CONFERENCE PROGRAM - ATINER



Athens Institute for Education and Research

1st Annual International Conference on Fine and Performing Arts

 

7-10 June 2010, Athens, Greece

  

 Sponsored by

The Arts and Sciences Research Division of the

Athens Institute for Education and Research

(AT.IN.E.R.)

   

Conference Venue: Titania Hotel, 52 Panepistimiou Avenue, Athens.

Organized by: ATINEP A.E. (atinerae@atiner.gr)

Administration: Fani Balaska, Stavroula Kiritsi, Eirini Lentzou, Konstantinos Manolidis, Katerina Maraki, Sylia Sakka

Organizing AND SCIENTIFIC Committee

1. Dr. Gregory T. Papanikos, President and Director, ATINER.

2. Dr. Stephen Andrew Arbury, Academic Member, ATINER & Professor of Art History, Radford University, USA.

3. Dr. Nicholas Pappas, Vice-President, ATINER & Professor, Sam Houston University, USA.

4. Dr. Jennifer Spoon, Academic Member, ATINER & Associate Professor, Radford University, USA.

5. Dr. Gilda Socarras, Academic Member, ATINER & Assistant Professor, Auburn University, USA.

6. Dr. John Roufagalas, Head, Economics Research Unit, ATINER & Professor, Troy University, USA & Academic Member, ATINER.

7. Dr. Panagiotis Petratos, Head, Computer Research Unit, ATINER & Associate Professor of Computer Information Systems, California State University, Stanislaus, USA.

8. Dr. Chris Sakellariou, Secretary, ATINER & Associate Professor, Nanyang University, Singapore.

9. Dr. Gregory A. Katsas, Head, Sociology Research Unit & Associate Professor, The American College of Greece-Deree College, Greece.

10. Dr. Alexander Makedon, Head, Education Research Unit, ATINER & Professor, College of Education, Chicago State University, USA.

11. Dr. Nicholas Patricios, Professor of Architecture, University of Miami, USA

12. Dr. Ebru Gokdag, Academic Member, ATINER & Assistant Professor, Anadolu University, Turkey.

13. Ms. Nicoleta Calina, Academic Member, ATINER & Lecturer, University of Craiova, Romania.

14. Dr. Ioanna Papadopoulou, Academic Member, ATINER & Lecturer, Democritus University of Thrace, Greece.

15. Dr. Margarita Kefalaki, Instructor, ATEI Athens & Researcher, ATINER. 

16. Mr. Christos Frantzeskakis, Researcher, ATINER.

CONFERENCE PROGRAM

(The time for each session includes at least 10 minutes coffee break)

Monday, June 7th, 2010

08:00 - 09:00 Registration

09:00 - 09:30 Welcome and Opening Remarks

• Dr. Gregory T. Papanikos, Director, ATINER.

• Dr. Stephen Andrew Arbury, Professor of Art History, Radford University, USA.

• Dr. Nicholas Pappas, Vice-President, ATINER & Professor, Sam Houston University, USA.

|09:30-11:00 Session I (Room A): Digital Arts |09:30-11:00 Session II (Room B): Arts Education |

|Chair: Petratos, P., Head, Computer Research Unit, ATINER & Associate Professor of Computer Information Systems, |Chair: Arbury, Academic Member, ATINER & Professor of Art History, Radford University, USA. |

|California State University, Stanislaus, USA. |*Killian, J., Professor & Chair-Music Education, Texas Tech University, USA, Edwards, C., Dean, Texas Tech |

|Rainwater, V., Associate Dean and Professor, Texas Wesleyan University, USA. Digital Art: Copyright Challenges for|University, USA & Donahue, I., Associate Professor & Associate Chair, Department of Theatre and Dance, Texas Tech|

|the Artist and the Collector. |University, USA. A Case Study of the Interdisciplinary Doctoral Program at Texas Tech University:  Best Practices |

|Baum, J., Professor, Towson University, USA, Starrett, C., Assistant Professor, Winthrop University, Rock Hill, |for an Integrated Arts Curriculum. (Monday, June 7th, 2010) |

|USA & Voigt, K., Associate Professor, Art Institute of Philadelphia, Towson University, USA. Methods for |Mazur, M., Professor, California State University, USA. Children Will Listen Cultivating the Next Generation of |

|Collaboration in Virtual Realms. |Artistic Practioners and Audiences. |

|Jokl, T., Assistant Professor, University of New Haven, USA. Micro/Macro: Image Sequence and Multiple Image |Ho, K., Associate Professor, University of Pittsburgh at Bradford, USA. Inclusive Mural Painting in Contemporary |

|Compositing. |Art Education. (Monday, June 7th, 2010) |

|Shamir, R., Lecturer, The Wesleyan University Center for the Humanities, USA. Painting and the Elastic Film Image |Al-Amri, M., Assistant Professor, Sultan Qaboos University, Oman. A Suggested Programme for Preparing Teachers of |

