Standby or Cue



PILIPINO CULTURE NIGHT ‘08 STG MGR/LIGHTING

Awaken Movement, UC Berkeley CUE SHEET

By: Pauline Alvarado Updated: 13 April 2008

|Standby or Cue |When |What happens |

|Stby house lights |[insert minutes] before show | |

|> curtain | | |

|> projector [not sure if this will be here] | | |

|> video | | |

|House lights out |SHOWTIME! |Blackout |

|> curtains open | | |

|> projector go | | |

|Video go |When projector goes down or curtain is fully open |OPENING begins |

|Stby projector up | |Video montage |

|>Q1 | | |

|Project out |*somewhere in the middle of the video… it takes a | |

| |while to roll that ish up and down* | |

|Q1 go |[watch the video for the last line? OR do they |4 speakers onstage |

| |start when I call the lights on?] | |

|Stby Q2 |[KAMILLE’S LAST LINE GOES HERE] | |

|Q2 go |[SAM’S LINE GOES HERE] |Entire stage lights up |

| | |Band plays |

| | |Cast on stage |

|Stby Q3 |The awaken movement sign starts to open | |

|> Q4 | | |

|Q3 go |Music stops. [INSERT LAST LINE HERE] |OPENING ends. |

| | |Everyone stops on stage; then, blackout. |

|Q4 go |[do I look for Golda on the alcove? How long after|LIBERTY1 begins |

| |the blackout? OR does Golda start when I cue to |Spot on alcove. |

| |lights on?] | |

|Stby Q5 |VICTOR: It’s only a few minutes long… My name is | |

|> Q6 |victor by the way. | |

|> Sound 1? [singkil has live music?] | | |

|Q5 go |LIBERTY: Huh? You were just stalling? |LIBERTY1 ends |

|Sound 1 go? |VICTOR: Shh! Look it’s starting! |SINGKIL begins |

| | |Lights fade to focus on the dance. |

|Q6 go. |[when do you want me to cue the lights for the |[happens during this cue?] |

| |opening?] | |

|Stby Q7 |[indicate a move or time when I should alert the | |

| |lighting guy] | |

|Q7 go. |[what move/time/sound/lyrics do u want me to call |[happens during this cue?] |

| |the cue?] | |

|Stby Q8 to Q11 |[indicate a move or time when I should alert the | |

| |lighting guy] | |

|Q8 go |[what move/time/sound/lyrics do u want me to call |[happens during this cue?] |

| |the cue?] | |

|Q9 go |5 seconds after the final pose. |SINGKIL ends. |

| | |Blackout |

|Q10 go |3 groups are onstage. |OLD SCHOOL (OS) begins |

| | |Spotlights on each group. |

|Q11 go |LEAN and DARLENE on the side. Other people exit. |OS II |

| | |Full stage lights. |

|Stby Q12 |AMD: Come on it’ll be fun. | |

|> Q13 | | |

|Q12 go |GK: I also need a job... |Fade black. |

| |DIANA: …looking for writers. | |

|Q13 go |LEAN and DARLENE are on the side and people exit. |OS III. |

| | |Spotlights on characters. |

|Stby Q14 |LEAN and DARLENE argue. The phone rings. | |

| | | |

|Q14 go |GK: Dad I have to go. |Fade black. |

|Stby Q15 |LIGAYA: Besides, I’d like to feel like a young | |

| |college student again. | |

|Q15 go |After ninjas clear Ligaya’s area, actors are on |OS IV. |

| |stage |Full stage lights. |

|Stby Q16 |LIGAYA: I’m not old. | |

|Q16 go |LIGAYA: “…but PILIPINOS was invested in things |Lighting indicates mood change. |

| |that mattered.” | |

|Stby Q17 to Q19 |AM: “Right!” [insert line before] | |

|Q17 go |GK: “No dance and no rally for me.” |Blackout. |

|Q18 go |Clear stage. |OS V. |

| |Actor behind screen on alcove. |Actor will turn on light. |

|Q19 go |Immediately after actor turns on light. |2 spots will follow actors as they emerge from the |

