REPORT ON THE STATUS OF AN ELEMENT INSCRIBED ON …
CONVENTION FOR THE SAFEGUARDING
OF THE INTANGIBLE CULTURAL HERITAGE
INTERGOVERNMENTAL COMMITTEE FOR THE
SAFEGUARDING OF THE INTANGIBLE CULTURAL HERITAGE
Eighth session
Baku, Azerbaijan
December 2013
Nomination file no. 00602
for inscription in 2013 on the Representative List
of the Intangible Cultural Heritage of Humanity
|A. STATE(S) PARTY(IES) |
|FOR MULTI-NATIONAL NOMINATIONS, STATES PARTIES SHOULD BE LISTED IN THE ORDER ON WHICH THEY HAVE MUTUALLY AGREED. |
|BRAZIL |
|B. NAME OF THE ELEMENT |
|B.1. NAME OF THE ELEMENT IN ENGLISH OR FRENCH |
|This is the official name of the element that will appear in published material. |
|Not to exceed 200 characters |
|Círio of Nazaré (The Taper of Our Lady of Nazareth) in the city of Belém, Pará |
|B.2. Name of the element in the language and script of the community concerned, |
|if applicable |
|This is the official name of the element in the vernacular language corresponding to the official name in English or French (point B.1). |
|Not to exceed 200 characters |
|Círio de Nossa Senhora de Nazaré, in Belém – State of Pará – Brazil. |
|B.3. Other name(s) of the element, if any |
|In addition to the official name(s) of the element (point B.1) mention alternate name(s), if any, by which the element is known. |
|Círio of Our Lady of Nazareth's Festivity; Our Lady of Nazareth's Celebration; Círio de Nazaré; Círio (Taper). |
|C. Name of the communities, groups or, if applicable, individuals concerned |
|Identify clearly one or several communities, groups or, if applicable, individuals concerned with the nominated element. |
|Not to exceed 150 words |
|The Archdiocese of Belém; Our Lady of Nazareth Parish - Nazareth's Sanctuary Basilica - Congregation of the Barnabite Fathers; the Board of |
|Nazareth's Festival. Catholic associations and other civil society organizations formed by, for example, dockers, fishermen, ferrymen, cyclists, |
|motorcyclists, devotees who promise to 'pay' for divine help, besides public and private institutions, educational institutions, banks, etc. State|
|and municipal governments also collaborate in the event. |
|D. Geographical location and range of the element |
|Provide information on the distribution of the element, indicating if possible the location(s) in which it is centred. If related elements are |
|practised in neighbouring areas, please so indicate. |
|Not to exceed 150 words |
|Location: Belém, capital of the State of Pará, Brazil |
|Territorial coverage: metropolitan region of the city of Belém |
|E. Contact person for correspondence |
|Provide the name, address and other contact information of the person responsible for correspondence concerning the nomination. If an e-mail |
|address cannot be provided, indicate a fax number. |
|For multi-national nominations provide complete contact information for one person designated by the States Parties as the main contact person for|
|all correspondence relating to the nomination, and for one person in each State Party involved. |
|Title (Ms/Mr, etc.): |
|Ms |
| |
|Family name: |
|Corsino |
| |
|Given name: |
|Célia |
| |
|Institution/position: |
|Institute of Historic and Artistic National Heritage |
| |
|Address: |
|SEPS 713/913 Bloco D - 4º andar |
|CEP.: 70.390-135 |
| |
|Telephone number: |
|5561 - 20245401 |
| |
|Fax number: |
|5561 - 20245420 |
| |
|E-mail address |
|: |
|dpi@.br; celia.corsino@.br |
| |
|Other relevant information: |
| |
| |
|1. Identification and definition of the element |
|For Criterion R.1, the States shall demonstrate that ‘the element constitutes intangible cultural heritage as defined in Article 2 of the |
|Convention’. |
|Tick one or more boxes to identify the domain(s) of intangible cultural heritage manifested by the element, which might include one or more of the|
|domains identified in Article 2.2 of the Convention. If you tick ‘others’, specify the domain(s) in brackets. |
|oral traditions and expressions, including language as a vehicle of the intangible cultural heritage |
|performing arts |
|social practices, rituals and festive events |
|knowledge and practices concerning nature and the universe |
|traditional craftsmanship |
|other(s) ( artistic expressions ) |
|This section should address all the significant features of the element as it exists at present. |
|The Committee should receive sufficient information to determine: |
|that the element is among the ‘practices, representations, expressions, knowledge, skills — as well as the instruments, objects, artefacts and |
|cultural spaces associated therewith —’; |
|‘that communities, groups and, in some cases, individuals recognize [it] as part of their cultural heritage’; |