|with Amélie, Veronese & Vermeer. |Art at Sultan Qaboos University, Oman. |

|Wong, A., Faculty Member, Sabanci University, Turkey. 2D to 3D Non Photo Realistic Character Transformation and | |

|Morphing (Computer Animation). | |

|09:30-11:00 Session III (Room C): Music |09:30-11:00 Session IV (Room D): Contemporary Art |

|Chair: Kefalaki, M., Instructor, ATEI Athens & Researcher, ATINER.  |Chair: Pappas, N., Vice-President, ATINER & Professor, Sam Houston University, USA. |

|Lee, J., Professor, Colorado College, USA. Iannis Xenakis and the Presocratic Foundations of a New Music. |*Eis, A., Professor, Oakland University, USA. Contemporary Art and the Past: Repetition or Rhyme? |

|Garcia-Leon, J., Assistant Professor, University of New Haven, USA. Merging Diversities: Multiculturalism in |Killiam, M.T., Professor, Sweet Briar College, USA. Is Art Dead? A Comparative Analysis of Contemporary French |

|Flamenco. |Postmodern Theorists. |

|Schultz, R., Lecturer, University of Massachusetts at Amherst, USA. Contour Vector Space. |Murland, A., Lecturer of Painting and Drawing, The University of Newcastle, Australia. Migration and Diaspora: |

|Walther-Hansen, M., PhD Fellow, University of Copenhagen, Denmark. The Dynamic Structure of Phonographic Space. |Recreating a Sense of Place and Identity through Contemporary Art Practice. |

|Konkol, G.K., Head of the School Practice Department, The Stanislaw Moniuszko Academy of Music in Gdansk, Poland. |Smith, C., Graduate Student, Illinois State University,USA. The Creations of Jason Salavon in Postpopism: The |

|Active Listening to Music- Methodology and School Practice in Poland. (Monday, June 7th, 2010) |Contemporary Cultural Zeitgeist and Progression of Warhol’s Pop Art into the Realm of New Media. |

|Farris, D.K., Assistant Professor of Music, Southwestern Oklahoma State University, USA. Intertextualization: A |. |

|historical and contextual study of the battle villancico El más augusto campeón | |

|11:00-12:30 Session V (Room A): Architecture |11:00-12:30 Session VI (Room B): “Playing Indians’’: The Enduring Euro-American Obsession with Impersonating |

|Chair: Rainwater, V., Associate Dean and Professor, Texas Wesleyan University, USA. |Native Americans |

|Patricios, N., Professor, University of Miami, USA. British Civic Architecture in the United States of the Ionian |Chair: *Eis, A., Professor, Oakland University, USA. |

|Islands. |Davis, P., Associate Professor, University of Illinois at Urbana-Champaign, USA. Behind the War Paint: Indian |

|*Isikkaya, D., Instructor, Bahcesehir University, Turkey & Catak, G., Instructor, Bahcesehir University, Turkey. |Imagery as Projected Colonialism on the Eighteenth-Century American Stage. |

|An Evaluation on Video Mapping as an Architectural Performance. |Underiner, T., Associate Professor, Arizona State University, USA. Under The Deerskin Skirt: White Indian Stagings|

|Peterson, H., Lecturer, Northern Arizona University, USA. Constructed Social Order: Clarkdale, Arizona, Built |of Ideal American Womanhood. |

|Environment, Capitalism and the City Beautiful Movement, 1913-1930. | |

|11:00-12:30 Session VII (Room C): Art and Politics |11:00-12:30 Session VIII (Room D): General Issues in Art |

|Chair: Lee, J., Professor, Colorado College, USA. |Chair: *Killian, J., Professor & Chair-Music Education, Texas Tech University, USA |

|Gil-Ramos, S.E., Assistant to the Dean, Art & History Department, New Jersey City University, USA. 9/11 |*Joslyn, C. Professor, Clarion University of Pennsylvania, USA.  The Artist as Conduit for Cultural Exchange:  |

|Impressions by NYC Metropolitan – Area Latino Artists. |Fabric Prints Inspired by Studies of World Arts Traditions |

|Mason, K.A., Assistant Professor, City University of New York, USA. Black Art and Activism in Los Angeles during |Rao, N., Associate Professor, Soka University of America, USA. Power and Religious Patronage in the Making of |

|the 1960s: Oral History as Intervention. |Indo-Greek Art in Northwest India. (Monday, June 7th, 2010) |

|Rosenbaun, L., Lecturer, University of North Carolina at Asheville, USA.  Staging Real Stories: Performance and |Morris, N., Reader, Liverpool John Moores University, UK. Eight Days a Week: Liverpool/Cologne Cultural Exchange. |

|Cultural Rights.  |Philp, A., Deputy Head of School School of Drama, Fine Art and Music, University of Newcastle, Australia. The |

