Reproducible Singer Pages Vocalize!
Reproducible Singer Pages
Vocalize!
45 Accompanied Vocal Warm-Ups that Teach Technique
Composed and Arranged by Andy Beck
VOCALIZE! ? Singer Page 2
Come Now, Let Our Voices Ring
For many singers, the healthiest part of the voice is in the middle range. This exercise begins in that "sweet spot" (for most) and gently descends. Be cautious not to add extra weight as the notes go down, but rather float like a feather to the lower pitches.
Optional: Sing only the vowel sounds of each word, BdreagwininnigngatWteanrtmio-nUtposmouth shape and space.
1
Come Now, Let Our Voices Ring
&bbbbb 44 oe oe oe oe oe oe oe. oe oe oe oe 42 oe oe 44 ?
Come now, let our voic - es ring.
"Al - le - lu - ia"
we will
sing.
Beginning Warm-Ups
1
Come Now, Let Our Voices Ring
I Just Want to Sing I
j&u&st w#ba#bnbt44btob
S44ingoe oeCooeme
oe oenowoe,
oe oelet
oe oeouroe
oe oe oe. oe oe oe oe 42 oe oe 44 oe oe oe oe voic - es ring. oe oe oe"Al oe- leoe- luoe - oeia" oe oewoee oewilloe oe oe sing.
? oeoe
OE
This simple exercise is a great way to capture the attention of singers at the start of rehearsal. It serves as
a cue to "singIcojursret cwtalyn"t etovesirnygtitmo-ed.aBye, amndindsifnugl ocof re-vreecrty-tlyhinagll ythoeu wknayo,wtoabsoinugt gcooro-rdecvto-lcyal itsecthhneiqonue- l,yandway to sing.
apply it throughout.
Beginning Warm-Ups
1
Come Now, Let Our Voices Ring
Optional: Try to perform the four-bar phrase in one breath.
ISj&&ui&nsgt w#babba#Jbnobbty44btfCoublSoeIS44oeinoCgjnuooegoesmt ewoeoenanooetwtoe,o
oe oe
let
oesing
oe oeouroeoe
to- day,
oe oe oe. oe oe oe oe voic - es ring.
.
oe OE
and sing cor-rect-ly
oe
all
oe
oe
"Al
oe-
oe
oeoe oele - luoe
oe
-
oe oeia" oe
oe
42 oe
oeoe
oe we
the way,to sing cor-rect-ly is
woeoeilloe
44 oe singoe.OE
the on - ly way
oe
to
? oe oe
sing.
OE oe
Sing a joy - ful song,
sing it all day long.
Fa la
Sing a Joyful Song &bbb oe oe I just want to Sing
Sing
&&
b#ab#Joby44fCulaloeSoeonoeg la
oe oe
oeoe
oela oe oe
oela
oeoe
oeoe
la
oe
oe. laoe
oe oeoe oe oe
oela,oeOE
oefa oe loeaoe
la
oeoe oe
laoeoe
oeoe
oelaoeoe
oela
oeoe
la.
oe
? oeOE oe oeoe
OE oe
I just want to sing to-day, and sing cor-rect-ly all the way,to sing cor-rect-ly is the on - ly way to sing.
Without forcSininggthe jaw or jtooyng-uef,ualllow tshoengm, outh to be open bsiontgh insiidt e andalolut ondawy ordslloikneg."song,"
Fa la
"loWnagrm,"i"njgoyU,"p aonurdV"ofiacelas la." Avoid closing on consonants such as "ng" and "l."
& bbbb oe oe oe oe oe oe oe oe oe oe oe oe ? Optional: Massage the sides of your face and the muscles where the lower jaw attaches in back. Loosen
4 oe everything up as you vocalize. &b b 4 oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe Sing a Joyful Song
oe oe oe la la la la
la la la, fa la la la la la
la.
OE
& bbb C oe oe oe oe . OE Warm-ing up our voic - es, read- y, set, let's go:
oe oe oe oe OE oe oe do, re, mi, fa, sol, mi, sol, fa, mi, re, do.
Sing a Warming Up our Voices
joy - ful
&&bbbbbb 44oe oe
oe oe
oe oeoe
oeoe
oe
la la la la Warm-ing up our voic - es,
song,
oe oe
oeoe
oe
oeoe
oe
la la la, fa read - y, set, let's go:
sing it all day long.