| | |screen. |

|Stby Q20 to Q22 |GK: Stop it. | |

|Q20 go |EMILIO returns behind the screen. |Spot off. |

| | |Blackout. |

|Q21 go |Actors will gather on SL entrance. |Spot follows 5 characters |

|Q22 go |LIGAYA passes flyers to MARVIN and ALEX. |OS VI. |

| | |Full house lights. |

|Stby Q23 |FELICITY: No, it’s okay… | |

|Q23 go |FELICITY: No your voices need to be heard. Change |Change in lighting mood. |

| |starts when one person speaks up. | |

|Stby Q24 to Q31 |GK: Don’t preach to me. | |

|Q24 go |LIGAYA: This young man and I are going to get more|Blackout. |

|Stby Sound 2 |participants… | |

| |Ligaya pulls GK offstage. | |

|Q25 go |ANNOUNCER: OK, next up is PILIPINOS from UCB |OS VII. |

| |performing Rhytmn Nation. |Spotlight on DIANA |

|Q26 go |DIANA: Okay, we’ve all worked hard for this. Do a |Spot off. (ask Judith/Alvin Eugene what goes after |

|Sound 2 go |good job! |this) |

|Q27 go |00:05 seconds after the 5,4,3,2,1 |JAZZ begins. |

| | | |

| |* look for a dance move or something easy… like a | |

| |beat or something * | |

|Q28 go |00:09 seconds (“bass”) |Spot SR group |

| | | |

| |* see above * | |

|Q29 go |00:14 seconds |Spot Center group |

| | | |

| |* see above * | |

|Q30 go |00:18 seconds |Full stage lights. |

| | | |

| |*see above * | |

|Q31 go? |[indicate a move or time when I should cue the |JAZZ ends. |

| |lighting guy] |OS VII Resumes. |

| | |[what happens to the lights here? Black out? The same|

| | |lights as jazz?] |

|Stby Q32 to Q35 |GK: And when you dance… | |

|Q32 go |GK: We’re progressing as a community, right? |Change in lighting mood. |

|Q33go |DIANA: We can teach you a few things, and maybe |Blackout. |

| |you can join our next performance? | |

|Q34 go |When everyone is set up on stage. |OS VIII. |

| | |Spot on groups. |

|Q35 go |KAY: Imagine where this can go. |OS ends. |

| |KAY: You’ve awakened a movement. |Fade to blackout. |

|Q36 go |LYRA: Oh wow! |TRANSITION1 begins |

| |FM: Hokay hokay hokay… sige na. |* dialogue may change… this is a general idea of it* |

| | | |

| |* may improve to give ninjas more time * | |

|Stby Q37 |LYRA: Of course she’s involved! But she…I don’t | |

|> Q38 |know. | |

|Q37 go |FM: We’ll see you two at the debut? |TRANSITION1 ends. |

| |LYRA: Yeah, she’s going. Okay, sige na. |Lights fade out SR |

| |FM: Bye! | |

|Stby Q38 |LYRA: …Roxanne’s debut this Saturday. |LIBERTY2 II |

|Q38 go |LIBERTY: Sorry, I’ll pass I’m already |Light change to go with mood change. [Louel, would |

| |involved…Just not with the Filipino group. |you like a lighting change here?] |

|Stby Q39 |LIBERTY: Sorry, but I’m not Okay! | |

|Q39 go |LYRA: I’m proud of you ‘nak… |Light change to go with mood. |

|Stby Q40 |LIBERTY: But you meant it. |[lighting change needs to be confirmed] |

|Q40 go |LYRA: Well I’m lonely too! |Blackout. |

|Stby Q41 to Q43 |LYRA exits with LIBERTY on stage. |[how long will the blackout be? As long as the ninja |

