Individual Piano Studies
Individual Piano Studies
for Performance, Pedagogy
Education (piano/vocal emphasis)
Composition Majors (piano concentration)
AND
Piano Minors
Instructor: Dr. Dena Kay Jones
Office: 436 Fox Fine Arts, Music
Email: dkjones@utep.edu
Ph# (915) 747 – 6625
Office Hours: I am available to schedule conference times with any student via email or phone call.
Course Description
Study and performance of specific solo and collaborative piano repertoire, with additional evaluation in piano pedagogical content and methodology, career promotion, philosophies of music, and assessment of personal achievements in the various fields of piano.
Goals
The goals of the course are to prepare pianists to:
• Perform music effectively with knowledge of historical and theoretical context
• Develop multiple approaches to learning, memorization, and musical thought
• Prepare for and secure future engagements as a pianist, accompanied by also securing the confidence of understanding the administrative structures, responsibilities and expectations involved in these engagements
Objectives
At the completion of the course, the student will be able to:
1. Study and perform solo and collaborative pieces (using both reading skills and memorization skills) through a variety of modes based on piano technique, theory, history and personal interpretation.
2. At the minimum, play all major and minor scales and understand key signatures (more advanced students will be held responsible for other technical concepts).
3. Sight read, playing from the beginning to the end of a work, without stopping.
4. Discuss particular piano works in regard to structure, harmony, melody rhythmic content, and other musical parameters.
5. Set short-term and long-term performance goals.
6. Accompany and collaborate successfully with fellow musicians.
7. Write program notes and press releases.
8. Compile a professional resume
Texts (not required)
Materials will be taken from the following textbooks, and although not required for the class, may be textbooks you’ll want to add to your music library.
Dubal, David. The Art of the Piano: An Encyclopedia of Performers, Literature and Recordings. (London: I.B. Tauris & Co. Ltd., 1990).
ISBN#: 1-85543-217 1.
Gillespie, John. Five Centuries of Keyboard Music: A Historical Survey of Music for Harpsichord and Piano. (New York: Dover Publications, Inc., 1965).
ISBN#: 0-486-22855-X.
Harris, Bette L. and Dorothy V. Harris. The Athlete’s Guide to Sports Psychology: Mental Skills for Physical People. (Champaign, Illinois: Leisure Press, 1984).
ISBN#: 0-88011-206-9.
Hinson, Maurice. Guide to the Pianist’s Repertoire. Third Edition. (Bloomington, Indiana: Indiana University Press, 1999).
ISBN#: 0-253-33646-5.
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide. (Bloomington, Indiana: Indiana University Press, 1983).
ISBN#: 0-253-21457-2.
Hinson, Maurice. Music for Piano and Orchestra: An Annotated Guide. Enlarged Edition. (Bloomington, Indiana: Indiana University Press, 1993).
ISBN#: 0-253-23546-2.
Kirby, F.E. Music for Piano: A Short History. Forward by Maurice Hinson. Edited by Reinhard G. Pauly. (Portland, Oregon: Amadeus Press, 1995).
ISBN#: 0-931340-86-1.
McGraw, Cameron. Piano Duet Repertoire: Music Originally Written for One Piano, Four Hands. (Bloomington, Indiana: Indiana University Press, 2001).
ISBN#: 0-253-21461-0.
Performance Opportunities
We are fortunate to have many venues in which to try out new pieces, old pieces, or simply gain experience in performing the works you will study in class. Recital situations are listed below in the syllabus for those taking individual piano lessons. Attendance is required (and please invite your students, friends and families!).
Midterm Expectations
By now, many of you as musicians know that last minute preparation does not warrant successful performances. We as pianists are to do more than simply hit the right notes; one can only begin to understand and execute many more musical ideas when not consumed with the memory process. In order to assist you with this philosophy, a midterm test will be given. During the week of midterms, you will be required to play all of your jury pieces from memory as a midterm “exam.” The score of this exam will count 5% toward your final grade for this class.
• 90-100 points = A = Pieces memorized and played with an understanding of musical form, phrase structure, dynamic levels and some personal musical interpretation.
• 80-89 points = B = Pieces generally memorized, but with a few memory slips and room for growth related to execution of musical form, phrase structure, dynamic levels and personal musical interpretation.
• 70-79 points = C = Pieces very shaky memory-wise, and no understanding of musical form, phrase structure, or dynamic levels. No previous thought of musical interpretation.
• 60-69 points = D = Pianist is not able to get from the beginning to the end of the piece.
• 50-59 points = F = Pianist must use music and has no conception of the piece whatsoever.
Collaboration
The piano area must constantly play a larger role in collaborative performance. As this skill is essential to the successful pianist in today’s musical world, all of you will be assigned a chamber music piece at the beginning of the semester. Dr. Jones will do everything possible to ensure a successful chamber ensemble. These pieces will be piano duos, piano trios, piano quartets, piano quintets, or chamber music emphasizing a solo instrument or solo voice with the piano also playing a huge part in the ensemble. These pieces will demand the piano majors’ full attention—as much as any solo repertoire piece being studied in the studio. Friday afternoon coachings by Dr. Jones from 2:15 p.m. to 5:00 p.m. will be offered to groups every week, with the groups coming into the studio (Room 436) on a rotating basis. There will be a mandatory chamber music recital in the Recital Hall at the end of the semester. This collaborative performance, in conjunction with regular attendance at coachings as well as a written practice log of your groups, will represent 10% of your final grade in this class.
Pre-Recital Hearings
If you are playing a recital, degree or non-degree, Professor Oscar Macchioni, Professor Ruben Gutierrez and I will need to hear a pre-recital hearing four weeks prior to the recital. For the pre-recital hearing, any piece on the recital may be called for our preview. Once this pre-recital hearing has been approved, the recital is ensured to take place.
Expectations and Grading
Grades are based on
• Attendance and punctuality for lessons and Master Class; and if absence is necessary, the amount of effort shown toward notifying me if unable to attend lesson and/or Master Class.
• Quality and quantity of practice as evidenced by progress from lesson to lesson.
• Completing all assigned pieces and technical studies by the end of the semester.
• Completing all assigned homework as required by class instructor.
“A”: Consistent work and continued progress throughout the semester
“B”: As above, but reflecting less than consistent work throughout the semester, poor preparation that has the potential for improvement
“C”: Inconsistent work, poor attendance or punctuality, and/or lack of participation.
“D”: Inability to produce any positive results regarding performance or homework assignments.
“F”: Failure to attend lessons and master class, or failure to show any work or preparation.