Fa la
oe
oe oeoe
oeoeoe
oeoe
oeoe
oe
oe
oe
oe
? oe
OE
la la la la la
la.
do, re, mi, fa, sol, mi, sol, fa, mi, re, do.
40024 Warming Up our Voices
? 2013 Alfred Music Publishing Co., Inc. Right to photocopy with purchase.
oeoeoe
.
oeoeoe
Sing a joy - ful song, VOCALIZE! ? Sisnignger Pagite 3 all day long.
W&abbbroemoeingoe Uoe p oeOuoe r oeVooeicoe eoes oe oe oe
la la la la
la la la, fa la la la la la
la.
Fa la
?
Sing four-bar phrases, breathing only at rests. Add Curwen hand signs when singing solf?ge syllables. (See page 20.)
AlWtearrnmaitneg LUypriocusr: VNooicwesrehearsal's starting, ready for some fun: 1, 2, 3, 4, 5, 3, 5, 4, 3, 2, 1.
&bbb 44 oe oe oe oe oe oe
Warm-ing up our voic - es,
oeoeoe oe
read - y, set, let's go:
oeoeoeoeoe oe
do, re, mi, fa, sol, mi,
oeoeoeoeoe OE
sol, fa, mi, re, do.
Feet Are Firmly Planted
Good standing posture is absolutely essential for good singing. Follow the lyrics closely as instructions
for proper alignment. Check yourself as each body part is mPeonsttuiorneed, relaxing into position and avFoeidetinarge tFeirnmsliyonPl.anted
1
&bb 44 oe oe oe oe oe oe
Feet are firm - ly plant - ed
oeoe
on the ground.
oe oeoeoeoe
Knees and hips and chest
oe .
a - lign.
OE
40024
&bb oe oe oe oe oe oe oe oe
oeoeoe oeoe oe ?
Posture
Feet areShFoiruml-lydePrlsanaterde re- laxed, arms hang - ing down.
Head is bal-anced on the spine.
1
& bb 44 oe Relax, Release oe oe oe oe oe
oeoe
oe oe oe oe oe oe .
OE
Relax, Release & 43 & bb
oe oe Feet are firm - ly plant oe oe oe oe oe Re - lax, re - lease,
oe- ed oea -
oe ooen oe void an
oe OE the ground. oe - y strain.
oe oe oe oe Knees and hips and chest a oe- oelign.oe . oe oe oe oe oe oe ? Free from all ten- sion, tight- ness, or pain.
The popular gym workout phrase, "no pain, no gain," has absolutely no truth for singers! Never allow strain
or tightnSehsosuiln-dtehres baoredy roer-tlahxreoda,t.aIrnmstsead,hsatnrgive- fiongr codmofwonr.t from hHeeaadd toistoeba. l-anced on the spine.
OpRtoilol nYoaul:rPSehrofuolrdmersthis exercise while swaying gently from side to side. Release your legs, knees, arms,
elbows, shoulders, neck, and head.
b 4 Relax, Release &&b43 4oe oe oe oe oe oe oe oeoe Roll your shoul - ders high
oe oeand oe low,
oeoeoeoe OE oe back oeand oe oe forth, and
oe
to
oeaoendoefrooe.
OE .
& bb
Re
oe
-
lax,
oe
oe
re - lease,
oeoe
oe . OE a - void an - y strain.
oe oe oe oe oe oe ? Free from all ternit-.sion, tight- ness, or pain.
Roll YourRSohllouyloduerrsshoul-ders all a - round,
then re - lease them back and down.
& bb 44 oe oe oe 40T02h4ough the Notes may Rise
oe
? 2013 Alfred Music Publishing Co., Inc.
oe oe oe oe oe Right to photocopy with purchase.
oe
oeoe
OE
Feet are firm - ly plant - ed on the ground. Knees and hips and chest a - lign.
Roll Your Shoulders R&&elaxb,43bReloeoeease oe oe oeoe oe oeoe Shoul-ders are re- laxed, arms
VOCALIZE! ? Singer Page 4
oeoe oe oeoe
OE
oeoe
oeoe oeoe
oe
oe oe
oe
hang - ing down.
Head is bal-anced on the
oeoe
spine.
oe ? .
Re - lax, re - lease, a - void an - y strain.
Free from all ten- sion, tight- ness, or pain.
One of the first places that we hold physical tension is in our shoulders. Move slowly and with purpose while
sinRRgoellialnxYg,oRtuherliSesahesoexueldrecrisse, circling the shoulders in each direction, releasing any tightness.