|Elliott, R., Visiting Fellow, Australian National University, Australia. Art and Diplomacy: A Cold War Practice in|Dilemma of the Art Museum. Reconciling Modernity and the New Town Square. |

|a New Hot War. |Khairi, H., Ph.D. Student, Monash University, Australia. A Journey of Transformation: Creating Accumulation Art |

|LoFaso, C., Professor, Northern Illinois University, USA. Cloth as Metaphor in the Guatemalan Maquila. |through Upcycle Approach. |

| | |

|12:30-14:00 Session IX (Room A): Literature |12:30-14:00 Session X (Room B): Theatre |

|Chair: *Joslyn, C. Professor, Clarion University of Pennsylvania, USA.  |Chair: Philp, A., Deputy Head of School School of Drama, Fine Art and Music, University of Newcastle, Australia |

|Laverty, J., Professor, Syracuse University, USA & Waybright, D., Professor, University of Florida, USA. |Crespy, D., Associate Professor, University of Missouri, USA. Dreamwork for Playwriting. (Monday, June 7th, 2010, |

|Stravinsky and Vonnegut. |morning) |

|Burch, S.D., Associate Professor, University of Alabama, USA. Historical Invisibility: The Struggles for Class |Day, M.J., Associate Professor, University of Saskatchewan, Canada. "But we will speak!" Eight Men Speak and the |

|Identity in the Early Dramas of A.P. Wilson. |Silencing of the Radical Leftist Theatre in Canada: 1929-1936. |

|Ryder, P., Lecturer, University of Western Sydney, Australia. Narratives of Conquest and Destruction: the |Redman, B.A., Assistant Professor, Ursinus College, USA. The Graterford Prison Project: Playing for Change. |

|Automobile in the Major Fiction of E.M. Forster and F. Scott Fitzgerald 1910 – 1925. |Landis, K., Assistant Professor, University of Colorado, USA & MacAulay, S., Chair & Associate Professor, |

|Utterback., N., Ph.D. Student, Indiana University, USA. Affects of Self Perspective on Gesture in Narrative |Department of Visual & Performing Arts, University of Colorado at Colorado Springs, USA. New Perspectives on |

|Fiction. |Cultural Performance. |

| |Muneroni, S., Assistant Professor, University of Alberta, Canada. Intercultural Theatre for the 21st Century: |

| |Demolishing Epistemic Walls and Building New Glocalities. |

|12:30-14:00 Session XI (Room C): General Issues in Art |12:30-14:00 Session XII (Room D): Arts General |

|Chair: Donnelly, R., Professional Specialist, University of Notre Dame, USA. |Chair: *Isikkaya, D., Instructor, Bahcesehir University, Turkey |

|Gasparini, C., Professor, Milan Polytechnic University, Italy. Link as a Plan Strategy from Architecture to |Dutton, S., Professor, Coventry University, UK. Clueless. Contradictions, Malapropisms and Tensions within a |

|Landscape. (Monday, June 7th, 2010, late morning) |Contemporary Art Practice. |

|Pierce, A., Associate Professor, Hampton University, USA. Contemporary Photography in Senegal: Building on West |Gilbert, K., Associate Professor, Alverno College, USA. Creativity Perceptions |

|African Photographic Heritage. |Ataman, I., Lecturer, Anadolu University, Turkey. Art Beyond Vision. |

|Crisman, J., Assistant Professor, Chicago State University, USA. From the Classifieds to the Coffee Table: The |Devrome, K., Ph.D. Student, University of Ballarat, Australia. Abstracting the Veil in Visual-Art. |

|Dissemination of Tattoo Art through Photography. | |

|Canol, G., Research Assistant, Department of Architecture, Izmir University Turkey. Ottoman Identity on the Scene| |

|of the World: The Industry and Design Expositions in the Nineteenth Century. | |

|Artut, S., Faculty Member, Sabanci University, Turkey. SonicFields: An Immersed Sonic Experience. (Monday, June | |

|7th, 2010) | |

14:00 - 15:00 LUNCH

|15:00-17:00 Session XIII (Room A): Arts Research |15:00-17:00 Session XIV (Room B): General Issues in Arts |

|Chair: Burch, S.D., Associate Professor, University of Alabama, USA. |Chair: Dutton, S., Professor, Coventry University, UK |

|Lambeth, P., Head, Arts Academy University of Ballarat, Australia. Research, Scholarly Art Practice. |Shine, C., Dean of the Faculty of Creative Arts, University of Canterbury, New Zealand. Photography and Text – New |

|Paterson, S., Associate Professor, Virginia Polytechnic Institute and State University, USA. Embodied Technologies. |Documentary Photography from the School of Fine Arts, University of Canterbury, New Zealand. |

|New Media Art as Practice Based Research. |Wainscott, R., Professor, Indiana University, USA. Offstage Versus Onstage Sexuality and Immodesty: Mimetic |

