THEATRICS OF SEAM
In his trademark bowtie, he resembles Charlie Chaplin for a moment. His performance is ironic and humorous. The silent theatre is a pregnant pause in the dialog and rhythm of the event. ... SEAM’s Saval is neither a Marxist nor is he a “critical postmodernist.” The SEAM approach is spectacle, is more Goffmanesque, with its front stage ... ................
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