|that it is being ‘transmitted from generation to generation, [and] is constantly recreated by communities and groups in response to their |
|environment, their interaction with nature and their history’; |
|that it provides communities and groups involved with ‘a sense of identity and continuity’; and |
|that it is not incompatible with ‘existing international human rights instruments as well as with the requirements of mutual respect among |
|communities, groups and individuals, and of sustainable development’. |
|Overly technical descriptions should be avoided and submitting States should keep in mind that this section must explain the element to readers |
|who have no prior knowledge or direct experience of it. Nomination files need not address in detail the history of the element, or its origin or |
|antiquity. |
|Provide a brief summary description of the element that can introduce it to readers who have never seen or experienced it. |
|Not to exceed 250 words |
|The Círio de Nazaré is a festivity in honor of Our Lady of Nazareth which takes place in Belém, the capital of the State of Pará, in October, |
|whose main procession, called Círio, ocurrs on the second Sunday. This religious festivity involves several other celebrations which begin in |
|August and go on until the so-called Nazarene Fortnight, a period of fifteen days after the Círio itself. In these festivities, sacred and profane|
|complement each other in making it an social fact of multiple dimensions: religious, aesthetic, touristic, cultural etc. All these festivities |
|are centered on the devotion to a wooden image of Our Lady of Nazareth, who, according to the legend, was found by a country man named Placido, in|
|the site where today stands the Basilica of Nazareth. |
|The Círio de Nazaré procession itself is the most important of all these celebrations. It has been held for 217 years, and comprises the transfer |
|of the image of Our Lady of Nazareth's from the Sé Cathedral to the Sanctuary square. The route is within the limits of the oldest area of Belém |
|and gathers about two million people on a journey of faith and devotion that can be considered one of the largest religious concentrations in the |
|world. |
|Who are the bearers and practitioners of the element? Are there any specific roles or categories of persons with special responsibilities for the |
|practice and transmission of the element? If yes, who are they and what are their responsibilities? |
|Not to exceed 250 words |
|The celebration of Círio of Nazaré expresses the different segments that compose the brazilian society. Inicially motivated by institutional |
|interests of the Church, over the years, indians, blacks, whites, mulattoes, developed strategies to impregnate the ritual with elements of their |
|culture, with meanings unrelated to politicians and priests. Almost the entire city participates in the festival in one way or another, but the |
|celebration of the Cirio attracts people from all over Brazil. The devotion and the payment of promises are the defining elements of the |
|participation of individuals in the festival. The strenght of the event is on popular participation. The devotees, pilgrims and payers of promises|
|are the main responsibles for the continuity of tradition over 200 years of its existence. |
|The organization of the festival, regarding logistics, is performed by a board, a comission formed each year, responsible for planning and |
|implementation of activities. |
|The Archdiocese of Belém, the Sanctuary Basilica of Nazareth, the Congregation of the Barnabite Priests and the Board of Nazareth Festival, |
|through a set of actions and activities carried out every year to perform the Círio, are committed to keep it as a demonstration of faith. |
|How are the knowledge and skills related to the element transmitted today? |
|Not to exceed 250 words |
|Because it is a manifestation of devotional nature, this transmission is performed within the families themselves where, small children and |
|teenagers accompany their parents during the days of celebration, in a true family tradition. In last years, this participation of minors has been|
|made official by the performance of processions that mirror, in a small scale, the great procession the Círio. |
|Furthermore, it is important to highlight that promises made by parents often span generations and are paid annually by their descendants on the |
|festival days. |
|Considering that the celebration of the Cirio de Nazare is a complex event that involves several others forms of cultural expressions, whose |
