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Diana a chorus line monologue

Chorus Line written by Nicholas Dante & James Kirkwood Jr. Val: So, the day after I turned 18, I kissed people goodbye, got on a Trailways bus - and headed for the big bad apple. Because I wanted to be a Rockette. Oh, yes, to divert one thing. You see, I've never heard of Red Shoes, I've never seen Red Shoes, I didn't care about Red Shoes. I decided to be a Rockette because this girl in my hometown - Louella Heiner - actually went out and made it in New York. And she was Rockette. Well, she came home one Christmas to visit, and they threw her a parade. Damn parade! I was spinning a friggin' bat for two hours in the rain. Unfortunately, she got knocked up over Christmas. Merry Christmas and never came back to Radio City. That was my plan. New York, New York. Except I had one minor problem. You see, I was as ugly as sin. I was ugly, skinny, homemade, unattractive and flat as a pancake. Get a picture? Anyway, I got off this bus in my little white shoes, my little white tights, my little white dress, my ugly little face and my long blond hair - which was natural then. I looked like a fucking nurse! I had $87 in my pocket and seven years of taps and stunts. I could do a 180-degree split and get a wiretap of Morse code. Well, with that kind of talent, I figured the mayor would be waiting for me at the Port Authority. Wrong! I had to wait six months for an audition. Well, the big day has finally come. I showed up at Music Hall with my red lacquer leather shoes. And I did my little eavesdropping routine. And this man said to me, Can you make a fankicks? - Well, of course I could make awesome fankicks. But they weren't good enough. Of course, what he told me was... That's what I looked like, not a fankicks. So I said, Fuck you, Radio City and the Rockettes! I'll do it on Broadway! Well, Broadway, same story. Every audition. I'd dance rings around the other girls and find myself in an alley with the other discarded. But after a while, I got caught up. I mean, I had eyes. I've seen what they're hiring. I also once swiped my dance card after an audition. And on a scale of 10... they gave me to dance 10. For appearance: 3. Kudos and thank you very much go Kelsey for this monologue, it is highly appreciated. Thank you, Kent, for sending me a correction to the name of the talking character. [ please return to the main page of the film monologue ] Edit Comments Share Alexandra Fassler as Diana Morales in Natalie Cortez's portrait of The Revival of the Chorus. (Photographer unknown) Diana Morales is one of the auditions on the A Chorus Line that made it through the initial cut. Originally portrayed on Broadway by Priscilla Lopez (who was nominated for best supporting actress for a Tony), she is partly based on Lopezown's life. Background[| Source Editing] In the original version of Diana She was born in the Bronx on six-ten-forty-eight, which would have made her 27 at the time of the show's premiere. The revised scenario omitted the year of birth. A typical costume is a gold and maroon baseball T-shirt over a green leot and white sneakers. She wants to be an Early Life/Family actress[edit | edit source] Diana cites her love of dance as a natural part of Puerto Rican. During the Mother section in Montage, she mentions that her own mother was usually in the kitchen (father/any siblings not specifically named). In her teens, she briefly attended Performing Arts High School, but was humiliated by her classmates and teacher Mr. Karp when she was unable to understand the method of acting. A few months after she switched classes, Mr. Karp died, and she was surprised by the lack of compassion. Despite this, Diana takes care of her friendship with Paul. Audition [edit | source] Diana's number during I hope to get it is 2. She stands by Paul in the lineup in deferment of their friendship and support. Zach initially asks her to reveal more about her life instead of Mike, but she's too nervous. During the debate on Alternatives, she is candid about the fact that there is little certainty in dance, but at the moment she is not giving up on it because that is what she does for love. After a false alarm, Diana is one of the last eight selected. [Edit | source] Diana was featured in Yamil Borges' 1985 film adaptation of A Chorus Line. During the opening issue, there is a brief exchange between her and Paul that shows their friendship and hints at his bad knee. She gives birth to her birth date as 10-4-62, which would have made her 23 at the time of the film's premiere. Although most of Montage was eliminated as a number, Diana still doesn't song Nothing after Vali's Dancing, ten; Looks like three solos. She's not performing what I Did For Love, the song's been transferred to Cassie. She remains one of the last eight elected after the same false alarm. Community content is available under CC-BY-SA unless otherwise stated. So happy So close that I can taste it THEMES Desperation Perseverance Passion ACTING Will show these themes through baleed fists, pleading with the audience with strong eye contact, furrowed eyebrow, taut shoulders My general attitude and tone of voice will show weakness from pleading and working on my dramatic career. During the parts of the songs in which I sing about I felt nothing I will stand strong and face the audience and not move to show my weakness but my emptiness from so much effort to be an actress but not getting where with Mr. Karp I really did not know where else to turn ? turning my set to symbolize the change of heart The last record is empty and plain black to symbolize nothing and the emptiness of musical theater Presentational acting style ? recognition and strengthening Relationship (strong eye contact, conversation directly with them,) Strong eye contact Excessive movement The general attitude Historical attitude The historical musical was created in honor of the gypsy (theatrical expression for the choir dancer) of life, and was created on July 25, 1975. Chorus Line has become a success for its many successful productions around the world. Michael Bennett died on July 2, 1987 at the age of 44 and suffered from AIDS from lymphoma, a form of cancer. Chorus Line was one of many shows that revealed Mr. Bennett's love of show business and the people associated with it. In January 1974, he held a late-night session with a group of dancers (22 of them approx.) with whom he worked, discussing the joys and humiliations of being a Broadway gypsy. Discerning in that conversation the seeds of a play about Broadway's least heralded and most defunded travelers, he persuaded Mr. Pa pappa to fund a material development workshop. Mr. Bennett hired Marvin Hamlisch to compose the music, Ed Kleban to write the lyrics to both James Kirkwood and Nicholas Dante to write the book. After two five-week workshops at Mr. Pappa's public theater, A Chorus Line inaugurated the Newman Theater with 299 seats on May 21, 1975, and moved to the Shubert Theater on Broadway on July 25, 1975. The show won nine Tony