| | |set up? When I see the two on stage?] |

|Q41 go |JOBELLE & LIB are on stage. |LIBERTY P2 III. |

| |LIBERTY: And she… |Spot SR on. |

|Q42 go |LIBERTY: Exactly… that’s the word I’m looking for…|Spot SR off. |

| |Yup. |Spot SL on. |

|Q43 go |WAITER: …would you like to you wait for your |Spot SL off. |

| |party? |Spot SR on. |

| |LYRA: Wait. | |

|Stby Q44 |LIBERTY: I really don’t want to. | |

|> Q45 | | |

|Q44 go |JOBELLE: So your mom should be happy that you’re, |Spot SR off. |

| |like, taking ownership of your life or whatevs. |Spot SL on. |

|Q45 go |LYRA: Oh that makes me so happy… But now I need to|Spot SL off. |

| |take more care of myself. |Spot SR on. |

|Stby Q46 to 48 |After knocking sound. | |

| |DAD: Jojo! | |

|Q46 go |DAD: Whatever… |Spot follows DAD to Center |

| |LIBERTY: Will do. | |

|Q47 go |JOBELLE: Um okay… fine… But it’s at a fancy |Spot SR off. |

| |romantic restaurant. |Spot SL on. |

|Q48 go |VICTOR: Excellent, you’re… What would you guys |Lights out. |

| |like to order? | |

|Stby Q49 |Voicemail lady | |

|Q49 go |VICTOR: Is your friend coming? |LIBERTY2 IV |

| |JOBELLE: Maybe. I keep getting her voicemail th… |Lights up |

|Stby Q50 |LIBERTY: …she’s happy, I’m happy… | |

|Q50 go |ESTELLA: Liberty stop… |Blackout. |

|Stby Q51 |ESTELLA: I want to tell you something. | |

|Q51 go |ESTELLA: Oh okay, I will. |Lights on including the alcoves. |

| |LYRA: Salamat po. | |

|Stby Q52 |VOICE: It’s something you’re never thanked for. | |

|> Q53 | | |

|Q52 go |VOICE: Anything |Blackout |

| |ESTELLA: Father | |

| |LYRA: Mother | |

|Q53 go |ESTELLA: Daughter |Lights on. |

| |LYRA: Mother | |

| |LIBERTY: Mom | |

|Stby Q54 |LIBERTY: Be able to be proud of me… | |

|Q54 go |ESTELLA: Chis-mis and experience. |Blackout. |

|Stby Q55 | | |

|Q55 go |JOBELLE: Stall like crazy!… |LIBERTY2 V |

| |VICTOR: You got it! That’s my specialty. |Lights up. |

|Stby Q56 |LIBERTY: Ma! | |

|Q56 go |VICTOR: We can start the last dance! |LIBERTY2 ends. |

| | |SWINGS begins. |

| |[call the cue when all the dancers have taken |[does swing automatically go into the dance? Will the|

| |their position?] |lights be on or will there be a blackout after |

| | |VICTOR’s last line?] |

|Stby Q57 |[indicate a move or time when I should alert the | |

|> Sound 3 |lighting guy] | |

|Sound 3 & then Q57 go |When the band ends? |Lights focus on the “soul train”? |

| | | |

|* it looks better when the sound goes as they |[what move/time/sound/lyrics do u want me to call | |

|are dancing and then the light… because it |the cue?] | |

|would look weird if the light changes before | | |

|the sound and dancing * | | |

|Stby Q58 |[indicate a move or time when I should alert the | |

|> Curtains |lighting guy] | |

|Q58 go |[what move/time/sound/lyrics do u want me to call |SWING Ends. |

|> Curtains go |the cue?] |END OF FIRST HALF. |

| | |Blackout. |

| | | |

| |INTERMISSION | |

|Stby house lights |[insert minutes] before show | |

|> curtains | | |

|House lights out |When we’re ready dawg. |Blackout |

|> curtains go | | |

| | | |

|Stby Q59 | | |

|Q59 go |[when do you want me to cue the lights for the |MORO begins. |

| |opening?] |“Morning” lighting |

|Stby Q60 |[indicate a move or time when I should alert the | |

| |lighting guy] | |

|Q60 go |[what move/time/sound/lyrics do u want me to call |“Noon” lighting |

| |the cue?] | |

|Stby Q61 |[indicate a move or time when I should alert the | |

| |lighting guy] | |

|Q61 go |[what move/time/sound/lyrics do u want me to call |Really bright lights |