|especifics knowledges are transmited from generation to generation, especially those involving the manufature of products whose sales are the |
|base the sustaining of a whole family |
|What social and cultural functions and meanings does the element have today for its community? |
|Not to exceed 250 words |
|The devotion to Our Lady of Nazareth is in the daily life of the city and in the lives of Pará inhabitants. Such a devotion is renewed and |
|expanded in times of celebration. That devotion is expressed in small altars in homes, shops, bars, markets, public institutions and banks. |
|For many, the Círio is the day of the return to the homeland, of the do reencontro. For paraenses, is equivalent to Christmas, a key component of|
|the identity of this group, since it gathers elements of amazonian culture through its cuisine, in the production and marketing of miriti toys, |
|made out of a palmtree, that reproduce aspects of the amazonian imagination, such as dolphins, snakes, birds and boats. The CírIo procession |
|itself has many boats that have a symbolic meaning, since Our Lady of Nazareth is considered the protector of men who travel by water, inherent in|
|the transport by rivers of the Amazon region. |
|The Círio also awakes the value of solidariry between people, reinforcing the sense of communion. Pilgrims and promises payers who travel great |
|distances in orther to attend the celebration of the Círio, for example, are welcomed by locals and devotees accompanying the procession, often of|
|his knees to pay their promises, being aided by other people who give them water and support on the moments of rest. |
|The Círio de Nazaré is also an important space for political demonstrations, noticed at the festival called Chiquita’s Daughters Festival. |
|Promoted by homosexual groups and supporters, this festival has become a space of resistance, defense and pursuit of social recognition. |
|Is there any part of the element that is not compatible with existing international human rights instruments or with the requirement of mutual |
|respect among communities, groups and individuals, or with sustainable development? |
|Not to exceed 250 words |
|No. |
|2. Contribution to ensuring visibility and awareness and |
|to encouraging dialogue |
|For Criterion R.2, the States shall demonstrate that ‘Inscription of the element will contribute to ensuring visibility and awareness of the |
|significance of the intangible cultural heritage and to encouraging dialogue, thus reflecting cultural diversity worldwide and testifying to human|
|creativity’. |
|How can inscription of the element on the Representative List contribute to the visibility of the intangible cultural heritage in general and |
|raise awareness of its importance at the local, national and international levels? |
|Not to exceed 150 words |
|The inscription of the Cirio de Nazaré from Belém in the State of Pará in the Representative List of World Intangible Cultural Heritage represents|
|an important contribution to givevisibility and also to generate awareness like as a important space of negotiation between de official and |
|popular religiosity, in the same way between social class and groups participating in the festivity expressing, the more differents ways, their |
|devotions. For its symbolic dimension, greatness and longevity for over 219 years, this important procession is a unique example of manifestation |
|of brotherhood and of great social transversality. |
|How can inscription encourage dialogue among communities, groups and individuals? |
|Not to exceed 150 words |
|The Círio arouses sympathy and fellowship among people, strengthening the sense of community by mobilizing social memories that are recounted |
|every year and by reaffirming, therefore, common identities and goals. In the Cirio celebration, people from Pará express and reinforce local |
|identity aspects ranging from costumes to traditional dishes. |
|How can inscription promote respect for cultural diversity and human creativity? |
|Not to exceed 150 words |
|Different forms of faith expressed in the Círio identify traditional elements, transmitted from generation to generation, along with innovations |
|that reflect the constant updating of practices and rituals associated with their different festivities. Despite being a Catholic event, strongly |
|marked by popular piety, the Círio goes beyond the boundaries of religion and beliefs. For its scope and capacity of social aggregation, the Círio|
|allows for the overcoming of existing conflicts between the forms of spontaneous expression of popular devotion and the ecclesiastical |