Grades will be earned through the completion of the following activities and assignments with the grade weighting designated:
Assignment Grade Weighting
Lessons and Repertoire Class .50 (.40 for lessons and .10 for
Master Class)
Midterm Exam .05
End of the Semester Jury .20 (plus consideration for Level
Advancement)
Two Music Concert Reviews .10 (.05 each)
Professional Résumé .05
Collaborative Performance Credit .10
Grade Scale
A=100-90 B=89-80 C=79-70 D=69-60 F=59-0
Grade Computation Example
Assignment Grade Weight Component
Lessons and Master Class 93 x .50 = 46.50
Midterm Exam 75 x .05 = 3.75
Jury 93 x .20 = 18.60
Review #1 75 x .05 = 3.75
Review #2 0 x .05 = 0.00
Résumé 0 x .05 = 0.00
Collaborative Performance 95 x .10 = 9.50
Total of weighted grades = 82.1 B
Computers All essays written outside of class must be done on a word-processor. Please see the instructor if you have any questions.
Attendance Policy
Lessons will be held in Music 436, Fox Fine Arts Building. Please knock on the door at your lesson time. If you are ill, please notify me as early as possible by leaving a message at my email address, my office number, or at the Music Department Center Office (747-5606). If I am ill, I will have the office post a sign on my door in addition to contacting you as soon as possible.
Until taken for granted, missed lessons will be rescheduled, and in the event that I miss a lesson, be assured that I will offer a make-up schedule for your consideration.
Because of the nature of the applied class, frequent attendance is a must for the successful student. Most aspects of the final grade result from in-class activity and lesson improvement throughout the semester. Therefore, students cannot get a good grade if they are not in lessons/master class and contributing to class and group discussions. Nor can those students who miss out on class and group discussions or lectures expect to successfully complete assignments or exams. Therefore, the student who is flourishing in Applied Piano Studies is the student who attends regularly.
When a student has compiled a total of four instances of unsatisfactory attendance, he/she will be dropped with a “W” from the course prior to the drop deadline or fail the course after the drop deadline.
Drop deadlines are determined by the university and exact dates can be found online.
The only excused absences will be absences from university-sanctioned events (athletic events, concerts, etc.), emergency illness, a religious-affiliated absence, jury duty, or a funeral for a member of your family. Documentary proof of all five of these circumstances must be provided before or immediately after the fact. If you know that you will be absent from class, it is your responsibility to hand in assignments before your absence. The instructor will not accept late homework.
Students are expected to be in the classroom during the entire class period. Excessive tardiness (coming in 10 minutes after the beginning of class) or leaving the classroom early—unless approved ahead of time with the instructor—will result in an absence.
Students not meeting the above attendance requirements will be dropped from the course. Students dropped before the Course Drop Deadline, will be dropped with a “W”; after the deadline, students will be dropped with an “F”. Remember that your instructor cannot drop you after the drop deadline date.
Your instructor may choose to make an exception to the above policies if she deems the circumstances warrant it.
Repertoire Guidelines
The piano is perhaps an instrument which has the most repertoire written for it. Many of the great composers were pianists—excellent pianists—and therefore the canon, in addition to being vast and comprehensive, is also an educational tool in regard to compositional style, aesthetic and performance practice of musical periods, and individual masterpieces of keyboard music by composers. What follows is a general breakdown of the various pieces found in the mainstream of classical piano pedagogy and performance in higher education. Many of these pieces can be performed at differing levels and this listing should not be viewed as absolute: thus the term guideline.
First Year, MUSA 1391
In this studio, it is the goal that all major and minor scales (natural, harmonic and melodic) will be performed accurately and with facility in sixteenth notes, hands together four octaves, = 60. All key signatures and major and minor relationships must be understood. Technique study will be a major emphasis and repertoire which promotes the development of memory and musicianship will also be assigned. Students will begin working on a collaborative four-hand piece in the first semester and may perhaps advance to a collaborative two piano four-hand piece or a duo with another instrumentalist/ vocalist in the second semester. The introduction of the piano concerto may also be given in the second semester. Sight reading goals are to play at the reading level of Clementi Sonatinas (being able to notice Alberti bass, scales, arpeggios with altered pitches and challenging hand positions/finger number switches).
Technique Studies:
Bartók, Béla (1881-1945) Select Volumes of Mikrokosmos, Vol. 5 + 6
Burgmüller, Friedrich (1806-1874) 25 Easy and Progressive Studies, Op. 100
Clementi, Muzio (1752-1832) Gradus ad Parnassum
Preludes and Exercises, Op. 43
Cramer, Johann Baptist (1771-1858) 21 Etüden
84 Studies
50 Selected Studies
Short Studies Op. 100
Czerny, Carl (1791-1857) The School of Velocity, Op. 299
100 Progressive Studies without Octaves, Op. 139
125 Exercises in Passage Playing, Op. 261
The School of Legato and Staccato, Op. 335
40 Daily Exercises, Op. 337
24 Studies for the Left Hand, Op. 718
The Art of Finger Dexterity, Op. 740
Heller, Stephen (1813, 1888) The Art of Phrasing, Op. 16
25 Studies, Op. 45
30 Etudes, Op. 46