Awards, including best directing and choreography for Mr. Bennett and best musical, as well as the Pulitzer Prize, shared by Mr. Bennett, and the New York Drama Critics Circle Award. More advanced and we had to be... Table sports car Ice Cream Pictures for the 2nd plate of my set:: RED Red Latin-style capezio skirt was bought by my mom and I the other day and it's exactly what I had in mind to capture Diana's culture and Puerto Rican background - as well as one of the colors of the Puerto Rican flagBLUE Warmer blue legs were also purchased from Capezi at the weekend, and are more navy blue colors live. Also capturing the colors of the Puerto Rican flag as an element of my monologueWHITE White Leohead in taking screenshots from the Capezio website is just the idea of including the third color of the Puerto Rican flag. Otherwise I already have a black leo tyo and/or t-shirt at home to wear similar to a model in the screen grab a red skirt. Otherwise, I can simply install something small (that is, a white headband or a ribbon around my waist) to have the third color of the Puerto Rican flag in my costume. I'm starting to put together my set for the weekend... Photos painted black will soon be published A photo with my dad was the original way it would be posted, but we decided on a new way of putting it together. ensure that it can be more easily #overcomingchallenges a small reminder. ~ Text note: We are currently unable to display full text for this monologue. However, to help users who already have access to the script, the initial and ending lines are shown below. So, the day after I turned 18, I kissed people goodbye, got on a Trailways bus and headed for the big bad apple. Because I wanted to be a Rockette. [...] The end: I mean, I had eyes. I've seen what they're hiring. I also once swiped my dance card after an audition. And on a scale of ten... They gave me: for dancing, ten. For appearances, three. Kirkwood, James & Nicholas Dante, A Chorus Line Applause Ltd., Acting Edition, p. 86-7. All monologues are the property and copyright of their respective owners. Monologues are presented on StageAgent for educational purposes only. Videos All monologues are the property and copyright of their owners. Monologues are presented on StageAgent for educational purposes only. More on this monologue Let's be at it: preparing for an audition is almost as stressful as the audition itself. For many performers, much of this anxiety before auditioning comes in the form of choosing a suitable monologue. Just like any actress, every monologue brings something new to the table ? especially when it comes to comedy! Next time you're looking to audition with a funny monologue (YAS, QUEEN!), check out this diverse collection. We bring 17 great comic monologues for women: 1. So, the day after I turned 18... ? Val Clarke from 'A Chorus Line' Chances are that you and Val have at least one thing in common: you are familiar with the trials and tribulations of the audition. This witty monologue, from the acclaimed musical, 'A Chorus Line', marks a dancer's darkly comic journey to the Broadway stage. Monologue Length: 2:10 ? 2:30 So, the day after I turned 18, I kissed my parents goodbye, got on the Trailways bus ? and headed for the big bad apple. Because I wanted to be a Rockette. Oh, yes, to divert one thing. You see, I've never heard of Red Shoes, I've never seen Red Shoes, I didn't care about Red Shoes. I decided to be a Rockette because this girl in my hometown ? Louella Heiner ? actually went out and succeeded in New York. And she was Rockette. Well, she came home one Christmas to visit, and they threw her a parade. Damn parade! I was spinning a friggin' bat for two hours in the rain. Unfortunately, she got knocked up over Christmas. Merry Christmas ? and never came back to Radio City. That was my plan. New York, New York. Except I had one minor problem. You see, I was as ugly as sin. I was ugly, skinny, homemade, unattractive and flat as a pancake. Get a picture? Anyway, I got off this bus in my little white shoes, my little white tights, my little white dress, my ugly little face and my ugly little face. blonde hair ? which was natural at the time. I looked like a fucking nurse! I had $87 in my pocket and seven years of taps and stunts. I could do a 180-degree split and get a wiretap of Morse code. Well, with that kind of talent, I figured the mayor would be waiting for me at the Port Authority. Wrong! I had to wait six months for an audition. Well, the big day has finally come. I showed up at Music Hall with my red lacquer leather shoes. And I did my little eavesdropping routine. And this man said to me, Can you make a fankicks? Well, of course I could make awesome fankicks. But they weren't good enough. Of course, what he told me was... That's what I looked like, not a fankicks. So I said, Fuck you, Radio City and the Rockettes! I'll do it on Broadway! Well, Broadway, same story. Every audition. I'd dance rings around the other girls and find myself in an alley with the other discarded. But after a while, I got caught up. I mean, I had eyes. I've seen what they're hiring. I also once swiped my dance card after an audition. And on a scale of 10... they gave me to dance 10. For appearance: 3. 2. I can't open sardines and answer the phone... ? Dotty Otley from Noises Off Who doesn't love an audition where you play a character auditioning for a character role? This play stars Dotty Otley, a washed-up actress who has a flare for dramatics. Dotty is not only a major investor in the production of the play, but nurtures the role of Ms. Clackett, the gossip hostess. Monologue Length: 1:10 ? 1:25 It's not good what's going on. I can't open the sardines and answer the phone. I only have one pair of feet. Hello.... Yes, but there's no one here, love... No, Mr. Brent is not here... He lives here, yes, but now he doesn't live here because he lives in Spain... Mr. Philip Brent, that's right... The one who writes the plays, that's him, only now writes them in Spain... No, and she's in Spain, everyone's in Spain, there's no one here... Am I in Spain? No, I'm not in Spain, darling. I look after him in the house, but I go home at one hour on Wednesday, only I have a nice plate of sardines with which I can put my feet, because the royal is what is called on television - royal you know - then where is the paper? And if it has something to do with letting the house go, then you're going to have to call the home agents, because they're agents for the house... Squire Squire, Hackham and who's the other...? No, they're not in Spain, they're next to the phone in the study. Squire, Squire, Hackham, and hold on, I'll go and watch. It's always the same, isn't it? As soon as you get the weight off your feet, it all falls on your head. 3. I saw a troop near Penguin's Creek ? Lady Mary from 'The Admirable Crichton' If she travels back The time you want, choose the words of Lady Mary Lasenby, daughter of an English lord stuck on a desert island with fellow aristocrats. Performed from a play by James M. Barrie (creator of 'Peter Pan'), this challenging monologue proves a unique choice. Monologue Length: 45 seconds - 1 minute I saw a troop near Penguin's Creek, but I had to crawl around Silver Lake to get to the wind towards them. However, they spotted me and then the party started. There was nothing but trying to run them over, so I singled out a fat male and we went down the shore of the lake, along the valley of corrugated stones; he doubled in Brawling River and took in the water, but I swam after him; The river is only half a mile wide there, but it runs strong. He went spinning down the rapids, down I went in pursuit; he landed on the shore, and I landed on the shore; We've far torn the helter-skelter up and down again. I lost him in the swamps, landed on the track near Bread Fruit Wood again, and knocked him down with an arrow in Firefly Grove. 