|authorities' efforts to control and organize it. In this dynamics, new processions and rituals are gradually incorporated, and symbols and |
|meanings of devotion and festivity are reinterpreted. |
|3. Safeguarding measures |
|For Criterion R.3, the States shall demonstrate that ‘safeguarding measures are elaborated that may protect and promote the element’. |
|3.a. Past and current efforts to safeguard the element |
|How is the viability of the element being ensured by the concerned communities, groups or, if applicable, individuals? What past and current |
|initiatives have they taken in this regard? |
|Not to exceed 250 words |
|As a way of ensuring and disseminating the devotion to Our Lady of Nazareth and the associated practices, the Church and the Board of the Festival|
|established a comprehensive program for a diverse audience and different age groups. |
|To achieve this program’s objectives, the Board of the Festival receives support from several public and private institutions. Funds are also |
|raised from among the devotees and the private sector in order to finance the Círio festivities and support social projects of the parish of |
|Nazaré. Some activities have already been incorporated into the official program of the holiday: |
|- The Essay Contest, which involves primary schools and whose theme is always related to the Círio and Our Lady of Nazareth; |
|- Children's Procession and the Youth Procession, a smaller scale reproduction of the main procession of the Círio; |
|- Schools helping to receive and deposit the promises in the floats of miracles that are part of the procession; |
|- The distribution of images for the pilgrimages in homes across the state of Pará |
|Moreover, there is a wide dissemination of the Círio through media companies. Conveyed through the Internet and several communication networks, |
|the main procession can be accessed in many parts of the world. |
|With the support from the Church and from the Board of the Celebration, the government of the state of Pará created the Círio Museum. |
|Tick one or more boxes to identify the safeguarding measures that have been and are currently being taken by the communities, groups or |
|individuals concerned: |
|transmission, particularly through formal and non-formal education |
|identification, documentation, research |
|preservation, protection |
|promotion, enhancement |
|revitalization |
|How have the concerned States Parties safeguarded the element? Specify external or internal constraints, such as limited resources. What are its |
|past and current efforts in this regard? |
|Not to exceed 250 words |
|The Círio de Nazaré received financial support to carry out, among other activities: a reformulation of the permanent exhibition of the Círio |
|Museum, production and distribution of promotional material and workshops to promote knowledge transmission and generation of income from courses |
|on photography, video, conservation of sacred objects, production of miriti toys, props and souvernirs. These activities have been developed by |
|means of so-called Pontões de Cultura (Cultural Points) under the Living Culture Programme of the Ministry of Culture. |
|The Cultural Points are entities recognized and financially and institutionally supported by the Ministry of Culture to develop actions of |
|socio-cultural impact in their communities. Funds are raised through partnerships with public and private companies and local governments. |
|Since they are managed by segments directly related to the production of that cultural asset, their primary mission is to establish themselves as |
|areas of articulation, integration, transmission and memory. They work with the objective of empowering producers, managers, artists and divulging|
|products. |
|After the recognition of the Círio of Our Lady of Nazareth as Brazilian cultural heritage, the Cirios's Museum received funds from the federal |
|government to renew the permanent exhibition and to promote workshops for conservation of sacred objects and production of miriti toys, souvenirs,|
|videos and photographs. |
|Tick one or more boxes to identify the safeguarding measures that have been and are currently being taken by the State(s) Party(ies) with regard |
|to the element: |
|transmission, particularly through formal and non-formal education |
|identification, documentation, research |
|preservation, protection |
|promotion, enhancement |
|revitalization |
|3.b. Safeguarding measures proposed |
|This section should identify and describe safeguarding measures that will be implemented, especially those intended to protect and promote the |
|element. |
|What measures are proposed to help to ensure that the element’s viability is not jeopardized in the future, especially as an unintended result of |