Aram Khatchaturian (1903-1978) Etude
Louis Köhler (1820-1886) 12 Studies, OP. 157
Tcherepnin, Alexandre (1899-1977) Technical Studies on the Five-Note Scale, Op. 53
Tsitsaros, Christos (1961-) Six Autumn Sketches
Performance Repertoire:
Albéniz, Isaac (1860-1909) Six Spanish Dances
Pavanna-Capricho, Op. 12
Seis pequeños valses
Gavotte from Suite Ancienne III
Albéniz, Mateo (1706-1831) Select Piano Sonatas (bi-partite)
Albero, Sebastián (1722-1756) Select Piano Sonatas (bi-partite)
D’Anglebert, Jean-Henri (1635-1691) Select Pièces de Clavecin
Arensky, Anton (1861-1906) By the Sea
Bach, Carl Philipp Emanuel (1714-1788) Select Sonatas
The Prussian Sonatas
Fantasias and Rondos
Bach, Johann Sebastian (1685-1750) Two-Part Inventions
Three-Part Inventions (Sinfonia)
Select English Suites
Barber, Samuel (1910-1981) Love Song
Bartók, Béla (1881-1945) Ten Easy Pieces
3 Popular Hungarian Songs
14 Bagatelles
Sonatina
Bartók, Béla (1881-1945) Young People’s Album, Op. 36
Farewell, Summer. Dancing Leaves, Op. 102
Beethoven, Ludwig van (1770-1827) Select Rondos
Select Variations
Select Bagatelles
Select Piano Sonatas
Blow, John (1648-1708) Six Suites
Borodin, Alexander (1833-1887) Petite Suite
Brahms, Johannes (1833-1897) Waltzes, Op. 39
Two Sarabandes
Two Gigues
Hungarian Dances
Bull, John (1562-1628) Select Harpsichord/Keyboard Pieces
Byrd, William (1543-1623) Select Keyboard Works
Castelnuovo-Tedesco, Mario (1895-1968) English Suite
Castro, Juan José (1895-1968) Bear Dance
Playful Lamb
Chaminade, Cécile (1857-1944) Scarf Dance, Op. 37 No. 7 and other
Select Works from the Children’s Album, Op. 123
Chopin, Frédéric (1810-1849) Select Waltzes
Select Polonaises
Select Mazurkas
Select Nocturnes
Select Preludes
Select Piano Pieces
Clementi, Muzio (1752-1832) Select Piano Sonatas and Sonatinas
Copland, Aaron (1900-1990) Scherzo Humoristique (The Cat and the Mouse)
The Young Pioneers
Sunday Afternoon Music
Down a Country Lane
In Evening Air
Midsummer Nocturne
Couperin, François (1668-1733) Select Pièces de Clavecin
Couperin, Louis (1626-1661) Select Pièces de Clavecin
Cui, César (1855-1918) Three Pieces
Four Spanish Marionettes
À Argenteau, Op. 40
Debussy, Claude (1862-1918) Arabesques I and II
Reverie
Select Preludes, Bk I and II
Nocturne
Children’s Corner
Le petit nègre
Valse Romantique
Franck, César (1822-1890) Select Short Pieces for Piano
Danse lente
Ginastera, Alberto (1916-1983) Milonga
Piezas Infantiles
Granados, Enrique (1867-1916) Select works from the 12 Spanish Dances
Bocetos
Escenas poéticas
Escencas Poéticas Libro de Horas
6 Estudios Expresivas
Cuentos de la Juventud
Mazurka alla polacca
La Sirena
Grieg, Edvard (1843-1907) Select Lyric Pieces and Norweigan Dances
Handel, George Frederic (1685-1759) Select Keyboard Suites and Piano Works
Haydn, Franz Joseph (1732-1809) Select Piano Sonatas
Joplin, Scott (1868-1917) Various Rags, Marches and Waltzes
Kabalevsky, Dmitri (1904-1987) Sonatinas, Op. 13, No.s 1 and 2
Four Little Pieces, Op. 14
Ten Children’s Pieces, Op. 27
3 Rondos from the opera Cola Breugnon, OP. 30
24 Preludes, Op. 38
5 Easy Sets of Variations, Op. 51
Khatchaturian, Aram (1903-1978) Two Characteristic Pieces
Two Pieces
Poem
Recitatives and Fugues
Sonatina
Sonata
Toccata
Kuhlau, Friedrich (1786-1832) Select Sonatinas
Lecuona, Ernesto (1896-1963) Suite Espagnole
MacDowell, Edward (1860-1908) Forgotten Fairy Tales, Op. 4
Six Fancies, Op. 7
Witches Dance, Op. 17, No. 2
Moonlight, Op. 28, No. 3
Scotch Poem, Op. 31, No. 2
Four Little Poems, Op. 32
Marionettes
Mozart, Wolfgang Amadeus (1756-1791) Select Piano Sonatas
Select Variations
Select Fantasies, Rondos and other klavierstücke
Rameau, Jean-Philippe (1683-1764) Select Pièces de Clavecin
Scarlatti, Domenico (1685-1757) Select Keyboard Sonatas
Schubert, Franz (1797-1828) Select German Dances, Impromputs, Moments Musicaux
Variations, Sonatas
Schumann, Robert (1810-1856) Album for the Young, Op. 68
Second Year, MUSA 1391
In this studio, it is the goal that all major, minor, dominant seventh and diminished arpeggios will be performed accurately and with facility in (triplet) sixteenth notes, hands together four octaves, with
= 72. All key signatures and major and minor relationships must be understood. Technique study will still be a major emphasis and repertoire which promotes the development of memory, longer and more complex repertoire and higher demands regarding musicianship will also be assigned. Students will begin working on collaborative duos and trios. Sight reading goals are to play at the reading level of Romantic miniatures, such as simpler Mendelssohn Songs Without Words (being able to notice chromaticism, chords, modulations and even more challenging hand positions/finger number switches). Goals also include comfortable sight reading of chamber music works, including vocal score. Piano Pedagogy is recommended as an elective course. Students must pass a double jury consisting of 30 minutes of music before advancing into the upper applied music study.
(The student has three consecutive semesters to successfully pass the second year double jury. New music is required for each subsequent jury performance. Failure of the third attempt will result in a dismissal from the piano major program.
Technique Studies:
[In addition to the technique studies mentioned above]
Arriaga, Juan Crisostomo (1806-1826) Tres Estudios de Carácter
Dussek, Johann (1760-1812) 12 Melodic Etudes, Op. 16
Hahn, Reynaldo (1875-1947) Deux Etudes
Henselt, Adolf (1814-1889) 12 Etudes, Op. 2
Etude
Herz, Henri (1803-1888) 24 Exercises and Preludes, Op. 21
Hummel, Johann (1778-1837) 24 Etudes, Op. 125
Liszt, Franz (1811-1886) Technical Studies
MacDowall, Edward (1860-1908) Twelve Studies, Op. 39
Mendelssohn-Bartholdy, Felix (1809-1847) Three Etudes, Op. 104a
Three Preludes, Op. 104b
Moscheles, Ignaz (1794-1870) 24 Studies for Perfection, Op. 70
3 Concert Etudes, Op. 51