4. [Let me] tell you again, Grace, how important it is to give everyone a chance. ? Mrs. Armstrong of 'The Best Christmas Contest Ever' enters Mrs. Armstrong: a veteran of the Christmas pageant dedicated to securing an amateur stage adaptation of the story of Jesus' birth of a church does Biblical justice. Get to grips with her hilarious lecture, and you're sure to bring some holiday cheer to the room. Monologue length: 1:15-1:30 [Let me] tell you again, Grace, how important it is to give everyone a chance. Here's what I do--I always start with Mary and tell them that we must choose our Mary carefully because Mary was jesus' mother. Yes, and then I tell them about Joseph, that he was God's choice to be Jesus' father. That's how I explain it. Honestly, I never spend much time on Joseph because it's always Elmer Hopkins, and he knows all about Mary and Joseph, but I explain about the wise men and shepherds and how important they are. And I tell them, there are no small parts, just little actors. Remind the angelic choir not to stare at the audience and don't let them wear earrings and stuff like that. And don't let them wear clunky shoes or high heels. I just hope you don't have too many angels, Grace, because they're going to be your biggest problem. You'll have to find someone to push the angels, otherwise they'll get in each other's way and bend their wings. Bob could have done it, and he could keep an eye on the shepherds. Oh, another thing about the angel choir. Don't let them wear lipstick. They think because it's a show they have to wear lipstick, and it looks terrible. Tell them... And, Grace, don't use anyone's child for Jesus... get quiet. Better yet, get two if you can... then if someone turns out to be restless, you can always replace them. I got a 'C' on my coathanger sculpture? - Sally Brown from 'You're A Good Man, Charlie Brown' Charlie Brown and friends may be just a bunch of kids, but the beauty of the hit musical, You're A Good Man, Charlie Brown is that the cast of adult actors brings this motley cast to life. Poor Sally gets an average grade of 'C' for school sculpture, and she has something or two to say about it... Monologue Length: 1 minute A 'C'? A C? I got a 'C' on my coathanger sculpture? How could anyone get a 'C' in a Coathanger sculpture? Can I ask a question? Am I on trial for the very piece of sculpture? If so, isn't it true that only time can judge a work of art? Or are they judging me by my talent? If so, is it fair that I be judged in a part of my life over which I have no control? If they judged me for trying, then they judged me unfairly, because I tried as hard as I could! Am I on trial for what I've learned about this project? If so, then you, my teacher, were also judged on your ability to pass on your knowledge to me? Are you ready to share my 'C'? Maybe they judged me by the quality of the coathanger itself that my creation was made of... Now it's not unfair either? Should I be judged by the quality of the coat hangers used by the drycleaning establishment that returns our garments? Isn't that my parents' responsibility? Shouldn't we be sharing my C's? 6. Do you know what I intend to do? - Lucy Van Pelt from 'You're a Good Man, Charlie Brown' If it's another Member of Charlie Brown's gang who hits your imagination (or you have a knack for serving heavy audacy), check out this inglorious statement from the incomparable Lucy Van Pelt. Spoiler alert: intends to be QUEEN! Monologue Length: 1 minute Do you know what I'm up to? I intend to be queen. When I grow up I'm going to be the greatest queen that ever existed, and I'm going to live in a big palace and when I get out in my coach, all the people are going to wave and yell at them, and... I... In the summer I will go to my summer palace and I will wear my crown in swimming and everything, and all the people will cheer and I will yell at them... What do you mean I can't be queen? No one should be guarded to be queen if that's what she wants to be. It's usually just a matter of knowing the right people. .. So.... If I can't be queen, then I'll be very rich then I'll buy myself a queen. yes, I'm going to buy myself a queen and then I'm going to kick out the old queen and take over the whole operation myself. I'm going to be the queen-in-chief. 7. I'm sorry, but the good half of the United States hates pigeons. - Jenny Kirlin's short play janet from 'The West Wing' offers plenty of witty political humor. If you need a shorter monologue, consider reading this snippet of theatre that has a large line (we hate pigeons!) Monologue Length: 30 seconds I'm sorry, but the good half of the U.S. hates pigeons. One-third of them are filming for the game. I'm not the only bad guy here. You'd vote for an elephant if he told you he could fix the economy. Which, by the way, hasn't been fixed yet. A giant goiter egg. [...] I'm sorry if I'm insulting you, but I find it more than offensive that I just walked past a pigeon portrait at the National Art Gallery before I got here. 8. Well nothing is perfect Benjamin ? Elaine Robinson from 'The Graduate' If you are a film buff as well as a theatre nerd, you may enjoy reading from the stage version of the cult-classic blockbuster, 'The Graduate'. Your cut? Elaine Robinson, daughter of Mrs Robinson (*cue Simon & Garfunkel*). Monologue Length: 1 minute Well nothing is perfect Benjamin. I wish my mother didn't drink that much. I wish I'd never fallen out of that tree and broken my thumb because it affects my fingers so much that I'll probably never play the violin as well as I'd like to, but that's all for shit, Benjamin. It only sucks if you let it pile up. The sky is in the details. Someone said that. I think That's what Robert Frost said. I was at the restaurant with my roommate Diane? And this guy came along with a goat on a rope and it turns out the reason he's got a little goat on a rope is because he got kicked out the day before for bringing in a dog? But the thing is, Diane got up to leave when she saw a man come in and she sat down again and said, so if there's a goat I think I'll have dessert. And that's why I love Diane, because if you think like that you not only notice more little goats, but you get more dessert. 