross, but it also shows the confidence they had in the script he’d created. In addition to this point, Luther was broadcasted on the main BBC channel, BBC One, which is important because if they didn’t believe in the success the programme would gain they wouldn’t have broadcasted it on one of their lesser channels. Previously Neil Cross had co-created the television show MI-5 (MI-5, 2002) for 8 episodes which is also produced by the BBC which shows that he’d have been somewhat well known before he was casted to create Luther (Luther, 2010). Furthermore, the television show is very similar to other work that was created and produced by the BBC such as Sherlock (Sherlock, 2010). The television show was set and shot in London which is a well renowned area for murder investigations and other similar criminal activities which makes it very realistic to the storyline of Luther (Luther, 2010).

Personal

As I previously mentioned that Neil Cross co-created MI-5 (MI-5, 2002) (also known as Spooks) he wrote the script for 8 episodes which just goes to show that his script must have been good for Luther if he was able to write for a successful show such as MI-5 (MI-5, 2002). Another personal issue is the fact that the writer Neil Cross is white but he still choses to have a black main character. This is very interesting as in criminal investigation shows there is usually a white main character which shows that Neil Cross obviously identified that there was a lack of black actors having leading roles in these types of shows. Neil Cross has also said that Luther is influenced by both Sherlock Holmes and Columbo, with Luther’s intelligence and problem-solving abilities are comparable to Holmes and the inverted detective format was inspired by Columbo (Cross, 2010).

Social

A very significant social factor in the series is the man characters ‘Idris Elba’s’ race, in most television shows you’ll nearly always find that there is a white coloured protagonist as opposed to a black one in this case. I think that this is a very interesting approach by the writers to do this as it shows that a show can be just as successful no matter what the skin colour is of the actor, as a matter of fact personally I believe that this show wouldn’t work with a white coloured protagonist. Another social factor included is the effects of PTSD, during the episode ‘John’ the main character suffers from PTSD with a traumatic death that resorted in him missing work for 7 months. This is a very sensitive topic that I felt as if it was incorporated perfectly, showing the what PTSD victims must go through constantly reliving past traumatic events. Another social issue that was portrayed in this episode was the social fear to crime and murder, the series is about a narcissistic serial killer that carefully plans their murders leaving little to no evidence. This touches on the fear that is put into the minds of the public that these murders don’t necessarily have to be planned, they are sometimes carried out randomly.

Political

The police are portrayed as if they are very reliant on the actions and success of DCI John Luther (Detective Chief Inspector), however he himself is a very dedicated and legendary figure in the police force in the show. In the television show the Police force often reach dead ends in which they couldn’t find enough evidence to convict the suspect so in this sense they are shown as quite powerless because they were forced to let the suspect go. It wasn’t until John Luther did further investigations that a clearer picture of what happened was revealed. However, despite all this the overall police are portrayed as always being one step behind the criminal until Luther (Luther, 2010) eventually persists.

Historical

Historically, it is stereotypically always men who are portrayed as serial killers in Britain, however in Luther they use a female antagonist to represent the fact that it can be the person you least expect. After researching about other similar cases I found one that stood out, Rosemary West, the case compares to Luther (Luther, 2010) in the sense that they are both serial killers but with Rosemary West she also was involved in sexual abuse which wasn’t present in Luther (Luther, 2010). Rosemary West’s killing spree lasted between 1973 and 1987 which is long before Luther’s (Luther, 2010) release which could have acted as inspiration behind the creation of the television series.

Reflective Log

Pulp Fiction Recreation shots, 3 Point Lighting Task

I thought that the 3-point lighting task was very successful, beforehand I didn’t have a clear image of how important it can be. In addition to this how much of a difference it can make to adding or taking away certain lights.

Luther –

I thought that this task went very well in my opinion, I very much enjoyed watching Luther and taking notes about the different contextualisation’s that were being covered. I thought that doing this task has helped me with the whole concept of contextualisation as it was somewhat new to be beforehand.

Peer Review -

You have gone into a lot of detail about how you constructed the 3-point lighting set up and how the different lights have changed the effect on the subject. The additional comments on how you could have improved your shots showed clearly that you understood the effect you wanted to achieve. Your contextualisation report is set out clearly and goes into good amounts of detail. To further your points, you could illustrate this report with screenshots of the shots or scenes you are referring to. (

Chapter 3 - Copy Transform Combine Scene 1 – Week 3

Reflective Log

Chapter 4 – Characteristics Analytical Study– Week 4

Reflective Log

Chapter 5 - Copy Transform Combine Scene 2 – Week 5

Reflective Log

Chapter 6 - Target Audience Study – Week 7

Reflective Log

Chapter 7 – Students Choice for Target Audience Study – Week 8

Reflective Log

Chapter 8 - Copy Transform Combine Scene 3 - Week 9

Reflective Log

Chapter 9 – Final Scene Production – week 10-13

Presentation of Initial Idea

Research

Planning

Presentation of Research and Planning

Production

Post-Production

Evaluation

Reflective Logs – one for each week

Advanced Production Skills

Reflective Logs – one for each week

Bibliography

Bibliography

B, J., 1990. Cats and Dogs. First ed. London: Fred.

Blackman, J., 2016. Cats Rule. First ed. New York: Routledge.

CLARKE, S., 2017. ‘Luther’ Scribe Neil Cross Inks Deal With FremantleMedia. [Online]

Available at:

Cross, N., 2010. Introducing Luther - with love to Detective Columbo. [Online]

Available at:

[Accessed 21 09 2018].