&&b43b 44oe oe
oe
oe oe
oe
oe
oe oe
oeoe oe
Re - lax, re - lease, a - void an - y strain.
OE
oe oe
oeoe
oeoe
oe
oe
Free from all ten- sion,
oe oeoe oeoe
tight- ness, or
Roll your shoul - ders high and low,
back and forth, and to and fro.
. OE
pain.
& bb oe oe oe oe oe Roll Your Shoulders
oe
.
OE
& bb R44olloeyour oe oe shoul-ders oe all a oe oe - round,
rit.
oeoeoe oe oe oe ?
oe oe oe oe oe oe then re - lease them back and down.
OE
Roll your shoul - ders high and low,
back and forth, and to and fro.
Though the Notes May Rise Though the Notes may Rise
&&bbbbb oe44 OEoe
oe oeoe
oe oe
oeoe
oe.
rit.
wOE
oe
oe
oe
oeOE
oe
oe oe
oeoe
RSoai,siitnigs iamnRpdoolllortywaoneutrritnsohgTomtuhhalo-eiudngcethhrasiinnatwahllelheivleenlsoaaintnegds-inbgarolpaulmnnacdcae,eyds uhnewadanrtihtsereod, upgrhetoshseuuntryeoraeun-rdlefuasstlleravtiohnceoamlnrbatahncegken.aencadkndandthtdehorwonan.to.tes
& bbb . OE oe oe oe oeJ oe. OE oe oe oe OpThtiooungahlt:hBeaNlaontecsemaacyhRoisirefolder or book on your head while singing this exercise.
oe
w
&bbb 44fallOE,
oe oe oe oe w hold the chin lev - el
OE oe oe oe with the head up
tall.
? oe
may
oe
Though the notes may
rise,
and the notes may
&bbb .
fall,
OE oe oe oe oeJ oe.
hold the chin lev - el
OE oeoeoe oe w
with the head up
tall.
Drop Your Jaw
Follow the lyrics closely and do as they say, creating vertical space inside the mouth and rounded lips. Be careful not to force the jaw or lips into position, but ratheVroawlleolsw them to float easily from one shape toDtrhopeYnoeuxrtJ.aw
& 44 oe oe
Drop your jaw,
oeoe
let it fall,
oeoe
shape your
oeoe
vow - els
.
round.
&oe oe
O - pen mouth
40024 My, Oh Me, Oh My
oe
north
oe
oe oe oe.
and south
for
a
fin -
? 2013 Alfred Music Publishing Co., Inc. Right to photocopy with purchase.
oej .
er sound.
40024
40024
OE OE
& 44 oe oe
oe
oe oe oe VOCALIZE! ? Singer Page 5
oe
oe
.
OE
My, Oh Me, Oh My Drop your jaw,
let it fall,
shape your vow - els round.
&oe oe
oeoe
oe oe oe. oej .
OE
As written, this exercise presents mostly open vowels conneVcotweedlsby the letter "m," which helps to bring the
voDircoepfYoorOuwr aJar-wd. pFeenel fremeotuothchange thneorcthonsoannadnts osrouvtohwels basedfoorn specaific goaflisn. - er sound.
Suggestions: "Why, oh we, oh why" will add the roundness of "oo" at each "w." A rolled "Rye, oh Rio, rye" will
& 44 oe oe oe oe relax the tongue. "Fye, oh fee, oh fye" insures that breath is flowing at the onset of tone. oe oe oe oe . My, Oh Me, Oh My
OE
&###D#ro44p oeyour oe jaw, oe
oe let oe it oe fall, oe
oe oe oe oe oe shape your vow - els round.
& oe oe oe My, oh me, oh oe oe my, oh me, oh
oemy,
oeoh.
j oe me,
oh.
my!
OE
Drop YoOur Ja-w pen mouth
Vowels
north and south
for
a
fin - er sound.
Nee, Neh, Nah, Noh, Noo NM&&&eye,,Ob#Nbh#44e#hMD44,#eNoerNo,44aoeOpeheh,NoeMoyhyooe,uNroooe
jawoe, oe
neh
oeoe oe
oe let oe it nah
oe
oe fall, oe noh
oeoe oe oe shape your
noo.
oeoe oe oe vow - els
? .
round.
oe
OE
oe oe Sing with pure vowels while connecting each and every note to create a legato line. Allow the jaw to float & oe oe oe oe oe. oej . easily into eachMnye,w poohsition,mues,ing reohlaxed mlipys, to foorhm roumned, souonhds. my, oh me, oh my!