9. Oh, I am breathless in this dear pursuit! ? Helena from 'A Midsummer Night's Dream' Are your acting steaks best shown when you succeed with old-school theatre? Shakespeare's monologue can do no wrong. Luckily, the Bard auditioned in favor of writing comedies and tragedies; and A Midsummer Night's Dream is one of his most beloved comedy shows. Reading Helen's monologue or not reading Helen's monologue, that's the question... Monologue Length: 45 seconds O, I'm out of breath in this dear pursuit! The more I say my say, the less my grace. Happy is Hermia, where'er she lies; Because she has blessed and attractive eyes. How were her eyes so bright? Not with salacious tears: If so, my eyes are washed more often than hers. No, no, I'm as ugly as a bear; For the beasts that meet me escape out of fear: Therefore there are no miracles though Demetrius Do, as a monster to fly my presence that way. What wicked and disassembled glass made me compare myself to Hermia's spherical eyne? But who's here? Lysander! On the ground! Dead? or sleep? I can't see the blood, I don't have the wound. If you live, good sir, wake up on The 10th. And why, please? ? Rosalind from 'How You Like' We have another Shakespeare gem for you: Cue Rosalind, smart, cunning and beautiful heroine 'How pleased you are.' Yes, this comic piece also has a dramatic flair, but the text lends it to some witty interpretations. Monologue Length: 1:20-1:30 And why, please? Who could be your mother, who you insult, excite, and all at once, over miserable ones? What if you have no beauty, as in my faith, I see nothing more in you than without a candle you can go dark into bed,? Must you therefore be proud and ruthless? Why, what does that mean? Why are you looking at me? I don't see anything more in you than in a simple nature sale. It's my little life! I think he's going to get my eyes tangled, too. No, faith, proud mistress, I hope not after that: 'Tis not your inky eyebrows, your black silk hair, your eyeball bugs, not your cream cheek, it can put my spirit into your adoration. You stupid shepherd, why are you following her, like a foggy sirocco blowing from wind and rain? You are a thousand times the proper man of her wife: 'such fools as you who make the world full of badly favoured children: 'It's not her glass, it's you, it flatters her; And she sees herself from you more properly than any of her lines can show her. But, mistress, know yourself: down on your knees, and thank heaven, fasting, for the love of a good man: For I must say friendly in your ear, Sell when you can; you are not for all markets. Weep mercy on a man; I love him; Take your offer: Foul is the most foul, be a foul to be a scoffer. So take her to the tee, shepherd. He did you well. 11. I do not know what it is with me lately, but I just get so UGH! - Kim from 'Rather Be A Man' Joseph Arnone's one-act game, 'Rather Be A Man' chronicles two girls who are completely done with men being men. The e-game (available for download on ) contains dark-smart reading in the mind of modern women. Monologue Length: 1:05-1:15 KIM: I don't know what it is with me lately, but I just get so UGH! When guys come up to me, with their shabby lines, (impersonating a guy) Hey, you got such a nice smile or can I just tell you that you're so beautiful. Ugh! I'm eaisting. I mean, who the hell does this guy or this guy think he's going to give me compliments like that? What gives him the right? I'm not doing anything to give away any interest, I look the other way completely when I see eye contact happening and they still come in thinking they're so suave and it's just repulsive. You know what I'm saying? What does a girl have to do these days? Maybe if I just vomited all over myself the guy would walk the other way, but I bet I'd get that even then, the way you throw up on yourself is so, so ... All I want is to be left alone. I have a man, I love my man and I do my best to be polite but irritation and shabby lines become too much. Guys are blind, they really are, unaware when a girl isn't interested. There are days when I prefer to be a man. 12th monologue 'Don't Look At Me' by Joseph Arnone This monologue brings to life the high-power attitude of a high fashion designer. If it's Meryl Streep in 'Devil Wears Prada' who acts as your creative muse, check out this monologue and add your own personality to this great diva supreme. Monologue Length: 45 seconds -1:00 Elmira: Don't look at me. (points) You, you. Eh, eh, eh... When I talk to you, don't look at me. No eye contact. Is that understood? They look away. (rhythm) Okay, look at me now. (snapped fingers) I told you not to look at me. Even if I tell you to look at me, don't look at me. Understand? Okay, darling. (removes the gloves and hands them over to his assistant) Oh! I've got something in my eye, can you help me? (showing) Look, look, look! He's not looking under all the circumstances. You need to raise that attention span of yours. The fish could keep the more dear. That's the truth. I've read it. Less attention than fish. Don't let it be you. 13. Something I resurrected from that old trunk! - Amanda Wingfield from Glass Menagerie owns an audition room with someone named Tennessee Williams while portraying Amanda Wingfield, one of the most famous roles in 'The Glass Menagerie'. Though packed with drama, there are bits of comic relief during the award-winning show. This monologue is spoken by Amanda, an aging and overwhelming mother. Monologue Length: 2 minutes Own your soul in patience ? you will see! Something I resurrected from that old trunk! Styles haven't changed that much, though. [Those parts porti?res.] Now just look at your mother! [She's wearing a girlish yellow voile dress with a blue silk imagination. She wears a bunch of jonquils--the legend of her youth is almost revived.] [Feverish]: This is the dress I ran a cotillion in, won a cakewalk twice at Sunset Hill, wore one spring to the governor's ball in Jackson! See how I sashayed around the ballroom, Laura? [She lifts up her skirt and takes a step of mincing around the room.] I wore it on Sundays for my gentleman callers! I had it the day I met your father. I had malarial fever all that spring. The change in climate from eastern Tennessee to delta ? weakened resistance I had a little temperature all the time ? not enough to be serious ? just enough to make me restless and dizzy. Invitations poured in ? parties all over delta! ? 