Moszkowski, Moritz (1854-1925) 15 Virtuoso Etudes, Op. 72
3 Concert Studies, Op. 24
Respighi, Ottorino (1879-1936) Etude A-flat
3 Preludes on Gregorian Melodies
Performance Repertoire:
Albéniz, Isaac (1860-1909) Azulejos
A Book of Waltzes
3 Sonatas, Op. 68, No. 3; Op. 72, No. 4; Op. 82, No. 5
Albéniz, Mateo (1706-1831) Select Piano Sonatas (bi-partite)
Albero, Sebastián (1722-1756) Select Piano Sonatas (bi-partite)
Allende, P. Humberto 12 Tonadas
D’Anglebert, Jean-Henri (1635-1691) Select Pièces de Clavecin
Bach, Carl Philipp Emanuel (1714-1788) Select Sonatas
The Prussian Sonatas
Fantasias and Rondos
Bach, Johann Sebastian (1685-1750) Two and Three Part Inventions
Select Preludes and Fugues from the WTC
Select English, Italian Suites
French Overture
Italian Concerto
Four Duets
Barók, Béla (1881-1945) 4 Pieces
7 Sketches
4 Nénies
Three Hungarian Folk Tunes
Rumanian Folk Dances
Rumanian Christmas Songs
Suite, Op. 14
Beach, H. H. A. (1867-1944) Scottish Legend, Op. 54, No. 1
Hermit Thrush at Eve, Op. 92, No. 1
Hermit Thrush at Morn, OP. 92, No. 2
Nocturne, Op. 107
Beethoven, Ludwig van (1770-1827) Select Rondos
Select Variations
Select Bagatelles
Select Piano Sonatas
Berg, Alban (1885-1935) Menuette in F
Berlioz, Hector (1803-1869) Rustic serenade
Hymne
Toccata
Blow, John (1648-1708) 12 Compositions for the Harpsichord or Virginal
Borodin, Alexander (1833-1887) Scherzo
Brahms, Johannes (1833-11897) Ballades, Op. 10
Select Variations
Rhpasodies, Op. 79
Select Works from Op. 76, 116, 117, 118 and 119
Gavotte after Glück
Britten, Benajmin (1913-1976) Walztes Op. 3
Bull, John (1562-1628) Select Harpsichord/Keyboard Pieces
Busoni, Ferruccio (1866-1924) Suite Campestre
Five Character Pieces
Buxtehude, Dietrich (1637-1707) Select Keyboard Works
Byrd, William (1543-1623) Select Keyboard Works
Castro, José María (1892-1964) Ten Short Pieces
Castro, Washington (1909- ) Four Pieces on Children’s Themes
Three Intermezzi
Cinco Preludios
Chambonnières, Jacques c.d. (1602-1672) Select Keyboard Works
Chaminade, Cécile (1857-1944) La Lisonjira
Chávez, Carlos (1899-1978) Ten Preludes
Chopin, Frédéric (1810-1849) Select Waltzes
Select Polonaises
Select Mazurkas
Select Nocturnes
Select Preludes
Select Piano Pieces
Clementi, Muzio (1752-1832) Select Piano Sonatas and Sonatinas
Copland, Aaron (1900-1990) Scherzo Humoristique (The Cat and the Mouse)
Three Moods
Petit Portrait
Sentimental Melody
Resting Place on the Hill from Our Town
Midday Thoughts
Couperin, François (1668-1733) Select Pièces de Clavecin
Couperin, Louis (1626-1661) Select Pièces de Clavecin
Debussy, Claude (1862-1918) Select Preludes, Bk I and II
Suite Bergamasque
Nocturne
Children’s Corner
Le petit nègre
Hommage à Haydn
Berceuse Héroïque
Falla, Manuel de (1876-1946) Nocturne in f minor
Fauré, Gabriel (1845-1924) Berceuse Op. 56, No. 1
Impromptus
Field, John (1782-1837) Select Nocturnes
Gershwin, George (1898-1937) Preludes
Ginastera, Alberto (1916-1983) Twelve American Preludes
Rondo on Argentine Children’s Folk Tunes, Op. 19
Granados, Enrique (1867-1916) Select works from the 12 Spanish Dances
Danza Lenta, Op. 37, No. 1
Select Escenas Románticas
Los soldados de carton
7 Valses poticos
Reverie-Improvisation
Grieg, Edvard (1843-1907) Select Lyric Pieces and Norweigan Dances
Handel, George Frederic (1685-1759) Select Keyboard Suites and Piano Works
Haydn, Franz Joseph (1732-1809) Select Piano Sonatas
Kabalevsky, Dmitri (1904-1987) Four Preludes, Op. 5
Sonata No. 1, Op. 6
Sonata No. 2, Op. 45
Sonata No. 3, Op. 46
Rondo in a minor, Op. 59
4 Rondos, Op. 60
6 Preludes and Fugues, Op. 61
Spring Games and Dances, Op. 81
Lyric Tunes, Op. 91
Khatchaturian, Aram (1903-1978) Two Characteristic Pieces
Two Pieces
Poem
Recitatives and Fugues
Sonatina
Sonata
Toccata
Lecuona, Ernesto (1896-1963) Danzas Afro-Cubanas
Danzas Cubanas
19th Century Cuban Dances
Malagueña
Liszt, Franz (1811-1886) Variation on a Waltz by A. Diabelli
MacDowell, Edward (1860-1908) First Modern Suite, Op. 10
Second Modern Suite, Op. 14
Serenata, Op. 16
Ten Woodland Sketches, Op. 51
Eight Sea Pieces, Op. 55
Six Fireside Tales, Op. 61
Ten New England Idyls, Op. 62
Mendelssoh, Felix-Bartholdy (1809-1847) Select Songs Without Words
Sonata in b-flat minor
Six Pieces for Children, op. 72
Mozart, Wolfgang Amadeus (1756-1791) Select Piano Sonatas
Select Fantasies, Rondos and other klavierstücke
Poulenc, Francis (1899-1963) Mouvements Perpétuels
Pastourelle
Feuillets d’Album
Bourée au Pavillon d’Auvergne
Prokofiev, Serge (1891-1953) Tales of the Old Grandmother, Op. 31
Four pieces, Op. 32
Three Pieces, Op. 59
Rameau, Jean-Philippe (1683-1764) Select Pièces de Clavecin
Ravel, Maurice (1875-1937) Menuet sur le nom de Haydn
A la manière de—E. Chabrier
A la manière de—Borodin
Scarlatti, Domenico (1685-1757) Select Keyboard Sonatas
Schubert, Franz (1797-1828) Select German Dances, Impromptus, Moments Musicaux
Variations, Sonatas
Schumann, Robert (1810-1856) Kinderszenen, Op. 15
Third Year, MUSA 3391
Technique study will now be emphasized with direct repertoire which 1) promotes the development of memory, 2) is longer with more complexity and 3) contains higher demands regarding musicianship will also be assigned. Students will begin working on collaborative duos, trio, quartets and quintets. Sight reading goals are to play at the reading level of more melodically and harmonically developed pieces, various clef reading, and pop chord chart reading. Piano Pedagogy continues to be a recommended elective course, as so does Group Piano for Piano Majors, which will also include a segment of piano improvisation. It is highly recommended that the piano student learn a piano concerto. Other areas which may be introduced include recording and competition experience. For performance majors, a 30 minute recital must be successfully passed in order to advance to the fourth and final year of piano study.