|Weber, S., Professor, University of Science and Arts of Oklahoma, USA & Simpson, Z., Assistant Professor, University|Approaches to the Seen and Unseen in Erotic Dramatic Practice. |

|of Science and Arts of Oklahoma, USA. The Interdisciplinary Arts and Ideas Performance Model: Philosophical, |*Madhok, P., Associate Professor, East Carolina University, USA. Avalokiteshvara, the All–Sided One: Buddhist Art |

|Psychological, and Practical Perspectives. |and Cultural Hybridization. |

|Ayodeji, J., Lecturer, Nottingham Trent University, UK. The Screenplay as Research Palimpsest. |Frieder, B., Assistant Professor, Moorehead State University, USA. Erotic Art? Sexuality nd the Talisman in Greek |

|Mann, A.R., Associate Professor, University of Ballarat, Australia, Sillitoe, J., Associate Professor, University of|Vase Painting. |

|Ballarat, Australia & Webb, J.K., Lecturer, Victoria University, Australia. Appropriating New Histories: |Morin, J., Interim Provost, University of Wisconsin-Stevens Point, USA. Looking for Inspiration at the Crossroads of|

|Practice-based Research Investigations. |Sexual Orientation and the Church. |

|Al-Yahyai, F., Assistant Professor, Sultan Qaboos University, Oman. Practice-Based Research: As an Approach for | |

|Seeing and Creating Art: Artist Self-Expression | |

|Mohd Rafee, Y., Ph.D. Student, University of West England, U.K. ‘Deconstruction’: Practice Process as a Tool of | |

|Research. | |

|15:00-17:00 Session XV (Room C): Music |15:00-17:00 Session XVI (Room D): Illustration and Typography |

|Chair: Ballard, M., Music and Worship, First Baptist Church, USA. |Chair: Spoon, J., Associate Professor, Radford University, USA. |

|Ballard, S.E., Director, Eastern Kentucky University, USA. A Choral Conductor’s Guide to Selected Choral Works of |Carothers, M., Professor, University of Delaware, USA. Student Approach to Book Arts. |

|Raymond Kurt Liebau. |De Almeida, C., Professor, Western Washington University, USA. Mapping the Text: The Visual Book as a Tool for |

|Freed, D.C., Associate Professor, Sul Ross State University, USA. Stroke and Voice Therapy: One Singer-Conductor's |Rhetorical Interpretation. |

|Own Journey and Recovery. |Okur, C., Lecturer, Anadolu University, Turkey. 400 Years Old Ottoman and Turkish Lettering Tradition; Mahya. |

|*Holland, V., Adjunct Professor, Loyola University Chicago, USA. Technology in the Applied Music Studio: What to Use|Hatva, A., Lecturer, Finland. Transmitting Meaning via Illustration. |

|and When to Use it. |Noyan, N.E., Full-time Instructor, Bahcesehir University, Turkey. The Kingdom of Lettering: The Films Title |

|Baggech, M., Assistant Professor, East Central University, USA. Studio Idol: Leveraging Popular Culture for the |Sequences in the Early Years of Turkish Cinema. |

|Teaching of Private Studio Voice. |Todd, P., Affiliate Faculty, The Union Institute & University, USA. Memoir as Graphic Narrative: Using Illustration |

|Murchison, G., Associate Professor, Department of Music and Program in Africana Studies, Collgege of William and |to Enlarge Self-Expression and Reflection and Promote Civic Engagement. |

|Mary, USA. Love in the Time of War: Marvin Gaye, “What’s Going On,” Social Protest and Global Visions. | |

|17:00-18:30 Session XVII (Room A): Bona Fide: The Notion of Authenticity in Images and Objects |17:00-18:30 Session XVIII (Room B): Architecture |

|Chair: Hood, M., Associate Professor, Arizona State University, USA. |Chair: Patricios, N., Professor, University of Miami, USA. |

|Vincent, P., Ph.D. Student, Arizona State University, USA. Bona Fide Materials: The Affect of History on Authentic |He, W., Assistant Professor, Texas A&M University, USA. The Visual, the Corporeal, the Temporal, and the Tectonic: |

|Experience. |When Architecture Meets Fashion in Space. |

|Moore, K.K.S., Ph.D. Student, Arizona State University, USA. Bona Fide: Problems of Defining Authenticity in |Konstantionovic, D., Teaching Assistant, University of Novi Sad, Serbia & Zekovic, M., Teaching Assistant, |

|Cultural Institutions. |University of Novi Sad, Serbia. Architecture of Performance Buildings: Dealing with Demands of Contemporary Play. |

|Dowgwillo, N., MFA Candidate, Arizona State University, USA. Bona Fide Appearances: Symbolizing Authenticity |Dimitrokali, E., Ph.D. Student, University of Central Lancashire, UK. Sustainable Construction from a Design |

|through Style or Lack There of. |Perspective: Evaluating Silicate Based Architectural Materials. |