| |the cue?] | |

|Stby Q62 |[indicate a move or time when I should alert the | |

|> Q63 |lighting guy] | |

|Q62 go |Ending pose |MORO ends. |

| | |Blackout (ask trad heads) |

|Q63 go |ANGELA starts walking out |LOST VOICES (LV) I |

| |ANGELA: Ahh… |Lights on. |

|Stby Q64 |VOICEMAIL: Ms. Bagumbayan… | |

|Q64 go |ANGELA/LOLA: …new job as an architect. When I last|Spot on LOLA |

| |talk to your mommy she was… | |

|Stby Q65 to Q69 |LOLA: ay nako, you’re right. | |

|Q65 go |ANGELA:…this part of the slums for the condos. |Spot on ANGELA fades after exiting. |

| |ANGELA walks offstage. | |

|Q66 go |MANG TAYSO dances the ocho ocho |Spot fades |

|Q67 go |MANG TAYSO: Why are you HANGING around here…you |Spot blacks out. |

| |silly little girl! | |

|Q68 go |After ringing sound. |LV II |

| | |Lamp light on SR alcove turns on. |

|Q69 go |?? |Lamp off on SR alcove |

|Stby Q70 |ANGELA: Really? You should write a book. | |

|> Q71 | | |

|Q70 go |Everything starts to move. Plastic vase falls |Blackout. |

| |over. Angela gasps. | |

|Q71 go |Music starts playing (2 seconds after blackout). |LV III.1 |

| | |Spot on ANGELA lying on the floor. |

|Stby Q72 |MARIANNE: Mommy brought some pandesal and juice so| |

| |we can celebrate! | |

|Q72 go |MARIANNE: This pandesal is special! |Second spot on DSL |

|Stby Q73 TO Q75 |FATHER: Thank you! Salamat! | |

|Q73 go |FATHER: Nahihirapan narin. |Spot DSL gradually fades out. |

|Q74 go |MARIANNE: Maligayang bati. |Remaining spot fades out. |

|Q75 go |Family is on stage. |Dimmed lights. |

|Stby Q76 | | |

|Q76 go |FATHER: …we don’t have any money to ride the bus |Spot on. |

| |ANGELA: I don’t understand it. | |

|Stby Q77 |MARIANNE: All you Pilipino Americans care about | |

|> Q78 |are… | |

|Q77 go |ANSELMO: Or is it because I fought for a father |[what lighting is going on right now?] |

| |that doesn’t even call me his own son. | |

|Q78 go |ANSELMO: Look baon! |LV III.2 |

| | |Spot on ANSELMO. |

|Stby Q79 |ANSELMO is standing and whatnot. | |

|> Q80 | | |

|Q79 go |PEOPLE IN BLACK: Why do you care… |Spot on ANSELMO out. |

|Q80 go |Last PEOPLE IN BLACK leave stage. |LV III.3 |

| | |Spot SR on MANG TASYO. |

|Stby Q81 to Q83 |MANG TASYO: But you know, what’s missing in that | |

| |picture? Dashing Tasyo! | |

|Q81 go |MANG TASYO: Your Lola wants you to hear them… MANG|Spot on MANG TASYO fades. |

| |TASYO grabs the frame… | |

|Q82 go |VOICEMAIL: Where are you? |LV, Scene III.4 |

| |[need confirmation on this line for the lighting |“Urgent, bloody” lighting comes on. |