Technique Studies:
[In addition to the technique studies mentioned above]
Alkan, Charles Henri Valentin (1813-1888) Allegro Barbaro
Arensky, Anton (1861-1906) 12 Etudes, Op. 74
Blumenfeld, Felix (1863-1931) 24 Preludes, Op. 17
Bozza, Eugène (1905-1991) Allegro de Concert
Busoni, Ferruccio (1866-1924) Three Piano Studies and Preludes
Brahms, Johannes (1833-1897) Five Studies Arranged from Works of Other Composers
Chaminade, Cécile (1857-1944) Six Etudes de Concert, Op. 35
En Automne-Etude de Concert Op. 35 No. 2
Chavez, Carlos (1899-1978) Three Etudes
Chopin, Frédéric (1810-1849) Select Etudes, Op. 10 and Op. 25
Debussy, Claude (1862-1918) Select works from the 12 Etudes
Hindemith, Paul (1895-1963) Select works from Ludus Tonalis
Liszt, Franz (1811-1886) 12 Etudes, Op. 1
3 Concert Etudes
2 Concert Etudes
MacDowell, Edward (1860-1908) 12 Virtuoso Studies, Op. 46
Etudes and Technical Exercises
Martinů, Bohuslav (1890-1959) Etudes and Polkas
Messiaen, Olivier (1908-1992) 8 Préludes 1928-29
Rubinstein, Anton (1829-1894) Etude Op. 23/2
Technique Studies
Saint-Saëns, Camille (1835-1921) 6 Etudes, Op. 52
Schumann, Robert (1810-1856) Six Studies after Caprices of Paganini, Op. 10
Crawford Seeger, Ruth (1901-1953) Etude in Mixed Accents
Tcherepnin, Alexandre (1899-1977) Technical studies on the Five-Note Scale
Sept Etudes
Thalberg, Sigismond (1812-1871) 12 Studies, Op. 26
Performance Repertoire:
Aguirre, Julián 2 Books of Argentine National Airs
Huella
Albéniz, Isaac (1860-1909) Alhambra
Cantos de España
Suite Espagnole
Torre Bermeja
Cadiz-Gaditana
Mallorca: Barcarola
Zambra granadina: Danse orientale
12 Piezas Características Op. 92
Recuerdos de Viaje
Albéniz, Mateo (1706-1831) Select Piano Sonatas (bi-partite)
Albero, Sebastián (1722-1756) Select Piano Sonatas (bi-partite)
Albright, William (1944-1998) Three Novelty Rags
The Machine Age
D’Anglebert, Jean-Henri (1635-1691) Select Pièces de Clavecin
Arensky, Anton (1861-1906) 6 Morceaux, Op. 5
3 Esquisses
24 Morceaux Caractéristiques, Op. 36
Bach, Johann Sebastian (1685-1750) Select Preludes and Fugues from the WTC
English, Italian and French Suites
French Overture
Italian Concerto
Four Duets
Toccatas
Adagio in G Major
Aria with Variations in the Italian Manner
Fantasia and Fugue, a minor
Fugue, a minor
Select Partitas
Badura-Skoda, Paul (1927- ) Elegie
Balakirev, Mili (1837-1910) Scherzi, No.s 1, 2 and 3
Ausgewählte Klavierstücke
Waltz in f-sharp minor
Barber, Samuel (1910-1981) Excursions
Nocturne
Ballade, Op. 46
Bartók, Béla (1881-1945) 2 Elegies, Op. 8b
3 Burlesques, Op. 8c
Improvisations on Hungarian Peasant Songs
9 Little Pieces
3 Rondos on Folk Tunes
Little Suite
Beach, H. H. A. (1867-1944) Valse-Caprice, Op. 4
Ballad, Op. 6
Four Sketches, Op. 15
Morceaux Caractéristiques, Op. 28
Five Improvisations, Op. 148
Beethoven, Ludwig van (1770-1827) Select Rondos
Select Variations
Select Bagatelles
Select Piano Sonatas
Fantasia, Op. 77
Berg, Alban (1885-1935) Klavierstück
Bernstein, Leonard (1918-1990) Various Sets of “Anniversaries” (7, 4, 5 and 13)
Bizet, Georges (1838-1875) Variations Chromatiques, Op. 3
Trois Eequisses Musicales
6 Chants du Rhin
Bilder vom Rhein
Romance sans Paroles
L’Arlesienne Suites I and II
Nocturne I
Bloch, Ernest (1880-1959) Poems of the Sea
In the Night
Five Sketches in Sepia
Bolcom, William (1938- ) Three Ghost Rags
Bozza, Eugene (1905-1991) Toccata
Brahms, Johannes (1833-1897) Sonatas Op. 1, Op. 2, Op. 5
Ballades, Op. 10
Select Variations
Rhapsodies, Op. 79
Select Works from Op. 76, 116, 117, 118 and 119
Gavotte after Glück
Scherzo in e-flat minor, Op. 4
Britten, Benajmin (1913-1976) Holiday Diary
Night Piece
Moderato
Nocturne
Busoni, Ferruccio (1866-1924) Sonatina No. 1
Nuit de Noël
Buxtehude, Dietrich (1637-1707) Select Keyboard Works
Byrd, William (1543-1623) Select Keyboard Works
Cage, John (1912-1992) Select Piano Works
Casadesus, Robert (1899-1972) 24 Preludes
Trois Berceuses
Castelnuovo-Tedesco, Mario (1895-1968) I Naviganti
Cipressi
Alt Wien
Candide
Evangelion
Sonatina Zoologica
Castro, Juan José (1895-1968) Corales Criollos
Five Tangos
Cervantes, Ignacio (1847-1905) Cuban Dances
Chabrier, Emmanuel (1841-1894) Pièces pittoresques
Habanera
Bourrée fantasque
Joyesuse Marche
España
Impromptu
Pièces Posthumes
Air de Ballet
Chambonnières, Jacques c.d. (1602-1672) Select Keyboard Works
Chaminade, Cécile (1857-1944) Sonata Op. 21
Le Prétemps—Valse de Salon
Chávez, Carlos (1899-1978) Sonatina
Seven Pieces for Piano
Five Caprichos
Chopin, Frédéric (1810-1849) Select Waltzes
Select Polonaises
Select Mazurkas
Select Nocturnes
Select Preludes
Select Piano Pieces
Berceuse Op. 57
Ballade No. 3 in A-flat Major, Op. 47
Scherzo No. 2 in b minor, Op. 35
Clementi, Muzio (1752-1832) Select Piano Sonatas
Copland, Aaron (1900-1990) Passacaglia
Saturday-Night Waltz from Rodeo
4 Piano Blues
Proclamation for Piano
Couperin, François (1668-1733) Select Pièces de Clavecin
Couperin, Louis (1626-1661) Select Pièces de Clavecin
Crawford Seeger, Ruth (1901-1953) Four Preludes
Crumb, George (1929- ) Five Piano Pieces
A Little Suite for Christmas
Debussy, Claude (1862-1918) Preludes, Bk I and II
Danse
Ballade
Suite Bergamasque
Suite pour le piano
D’un cahier d’esquisses
Masques
Falla, Manuel de (1876-1946) Allegro de concierto
Homenaje
Mazurka
Vals-Capricho
Pour le tombeau de Paul Dukas
Fauré, Gabriel (1845-1924) 13 Barcarolles
Impromptus
Nocturnes
Preludes
Field, John (1782-1837) Select Nocturnes
Gershwin, George (1898-1937) Preludes
Ginastera, Alberto (1916-1983) Danzas Argentinas, Op. 2
Tres Piezas, Op. 6
Malambo, Op. 7
Suite de Danzas criollas
Granados, Enrique (1867-1916) Allegro de concierto
12 Spanish dances
6 Pieces on Spanish Folk Songs
Danza Característica
El Pelele
Rapsodia Aragonesa
Paisaje
Países Soñados
Grieg, Edvard (1843-1907) Select Lyric Pieces and Norwegian Dances
Griffes, Chalres Tomlinson (1884-1920) Three Tone Poems, Op. 5
Fantasy Pieces, Op. 6
Four Roman Sketches, Op. 7
De Profundis
Legend
Three Preludes
Rhapsody in b minor
A Winter Landscape
The Pleasure Dome of Kubla Khan
Handel, George Frederic (1685-1759) Select Keyboard Suites and Piano Works
Haydn, Franz Joseph (1732-1809) Select Piano Sonatas
Hindemith, Paul (1895-1963) In einer Nacht
Kleine Klaviermusik
Korngold, Eric W. (1897-1957) 7 Märchbilder, Op. 3
Lecuona, Ernesto (1896-1963) Danzas Afro-Cubanas
Danzas Cubanas
19th Century Cuban Dances
Malagueña
Lieberman, Lowell (1961- ) Album for the Young, Op. 43