OE
OWptiitohnaaJOlo: yTfhu-el Tloepnteetner "nm"ohuethlps to devneolortphresoandances,obuutht the directoforrmay chaoose tfoincall o- ut oetrhersionuitniadl.
coNM&&&&neyse,o,O##b#nNbh###aen###hM44,t#esN42N,oe(44aoeWOvehoeoeh,MiNitoeMchoyehy,doe,aoeNooroouoejhonoeyvoeon-ioecefehmoeuoedleoe), dtuooenrioeeonoehg
each key
oeoe
oe I am oe
nah
oe
my,
change.
oeoeoe
oe not a - lone, oeoe
noh
oeoh oeme, oe
oe
for
oe oe
oh
oeoeoe
my friends on
oeoe oeoe noo.
my, oh
oe
oeoe ?
ei - ther side
oeoe
let their
oeoe
oe me,
oe oh
oe
my!
OE
With a JoyvfuoliTcon-e es ring as we all do sing with our vow - els tall, not wide.
With a Joyful Tone &### 42 oe oe oe Nee, Neh, Nah,Noh, Noo &bb 44 oeWith a joy
oe oe- ful
oe
tone
oeoe oe I am
oe
not
oe oe oeoe oe oe oe a - lone, for my friends on
oe
ei -
oe
ther
oe ? side
oeoe
let their
Keep the attitude of this exercise joyful and light while maintaining a quality sound. Even though the music
# # is bright, strNiveeefor warm vonweehls by visualizninagh tall oval shanpoehs at the core onfoeov. ery word. & # oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe Optional: Experiment with different volumes. No matter what the dynamic range, the integrity of vowels
OE
shWoiuthldabJoeycvfuoolniTcsoins-teeenst. ring as we all do sing with our vow - els tall, not wide.
&### 42 oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe
With a joy - ful tone I am not a - lone, for my friends on ei - ther side
&### oe oe oe oe oe oe oe oe oe oe oe oe oe oe oe
let their
40024
OE
voic - es ring as we all do sing with our vow - els tall, not wide.
40024
? 2013 Alfred Music Publishing Co., Inc. Right to photocopy with purchase.
VOCALIZE! ? Singer Page 6
Breath Support
Prior to singing, take a deep breath, allowing the abdomen and diaphragm to fully expand while the chest and shoulders remain relaxed. Support your voice by connecting to a controlled, firm exhalation. For this exer2cise, breathe only when you see a rest.
Optional: Place your hand on your abdomen to draw atBterneatitohnStuopbproeratthing. As you sing, push lightly with tBharetahthaSnudp,pcorret ating a comfortable amount of resistance.
& 22 oe oe oe
2 Breath sup - port,
oe. oej oe oe oe oe oe oe
it's all a - bout breath sup - port,
oeoeoeOE
here we go.
&oe oe oe
Breath Support
oe.
oej oe oe oe oe Breath Support oe oe
oeoeoe
&B22reatoeh
sup - port,
oeoe
oe. oej oe oe oe oe oe oe it's all a - bout breath sup - port,
let - ting it flow.
oeoeoeOE
2
Flying, Sighing Flying,BSrigehatinhg sup-port,
Br&eathbSboeubpp44ortoe oe
it's all a - bout breath sup - port,
oeoe.
oe
oeoej
oeoe
Breath Support
oeoe oe OE oe
oe
oe
here we go.
oeoe oeoe oeoe oe OE
& 22 oe oe oe oe. oej oe oe oe oe oe oe oe oe oe OE Bawe asurerBetrhteoaattihnchhFsaalunylepgc-inop-gomrftpr,oleimntgeo,lynoenneoatechtoornetshtte,haenllebiotxr'westaiitnshagblwletehstearavicd-ohebi.icoeeuvtteodrwibdrheeeafntiSrhimfgahlcsyuilpoitna- tpteohdreitn,bbgyr,ethatehbarseaytohou.le-stipn-egtni.nBgein it- sidfelo. w.
OptionaBl:rEexaptherismupe-nptowrti,th sliding from pitch toit'psitcahll. Thais-mbaoyuthelpbrteoatchreastuepa- ptrourte, legato line shuepreportwede
byRFlteyhsiienstgb,CrSaeivgaihnthign.gIn
& &
#bboe44b
44oe
oe
oe
oe
oeoe.oe oe
oej oe oe. oe
oeoe
oeoeOE
oeoe
oe oe
oe
oe
oe oeoe oeoe oeoe
Breath sup - port,
it's all a - bout breath sup - port,
let - ting it
go.
oeOE OEoe
flow.