'Stay in bed', said the mother, 'you have a fever!' ? but I just wouldn't. ? I took quinine kept going, going! Evenings, dances! ? Afternoon, long, long drive! Picnics. ? lovely! So lovely, that country in May. ? All lace with dog wood, literally inundated with jonquils! It was a spring I had a jonquils pomema. Jonquils has become an absolute obsession. The mother said, 'Honey, there's no more room for jonquils.' And I still kept bringing more jonquilas. Whenever I saw them, I'd say, Stop! Stop! I see jonquils! I made the young men help me gather the jonquils! It was a joke, Amanda and her jonquils! Finally there were no more vases to hold, every free space was filled with jonquils. There are no vases to hold them? All right, I'm going to hold them-- and then I-- [She stands in front of the picture.] met my father! Malarial fever and jonquils and then ? er ? boy.... [She switches to a pink lamp.] I hope it comes before it rains. Tara Meddaugh Ferret's 14th monologue 'Ferret Envy' killers and unconventional pets escape in this monologue by playwright Tara Meddaugh. You might want to read something that reflects your unique sense of humor. We think this bizarrely wild scenario might help. Monologue Length: 2 minutes Jyoti: I know you think I killed your weasel, but ? hey, stop crying. You're going to make me cry, too. And you (you're starting to cry)? you know -- it happens -- when -- we -- both -- start -- oh! And I'm doing it now... ok. ok. What would Zena do? Julia, your skunk has escaped. He's done. I know you don't want to believe me, but I do know this, because... Well, I've seen it. And I was wearing glasses, so I was 20/20. Or 20/30. I need a new recipe. But I could still see it was Foozu, and he was wearing a yellow rain slicker, not a winter coat that you tied colored to him, so I think he's headed for Seattle. And I don't think we should go after him, Julia. That payless box wasn't big enough; You always forgot to feed him, and when you did, it was usually just pebbles and sticks and I really don't think ferrets can live on that. Seattle has a lot more to offer Foozu. Food, drink, warm shelter, intellectual stimulation, lasting pleasure. He deserves it, doesn't he? I know coming and seeing me with a knife over Foozu's box makes it look pretty weird. But... So... You miss him, don't you? (pause) I could be your skunk. Don't throw it away right away. I'd make a good pet. I like to curl up in small places and I don't mind rocks and sticks. You could knit me a winter coat, and you don't have to paint it if you don't want to. That's fine with me. Is that okay with you? I'm just going to wash off this knife and throw away this little bag, and then I'm going to curl up in a box. I found a new one ? size 11! I'll wait for you there and you can throw me the ball. Unless you want me to be your skunk. You don't have to move away from me... Don't you want me here anymore? If I'm not here, who's going to do this to you? I know the full soundtrack to Sleepless In ? don't be afraid ? I will ? but I don't know where I should go, Julia. (pause) I could follow Foozu. I could -- I could go to Seattle... I'll follow Foozu. But Julia, when I'm gone, you're going to have to clean the knife again-- I'm not going to be able to do it... I don't have a yellow slicker. 15. Brothers and sisters, resist the devil... ? Sarah Brown from 'Boys and Dolls' Step into your soapbox and dive into the role of Sarah Brown. In the buzz of New York, Sarah is ready to bring truth to sinners. This lively monologue is one of the most memorable from this Tony Award-winning musical. Monologue Length: 45 seconds ? 1 minute Brothers and Sisters, resist the devil and he will run away from you. That's what the Bible tells us. And that's why I'm standing here, in Devil's City, on Devil's Street, ready to fight the forces of evil. Listen to me, gamblers! With your dice, your cards, your horses! Stop and think before it's too late! You're in great danger! I'm not talking about prison and gallows, I'm talking about the greater punishment that awaits you! Repent before it's too late! Just around the corner is a small mission where you are always welcome to seek refuge from this jungle of sin. Come here and talk to me. Don't think of me as Sergeant Sarah Brown, but Sarah Brown, your sister. Join me, brothers and sisters, resist the devil and we can put him on the flight forever. 16. Oh! It's strange... ? Gwendolen Fairfax from 'The Importance of Being Earnest' Photo: Oscar Wilde's classic Bryan-Brown work is entirely titled: 'The Importance of Being Earnest, A Trivial Comedy for Serious People.' It's unparalleled wit and wordplay is the perfect monologue content as can be seen in these words by leading lady Gwendolen Fairfax: Monologue Length: 1:05 ? 1:15 Oh! It's weird that he never mentioned to me that he had a department. How secretive of him! He grows more interesting hour by hour. I'm not sure, however, that the news inspires me with a sense of unthinking pleasure. [Getting up and going to her.] I like you very much, Cecily; I've loved you since I met you! But I must say that now that I know you are Mr Worthing's prot?g?, I can't help expressing my wish that you were ? well, just a little older than it seems ? and not quite so tempting in appearance. In fact, if I may speak honestly ? [...] Well, to speak with perfect honesty, Cecily, I wish you were 42, and more ordinary than usual for your age. Ernest has a strong upright nature. He is the soul of truth and honor. Disloyalty would be impossible. he's like a hoax. But even the people of the noblest possible moral character are extremely susceptible to the influence of the physical charms of others. Modern, no less than ancient history, supplies us with many of the most painful examples of what I refer to. If it wasn't, history would be pretty unhearsable. 17. My aunt died of the flu, so they said. - Eliza Doolittle from 'My Fair Lady Take on one of the mostbeloved characters of all time (and on Broadway currently). Wacky and likeable, this Eliza Doolittle monologue is a great choice for any woman who knows that rain in Spain falls mainly into the plain! Monologue Length: 55 seconds ? 1 minute My aunt died of influenza, they said. But it's my belief that they did an old woman. Yes, Lord, I love you! Why would she die of the flu when she went through diphtheria well enough the year before? Pretty blue with her was. Everyone thought she was dead. But my father, he kept ladling gin down his throat. Then she came so suddenly that she bit the bowl off the spoon. What would you call a woman with that strength in her who has to die of the flu, and what about her new straw hat that was supposed to come to me? Someone pinched him, and what I'm saying is, the ones who pinched him, they did it. Those she lived with would kill her for hats, let alone hats. And as for the meathing gin down her throat, it wouldn't kill her. Not her. Gin was her breast milk. Besides, he poured so much down his own throat that he knew well of it. Maybe you want: 8 powerful female monologues from Shakespeare Have a great comic monologue to share with other women? Comment Below... Page 2 Combating the stress of sifting through scripts with a comprehensive collection of comic monologues for actors of theater nerds. Whether you're willing to own an audition room with a Shakespearean sonnet or embody a grumpy treasure-hunting pirate captain, we're covering you. Impress your casting director with these 17 comic monologues for men: 1. I'd like to say something honorable... - Leo Bloom of 'The Producers' Chronicling wacky duo 'was' Broadway producers, this suitably titled musical is packed with satire and witty dialogue that makes it shoo-in for a comic monologue choice. Take on the role of Leo Bloom, a nervous accountant teaming up with brave and scheming max bialystock. Monologue Length: 1:08 ? 