Liszt, Franz (1811-1886) Album d’un Voyageur
Harmonies poétiques et religieuses
6 Consolations
Liebesträum
Ab Irato
Select Hungarian Rhapsodies
MacDowell, Edward (1860-1908) First Modern Suite, Op. 10
Second Modern Suite, Op. 14
Serenata, Op. 16
Ten Woodland Sketches, Op. 51
Eight Sea Pieces, Op. 55
Six Fireside Tales, Op. 61
Ten New England Idyls, Op. 62
Mendelssoh, Felix-Bartholdy (1809-1847) Select Songs Without Words
Capriccio Op. 5
Andante and Rondo Capriccioso, Op. 14
3 Fantasies
Fantasia Op. 28
3 Caprices
6 Preludes and Fugues, Op. 35
Andante catabile and Presto Agitato
Sonatas Op. 6, Op. 105
Mozart, Wolfgang Amadeus (1756-1791) Select Piano Sonatas
Select Fantasies, Rondos and other klavierstücke
Poulenc, Francis (1899-1963) Suite
Five Impromptus
Promenades
Napoli
Tres Novelettes
Trois Pièces
Nuit Nocturnes
Hommage à Albert Roussel
Presto
Intermezzi
Badinage
Improvisations
Mélancolie
Intermezzo A-flat
Humoresque
Caprice
Prokofiev, Serge (1891-1953) Sonatas No.s 1 and 2
Four Pieces, Op. 3
Four Pieces, Op. 4
Ten Pieces, Op. 12
Divertissement, Op. 43B
Things in Themselves, Op. 45
Two Sonatinas, Op. 54
Pensées, Op. 62
Peter and the Wolf, Op. 67
Ten Pieces, Op. 75 from the ballet Romeo and Juliet
Gavotte, Op. 77 from music to Hamlet
Three Pieces Op. 95 from the ballet Cinderella
Three Pieces Op. 96 from War and peace and Lermontov
Ten Pieces, Op. 97 from Cinderella
Rachmaninoff, Sergei (1873-1943) 3 Nocturnes
5 Pieces Op. 3
Prelude in F Major
4 Pieces
Seven Pieces, Op. 10
4 Improvisations
Rameau, Jean-Philippe (1683-1764) Select Pièces de Clavecin
Ravel, Maurice (1875-1937) Sérénade grotesque
Minuet antique
Pavane pour une Infante défunte
Sonatine
Le Tombeau de Couperin
Scarlatti, Domenico (1685-1757) Select Keyboard Sonatas
Schubert, Franz (1797-1828) Select German Dances, Impromputs, Moments Musicaux
Variations, Sonatas
Schumann, Clara Wieck (1819-1896) Quatre Polonaises, Op. 1
Quatre Pièces Caractéristiques, Op. 5
Soirées Musicales, Op. 6
Variations de Concert sur la Cavatine du Pirate, Op. 8
Souvenir de Vienne Op. 9
Scherzo, Op. 10
Trois Romances, Op. 11
Quatre Pièces Fugitives, Op. 15
Sonata
Three Preludes and Fugues
Variations on a Theme by Robert Schumann
Schumann, Robert (1810-1856) ABEGG Variations. Op. 1
Papillons, Op. 2
Intermezzi, Op. 4
Impromptus on a theme of Clara Wieck, Op. 5
Allegro, Op. 8
Fantasiestücke, Op. 12
Arabesque, Op. 18
Blemenstücke, Op. 19
Humoresque, Op. 20
Noveletten, Op. 21
Nachtstücke, Op. 23
Faschingschwank aus Wien, Op. 26
Three Romances, Op. 28
Scherzo, Gigue, Romance and Fughetta, Op. 32
Waldszenen, Op. 82
Bunte Blätter, Op. 99
Fantasiestücke, Op. 111
Three Sonatas for the Young, Op. 118
Album Blätter, Op. 124
Seven Pieces in Fughetta From, Op. 126
Gesänge der Frühe, Op. 133
Variations on an Original Theme
Variationen über ein Nocturne von Chopin
Fourth Year, MUSA 3391
Technique study will now be indiscernible from repertoire: all will require comprehension of memory, longer and more complex works with higher demands regarding musicianship. Students will be working on difficult chamber music repertoire for collaborative duos, trio, quartets and quintets. Sight reading goals are to play anything not out of the ordinary (Legeti etudes, for example, would not be successfully sight read). In addition to the continuation of chamber music, pedagogy, recording and concerti study, competitions may be encouraged, as well as outside, professional performance opportunities and summer music festivals. Other projects in career development may include constructing a curriculum vitae, CD projects, promotion and auditions for graduate programs. For performance majors, a 60 minute recital must be successfully passed in order to graduate. For music education majors, a 30 minute recital must be successfully passed in order to graduate.
(The student has two consecutive semesters to successfully pass the final recital (see recital hearing requirement above). New music may be required for each subsequent attempt (This decision is to be determined by the Piano Area Faculty). Failure of the second attempt will result in a dismissal from the piano major program.
Technique Studies:
[In addition to the technique studies mentioned above]
Albéniz, Issac (1860-1909) Deseo, Op. 40 (Estudio de concerte)
Alkan, Charles Henri Valentin (1813-1888) 12 Etudes in Major Keys, Op. 35
12 Etudes in Minor Keys, Op. 39
3 Grand Etudes
Barce, Ramon (1928- ) Estudio de Densidades
Blumenfeld, Felix (1863-1931) Etude, Op. 29, No. 1
Etude de Concert, Op. 24
Two Etude Fantasies Op. 25
Bolcom, William (1938- ) Twelve Etudes
Twelve New Etudes
Brahms, Johannes (1833-1897) Fifty-One Exercises
Busoni, Ferruccio (1866-1924) Prélude et Etude en Arpèges
Casadesus, Robert (1899-1972) 8 Etudes, Op. 28
Chavez, Carlos (1899-1978) Four New Etudes
Esudio a Rubinstein
Chopin, Frédéric (1810-1849) Select Etudes, Op. 10 and Op. 25
Debussy, Claude (1862-1918) 12 Etudes
Godowsky, Leopold (1870-1938) 53 Studies Based on Chopin Etudes
Hara, Hiroshi (1933- ) 21 Etudes
Ives, Charles (1874-1954) Study No. 20
Study 21: Some South-Paw Pitching
Etude No. 22
Ligeti, György (1923- ) Etudes for Piano
Liszt, Franz (1811-1886) 12 Etudes d’excution transcendante
Liapunoff, Sergei (1859-1924) Etudes d’excution transcendante, Op. 11
Prokofiev, Sergei (1891-1953) Four Etudes, Op. 2
Rachmaninoff, Sergei (1873-1943) Etudes-Tableaux, Op. 33
9 Etudes Tableaux, Op. 39
Rorem, Ned (1923- ) Eight Etudes
Schumann, Robert (1810-1856) Etude Symphoniques, Op. 13
Scriabin, Alexander (1872-1915) Etudes, Preludes, Poems and other Pieces
Stravinsky, Igor (1882-1971) Four Etudes, Op. 7
Szymanowski, Karol (1882-1937) Four Etudes, Op. 4
Tansman, Alexandre (1897-1986) Six études de virtuosité pour piano
Tcherepnin, Alexandre (1899-1977) Etude de Concert
10 Etudes
Six Etudes de travail
5 Etudes de Concert
Performance Repertoire:
Adams, John (1947- ) China Gates
Phrygian Gates
Albéniz, Isaac (1860-1909) Selections from Íberia
Navarra
España (contains Malagueña)
Albéniz, Mateo (1706-1831) Select Piano Sonatas (bi-partite)
Albero, Sebastián (1722-1756) Select Piano Sonatas (bi-partite)
Albright, William (1944-1998) The Dream Rags
Five Chromatic Dances
Grand Sonata in Rag
Pianoagogo
Sphaera
Three Oriental Rags
Alkan, Charles Henri Valentin (1813-1888) Sonata Op. 33
D’Anglebert, Jean-Henri (1635-1691) Select Pièces de Clavecin
Asia, Daniel (1953- ) Piano Set 1
Scherzo Sonata
Why (?)
