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Author: Dr. Paul Smith Number of Pages: 220 pages Published Date: 06 Nov 2008 Publisher: CAMBRIDGE UNIVERSITY PRESS Publication Country: Cambridge, United Kingdom

Language: English ISBN: 9780521089395

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Hollywood: Perhaps no other place on earth evokes the same air of show-business magic and glamour. The legend of Hollywood began in The Historian and Film early 20th century and is an earmark of modern American society rich in history and innovation. InEdward Muybridge created the first movie ever made by placing twelve cameras on a racetrack and rigging the cameras to capture shots in quick sequence as a horse crossed in front of their lenses. The first film for motion photography was invented in by George Eastman and William H. Walker, which contributed to the advance of motion photography. Shortly thereafter, the brothers Auguste and Louis Lumiere created a hand-cranked machine called the cinematographe, which could both capture pictures and project still frames in quick succession. Exploration into editing, backdrops, and visual flow motivated aspiring filmmakers to push into new creative territory. One of the earliest and most famous movies created during this time was The Historian and Film Great Train Robberycreated in by Edwin S. The end of World War I ushered the United States into a cultural boom, a new industry center was on the The Historian and Film Hollywood, the home of motion pictures in America. According to industry myth, the first movie made in Hollywood was Cecil B. Notable actors of this period include Charlie Chaplin. With hundreds of movies being made The Historian and Film year, Hollywood was the rise of an American force. This age also saw the rise of two coveted roles in the movie industry: the director and the star.

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History of the motion picturehistory of cinema from the 19th century to the present. The illusion of motion pictures is based on the optical phenomena known as persistence of vision and the phi phenomenon. The first of these causes the brain to retain images cast upon the retina of the eye for a fraction of a second beyond their disappearance from the field of sight, while the latter creates apparent movement between images when they succeed one another rapidly. Together these phenomena permit the succession of still frames on a motion-picture film strip to represent continuous movement when projected at The Historian and Film proper speed traditionally 16 frames per second for silent films and 24 frames per second for sound films. Before the invention of photography, a variety of optical toys exploited this effect by mounting successive phase drawings of things in motion on the face of a twirling disk the phenakistoscopec. The Historian and Film photography was innovated and refined over the next few decades, it became possible to replace the phase drawings in the early optical toys and devices with individually posed phase photographs, a practice that was widely and popularly carried out. There would be no true motion pictures, however, until live action could be photographed spontaneously and simultaneously. This required a reduction in exposure time from the hour or so necessary for the pioneer photographic processes to the The Historian and Film and, ultimately, one-thousandth of a second achieved in It also required the development of the technology of series photography by the British American photographer Eadweard Muybridge between and During that time, Muybridge was employed by Gov. Leland Stanford of California, a zealous The Historian and Film breeder, to prove that at some point in its gallop a running horse lifts all four hooves off the ground at once.

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Before the invention of the "talking picture," all movies were completely silent. The infusion of music into the film The Historian and Film is speculated to have happened for many reasons. Music was already a commonplace element in the theatres and it was brought over to films not only because of tradition, but to add a depth to the two-dimensional image that appeared upon the screen. An added benefit was that it The

Historian and Film up the cacophony of noise that spewed from the projector. The majority of silent films were accompanied by anything from full orchestras to organists and pianists. Books of music were published to provide the accompanists with ideas for scene music, categorized by mood, event, or element. Many of the films came with a "suggestion list" of what music to play in which scene. It was Birth of a Nation that was the first to have a score compiled specifically for it. With the advent of the talking pictures, music once again established itself The Historian and Film a vital element in the film industry. At first, sound films followed the precedent set by their ancestors, using compiled "western music" Classical music, usually from the 19 th century. This practice soon gave way, however, to the creating of original scores. Max Steiner wrote the first completely original score for King Kong in In the s, composers refined their expertise even more. One The Historian and Film the most important and influential composers was Bernard Herrmann, who broke many barriers and traditions to create music that greatly enhanced the films for which he wrote.

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Film History by Decade: Select one of the decade sections below for movie history, or select an individual year see Greatest Films - by Year. If you're interested in the history of film by genre typevisit the section on Film Genresor by non-genre film categoryvisit the section on Non-Genre Film Categories. The Greatest Films of the Pres: Movie Title Screens: Greatest Last Film Lines: ss. History of Sex in Cinema: Greatest Movie Props in Film History: ss. The Greatest Films The Historian and Film the s: Top 10 Box Office Hits of the Decade The Historian and Film by Year of the s Academy Awards Winners and History :,, Best Picture Milestones s. Greatest Film Flops, Disasters, Bombs: s. The Greatest Films of the s: Top 10 Box Office Hits of the Decade and by Year of the s Academy Awards Winners and History :,,Best Picture Milestones s History of Sex in Cinema: Greatest Movie Props in Film History: s. Greatest Film Flops, The Historian and Film, Bombs: Academy Awards Winners and History :,,Best Picture Milestones s History of Sex in Cinema: Greatest Film Flops, Disasters, Bombs:



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