|inscription and the resulting visibility and public attention? |
|Not to exceed 750 words |
|Nowadays, the Círio de Nazaré is not in danger of disappearing. However, based on the evaluation and monitorig system used by Iphan, some issues |
|concerning Cirio's associated cultural assets were identified, specially regarding the miriti toys. The knowledge involved in this practice has |
|been transmitted, but the youngests individuals no longer use it as a way of living, wich has generated a decrase of the practice itself. |
|Given the size of the event, which involves a large concentration of people and various places where processions and other activities take place, |
|it is necessary to improve and strengthen its security scheme. |
|If approved, the international recognition of The Círio de Nazaré as Intangible Cultural Heritage of Humanity will necessarily induce greater |
|participation and commitment of the local govenment in improving the security conditions of the festivities. Moreover, this recognition will |
|provide, through the promotion of the event at international level, a strengthening of the aspects of the celebration that are related to the |
|characteristics of sociability in Pará and to popular religiosity. |
|How will the States Parties concerned support the implementation of the proposed safeguarding measures? |
|Not to exceed 250 words |
|The State Party acts as a mediator in the dialog between the community, the local government and institutions involved with the Cirio. Iphan has |
|also the possibility to dedicate in its annual planning financial resources for the safeguarding measures proposed by the community. |
|How have communities, groups or individuals been involved in planning the proposed safeguarding measures and how will they be involved in their |
|implementation? |
|Not to exceed 250 words |
|As an element recognized as Cultural Heritage, the Cirio of Nazaré integrates the Brazilian safeguarding policy which aims to support and promote |
|the country cultural references. This policy encourages the autonomous safeguarding management of heritages by creators and bearers of such |
|cultural assets. Therefore, all the measures were identified and will be developed by the community with the support of the State Party in all of |
|its instances. |
|3.c. Competent body(ies) involved in safeguarding |
|Provide the name, address and other contact information of the competent body(ies), and if applicable, the name and title of the contact |
|person(s), with responsibility for the local management and safeguarding of the element. |
|Name of the body: |
|Nazareth Festival Board |
| |
|Name and title of the contact person: |
|Kleber Costa Vieira (Diretor Coordenador do Círio 2012/2013) |
| |
|Address: |
|Praça Santuário de Nazaré, Centro Social de Nazaré (Arraial de Nazaré). |
|Bairro Nazaré. |
|CEP : 66035-140. Belém, Pará – Brasil. |
| |
|Telephone number: |
|55-913222-4470, 55-918871-1460, 55-91-8424-1460 |
| |
|E-mail address: |
|diretoriadocirio@.br, kcvieira@.br |
| |
|Other relevant information: |
| |
| |
|4. Community participation and consent in the nomination process |
|For Criterion R.4, the States shall demonstrate that ‘the element has been nominated following the widest possible participation of the community,|
|group or, if applicable, individuals concerned and with their free, prior and informed consent’. |
|4.a. Participation of communities, groups and individuals concerned in the nomination process |
|Describe how the community, group or, if applicable, individuals concerned have participated actively in preparing and elaborating the nomination |
|at all stages. |
|States Parties are encouraged to prepare nominations with the participation of a wide variety of all concerned parties, including where |
|appropriate local and regional governments, communities, NGOs, research institutes, centres of expertise and others. |
|Not to exceed 500 words |
|According to the Inter-Union Department of Statistics and the Socioeconomic Studies (Dieese-PA), over 2 million people participate in the Círio de|
|Nazaré, which corresponds to about one third of the population of the state of Pará, more than 7 million inhabitants. Pilgrims, the local |
|population and visitors from other Brazilian states and other countries in the world take part in the event. |
|Some official and unofficial civil society organizations also participate in the Círio. They pay homage during the procession, distribute water to|
|promise keepers or lay cardboard to cover the ground for those who make the pilgrimage route on their knees. The so-called Holy Guard, linked to |
