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Unchained melody tab

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Credit: Lauren Dukoff for EW When director Pablo Larra?n first approached Kristen Stewart for the role of Princess Diana in Spencer, he only saw Jackie in 2016. But "the safety he said he wanted to do it with me," he says. "His ego has nothing to do with it. He really lay down. I didn't even read the script and I thought: "Absolutely." Advertisement Advertisement Credit: Lauren Dukoff for EW "I think she was a bit nervous about my research consumption", admits Larrain, whose vision provided a more abstract and impressionistic view of the late Princess of Wales. However, Stewart jumped deep: "I knew I had the ability to choose and choose and really had a complete impression and not be tripped or overwhelmed." Credit: Lauren Dukoff for EW From the beginning, Larrain had confidence in his interpretation: "I want to say, I'm paraphrasing and probably simplifying too much," he recalls, "but he said: "If you have understood a few things well, from that moment on, be yourself. If only you get the right accent, and the wig looks beautiful, you don't need to know anything else." Advertisement Credit: Lauren Dukoff for EW Ancora Stewart says: "If I hadn't read everyone's opinion and looked at every photo and had not heard the loss of her every day, because she feels so alive in every photo, and she really does it, as if she came out of every interview, I wouldn't be worried the same way. I would not have had the emotional or physical artillery to carry on the set." Credit: Lauren Dukoff for EW Yes, Stewart saw the crown. (And the lover). But she likes to think that Diana would appreciate seeing more than one version of herself on the screen: "He was so obsessed with connection and people, and he really had such an overwhelming humanity, I think he believed.... Let us put it like this: it is more fun for me to believe that she believes in a sort of multiplicity of art, and that there is still [in part] because we are all obsessed with her." Credit: Lauren Dukoff for EW "I don't know if I'd rather be pre- or post-internet", admits Stewart, of the way fame evolved from Diana's times. "If you feel isolated and marginal or incomprehensive, it is very easy to connect with people like you. But said that, you're exposed too. And I don't even mean celebrities, anyone using the internet. Guys, very sensitive girls and their brains are still developing, everyone is open to extreme criticism. But at the same time, we are also open to feeling the lightening of the connection. ? Advertising Credit: Lauren Dukoff for EW Stewart was still a teenager when Twilight's fame turned her into a sudden and constant forage for tabloid. "He made me a stronger person," he admits. "And when I say louder, I don't mean stronger. That said, no, it wasn't funny. But I'm notto someone for anything, you know what I mean? I understand everything. And not that I'm capable of resenting where I am. I just don't pay a lot of cupboard." Credit: Lauren Dukoff for EW "This is all very ambiguous and weird to talk about", she continues, of her celebrity. "But in a way I was able to... If you don't look at it, it doesn' It's an ephemeral idea, actually. Luckily, I kept working, so it was fine. If he had really affected my work, he would have been a real buffoon. But I've never had a public Instagram, I've never really personally interacted with it. It's always broken only when I'm doing interviews, promoting movies, talking to people who write these articles." Credit: Lauren Dukoff for EW "I've been indie in every Twilight movie", says the L.A. native of his career trajectory, which has spread in recent years from the acclaimed French meta-drama The Clouds of Sils Maria, for which he won the French equivalent of an Oscar, to a leading role in the great and brilliant reboot of Charlie's Angels. "And I'd always say, "Oh, I'm just instinctively navigating my career." And that's true, but there were some things I picked out because they're like, 'Yeah, maybe we're doing something big now.' Just to see if it works. And sometimes he doesn't!" Credit: Lauren Dukoff for EW Like everyone else, Stewart has been through his pandemic phases: "I got very drunk", he says of his first days in solitary confinement. "Then I stopped drinking, I was really good at the pool. and reading a lot of news, when we were all just stress reading the news and couldn't focus on anything else." Credit: Lauren Dukoff for EW "Something about being locked up without knowing how long it would really be a little paralyzed", she admits. The scripts ? and books ? helped open up her world: "Once I started working, I started reading again. I blew up Anne Boleyn's books. I finally read Sapiens who sat on my bedside table for five years. Credit: Lauren Dukoff for EW "Once forced to go out again", says Stewart, "The perspective I got from that blocked feeling, I had this really nice hunger. I feel almost like I went to sleep and opened my eyes and I'm five years older and smarter and more engaged." And then what? Smile. "And then I have to start working on Diana." Credit: Lauren Dukoff for EW To learn more from our Autumn Film Preview, order the November issue of Entertainment Weekly or find it on newsstands starting October 15. Don't forget to sign up for interviews and more exclusive photos, only in EW. Advertisement there is a video lesson for this song Intro Em7 D/F# G C G D Em7 D/F# G Em7 D/F# G C Cadd9 G D B|----3---3---3-|--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- B|----3---3---3-|--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Is there anything you can tell me about a girl... and you're happy in this modern world? em d g or need more? Is there anything else you're looking for? verse 2: em dg i'm Fall-in'cgd em dg in all good moments who proglio longin' for change cgd em dg and in the bad to toverso times em7 d/f #g verse 3: em7 d/f #g tell me something about boy ... cgd you are not tired to try to fill that void d/f #g or need more? I'm not going to be in the dark I'm going to need my love, my dear gc I'm hungry for your touch am ga long, lonely time c are f and time, so slowly gc and time, can do so much am g7 six, still my cg am em I need your love, I need your love fgc c7 dio, speed your love, for me fgf .. this pagethe next lessons I'll do. Nanci Griffith ? "Love to the five and cents Merle Haggard ?" Misery and Gin Donovan ? "Canzone for John Dolly Parton - Jolene Gordon Lightfoot ? "Spagnolo Moss John Lennon ?" # 9 Dream James Taylor"Melody" for the guitar

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