|*Hood, M., Associate Professor, Arizona State University, USA, Dowgwillo, N., MFA Candidate, Arizona State | |

|University, USA, Vincent, P., MFA Candidate, Arizona State University, USA & Moore, K., MFA Candidate, Arizona State| |

|University, USA. Bona Fide: The Notion of Authenticity in Digital Culture. | |

|17:00-18:30 Session XIX (Room C): The Human Creativity Imperative –Explicitly Educating for Creativity in the Fine | |

|Arts and Beyond | |

|Chair: Frieder, B., Assistant Professor, Moorehead State University, USA. | |

|Sousanis, N., Ph.D. Student, Columbia University, USA. Unflattening Education: Creating Possibilities. | |

|Choo, S., Ph.D. Student, Columbia University, USA. Reading in Multiple Modes: A Study of Multimodal Practices and | |

|Pedagogies in Language Arts Classrooms. | |

|Rosen, D., Consultant, Columbia University, USA. The Creativity Imperative – Educating Explicitly For Creative | |

|Process within and Beyond the Fine Arts. | |

| | |

| | |

20:30 - 22:30 GREEK NIGHT AND DINNER (Details during registration) 

Tuesday, June 8th, 2010

|08:00-10:00 Session XX (Room A): Dance |08:00-10:00 Session XXI (Room B): General Issues on Arts |

|Chair: *Holland, V., Adjunct Professor, Loyola University Chicago, USA. |Chair: *Madhok, P., Associate Professor, East Carolina University, USA. |

|*Salgado LLopis, M., Senior Lecturer, Kingston University, UK. Between Subject and Object: Classical Ballet, |Kose, O., Professor, Suleyman Demirel University, Turkey & Yener, T., Lecturer, Suleyman Demirel University, |

|Foucault and the Dancing Body. |Turkey. Evaluating a Painting in the Perspective of Interpicturality over Claude Levi Strauss’s Myth Analysis. |

|May, B., Researcher, Coventry University, U.K. & Shippen, J., Principal Lecturer, Coventry University, U.K. |Zaunders, L., Lecturer, The University of Newcastle, Australia. Dialogue between Flesh and Paint. |

|Visualisation of Dance Performance using 3-Dimensional Motion Tracking and Muscle Modelling Techniques. |Young, D., Lecturer, Central School of Speech and Drama, UK & Fisher, G., Lecturer, Central School of Speech and |

|Parrish, M., Associate Professor, University of South Carolina, USA & Kasch, C., Chair, Girls Preparatory School, |Drama, UK. Aurality of Objects. |

|USA. Museum Innovations: Dynamic Interactive Performance Environments |Kwiatkowska-England, A., Ph.D. Student, University of Wrocław, Poland. Does Catholic Art Inspire Polish |

| |Contemporary Camp Art? |

|08:00-10:00 Session XXII (Room C): Cinema |08:00-10:00 Session XXIII (Room D): Textiles |

|Chair: Davis, P., Associate Professor, University of Illinois at Urbana-Champaign, USA. |Chair: LoFaso, C., Professor, Northern Illinois University, USA |

|Csapo-Sweet, R., Associate Professor, University of Missouri St. Louis, USA. David Lynch's Postmodern Universe: |Lookraks, S., Lecturer, Suan Sunandha Rajabhat University, Thailand. Understanding of Foreigners on Thai graphic |

|Post Surrealist or Neo-Noir? |Design. |

|Hebron, M., Assistant Professor, Chapman University, USA. Collage as Strategy in Contemporary American Video Art: |Donnelly, R., Professional Specialist, University of Notre Dame, USA. Kabuki Salome: An Alternative Costume Design|

|The Aesthetics of Layered and Constructed Realities as a Means of Generating Political Discourse. |Concept for Oscar Wilde’s Infamous Script. |

|Byrne, M., Assistant Professor, Old Dominion University, USA. Films from the World of Ancient Greece: Sources of |Pisano, L., Associate Professor, Indiana University Department of Theatre & Drama, USA. From Antigone to |

|Inspiration across the Arts. (Tuesday, June 8th, 2010, morning) |Zirzabelle: The Costume Designer as Dramaturg and Artist. |

|Bowers, G.J., Assistant Professor, College of William and Mary, USA. Myths and Modalities: The Filmic Universal in|Stylios, G., Professor, Heriot Watt University, U.K. The Concept of Mood Changing Garments made from Luminescent |

|Alice’s Adventures. |Woven Fabrics and Flexible Photovoltaics. |

|Ulusoy, N., Assistant Professor, University of Bahcesehir, Turkey. The Distance of Woman and Man in Nuri Bilge | |

|Ceylan Cinema. | |

|Zivitere, A.L., Lecturer, Information Systems Management Institute, Latvia. The Cinematic Apparatus of Fiona Tan. | |

|10:00-11:30 Session XXIV (Room A): Digital Arts |10:00-11:30 Session XXV (Room B): Music |