1:20 I would like to say something, Your Honor, not in my name, but in relation to my partner, Mr. Bialystock.... Your honor, ladies and gentlemen of the jury, Max Bialystock is the most ordinary man I've ever met in my life... Not only is he a liar, and a cheater and a scoundlist, and a fraud, who took money from little old women, he also got people to do things, especially me, that he never would. For thousands of years he's dreamed of it. But, Your Honor, from what I understand, the law was created to protect people from injustice. Your Honor, who is Max Bialystock up to? I mean, who did he really hurt? not me. not me. I was.... This man... No one's ever called me Leo before. I mean, I know it's not a big legal thing, but even in kindergarten, they used to call me Bloom. I've never sung a song before. I mean, with someone else, I've never sung a song with anyone else before. This man... This man... This is a wonderful man. He made me who I am today... He's done. What about the nicest lady? What would their lives be without Max Bialystock? Max Bialystock, who made them feel young, attractive and wanted to again. That's all I have to say. 2. Maybe you mean... ? Black Stache from Peter and star cats Do you have a knack for the dark side? Set sail with this fantastic monologue from the Tony Award-winning play Peter And The Starcatchers. Show the audition room that it's not easy being an evil pirate - as seen by this mantly sinister (and slightly silly) Captain Black Stache. Monologue Length: 45 seconds ? 1 minute Perchance think that a slight trunk sans treasure has put my pirated BVDs in a twist? How wrong you are. Yes, I had hoped to be hip-deep in diamonds, but they are a bad substitute for what I really crave: a bona fide hero to help me feel whole. Because without heroes, what am I? Half the bad guy; pirates in part; ruthless, but insubbed. And then I saw you, and I thought, maybe? Could it be? Is he the one I've been waiting for? Would you, for example, give up something precious for the daughter he loves? But unfortunately, he gave up the sand. Now, let's see: treasure hero, very good. A hero with no treasure... Doable. No heroes or trunks full of sand? It's not much. NOW, WHERE'S MY TREASURE?!? Elice, Rick. Peter and the Starcatcher Disney Editions, 2014) 3. Eliza, you stay here... ? Henry Higgins from My Fair Lady This monologue by Professor Henry Higgins sums up 'My Fair Lady' briefly. As a stiff and strict educator, Higgins wants to make a woman wild and carefree Eliza Dolittle. He lists his rules for their lessons in this unforgettable scene. Monologue Length: 1:07 ? 1:20 Hmmm. Eliza, you will stay here for the next six months learning how to speak beautifully, like a lady in a flower shop. If you are good and do everything you are told, you will sleep in the appropriate bedroom, have a lot to eat and money to buy chocolate and drive a taxi. But if you're naughty and sleepless you'll sleep in the back kitchen among the black beetles, and you'll be fenced off by Mrs Pearce with a broom. At the end of six months you will be taken to Buckingham Palace in a carriage, dressed well. If the king finds out. You're not a lady, the police will take you to the Tower of London, where your head will be cut off as a warning to other cheeky flower shops (Eliza looks at him terrifiedly) But if they don't discover you, you'll have a gift of seven and six to start life as a lady in a shop. If you refuse this offer you will be the most ungrateful evil girl, and angels will cry for you. (Seeing Eliza's reaction that she understood every word she turned to Pickering, his former tone immediately changed to one of good humor) Are you satisfied, Pickering? 4. Juicy ace a nar. ? Beverly Carlton from The Man Who Came To Dinner If that's a bit of the dramatic flair you're looking for, this could be your cup of tea. Enter Beverly Carlton: a playwright and performer with a talent for impressions. In this minute-long monologue, he recreates an overly theatrical conversation. Monologue Length: 55 seconds ? 1:10 Juicy as pomegranate. It is the latest report from London on Miss Lorraine Sheldon's winter manoeuvres against the left flank - in fact all flanks - by Lord Cedric Bottomley. Listen: Lorraine just left us in the cloud of Chanel number five. Since September, in her relentless search for his lordship, she has paused only to change her bodes and check her oil. She chased him, gassing, from castle to castle, until he finally took refuge, for several weekends, in the gentlemanly toilet of the House of Lords. Practically no one is betting on derby this year; We're all doing a book on Lorraine. She's sailing to Normandie tomorrow, but she'll be back on the Yankee Clipper if Bottomley burps so much in her direction. Have you ever met Lord Bottomley, Maggie darling? No v-v-very good shooting today, explosion. Just s-with-six partridges, f-f-four serries, and D-D-Duke of Sutherland. 5. I think lunchtime is the worst time of day for me. - Charlie Brown from 'You're a Good Man, Charlie Brown' Poor Charlie Brown! Nothing can go right. In this scene, melancholy Charlie talks about why lunchtime is the least favorite part of his day. Nail your audition excerpt from this peanut-inspired script. Monologue Length: 2:12 ? 2:30 I think lunchtime is the worst time of the day for me. I always have to sit here alone. Of course, sometimes even mornings aren't so pleasant. I wake up wondering if I'm really going to miss him if I never get out of bed. And then there's the night. Lying there thinking about all the stupid things I've done during the day. And all those hours in between when I'm doing all this nonsense. Well, lunchtime is among the worst times of the day for me. Well, I think I'd better see what I've got. Peanut butter. Some psychiatrists say people who eat peanut butter sandwiches are lonely... I guess Right. And when you're really lonely, peanut butter sticks to the roof of your mouth. There's that cute little redhead who eats her lunch there. I wonder what she'd do if I went there and asked her if I could sit down and have lunch with her?... She'd probably laugh in my face... It's the face when he smiles. Next to her is an empty seat on the bench. There's no reason why I can't just go out there and sit there. I could do it right now. All I have to do is get up... I'm standing in the air!... Sit. I'm a coward. I'm so cowardly, you wouldn't even think about looking at me. He almost never looks at me. Actually, I don't remember him ever looking at me. Why don't you look at me? Is there any reason in the world why you shouldn't look at me? Is she so great, and I'm so small, she can't spare one little moment?... HE'S LOOKING AT ME! HE'S LOOKING AT ME! (puts his lunch bag over his head.) ... Lunchtime is among the worst times of the day for me. If that little redheaded girl is looking at me with that stupid bag over her head she has to think I'm the biggest fool in the world. But if she wasn't looking at me, maybe I could take him off quickly, and she'd never notice. on the other hand... I can't tell if she's watching until I take her off! And yet, if I never take it off, I'll never have to know if she asked or not. on the other hand... It's very difficult to breathe here. (he removes his bag) Whew! She's not looking at me! I wonder why he never looks at me? Oh well, another lunch hour over with... Just 2,863 more 6.Ne let you fool, gentlemen. - Finian McLonergan from 'Finian's Rainbow' If you opt