| |change] | |

|Q83 go |ELLEN: Anak |Spot 2 on. |

|Stby Q84 to Q88 |BOSS: Ellen! | |

|Q84 go |BOSS: Oh there you are! |Spot 1 & 2 starts to fade. |

| |ELLEN: No, don’t! | |

|Q85 go (right after “No, don’t!”) |ELLEN: I have my family… my children! |Lights out. |

|Q86 go |ANGELA places ELLEN on her lap. |LV, Scene IV.1 |

| |ANGELA: Can… |Spot 1 on. |

|Q87 go |ANGELA: Can someone help us? I can’t let her die |Spot 2 on SR alcove. |

| |too… | |

|Q88 go |LOLA: You can do a lot. |Spot 2 out. |

|Stby Q89 to Q96 |MODERN walks in. | |

|> Sound 4 | | |

|Q89 go |ELLEN: some of us stay there… and some of us come |Spot fades out. |

| |back in body bags… You won’t remember a maid. | |

| | |[is Q89 and Q90 the same thing?] |

|Q90 |ANGELA backpedals |House lights dim |

|Q91 go |2 actors exit and MODERN is left on stage. |MODERN begins. |

|Sound 4 go | |“Everyday we struggling” |

|Q92 go |[what move/time/sound/lyrics do u want me to call |Lauryn Hill song |

| |the cue?] | |

|Q93 go |[what move/time/sound/lyrics do u want me to call |JT song |

| |the cue?] | |

|Q94 go |[what move/time/sound/lyrics do u want me to call |Maid song |

| |the cue?] | |

|Q95 go |[what move/time/sound/lyrics do u want me to call |“Grown apart” |

| |the cue?] | |

|Q96 go |[what move/time/sound/lyrics do u want me to call |Finale – Talib Kweli |

|Stby Q97 |the cue?] | |

|> Q98 | | |

|> Video | | |

|> Projector? | | |

|Q97 go |Ending pose (wait a couple of seconds). |MODERN ends. |

|Projector go? | |Fadeout. |

|Q98 go |Loud noises in Zellerbach. When the ghosts are |LV IV.2 |

| |standing on stage ready. |Dimmed ouselights go on. |

|Video go. |Choir starts singing. | |

| |[need confirmation of this cue] | |

|Stby Projector |* when website material comes on * | |

|Video out. |ONSCREEN: |LV ends. |

|Projector out. |It's up to you... to see | |

|Stby Q99 |It's up to you... to listen | |

| |You are the architect of your own activism. | |

|Q99 go |Jean on DSL |TRANSITION2 begins. |

| | |Spot on Jean |

|Stby Q100 to Q103 |ANGELA: Whatever it is. Whatever you do… | |

|Q100 go |Wait for dancers to occupy the stage? |MOF begins |

| | |Top lights shine down on boys. |

| | |Spotlight at instrumentalists slowly fades in. |

|Q101 go |10 seconds afters |Lighting mood gradually changes |

|Q102 go |Dancer pose. First music piece ends. |Lighting mood changes. |

|Q103 go |Change from Spanish to Cordillero. |Lighting mood changes. |

|Stby Q104 | | |

|> Q105 | | |

|Q104 go |Final pose (wait a couple of seconds after). |MOF ends. |

| | |Blackout. |

|Q105 go |Jean is on stage. |TRAN2 resumes |

|Stby Q106 |ANDREW: Woogity boogity…. | |

|> Q107 | | |

|Q106 go |JEAN: Uhh .. no … I … Oh no! I’m late for tabling |TRAN2 ends. |

| |I gotta go! |MUSICAL I begins. |

| | |Bright/Circus mood lighting. |

|Q107 go |ANDREW & JEAN: Step right up… |Spot on ANDREW & JEAN |

|>Stby Q108 to Q114 |[what are they doing before this? ] |(from alcove?) |

| | |Spot on SL?? |

|Q108 go |JEAN: Don’t worry! All questions will be answered.|Spot on VERONICA. |

| |Just come out this Saturday. | |

|Q109 go |EVERYONE: I hope my facebook list will turn to |Spot off VERONICA |

| |ten. I hope I find my place in PCN |Spot on RACHEL |

|Q110 go |EVERYONE: Must do it for family again. I hope I |Spot off RACHEL |

| |find my place in PCN. |Spot on Charlie |

| | |Lights dim |

|Q111 go |EVERYONE: I hope I find out who I really am. I |Stage lights back to normal |