ReFly- s-ist ing, cav -oningthe breiant,h we ride. to siSniggh a- inlgo,ng - er o -ppheranse.in - side. Re -
Resist Caving In &# Flying, Sighing
Resist Caving In
& &
#bb44bsis44toe
oe oe .
oe
cav-
ing
oe
oeoein,oe
oe .
oe oeone
oeoeoeoe
OEbreath oe
can oe
oe lastoe
for
oe
oedayoes.
oe
? oeOE
As you inhaleFalynd fi-ll witinhga,ir, the froonnt, sitdheesb,raenatdhbwaeckroidfet.he torso shSoiguhld fu-lly einxpg,and. Whenoy-opuensingin, - side.
caTraekfeuTlliym"ebtRuoedBgree-att"heasnisdt "spend"cathve -airi--ngavoid dine,flating too qtouickly.sing a long - er phrase.
& #44 OE oe oe oe. oe SpReecsiisatlCCahvainllgenInge: Do not breathe
# &
44sistoe
oe Takecavtim- e ing
afoetejrth.ew.ord oe OE "phrase." oe . to inb, reathe, one
oe oebreath
OEoe oecan
oe oetake
oe
last
oe. oetime
oe
for
oe
oej . todaybs.reathe.
? OE
& OE oe Re - soeist.
Take Time to Breathe
&, OE oe oe In - hale
j oe oe cav - ing. in,
oe com - plete oe. oej
ly.,
.
OE oe oe. oej w w to sing a long - er phrase.
oe
take
OE
toeimeOE
oe oe oe to breathe. oe oe.
oej .
w ?
sist
cav - ing
in,
one breath can last for days.
Take time
40024
OE oe oe. Take Time to Breathe
oej
to breat?he2,013 Alfred Music Publishing Cota.,kIenc. time
Right to photocopy with purchase.
OE
j
to breathe.
OE oe
Re -
OE
oe
Re -
OE
# &
44
oe
oeoe
. oe oe oe VOCALIZE! ? Singer Page 7 oe oe
OE
Take Time to Breathe Re - sist
# &
oe
cav - ing
in,
to sing a long - er phrase.
oe .
oe oeoeoeoe
?
Inhalation should never occur through a constricted throat. Many times, the need to rush a breath creates an unwasnitset d "gasp" fcoarvair-. Triyngto allowina,mple time inoynoeur phbrraesainthg tocraenfreshltahste air sfuopr ply widtahyes.ase.
Optional: Place one thumb under your chin near the throat to monitor the inhalation. Keep a relaxed throat asTaykoeuTbimreeattohBer.eathe
& 44 OE oe oe.
&OE
Take time
oe oe. oej
oej .
to breathe,
oe .
In - hale com - plete - ly,
OE OE oe oe.
take time
OE oe oe.
take time
oej w
to breathe.
oej .
to breathe.
w
w
oe
Re -
OE
Don't Want to Be Throaty
There are many words used to describe vocal tone, both positive and negative. Some good ones include: warm, rich, and round. Some unflattering ones are: strident, forced, or nasal. This exercise mentions a few idea4s0t0o24work toward, and others to avoid. Ultimately, sinTgoenres Qshuoauliltdystrive to develop a free and natural soDuonn'dt ,Woannet ttohbaetTishruonatiyquely their own.
&b 22 OE oe oe oe oe
Don't Want to beDTohnro'attywant to be
oe .
throat - y
oe oe oeoeoe w
Tone Quality or stuck in the nose.
OE oe oeoeoe
Don't want to be
&&bb 22oe OE . oe oeoeoe oeoe oe oeoe oe . w
stri - denDton't want to obr eweatkh,rIoastu-py- pose.
oe OEoe oe oe oeoeoeoe oe woe .
or Istuwckanint tothseound nolosev.e - ly,
OE oe oe oe oeoeoeoe oeoe
Donw'titwh abnetauto-ti -bfeul
&& bb
oe
.oe oe oe oe oe.
oeOE oe oeoe w
oe
oeOE oe oeoeoe oeoe oe oe . w
oe oe oe ?oe oe
tsotrnie-,dent
or weak, I sufpo--cupsoesde,. with free- doIm, wanut to- nsoiquuned-lylovme y- ly, own. with beau-ti - ful
Just One Voice &b Just One Voice oe oe oe . OE oe oe oe oe oe oe
w
?
b 4 2 4 tone,
fo- cused, with free- dom, u - nique-ly my own.