for a traditional monologue, this clip from 'Finian's Rainbow' will do the trick. Walk into an audition as Finian using this outrageous speech that takes place after the daughter of the titular character was accused of witchcraft. Monologue Length: 45 seconds ? 1 minute Do not let her bedevil you, gentlemen. She's a witch and a witch she's always been. Who knew better than me, her unhappy father, who found her on my doorstep, left the fairy in the moonlight. At the age of two, she could talk to skylarks, and decode the chirping of crickets. At the age of four, she was able to blow a rainbow out of a bubble tube and then wear her pants sliding down it. Then, during adolescence, she set off tragically. She started changing whiskey into milk. There was a crisis, a crisis. Since then, one change has led to another, and now you are all witnesses of an unfortunate climax ? it changed a white man into a black man. (silencing gestures) Quietly, Woody, I'm doing the right thing. Just a minute, gentlemen. Sharon can also change a black man to a white man. 7. Well any They're closing their eyes to a situation you don't want to admit... - Harold Hill from 'The Music Man' Maybe seventy-six auditions are competing for the part, but only one will be cast! To impress the casting director by embodiment of the infamous Harold Hill, a traveling salesman posing as the band's director in a small town in Iowa. Monologue Length: 1:25 ? 1:40 Well either close your eyes to a situation you do not want to admit, or you are not aware of the calibre of disaster indicated by the presence of a pool table in your community. Well, you're having trouble with my friend. Right here, I say, trouble right here in River City. Why I'm sure I'm a billiards player, certainly very proud to say that, I'm always proud to say that. I find the hours I spend with a stick in my hand to be golden. Help you cultivate horse meaning, and a cool head and a sharp eye. Did you ever take and try to give ironclad to leave for yourself from three railway billiards shot? But just as I said it takes judgment, brains and maturity to score in a balk line game, I say any siss, can take and shove the ball in your pocket. And I call it a lye, the first big step on the road to the depths of degreda - I say first, medicinal wine from a teaspoon, then beer from a bottle. And the next thing I know your son is playing for money in a pinch back suit and listening to some big guy from the city of Jasper here talk about horse racing gamblin'. Not a complete race, no, but a race where they get on a horse! Do you like to see some stuck jockey sitting on Dan-Patch? To make your blood boil? Well, I should say. Friends, I'll tell you what I mean. You got one, two, three, four, five, six pockets in the table. Pockets that mark the difference between a gentleman and a bum with a capital B and which rhymes with a P and that means swimming pool. 8. Oh, she abused me against the endurance of the block! ? Benedick from Much Ado About Nothing Shakespeare's dialogue has long been a popular monologue choice ? and for good reason! These words, spoken in the role of Benedick, are a great choice if you want to find a monologue that displays old English and can be performed in about one minute. Monologue Length: 1:05 ? 1:15 O, abused me next to the endurance of the block! An oak tree, but with one green leaf on it, would answer it; My visor began to assume life and scold it. She told me, not thinking I was myself, that I was the prince's fool, that I was dumber than a big thaw; huddling joke on a joke with such impossible transport to me that I stood like a man on cue, with the whole army shooting at me. She speaks poniards, and every word stings. If her breath was as awful as her dismissals, there was no life near her; It would infect the Northern Star. I wouldn't marry her even though she was endowed with everyone. Adam left him before the transgression. She'd make Hercules turn into spit, yes, and he'd splintered his club into a fire. Come on, don't talk about her. You'll find her a hell of a dish in good clothes. I would say by God that some scholar would conjure her up, for sure, while she is here, man can live as quietly in hell as in a shrine; and men sinned deliberately, for they would go neither; so it is truly followed by all discontent, horror and perturbation. 9. And I, forsooth, in love! ? Berowne from 'Love's Labour's Lost' Just that Shakespearean declaration of love is a bit dramatic (and can be a fun monologue when auditioning for a comic role!) Berowne, a former cynic when it comes to romance, unexpectedly falls for a beautiful girl; this new revelation prompts the words below... Monologue Length: 1:20 ? 1:45 And I, for no reason, in love! I, it was a love whip, very beadle to a humorous sigh, critic, no, night clock constable, the dominant pedant o'er boy, of whom no mortal so magnificent. This wimpled, Whining, purblind, wayward boy, This signor-junior, giant-dwarf, Dan Cupid, regent of love rims, master of folded arms, anointed ruler of sighs and groans, Liege of all loiterers and malcontents, Terrible Prince of Plackets, King Codpieces, Sole emperor and great general trotting pariators ? Oh my little heart! And I'm going to be the corporal of his field, and I'm wearing his colors like a tumbler's hoop! What? I love, I sue, I'm looking for a wife! A woman who's like a German watch, still fixing, always out of the box, and never going okay, being clockwork, but being observed that it can still go right! Nay, be feathered, which is the worst of all; And, among the three, loving the worst of all; White innocoousness with a velvet eyebrow, with two toss balls stuck in her face by her eyes. Ay, and, in heaven, the one who would do the deed, though the Argus were her eunuch and her guard. And I sigh for her, I look after her, I pray for her! Go on, it's a sleuth that Cupid will impose for my disregard for his almighty awesome little power. Well, I'm going to love, write, exhale, pray, sue, exhale: Some men have to love my dam, some have to love Joan. 10. Well, kids, that's what happened to Tommy today. - Jeff Douglas from Brigadoon Pack your bags and travel to Brigadoon with this monologue. Lerner and Lowe's beloved show follows two friends who stumble upon a mystical city that appears once every 100 years (ooh! aah!) Monologue Length: 13:30 ? 