|Chair: *Salgado LLopis, M., Senior Lecturer, Kingston University, UK. |Chair: Csapo-Sweet, R., Associate Professor, University of Missouri St. Louis, USA.. |

|Chaudhuri, U., Professor, New York University, USA. Zoopolis: City, Animal, Animation. |Darby, J., Chair, Music Department, Keene State College, USA. Social Trends and the Demographics of Subscription |

|Martin,K., Professor, Drexel University, USA & Hyeong-Seok, K., Professor, Seoul National University, Korea. A |Concertos in Eighteenth-Century Britain. |

|Virtual Fashion Design Research Tool. |Morozova, T., Professor, Moscow State Institute of Art Science, Russia. The Original Indian Music Traditions in an|

|Jacobs, R., Ph..D. Studenty, University of Nottingham, UK, Giannachi, G., Professor, Exeter University, U.K., & |Aspect of Their Interconnection between the Theatre and Dance Art. |

|Benford, S., Ph.D. Student, University of Nottingham, UK. Performing Nature’s Footprint. |Murphy-Mead, M., Professor, University of Iowa, USA. Brazilian “Choro” Music: Race, Class and Nationalism in |

|Sharafy, A., Associate Professor, Washburn University, USA. Art, Technology and Robotic |Brazil. |

|Art: International and Cultural Issues. |Serghi, S., Associate Professor, College of William and Mary, USA. The Evolution of the Uptown and Downtown |

|Brunet, C., Associate Professor, OCAD University, Toronto & PhD Candidate, Concordia University, Montreal, Canada.|Schools of Thought in American Music. |

|The Impact of 3D Digital and Technological Environment on Sculpture/Installation Art Practices. |Theodosion, C., Ph. D. Student, University of Arizona, USA. The New Way of the New Way: New Trends in Bossa Nova.|

|Salur, N., Lecturer, Anadolu University, Turkey. Appliance Miniature in Computer Media. | |

| |Akbulut, S., Research Assistant, Uludag University, Turkey. Three Turkish Composers and Paris Educatıion Years. |

| |(Tuesday, 8th of June 2010) |

|10:00-11:30 Session XXVI (Room C): Graphic Design |10:00-11:30 Session XXVII (Room D): Ceramics |

|Chair: Carothers, M., Professor, University of Delaware, USA. |Chair: Dargavel, R., Senior Lecturer, Manchester Metropolitan University, U..K. |

|Wongpakdee, P. K., Assistant Professor, New York Institute of Technology, USA. Beyond Paper. |Sevim, S.S., Professor, Anadolu University, Turkey. (Ajur) Open Work Decorations By Using Casting Clay Trailing. |

|Vavetsi, R., Assistant Professor, New York Institute of Technology, USA. Graphic Design Undercover. (Tuesday, June|Sevim, C., Professor, Anadolu University, Turkey. Turned Pottery Art in Turkey. |

|8th, 2010) |Ozdemir, D.A., Assistant Professor, Anadolu University, Turkey. Ceramic and Blue. |

|Tootoonchi, N., Assistant Professor, Towson University, USA. Graphic Design in Iran. |Hakan, E., Assistant Professor, Anadolu University, Turkey. New Technologies of Ceramic Product Design- 3D |

|Pektas Turgut, O., Assistant Professor, Gazi University, Turkey. CGD Exlibrises as a Graphic Design Product. |Softwares (computer aided programs) Integrated into Design Practices in the Field of Ceramic Art Education. |

|Ring, J., Assistant Professor, Towson University, USA. Green Mapping: A Graphic Design Challenge. |Demir, L., Assistant Professor, Anadolu University, Turkey. Texture in Ceramics. |

|Youn, K-W., Assistant Professor, Montclair State University, USA. Kitsch Expressions: New Visual Language in Web | |

|Site Design. | |

|11:30-13:00 Session XXVIII (Room A): Architecture |11:30-13:00 Session XXIX (Room B): Design |

|Chair: Vavetsi, R., Assistant Professor, New York Institute of Technology, USA. |Chair: Wongpakdee, P. K., Assistant Professor, New York Institute of Technology, USA. |

|Luarasi, S., Assistant Professor, University of Massachusetts Amherst, USA. Minimal Image and Architecture of |Adiloglu, F., Associate Professor, Bahcesehir University, Turkey. Space, Frame and Design Thinking. |

|Appearances – Ideogramming as Architectural Grammatology. Kamiak Motel Design Project. |Song, J., Assistant Professor, Iowa State University, USA & Akkurt, C.T., Associate Professor, Iowa State |

| |University, USA. Inspiration and Impetus from Fine Arts, Architecture and Cross – Cultures as Paradigms of Early |

| |Education in Interior Design. (Tuesday, June 8th, 2010) |

| |Bates, L.M., Graduate Student, Iowa State University, USA & Akkurt, C., Associate Professor, Iowa State |