& b 4 oe oe oe oe oe oe oe OE oe oe oe oe 4 oe oe 4 Unify the registers of your voice with consistent support throughout the range. Avoid over-singing or
?
unJdusetrO-snuepVpoJoiucrsettingonoen avnoyicneoftreosm. A lehgigahto litnoe anlodwli,ght approdaoch mdaoy heltpi to csoolver "brelaaks." ti
do.
& bb 44 oe oe Never Louder Than Lovely
&
bbb
oe 43Just
oe one voice
oe oefromoe
oe oehigh
oe tooe
oe low,
OE
oeoe
oe
do OE do ti
oe oesol
42 oe oe
oe laoe toei
44 .do.
? OE
40N02e4ver LoudeNr Tehvan -Loveerly loud - er than love?-2lR0y1.i3ghAtltforepdhMotoucsoicpPy uwbiltihshpiNunrgecvChaos.,e-.Ince.r strong-er than sweet.
&b oe .
Just One Voice
oe oe oeoeoe
w
OE oe oeoe oe
VOCALIZE! ? Singer Page 8
oe .
oe oe oeoeoe
stri - dent
or weak, I sup - pose.
I want to sound love - ly,
with beau-ti - ful
N&&ebbbv44 eoe roeoeoeLoeoeouoe. deOEoe roeoeToehaOEoenoeoeLooe voeoeeloeyoe42 oe oe w 44 ? ?
Just one voice from high to low,
do do ti sol
la ti
do.
Even at ytoonuer,fullest volume, never force thefov-ociucsee.dB,eawuittyh is fsroeem- duocmh,morue i-mnpioqurtea-nlyt thmayn volumowen. .The lyrics
of this exercise provide fundamental rules for singing at any dynamic level.
Never Louder Than Lovely
Just
& &
Obbbbnbe44V43oice
oeNev
oe oeoe oeoeoe
oe oe
- er loud - er than
oe oe oe love - ly.
OE
OE
oeoe
oe
Nev -
oe oe
er
42oe
oe oe
oe
oe strong-er than
44. sweet.
? OE
Just one voice from high to low,
& bbb oe oe oe oe oe oe oe Never Louder Than Lovely
Nev - er more vol - ume than beau - ty.
&bbb 43 oe oe oe oe oe
do do ti sol
la ti
do.
OE oeoeoe oeoeoe
Sing - ing like this is a
OE oe oe oe oe .
.
treat.
OE
Project
Nev - er loud - er than love - ly.
Nev - er strong-er than sweet.
P&&rbbobCb joeecoetoe
OE oe oeoe
oe
OE oe oe
oeoe
OEoe
oeoe
oe
oe
OE
oeoe oe
oe
OE . oe
Pro - ject,
pro - ject,
you have to sing it out.
Re - spect,
re -
Nev - er more vol - ume than beau - ty.
Sing - ing like this is a treat.
For many developing singers, there is a fine line between a healthy projected tone and shouted
& b OE oe oe oe oe OE oe oe oe oe oe oe over-singing. Visualize a point on the far wall of the rehearsal room. With firm breath support and oe aPnroojepcet n resonating space in the mouth and throat, be sure that your voice carries to that point.
OE oeoe
spect,
be care - ful not to shout.
Use a well - sup - port - ed tone,
and you'll
& &
b b
C oeoe
oe
oe
Pro - ject,
OE oe
oe
pro - ject,
OE OE
oe oeyou
oeoe
have to
OEoe
sing
oe oeit
out.
OE
OE
oe
Re
oe w - spect,
OE
oe
re -
find your voice has grown.
&b
OE oe
oeoeoe
Pro - ject,
oe OE
re - spect,
oeoe oe oe oe oe
pro - ject.
OE
oeoe
spect,
be care - ful not to shout.
Use a well - sup - port - ed tone,
and y4o0u0'2l4l
&b oe oe oe oe
find your voice has grown.
OE oe
Pro - ject,
OE oe
re - spect,
OE oe
w
pro - ject.
40024
40024
? 2013 Alfred Music Publishing Co., Inc. Right to photocopy with purchase.
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