|the Board of the Festival, works to protect the image during the procession route. Other participants are trade associations, such as the |
|Association of Dockers and the Fish Market Fishmongers Association, which set off fireworks and firecrackers as the procession passes by. |
|Thus, by taking the initiative to set The Taper of Our Lady of Nazareth in the city of Belém – State of Pará – Brazil to the Representative List |
|of UNESCO, the Board of the Festival came into contact with some of these organizations, who expressed support for this initiative. According to |
|documents attached, the following organizations express their support: |
|• the Fish Market Fishmongers Association, which for over 100 years have been honoring Our Lady of Nazareth by setting off fireworks and |
|firecrackers as the procession passes by; |
|• the Association of Dockers of the State of Pará, which also has been paying homage to Our Lady of Nazareth for over sixty years; |
|• the Holy Guard, which was established in 1974 and consists of approximately 1.500 members whose mission is to protect the image during the |
|procession routes and to assist the Board in organizing the festival; |
|• the Inter-Union Department of Statistics and the Socioeconomic Studies (Dieese-PA), which for over 15 years have been doing statistical |
|researches into the Taper of Our Lady of Nazareth, especially on the number of pilgrims and processions that composes the festivities, besides the|
|inventory of its impacts on the economy of the state of Pará. |
|4.b. Free, prior and informed consent to the nomination |
|The free, prior and informed consent to the nomination of the element from the community, group or, if applicable, individuals concerned may be |
|demonstrated through written or recorded concurrence, or through other means, according to the legal regimens of the State Party and the infinite |
|variety of communities and groups concerned. The Committee will welcome a broad range of demonstrations or attestations of community consent in |
|preference to standard or uniform declarations. They should be provided in their original language as well as in English or French, if needed. |
|Attach to the nomination form information showing such consent and indicate below what documents you are providing and what form they take. |
|Not to exceed 250 words |
|Attached documentation. |
|4.c. Respect for customary practices governing access to the element |
|Access to certain specific aspects of intangible cultural heritage or to information about it is sometimes restricted by customary practices |
|enacted and conducted by the communities in order, for example, to maintain the secrecy of certain knowledge. Indicate whether or not such |
|practices exist, and if they do, demonstrate that inscription of the element and implementation of the safeguarding measures would fully respect |
|such customary practices governing access to specific aspects of such heritage (cf. Article 13 of the Convention). Describe any specific measures |
|that might need to be taken to ensure such respect. If no such practices exist, please provide a clear statement on it. |
|Not to exceed 250 words |
|The Cirio of Nazaré doesn't involve any practice or knowledge that needs secrecy. Still, all the measures and activities for safeguarding the |
|element aim to the respect for the devotion, the traditions and the elements of individuals identity. |
|4.d. Concerned community organization(s) or representative(s) |
|Provide the name, address and other contact information of community organizations or representatives, or other non-governmental organizations, |
|that are concerned with the element such as associations, organizations, clubs, guilds, steering committees, etc. |
|Organization/ community: |
|Sindicato dos Estivadores do Estado do Pará (Dockers' Union in the State of Pará) |
| |
|Name and title of the contact person: |
|Edivaldo do Nascimento Batalha |
| |
|Address: |
|Rua Gaspar Viana, 244 - Campina - cep: 66010-060 – Belém - Pará |
| |
|Telephone number: |
|5591 3241-1224 / 9944-0499 |
| |
|E-mail address: |
|estivapa@ |
| |
|Other relevant information: |
|Associação dos Peixeiros do Mercado de Peixe (Fishmongers of the Fish Market Association) |
|Address: Boulevard Castilho França, Mercado de Peixe, Box 8, Belém - Pará |
|Contact: Fernando Souza |
|5591-8873-5121 |
|E-mail: nando44souza@ |
|Federação Paraense de Ciclismo (Cycling Federation of Pará) |
|Address: Rua Yamada, Conjunto Jardim Espanha, quadra O nº 17 - parque Verde |
|CEP: 66.630-420 - Belém - PA |
|Phone: 5591-88359022 /5591- 8179-7918 |
|Contact: Edilson Ribeiro da Silva Kramer |