| |hope I find my place in PCN. | |

|Q112 go |ANDREW: PCN is… |Lights go crazy. |

| |[I can’t find this on the script] | |

|Q113 go |Wait few seconds after the music stops. |Lights down. |

|Stby Q114 to Q118 | | |

|Q114 go |Everyone is set up on stage? |MUSICAL II |

| | |RURAL begins. |

| | |“Dusk” lighting. |

|Q115 go |Last Pandango dancer exits. | |

|Q116 go |New music starts up for bangko |Change in lighting mood. |

|Q117 go |Tinikling enters. |Lights dim. |

| | |Change in backdrop. |

|Q118 go |Bangko pyramid forms. |Change in lighting mood. |

|Stby Q119 |ANDREW enters the stage. |RURAL ends. |

|Q119 go |ANDREW: Andrew always gets what he wants. |Blackout. |

|Stby Q120 to Q127 | | |

|Q120 go |When stage is ready |Musical III |

| | |Lights up. |

| | |Spot on ANDREW (center). |

|Q121 go |ANDREW: I’m glad you finally decided to cave. |Spot on JEAN (enter SR) |

|Q122 go |JEAN: No… |Spot on LIBRARIAN |

| |ANDREW: Yes.. | |

| |JEAN: Uh-uh! | |

|Q123 go |LEAD CHORUS sings “Shh, Shh” |Lights get brighter. |

| |[what’s before this? Can’t find it on the script] | |

|Q124 go |After “Puh, huh” argument |Spot on LIBRARIAN |

|Q125 go |VERONICA: It’s so obvious… |Spot on VERONICA. |

| |Shuffle around… |Spot on Rachel |

|Q126 go |VERONICA/RACHEL: I’m going with… |All spots on CHARLIE |

|Q127 go |CHARLIE: I’ve got an idea. |Lights down. |

|Stby Q128 to Q137 | | |

|Q128 go |When stage is ready |MUSICAL IV |

| | |Lights up. |

| | |Bands plays. |

|Q129 go |VERONICA: I’m meeting lots of new friends… |Spot on VERONICA. |

| |[there’s no like words before this? So how do I | |

| |know when to put the spot on VERONICA?] | |

|Q130 go |VERONICA: I’m behind in all my classes / But at |Spot off VERONICA. |

| |least my Facebook friends have doubled. |Spot on RACHEL. |

|Q131 go |RACHEL: I can’t fake a smile / My emotions |Spot on VERONICA & RACHEL |

| |reflected | |

|Q132 go |VER/RACH: Do I really have to pick only one? Do I |Spot off VERONICA. |

| |have to choose a side? |Spot off RACHEL. |

| | |Stage lights on. |

|Q133 go |CHORUS: I can’t do this alone. |Lights dim. |

| | |Spot on CHARLIE |

|Q134 go |CHARLIE: Where is the culture, community and |Spot off CHARLIE/ |

| |identity? All these images keep repeating and |Spot on ANDREW & JEAN |

| |repeating. | |

|Q135 go |ANDREW & JEAN: I can’t do this alone. |Spot off ANDREW |

| | |Spot off JEAN |

|Q136 go |Cast ends up in a slow motion of themselves? |Spot on PCN sign |

| | |Spot on FCN sign |

|Q137 go |“Canceled” sign is put up |Black out. |

|Stby Q138 to Q143 | | |

|Q138 go |When VERONICA is on center stage. |MUSICAL V.1 |

| | |Center lights up only. |

|Q139 go |RACHEL: …there must be something we can do. |Spots follow JEAN & ANDREW as they are being chased. |

