The Great American One-Sentence Summary
The Great American One-Sentence Summary
Stanfill, Silver. (1978). Classroom Practices in Teaching Classroom English, Anchorage Community College of the University of Alaska.
Summarizing is a basic skill needed in many academic and job situations, a skill to be presented and practiced at just about every educational level, from early childhood language development activities (“What did Marcus say about his picture?”) to graduate school [“What’s the most important word in Jonathan Swift’s Examiner essay of November 23, 1710?” (The answer is ingratitude)].
When students can survey material to determine its purpose, main idea(s), and major divisions, they’re ready for lessons and practice in summarizing. With my community college students, I’ve had some good results and super side effects from a simple formula for a one-sentence summary:
1. Identify the thing being summarized;
2. Tell what it begins with;
3. Tell what’s in the middle (or what it’s mostly about; helpful with wording are
covers, discusses, presents, and develops the idea that…);
4. Tell what it ends with.
I begin with the formula written on the board (or overhead), and work with groups to fill in the wording for each part of the formula. Then we add the connections to turn the list of details into a sentence. To smooth out the sentence, sometimes it helps to reorder the details. When the students begin using the formula on their own, they understand that merely listing the four parts in a column on their papers provides them with the meat of their summary sentences.
It’s best to start using the formula with materials already familiar to the students—chronologically-ordered narratives like fairy tales (not news stories!) are ideal. After in-class practice on “Goldilocks,” “Little Red Riding Hood,” and “Snow White,” my composition students went on to out-of-class one-sentence summaries of autobiographies like The Diary of Anne Frank and Nigger.
Logically-ordered exercises would come next. Try the formula in summarizing a text chapter; then try summarizing the summary of a text chapter. Later work with materials demanding the use of critical reading skills: first, in judging the relative emphasis an author gives various subtopics; next, in establishing a personal idea of the relative importance of subtopics; and still later, in recognizing and explaining the significance of repeated images or related imagery. Students successful at these levels are ready for précis-writing. (For students with college-level skills, I recommend Lincoln’s “Gettysburg Address” for the three kinds of critical reading/summarizing practice suggested here.)
When students are comfortable with the formula and its demands, I begin in-class exercises with a time limit. Here is where the super side effects come in.
In my Study Skills micro-courses I set aside the last five minutes of each session for students to write a one-sentence summary of that day’s class on a 3 x 5 card. On their way out of class, they drop the cards in an envelope by the door.[1]
Usually it takes me less than half an hour to go through a set of cards—taking attendance from them as I go. I mark and make comments (I insist that the back be left free for my use) or just put a check on each card to indicate I have no particular comments. In each set I mark at least one (and sometimes several) with a star that means “Please write this on the board right away.” I try never to embarrass a student, so good or best examples are the ones starred (and if necessary, marked with corrected spelling). As students enter the classroom, they pick up their cards from last time, and the starred ones are written on the board as class begins.
We spend the first few minutes of class on those sentences—helpful for returning absentees. Early in the course I choose sentences to help the class understand accuracy in summarizing:
Is this what the class WAS about?
Is anything important left out?
Are these details in the right order?
Are they an accurate reflection of relative emphasis?
Later we work with sentence structure and style:
How easy is this to read?
How can we change it to read more smoothly?
Any ineffective repetitions? Any needless words?
I ask the students to compare their sentences wit h the ones on the board, and, if they like, to revise and resubmit their cards. Since the course is pass/withdraw, neither dismal attempts nor plagiarized revisions affect a student’s grade; but students do revise. They say they like the one-sentence summary formula; they say it helps them in thinking, reading and writing.
I think the formula works—if used on materials students are ready for. Moreover, a set of summaries of the class I’ve just taught is invaluable immediate feedback. I find out right away who’s missing main points, and who’s having a hard time saying what he or she thinks. Most important, I learn how my perception of what-went-on-in-there differs from the class’s.
The summaries are especially useful for sessions involving guest speakers. Knowing what’s coming up at the end of the hour speakers are a little more careful about preparation and a little less apt to digress; students have a chance to practice being more alert and/or tactful than usual, and I get a chance to practice being more alert and/or tactful than usual, and I get a chance to practice—from scratch—the formula I preach. After a guest speaker, I usually find in each set of cards at least one student summary that’s better than mine, entirely or partly. This is one basic skill strategy that’s got something for everybody.
Beginning with a brief explanation of the significance of summary-writing skill, “The Great American One-Sentence Summary” presents a 4-part formula for developing that skill, discusses methods and benefits of using the formula and ends with a summary of the article itself.
* * *
Suggest some strategies and a sequence for teaching summary-writing
A. Research on Text Summarization indicates that students must be able to:
1. Ferret our trivial material.
2. Delete repetitious material.
3. Substitute a general term for a list of specific items.
4. Combine a list of actions into a broader, single action.
5. Select a topic sentence.
6. Create a topic sentence.
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[1] A note about the advantages of 3 x 5 cards: stiff stock and small size. Limiting students to one side helps both to allay fears of not having enough to say and to forestall verbosity; and a set of cards is easier to handle than a pile of papers.
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