|E-mail: paciclismo@ |
|Federação Paraense de Motociclismo (Motor-biking Federation of Pará) |
|Address: Av. Nazaré nº 532, Ed. Royal trade Center - Sala 118, NazaréCEP: 66.035-170 - Belém - Pará |
|Phone: 5591-3212-1114 |
|Contact: Fernando Maia |
|Email: fepauto@.br |
|Banco da Amazônia |
|Address: Av. Presidente Vargas, 800 – Bairro: Campina |
|CEP: 66017-000 – Belém - Pará |
|Phone: 5591 - 4008-3888 |
|Contact: Abdias José de Souza Junior (Presidente) |
|e-mail: presi.gabinete@.br |
|Banco do Brasil |
|Address: Av. Presidente Vargas, 248 - Bairro: Campina |
|CEP: 66010-900 – Belém – Pará |
|Phone: 5591 - 32164775 |
|Contact: Carlos Alberto Ramos Silva |
|E-mail: superpa@.br |
|Caixa Econômica |
|Address: Av. Presidente Vargas, 744 – Bairro: Campina |
|CEP: 66017-000 – Belém - Pará |
|Phone: 5591 - 32231859 / 32133000 |
|Contact: Fernando Guerreiro |
|E-mail: ag0022pa@.br |
|Correios (Posto Office) |
|Address: Av. Presidente Vargas, 498 - Bairro: Centro |
|CEP: 66017-970 – Belém – Pará |
|Phone: 5591 - 3211-3012/3131 |
|Contact: Paulo Bezerra de Sales |
|E-mail: paulobsales@.br |
|Santa Catarina de Sena School |
|Address : Av. Nazaré, 1016 – Bairro : Nazaré |
|CEP: 66035-170 - Belém – Pará |
|Phone: 5591 - 3321-2600 |
|Contact: Irmã Francisca Chagas de Souza |
|Email:direcao@.br |
|Gentil Bittencourt School |
|Address: Av Magalhães Barata, 137 – Bairro: Nazaré |
|CEP: 66040-170 - Belem - Pará |
|Phone: (91) 3222-3175 |
|Contact: Irmã Ana Ronilda de Souza Oliveira |
|E-mail: faleconosco@.br |
|Colégio Marista Nossa Senhora de Nazaré |
|Address: Av. Nazaré, 902 – Bairro: Nazaré |
|CEP: 66035-170 - Belém - PA |
|Phone: 5591- 4008-7444 |
|Contact:Gina Bolonha Fiuza de Melo Moraes |
|E-mail:gmoraes@marista.edu.br |
|Cesupa |
|Address: Av. Nazaré 630 – Bairro: Nazaré |
|CEP: 66035-170 - Belém - Pará |
|Phone: 5591- 4009-2100 /5591 - 32421431 |
|Contact: Lorena Seco |
|E-mail: lorenaseco@cesupa.br |
|Unama |
|Address: Rodovia BR-316, Km 3, s/n, |
|CEP: 67113-901 - Ananindeua - Pará |
|Phone: 5591 - 4009-9200 |
|Contact: roberto alcântara |
|E-mail: robertoalcantara@unama.br |
|Polícia Militar do Pará |
|Address: Avenida Almirante Barroso nº 2513 - Marco |
|CEP: 66.090-120 |
|Phone: 5591 - 3277-5644 |
|Contact: Coronel QOPM Daniel Borges Mendes |
|E-mail: seccomandopmpa@ |
|Corpo de Bombeiros |
|Address: Avenida Júlio César nº 3 000 - Val de Cães |
|CEP: 66.615-055 |
|Phone:5591 - 4006-8396/ 5591- 4006-8352 |
|Contact: Coronel QOBM João Hilberto Sousa de Figueiredo |
|E-mail: scmtgeral@bombeiros..br |
|Marinha do Brasil - Comando do 4º Distrito Naval |
|Address: Praça Carneiro da Rocha S/N - Cidade Velha |
|CEP: 66.020- 150 |
|Phone: 5591- 3216-4006 |
|Contact: Vice Almirante Ademir Sobrinho |
|E-mail: com4dn@mar.mil.br |
| |
|5. Inclusion of the element in an inventory |
|For Criterion R.5, the States shall demonstrate that ‘the element is included in an inventory of the intangible cultural heritage present in the |
|territory(ies) of the submitting State(s) Party(ies), as defined in Articles 11 and 12 of the Convention’. |
|Identify the inventory in which the element has been included and the office, agency, organization or body responsible for maintaining that |
|inventory. Demonstrate that the inventory has been drawn up in conformity with the Convention, in particular Article 11(b) that stipulates that |
|intangible cultural heritage shall be identified and defined ‘with the participation of communities, groups and relevant non-governmental |
|organizations’ and Article 12 requiring that inventories be regularly updated. |
|The nominated element’s inclusion in an inventory should not in any way imply or require that the inventory(ies) should have been completed prior |
|to nomination. Rather, a submitting State Party may be in the process of completing or updating one or more inventories, but has already duly |
|included the nominated element on an inventory-in-progress. |
|Attach to the nomination form documents showing the inclusion of the element in an inventory or refer to a website presenting that inventory. |
|Not to exceed 200 words |
|Círio de Nazaré was object of inventory from 2000 to 2004. It was registered as Cultural Heritage of Brazil in the "Book of Celebrations" on |
|October 5th, 2004. The national registry of cultural assets, established by Decree n. 3551 of 4th August 2000, is the legal instrument for |
|acknowledgement and valuation of the Brazilian intangible cultural heritage. Registered assets are inscribed in one of the following books: |
|Knowledges, Celebrations, Forms of Expression or Sites. |