| |CHARLIE: I’ve got an idea! | |

|Q140 go |Third chase?? |Tech script indicates a crash scene while Cue sheet |

| |(how do I do know which chase is which) |indicates a “searchlight” ??? |

|Q141 go |After cast ties up AND/JEAN |MUSICAL V.2 |

| | |Spot on CHARLIE |

|Q142 go |CHARLIE: PCN may have started out as a way to |Spot on RACHEL |

| |express our culture through dance, but that’s not | |

| |all it is now. | |

|Q143 go |RACHEL: …more and more new things about myself |Spot on VERONICA |

|Stby Q144 to Q148 |and my culture. What matters most is that we are | |

| |all doing this together. | |

|Q144 go |VERONICA: It’s bigger than me / Together we have |Spot on TESA |

| |the opportunity to make something great. | |

|Q145 go |TESA: But the experience we share / I hope I find |Spot on JEREMY |

| |my place in PCN | |

|Q146 go |CHORUS: I hope I find my place in PCN |Spot on JEAN |

|Q147 go |JEAN: I know I can’t do this alone. |Spot on ANDREW |

|Q148 go |ANDREW: I know I can’t do this alone. |Lights become brighter. |

|Stby Q149 to Q151 | |Spot on alcove? |

| | |Spot on ANDREW & JEAN? |

|Q149 go |After final applause |MUSICAL ends. |

| | |Blackout. |

|Q150 go |I have no idea what is going on here. |TRAN3 begins. |

| | |Spot on 2 people. |

|Q151 go |?? |TRAN3 ends. |

|Stby Q152 | |Blackout. |

|Q152 go |When ready |CLOSING. |

| | |Entire stage is lit |

| | | |

| | |[I have no idea on what the order is right now] |

|Q153 go |“No justice, no peace (2x)” |Spot on SR alcove |

| | |DS lit |

| | |US darker w/ a color |

|Q154 go |MATT: Thanking past generations for all that has |Spot off SR alcove. |

| |been done but continuing to fight so our voice can|Stage is lit. |

| |finally be one. | |

|Q155 go |“No justice, no peace (2x)” |Spot on SR alcove |

| | |Upstage darker than downstage |

|Q156 go |ERIKA: I’m tired of hearing about destitute bodies|Spot off SR alcove |

|> Stby Projector |dead with no names, what affects the Philippines |Entire Stage lit |

| |affects my very name. | |

|Q157 go |“No justice, no peace (2x)” |Spot on SL alcove |

| | |Upstage dark |

| | |Downstage lit |

|Q161 go |KAMILLE: In these eyes is determination and |Entire stage is lit |

| |believe that this Filipino face is not for sale. | |

|Q162 go |“No justice, no peace (2x)” |Video? |

|Stby Q163 | | |

|> Video | | |

|Projector go |RODNEY: What do we want justice? When do we want |Lights dim |

|Q163 go |it now! (2x) |Video go |

|Video go | | |

|Stby Q164 |Somewhere in the middle of the video | |

|> Projector | | |

|Projector go |End of the slideshow |Stage is lit |

|Q164 go |(look for images and whatnot) | |

|Stby Q165 to Q167 |?? | |

|Q165 go |“Further enrich the souls and the hearts of |[from the closing until the end of the show I’m |

| |Pilipinos and Philippines.” |totally lost] |

|Q166 go | Isang Bagsak piece starts here? | |

|Q167 go |?? |CLOSING ends |

|Stby Q168 |?? |BOWS/THANK YOUS |

|Q168 go |Bows begin |Bright, happy music |

|Stby Q169 |?? | |

|Q169 go |Thank yous begin | |

|Stby House lights |?? | |

|> Curtain | | |

|House light on | |BOWS/THANKS YOUS end. |

|Curtain go. | |END OF SECOND HALF. |

THE END

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