| |University, USA. Service-Learning as Strategy in the Study of Aging and Environment: Developing Generations of |

| |Evidence-Based Interior Designers. |

| |Zenti, S.E., Graduate Student, Iowa State University, USA & Akkurt, C., Associate Professor, Iowa State |

| |University, USA. Exposing the Layering of Interior History: A Case Study of 17 Century Renaissance Rome and its |

| |Relevance to the Modern Interior. |

|11:30-13:00 Session XXX (Room C): General Issues on Art |11:30-13:30 Session XXXI (Room D): Indigenous Arts |

|Chair: *Konewko, M., University of Marquette Carillonneur, USA. |Chair: Morozova, T., Professor, Moscow State Institute of Art Science, Russia. |

|*Cempellin, L., Assistant Professor, South Dakota State University, USA. A Class Video-Happening: Breaking the |*David-West, H., Professor, Indiana-Purdue University, USA. The Expression of Indigenous African Iconography in |

|Boundaries between Art Making and Art History. (Tuesday, June 8th, 2010, morning) |Afro-Cuban Visual Art. |

|Uysal, M., Assistant Professor, Seljuk University Engineering and Architecture, Turkey & Aydin, D., Assistant |Bruning, S.B., Visiting Associate Professor, Texas Wesleyan University School of Law, USA. Painting Culture: Laws,|

|Professor, Seljuk University Engineering and Architecture, Turkey. An Empirical Study in the Design Studio: The |Ethics and the Trade in Ancient and Contemporary Indigenous Art. |

|Rubik’s Cube Metaphor. |Findlay, E., Lecturer, The Australian National University, Australia. From Curiosity to Caricature: The Early |

|*Mihova, J., Lecturer, Victoria University, New Zealand. Masks of Time Contemporary Practices and Tools for |Portraits of Australian Aborigines. |

|Interpreting Ancient Cultural Monuments. | |

|Campays, P., Lecturer, Victoria University of Wellington, New Zealand. The Pantheon, an Artistic Resurrection. | |

| | |

|13:00-14:30 Session XXXII (Room A): General Issues on Arts |13:00-14:30 Session XXXIII (Room B): Theatre |

|Chair: Cempellin, L., Assistant Professor, South Dakota State University, USA. |Chair: *Mihova, J., Lecturer, Victoria University, New Zealand. |

|Aktulum, K., Professor, Suleyman Demirel University, Turkey. Interpicturality. (Tuesday, 8th of June 2010) |Morozova, E., Professor, National Institute for Art Research, Russia. Various Aspects of Noh Masks and Their |

|Apostolos, M., Director of Dance, University of Southern California School of Theatre, USA. Between the Linear and|Development in Japanese Theater Tradition. |

|the Lateral: Dance for Animators. |Ionascu, A., Lecturer, Ulster University, Ireland. Good Manners: Object and User Performance in Rituals. |

|Leuthold, S., Associate Professor, Northern Michigan University, USA. Postcolonial Theory and the History of World|Kerdarunsuksri, K., Lecturer, University of the Thai Chamber of Commerce, Thailand. Ngiw Koo Chat (Chinese Opera |

|Art. |Saving the Nation): A Radical Performance in Thailand. |

|Morrisette, L., Assistant Professor, Wright State University, USA. Poetic Constructs and Practice in Tagasode-Zu |Kiourtzoglou, A., Ph.D. Student, University College Dublin, Ireland. The Importance of Theatre In the |

|(A Subject of Late Sixteenth and Early Seventeenth Century Japanese Screen Painting). |Interrogation of the Other. |

|Brown, J.A., Lecturer, Plymouth College of Art and Design, U.K.  Reading the Surface: Creativity in the Art |Zekovic, M., Teaching Assistant, University of Novi Sad, Serbia & Todorovic, J., Ph.D., University of Novi Sad, |

|Criticism of Stuart Morgan.(Tuesday, 8th of June 2010) |Serbia. Liminal Space of Contemporary Performance. |

|Dargavel, R., Senior Lecturer, Manchester Metropolitan University, U..K. Geometry, Proportion and Interval – the | |

|Art of Giorgio Morandi. | |

|Photiou, M., Ph.D. Student, Loughborough University, U.K. Loukia Nicolaidou: Artistic Strategies Employed a | |

|Cypriot Women during British Colonial Rule. | |

|13:00-14:30 Session XXXIV (Room C): Arts Education |13:00-14:30 Session XXXV (Room D): Contemporary Art |

|Chair: David-West, H., Professor, Indiana-Purdue University, USA. |Chair: Gitsoulis, C., Adjunct Assistant Professor, City University of New York, USA. |

|DiMedio, A., Professor, The University of the Arts, USA. Peter and the Wolf: A Study of Educational |Tandirli, E., Professor, Bahcesehir University, Turkey. The Sky in Contempory Art/ The Landscape Image and the Sky|