|The request for recognition has to come from a group iniative with the free, prior and informed consent of the individuals. The process involves |
|research and the production of videos and photos. The group participates in all stages of the process. The documentation of the Cirio's inventory|
|can be found at the Registered assets data base |
|. |
|Other documents attached. |
|6. Documentation |
|6.a. Appended documentation |
|The documentation listed below is mandatory, except for the edited video, and will be used in the process of examining and evaluating the |
|nomination. It will also be helpful for visibility activities if the element is inscribed. Tick the following boxes to confirm that related items |
|are included with the nomination and that they follow the instructions. Additional materials other than those specified below cannot be accepted |
|and will not be returned. |
| 10 recent photographs in high definition |
|cession(s) of rights corresponding to the photos (Form ICH-07-photo) |
|edited video (up to 10 minutes) (strongly encouraged for evaluation and visibility) |
|cession(s) of rights corresponding to the video recording (Form ICH-07-video) |
|6.b. Principal published references |
|Submitting States may wish to list, using a standard bibliographic format, principal published references providing supplementary information on |
|the element, such as books, articles, audiovisual materials or websites. Such published works should not be sent along with the nomination. |
|Not to exceed one standard page. |
|ALVES, Isidoro. O Carnaval Devoto: Um estudo sobre a Festa de Nazaré, em Belém. Petrópolis: Vozes, 1980. |
|ALVES, Regina. Círio de Nazaré: da taba marajoara à aldeia global. Master Dissertation in Communication and Contemporary Culture, Institutional |
|Master Program in Contemporary Communication and Culture, University of Pará/ University of Bahia. Belém, 2002. |
|BONNA, Mízar. Círio, Painel de Vida. 2nd edition. Belém: Secult, 1992. |
|____________. Dois Séculos de Fé. Belém: Cejup, 1993. |
|BOGA, Mendes. D. Fuas Roupinho e o Santuário da Nazaré. Lisboa: Sociedade Industrial de Tipografia, Ltda, 1948. |
|CÍRIO DE NAZARÉ, Belém do Pará. Informações úteis e importantes. Belém: Diretoria da Festa de Nazaré, 2000. |
|COELHO, Geraldo. Uma Crônica do Maravilhoso. Legenda, Tempo e Memória no culto da Virgem de Nazaré. Belém: Imprensa Oficial do Estado, 1998. |
|DUBOIS, Florêncio. A devoção a virgem de Nazaré em Belém do Pará. 2nd edition, Belém: Imprensa Oficial, 1953. |
|HENRIQUE, Márcio Couto. “O povo no Círio: imagens da presença popular na Festa de Nazaré em Belém do Pará nos fins do século XIX”. Research |
|presented in the 49th SBPC (Brazilian Society for the Progress of Science) Annual Reunion. Belo Horizonte, 1997. |
|LOUREIRO, João de Jesus Paes. “Brinquedos de Miriti”. In Cultura Amazônica: uma poética do |
|imaginário, Belém: CEJUP, 1995. |
|MONTARROYOS, Heraldo. Festas Profanas e Alegrias Ruidosas. Belém: Falângola, 1992. |
|MONTEIRO, Benedicto. O Carro dos Milagres. Belém: Boitempo, 1975. |
|MOREIRA, Eidorfe. Visão Geo-Social do Círio. Belém: University of Pará, 1971. |
|MOURA, Carlos Eugênio Marcondes. “O Círio de Nazaré”. In: O teatro que o povo cria: cordão de pássaro, cordão de bicho, pássaros juninos do Pará; |
|da dramaturgia ao espetáculo. Belém: SECULT, 1997. |
|PANTOJA, Vanda M. L. A Praça Pública e a Festa Sagrada: Manifestações culturais e territorialidades móveis no Círio de Nossa Senhora de Nazaré em |
|Belém do Pará. End of Term Paper, Department of Geography. Belém: University of Pará, 2004. |
|REVISTA CÍRIO DE NAZARÉ. Belém, 1996. |
|ROCQUE, Carlos. Grande Enciclopédia da Amazônia. Belém: Amazônia Editora Ltda, 1968. |
|_____________ História do Círio e da Festa de Nazaré. Belém: Mitograph, 1981. |
|VIANNA, Arthur. “Festas populares do Pará; I – A Festa de Nazareth”. Annaes da Bibliotheca e |
|Archivo Público do Pará, Tomo III. Belém: Printing and Bookbiding by Instituto Lauro Sodré, 1904. |
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|detalheInstitucional |
|7. Signature on behalf of the State(s) Party(ies) |
|The nomination should conclude with the original signature of the official empowered to sign it on behalf of the State Party, together with his or|
|her name, title and the date of submission. |
|In the case of multi-national nominations, the document should contain the name, title and signature of an official of each State Party submitting|
|the nomination. |
|Name: |
|Jurema de Sousa Machado |
| |
|Title: |
|Chairwoman of the Institute of Historic and Artistic National Heritage - IPHAN |
| |
|Date: |
|9 January 2013 (revised version) |
| |
|Signature: |
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