Luther. 2010. [Film] Directed by Sam Miller. United Kingdom: BBC Drama Productions.

MI-5. 2002. [Film] Directed by Sir Harry Pearce KBE. United Kingdom: BBC.

Nissim, M., 2018. ‘Luther’ series 5 is bringing back a character for a shock return. [Online]

Available at:

Pledger, K., 2016. How does massage help PTSD, stress and anxiety?. [Online]

Available at:

Preston-Ellis, G. M. H., 2017. Devon serial killer Rose West 'is going blind and says she will kill herself if she loses her sight'. [Online]

Available at:

Pulp Fiction. 1994. [Film] Directed by Quentin Tarantino. United States: A Band Apart, Jersey Films.

Sherlock. 2010. [Film] Directed by Mark Gatiss. United Kingdom: BBC.

The Game. 2014. [Film] Directed by Daniel O'Hara Niall MacCormick. United Kingdom: BBC.

The Game. n.d. [Film] s.l.: BBC.

West Midlands Police, n.d. West Midlands Police. [Online]

Available at:

Table of Figures

Figure 1: The Game Recreation shot 1 4

Figure 2: The Game shot 1 (The Game, 2014) 4

Figure 3: The Game Recreation shot 2 5

Figure 4: The Game shot 2 (The Game, 2014) 5

Figure 5: The Game Recreation shot 3 5

Figure 6: The Game shot 3 (The Game, 2014) 5

Figure 7: The Game Recreation shot 4 6

Figure 8: The Game shot 4 (The Game, 2014) 6

Figure 9: The Game Recreation shot 5 6

Figure 10: The Game shot 5 (The Game, 2014) 6

Figure 11: The Game Recreation shot 6 7

Figure 12: The Game Recreation shot 7 7

Figure 13: The Game shot 7 7

Figure 14: The Game Recreation shot 8 8

Figure 15: The Game shot 8 8

Figure 16: The Game Recreation shot 9 8

Figure 17: The Game shot 9 (The Game, 2014) 8

Figure 18: The Game Recreation shot 10 9

Figure 19: The Game shot 10 (The Game, 2014) 9

Figure 20: The Game Recreation shot 11 9

Figure 21: The Game shot 11 (The Game, 2014) 9

Figure 22: The Game Recreation shot 12 10

Figure 23: The Game shot 12 (The Game, 2014) 10

Figure 24: The Game Recreation shot 13 10

Figure 25: The Game shot 13 (The Game, 2014) 10

Figure 26: The Game Recreation shot 14 11

Figure 27: The Game shot 14 (The Game, 2014) 11

Figure 28: The Game Recreation shot 15 11

Figure 29: The Game shot 15 (The Game, 2014) 11

Figure 30: The Game Recreation shot 16 12

Figure 31: The Game shot 16 (The Game, 2014) 12

Figure 32: The Game Recreation shot 17 12

Figure 33: The Game shot 17 (The Game, 2014) 12

Figure 34: The Game Recreation shot 18 13

Figure 35: The Game shot 18 (The Game, 2014) 13

Figure 36: The Game Recreation shot 19 13

Figure 37: The Game shot 19 (The Game, 2014) 13

Figure 38: The Game Recreation shot 20 14

Figure 39: The Game shot 20 (The Game, 2014) 14

Figure 40: The Game Recreation shot 21 14

Figure 41: The Game shot 21 (The Game, 2014) 14

Figure 42: The Game Recreation shot 22 15

Figure 43: The Game shot 22 (The Game, 2014) 15

Figure 44: Pulp Fiction Briefcase scene (Pulp Fiction, 1994) 18

Figure 45: Pulp Fiction Recreation Setup 19

Figure 46: Pulp Fiction Recreation shot 1 19

Figure 47: Pulp Fiction Recreation shot 2 20

Figure 48: Pulp Fiction Recreation shot 3 20

Figure 49: Pulp Fiction Recreation shot 4 20

Figure 50: Pulp Fiction Recreation shot 5 21

Figure 51: Pulp Fiction Recreation shot 6 21

Figure 52: Pulp Fiction Recreation shot 7 21

Figure 53: Idris Elba (Luther, 2010) (Nissim, 2018) 22

Figure 54: Neil Cross (Cross, 2010) (CLARKE, 2017) 22

Figure 55: PTSD (Pledger, 2016) 23

Figure 56: Policemen (West Midlands Police, n.d.) 23

Figure 57: Rosemary West (Preston-Ellis, 2017) 24

[pic]

[pic]

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Figure 44: Pulp Fiction Briefcase scene (Pulp Fiction, 1994)

Fill Light

Back Light – Highlight the subject’s figure

Key Light – Reflector onto the subject’s face

Figure 46: Pulp Fiction Recreation shot 1

Figure 47: Pulp Fiction Recreation shot 2

Figure 48: Pulp Fiction Recreation shot 3

Figure 49: Pulp Fiction Recreation shot 4

Figure 50: Pulp Fiction Recreation shot 5

Figure 51: Pulp Fiction Recreation shot 6

Figure 52: Pulp Fiction Recreation shot 7

Figure 53: Idris Elba (Luther, 2010) (Nissim, 2018)

Figure 54: Neil Cross (Cross, 2010) (CLARKE, 2017)

Figure 55: PTSD (Pledger, 2016)

Figure 56: Policemen (West Midlands Police, n.d.)

Figure 57: Rosemary West (Preston-Ellis, 2017)

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