Babbitt, Milton (1916- ) Three Compositions for Piano
Partitions
Playing for Time
Post Partitions
Reflections
Semi-Simple Variations
Tableaux
Bach, Johann Sebastian (1685-1750) Select Preludes and Fugues from the WTC
English, Italian and French Suites
French Overture
Italian Concerto
Toccatas
Prelude and Fugue, a minor
Chromatic Fantasy and Fugue
Partitas
14 Canons
Goldberg Variations
Balakirev, Mili (1837-1910) Islamey
Sonata in b-flat Minor
Barber, Samuel (1910-1981) Sonata, Op. 26
Bartók, Béla (1881-1945) Rhapsody, Op. 1
2 Rumanian Dances, Op. 8a
Allegro Barbaro
Dance Suite
Sonata
Out of Doors
Beach, H. H. A. (1867-1944) Prelude and Fugue
Variations on a Balkan Theme
Beethoven, Ludwig van (1770-1827) Select Rondos
Select Variations
Select Bagatelles
Select Piano Sonatas
Fantasia, Op. 77
Berg, Alban (1885-1935) Sonata, Op. 1
12 Variationen über ein eignes Theme
Berio, Luciano (1925- ) Cinque variazioni per Pianoforte
Sequenza IV
Erdenklavier
Wasserklavier
Leaf
Brin
Luftklavier
Feuerklavier
Bernstein, Leonard (1918-1990) Touches—Chorale, Eight Variations and Coda
Blancafort, Alberto (1929- ) Sonata para Piano
Bloch, Ernest (1880-1959) Sonata
Visions et Prophéties
Bolcom, William (1938- ) Seabiscuits Rag
The Garden of Eden
Raggin’ Rudi
Nine Bagatelles
Three Dance Portraits
Bolling, Claude (1930- ) Jazz History “With the Help of My Friends”
Boulez, Pierre (1925- ) Première Sonate
Deuxième Sonate
Troisème Sonate
Douze Notations
Brahms, Johannes (1833-1897) Sonatas Op. 1, Op. 2, Op. 5
Ballades, Op. 10
Select Variations
Rhapsodies, Op. 79
Select Works from Op. 76, 116, 117, 118 and 119
Gavotte after Glück
Scherzo in e-flat minor, Op. 4
Variations and Fugue on a Theme by Handel
Variations on a Theme by Paganini
Britten, Benajmin (1913-1976) Twelve Variations
Three Character Pieces
Brown, Earle (1926- ) 3 Pieces for Piano
Perspectives for Piano
Busoni, Ferruccio (1866-1924) Macchiette Medioevali, Op. 33
Sonata Op. 20a
Zweite Ballettszene Op. 20
Sonatina No. 1-6
Twenty-four Preludes
Trois Morceaux
Fantasia and Fugue on “Ad nos ad salutarem undam”
Variations on the Chopin Prelude
Seven Elegies
Fantasia nach J. S. Bach alla Memoria di mio Padre
Ferdinando Busoni
Sech kurze Stücke zur Pflege des polyphonen Spiels
Die Nächtlichen
Fantasia contrapuntistica
Indianisches Tagebuch Op. 47
Toccata
Piano Pieces, Op. 33b
Canto e Valse
Buxtehude, Dietrich (1637-1707) Select Keyboard Works
Byrd, William (1543-1623) Select Keyboard Works
Cage, John (1912-1992) Select Piano Works
Carter, Elliott (1908- ) Sonata
Night Fantasies
90+
Casadesus, Robert (1899-1972) Toccata, Op. 40
Sonatas 1-4
Variations d/après “Hommage à Debussy” de Manuel
de Falla
Castelnuovo-Tedesco, Mario (1895-1968) Il Raggio verde
Piedigrotta
Tre Corali su Melodie ebraiche
Candide
Castro, José María (1892-1964) Sonata de Primavera
Castro, Juan José (1895-1968) Toccata
Sonatina Española
Cervantes, Ignacio (1847-1905) Cuban Dances
Chabrier, Emmanuel (1841-1894) Pièces pittoresques
Habanera
Bourrée fantasque
Joyesuse Marche
España
Impromptu
Pièces Posthumes
Air de Ballet
Chambonnières, Jacques c.d. (1602-1672) Select Keyboard Works
Chaminade, Cécile (1857-1944) Sonata Op. 21
Toccata Op. 39
Chávez, Carlos (1899-1978) Sonata No. 2, Op. 21
Sonata No. 3
Invención
Sonata No. 6
Chopin, Frédéric (1810-1849) Select Waltzes
Select Polonaises
Select Mazurkas
Select Nocturnes
Select Preludes
Select Piano Pieces
Select Ballades
Select Scherzi
Sonatas 1-3 (Op. 4/ Op. 35/OP. 58)
Fantaisie in f minor
Barcarolle
Clementi, Muzio (1752-1832) Select Piano Sonatas
Copland, Aaron (1900-1990) Night Thoughts
4 Dance Episodes from Rodeo
Piano Fantasy
Sonata
Variations
Corigliano, John (1938- ) Etude Fantasy
Fantasia on an Ostinato
Couperin, François (1668-1733) Select Pièces de Clavecin
Couperin, Louis (1626-1661) Select Pièces de Clavecin
Crumb, George (1929- ) Makrokosmos I
Makrokosmos II
Gnomic Variations
Processional
Dallapiccola, Luigi (1904-1975) Quaderno Musicale Di Annalibera
Debussy, Claude (1862-1918) Preludes, Bk I and II
Masques
Images, Bk I and II
Estampes
L’Isle joyeuse
Falla, Manuel de (1876-1946) Pièces espagnoles
Fantasia Baetica
Fauré, Gabriel (1845-1924) Ballade, Op. 19
Franck, César (1822-1890) Grand Caprice Op. 5
Prélude, Chorale et Fugue
Prélude, Aria et Finale
Prélude, Fuge et Variation, Op. 18
Gershwin, George (1898-1937) Preludes
Ginastera, Alberto (1916-1983) Danzas Argentinas, Op. 2
Tres Piezas, Op. 6
Malambo, Op. 7
Suite de Danzas criollas
Sonata No. 1, Op. 22
Sonata No. 2, Op. 53
Sonata No. 3, Op. 55