|Process-Product. |Theme in Contempory Art. |

|Holland, B., Assistant Professor, Iowa State University, USA. No Photos: Why Painting from Direct Observation |Benli, T., Assistant Professor, İzmir University of Economics, Turkey. Contemporary Art and Design with Wood: |

|Still Matters. |American Studio Furniture. |

|*Mangone, D., Associate Professor, University of Pittsburgh, USA. Interdisciplinary Teaching and Learning: Costume|Harstad, K., B.A. Art History, Chapman University, USA. The Cultural Trojan Horse: Art in Greece since 2000 C.E. |

|and Fashion. | |

|Ter-Stepanian, A., Adjunct Professor of Art History, Southern Connecticut State University, USA. Teaching Art | |

|History Online: Challenges and Instructional Strategies. | |

|Cummings, K., Assistant Professor, University of Missouri, USA. Adolescents' Investigation of Popular Culture | |

|Imagery in Art Classrooms. | |

14:30 - 15:30 LUNCH

|15:30-17:00 Session XXXVI (Room A): General Issues on Arts |15:30-17:00 Session XXXVII (Room B): Music Education |

|Chair:. Brown, J.A., Lecturer, Plymouth College of Art and Design, U.K. |Chair: Tootoonchi, N., Assistant Professor, Towson University, USA. |

|Wong, D., Instructor, Bahcesehir University, Turkey. Wrappıng Istanbul. |Gilmson, S., Associate Professor, University of Texas at Austin, USA. Music’s Vital Signs: Rhythm, Harmony, and |

|Ataseven, O., Assistant Professor, Suleyman Demirel University, Turkey. A Short History of Turkish Sculpture. |Melody. |

|Küçükbiçmen, E., Research Assistant, Anadolu University, Turkey, Kula, E., Associate Professor, Anadolu |Colley, B.D., Principal, Colley Consulting, USA & Associate Professor, Boston University, USA. Paradigm Shifts in |

|University, Turkey & Aslan Bakiri, Y., Guest Lecture and Freelance Glass Artist, Anadolu University, Turkey. |Music Education: A Comparative Look at Partnership Models (Tuesday, June 8th, 2010, afternoon) |

|Evil-Eye Beads Production in Turkey Today. |Coban, S., Lecturer, Marmara University, Turkey. The Candidates of Music Teachers Motivation Levels in the |

|Gitsoulis, C., Adjunct Assistant Professor, City University of New York, USA. Katharsis in Aristotle’s Poetics. |Instrument Education in Turkey. |

| |Konewko, M., University of Marquette Carillonneur, USA. Digital Music and the Music Business: The Impact of the |

| |Internet on Compositional Creativity and New Business Models. |

|15:30-17:00 Session XXXVIII (Room C): Arts Education |15:30-17:00 Session XXXIX (Room D): General Issues on Arts |

|Chair: *Mangone, D., Associate Professor, University of Pittsburgh, USA. |Chair: Leuthold, S., Associate Professor, Northern Michigan University, USA. |

|Rodemer, M., Professor, University of Michigan School of Art & Design, USA. Innovation in the Education of |Rost, S., Professor, Lawrence Technological University, USA. Image and the Sense of City. |

|Citizen-Artists: The Curriculum of the School of Art and Design of the University of Michigan. |Terrono, E., Associate Professor, Randolph-Macon College, USA. Memories and Counter Memories: The Problematics of |

|Cottom, M., Lecturer, University of Massachusetts-Amherst, USA & Martalock, P., Ph.D. Student, University of |Artists’ Responses to the American Civil War. |

|Massachusetts-Amherst, USA. Treating University Students Like Four Year Old: Combining the Reggio Emilia Approach |Williams, R. Y., Assistant Professor, Texas A&M University, USA. The Death and Birth of the Last Lecture: |

|with Theater Technology. |Situational Paraesthetics Detournementing Culture, Nature, and the Sublime in a Pre-Apocalyptic Consciousness of |

|Arapoglu, F., Lecturer, Trakya University, Turkey, Inal, I., Associate Professor, Kocaeli, University, Turkey. The|Eternity as Lift + Thrust = Load + Drag. |

|Analysıs of the Notıon Freedom in Fıne Arts Academıes. Are Fine Arts Academies against the New Enterprises? | |

|(Tuesday, June 8th, 2010, afternoon) | |

|Clements, J., Community Engagement and Outreach Programming Officer, University of Salford, UK & Ingleson, S., | |

|KTF Project Manager, University of Salford, UK. Creative Academy: Reflective Stories. | |

17:00 - 20:00 Urban Walk (Details during registration)

20:30 - 22:00 Dinner (Details during registration)

 

Wednesday, June 9th, 2010

Cruise: Departure at 06:55 Return at 20:30 (Details during registration)

Thursday, June 10th, 2010

Delphi Visit: Departure at 07:25 Return at 19:30 (Details during registration)

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