Gottschalk, Louis Moreau (1829-1869) Select Virtuoso Salon/Character Pieces
Gould, Glenn (1932-1982) Klavierstücke
Granados, Enrique (1867-1916) Allegro de concierto
El Pelele
Rapsodia Aragonesa
Paisaje
Países Soñados
Goyescas
Grieg, Edvard (1843-1907) Select Lyric Pieces and Norweigan Dances
Sonata
Ballad
Holberg Suite
Griffes, Chalres Tomlinson (1884-1920) Three Tone Poems, Op. 5
Fantasy Pieces, Op. 6
Four Roman Sketches, Op. 7
De Profundis
Legend
Three Preludes
Sonata
Rhapsody in b minor
A Winter Landscape
The Pleasure Dome of Kubla Khan
Handel, George Frederic (1685-1759) Select Keyboard Suites and Piano Works
Haydn, Franz Joseph (1732-1809) Select Piano Sonatas
Hindemith, Paul (1895-1963) Sonata Op. 17
Tanzstücke
Suite “1922” Op. 26
Sonatas No. 1, 2 and 3
Ives, Charles (1874-1954) First Piano Sonata
Second Piano Sonata
Three Protests
Three Page Sonata
The Anti-Abolitions Riots in Boston in the 1850s
March: See the Conquering Hero Comes
Varied Air and Variations
Waltz-Rondo
Three Improvisations
Five Piano Pieces
Set of Five Take-Offs
Korngold, Eric W. (1897-1957) Sonata No. 2 in E Major, Op. 2
Sonata No. 3 in C Major, Op. 25
Don Quixote
Four Waltzes
Lieberman, Lowell (1961- ) Piano Sonata 1, Op. 1
Four Apparitions, Op. 17
Nocturne No. 2, op. 31
Nocturne, No. 3, Op. 35
Nocturne, No. 4, Op. 38
Gargoyles, Op. 29
Liszt, Franz (1811-1886) Années de Pèlerinage, Vol. 1, 2 and 3
Grosses Konzertsolo
Sonata in b minor
Two Legends
Select Hungarian Rhapsodies
Ballades, No.s 1 and 2
Polonaises, No.s 1 and 2
Mephistoz Waltzes, No.s 1-4
MacDowell, Edward (1860-1908) Piano Sonatas:
Sonata Tragica, Op. 45
Sonata Eroica, Op. 50
Norse Sonata, Op. 57
Keltic Sonata, Op. 59
Martinů, Bohuslav (1890-1959) Sonata No. 1
Mendelssoh, Felix-Bartholdy (1809-1847) Variations Serieuses, Op. 54
Sonata in B_flat Major, Op. 106
Messiaen, Olivier (1908-1992) 8 Préludes
Vingt Regard sur l’Enfant Jésus
Quatre Etudes de Rhythme
Cantéyodjaya
Catalogue d’oiseaux
La Fauvette des Jardin
Mozart, Wolfgang Amadeus (1756-1791) Select Piano Sonatas
Select Fantasies, Rondos and other klavierstücke
Mussorgsky, Modest (1839-1881) Pictures at an Exhibition
Poulenc, Francis (1899-1963) Les Soirées de Nazelles
Histoire de Babar (le petit elephant)
Prokofiev, Serge (1891-1953) Toccata, Op. 11
Sarcasms, Op. 17
Vision fugitives, Op. 22
Sonata No.s 3-9
Six Transcriptions, Op. 52
Rachmaninoff, Sergei (1873-1943) 6 Moments musicaux, Op. 16
2 Fantasy Pieces
Variations on a Theme by Chopin
Preludes Op. 23
Sonata No. 1
Preludes, Op. 32
Sonata No. 2
9 Etudes Tableaux, Op. 39
Variations on a Theme of Corelli, Op. 42
Rameau, Jean-Philippe (1683-1764) Select Pièces de Clavecin
Ravel, Maurice (1875-1937) Jeux D’eau
Miroirs
Gaspard de la Nuit
Valses nobles et sentimentales
La Valse
Rzewski, Frederic (1938- ) The People United Will Never Be Defeated
4 Pieces for Piano
4 North American Ballades
Scarlatti, Domenico (1685-1757) Select Keyboard Sonatas
Schönberg, Arnold (1874-1951) Drei Klavierstücke
Three Piano Pieces, Op. 11
Six Little Piano Pieces, Op. 19
Five Piano Pieces, Op. 23
Suite for Piano, Op. 25
Piano Piece, Op. 33a
Piano Piece, Op. 33b
Schubert, Franz (1797-1828) Select German Dances, Impromputs, Moments Musicaux
Variations, Sonatas
Wanderer Fantasy
Schumann, Clara Wieck (1819-1896) Quatre Polonaises, Op. 1
Quatre Pièces Caractéristiques, Op. 5
Soirées Musicales, Op. 6
Variations de Concert sur la Cavatine du Pirate, Op. 8
Souvenir de Vienne Op. 9
Scherzo, Op. 10
Trois Romances, Op. 11
Quatre Pièces Fugitives, Op. 15
Sonata
Three Preludes and Fugues
Variations on a Theme by Robert Schumann
Schumann, Robert (1810-1856) Davidsbündlertänze, Op. 6
Toccata, Op. 7
Carnaval, Op. 9
Sonata Op. 11
Sonata Op. 14
Kreisleriana Op. 16
Fantasia Op. 17
Sonata Op. 22
Scriabin, Alexander (1872-1915) Piano Sonatas
Shostakovitch, Dmitri (1906-1975) Sonata No. 1, Op. 12
24 Preludes
Sonata No. 2
[pic]
-----------------------
See point system outlined below
................
................
In order to avoid copyright disputes, this page is only a partial summary.
To fulfill the demand for quickly locating and searching documents.
It is intelligent file search solution for home and business.
Related searches
- player piano music rolls
- piano lessons beginners
- piano for adult beginners
- player piano music rolls value
- qrs piano rolls for sale
- qrs player piano rolls for sale
- qrs player piano rolls catalog
- piano instrumental love songs
- you are good piano chords
- qrs piano rolls value
- qrs player piano rolls
- play that song piano chords