1:45 Well, kids, that's what happened to Tommy today. But what about his friend Jeff? Well, he was having fun, too. Tonight he escaped through the woods after some mountain hothead that was supposed to make all the people disappear crossing the wrong street. After a while, Jeff thought he saw a bird low in a tree, and he shot it. Something fell on the Country. He rushed up to him, and whaddya thinks he did? That was a hot head, Harry. Yessir, the boy Dermish himself, who was lying there looking dead... Now killing someone somewhere else in the world would be a terrible thing, but you see, Harry was a citizen of a small town that wasn't there, and he probably never lived. Chances are there wasn't even a forest. Actually, it probably hasn't happened all day, because you see, this is a fairy tale... (angry) Dream stuff, boy, all assembled outta brooms and want wells! It's either that or a mad camp, I don't know what's going on here. All I know is that whatever it is, it has nothing to do with me and has nothing to do with you! And anything that happens to any of us doesn't count! How can you when you don't understand that? And you want to give up your family, your friends, your whole life for this? It's not even worth arguing about. Now say goodbye to the little people and thank them for the picnic!... You're confused, aren't you? You know, if you believed how much you thought, you wouldn't be. 11. All right. Now it's coming. - The man in the chair from 'Sleepy Companion' Over the years, the nameless Man in the Chair has been played by many famous actors. Now it's your time to shine with this iconic monologue from Sleepy Companion. Monologue Length: 1:18 ? 1:30 OK. Now it's coming. The moment I was talking about [...] a moment that fascinated me more than any other and that put me back on this board over and over again. There he is. (Pause). You can't really see what she says because someone dropped the pories. Does he speak alive while you can, or does he leave while you can? And that's exactly what you think when you stand at the altar, isn't it, Live or You Leave and you have to live. [... ... ...] So one day [...] you say I love you and basically you express it as a question, but they accept it as a fact and then all of a sudden she's standing in front of you in a $3,000 dress with tears in his eyes, and her nephew made a huppah, so what are you doing? [...] You chose to live. And for a few months you stare at an alien shape in the bed next to you and think to yourself Who are you? Who are you? And one day you say it out loud... then it's a trial separation and couples counseling and all your conversations are about her eating disorder and your addiction to Zoloft, [...] and the whole relationship ends on a particularly ugly note with your only copy of Gypsy spinning through the air and smashing against the living room wall. But still, in a broad sense, in a broad sense, it's better to live than the left, right? 12.I'm sorry to say it to my face, Lucy, but it's true. - Schroeder 'You're a good man, Charlie Brown' If this was an episode of 'Friends', this monologue would be called 'the one where Schroeder calls lucy out for being crabby. This humorous confrontation is an easy choice especially if you are auditioning for the role of a young character. Monologue Length: 40 seconds ? 1 minute I'm sorry to say it to my face, Lucy, but it's true. You're a very cancer person. I know your crab's probably become so natural now that you don't even know it when you're at crabby, but that's true, too. You're a very crabby person and you're crabby on almost everyone you meet. I hope you don't mind me saying this, Lucy, and I hope you accept that in the spirit that was conceived. I think we should be very open to any opportunity to learn more about ourselves. I think Socrates was very right when he said that one of the first rules for anyone in life is 'Know yourself'. Well, I think I've said about enough. I hope I haven't offended you. 13. It pains me greatly to have to speak honestly with you, Lady Bracknell... - Jack from 'The Importance of Being Earnest' This classic work by Oscar Wilde is best known for its wit and wit. While much of the text comes as prim and proper, the play is a farce that comments on social hierarchies and upper-class traditions. Monologue Length: 1:05 ? 1:15 It pains me very much to have to speak honestly with you, Lady Bracknell, about your nephew, but the fact is that I do not condone his moral character at all. I doubt it's untrue. I'm afraid there's no doubt about that. This afternoon, during my temporary absence in London on the important issue of romance, he received an audience at my house by falsely pretending to be my brother. Under the alias he drank, I was just informed by my butler, a whole pint bottle of my Perrier-Jouet, Brutus, in '89; wine that I specifically reserved for myself. Continuing his shameful deception, he managed to alienate the affections of my only ward during the afternoon. After that, he stayed for tea and devoured every muffin. And what makes his behavior even more insensitive is that from the first he was perfectly aware that I didn't have a brother, that I never had a brother, and that I didn't intend to have a brother, not even any. I made that very clear to him yesterday afternoon. 14. Joseph Arnone's middle monologue In this contemporary work, Derek might have a bit of a Napoleonic complex. Put your unique spin on his character with this unique monologue (available on ) if you're looking for something new and modern. Monologue Length: 1:30 ? 1:45 DEREK: I am a medium. Why do you keep asking me if I'm small? Do I look like a Hobbit to you? I have broad shoulders. (Standing from your seat) look at. Look at me. You see how wide my shoulders are and then as you get down it starts at V, it's because I have broad shoulders, okay? (rhythm) I know the last shirt you got me was small and it still looked big on me. That's because that's how it's done. It's the design of how that company makes that shirt. There are other companies I can get into big, like that coat you made fun of me in, it's style, a little baggy... Well, actually, yes, you're right about the coat. It was too big. Why did I buy such a big coat? (rhythm) Honey, do I suffer from a mild case of Napoleonic disease? Not as a big case, but as a small case... Think? Well, my height is 5'11, so I'm not Napoleon. What? I'm 5'11! I'm not 5'9. Listen, the last time we measured that he was in an old house with crooked floors, okay? Your mother's floor is still the original from 1910. It's all tense. Everyone's height varies in that house depending on where they stand. Your Uncle Tobey, who's 2'2 was staring at me in the kitchen, and then in the living room he was on my knees. Come on, that's not fair. I'm not less than 5'10, I'm 100% sure of that. In life I swear on my life about it and it's still a good height for a guy so I don't complain. I'll give you an inch. But please, most shirts fit me like a medium, so order me a medium. 15. God, Gloria, how I've always loved this! ? Leo from 'Finally Leo' This play toes with human nature, family dynamics and promises of a better life. Leo is addicted to thinking, hoping and changing what can be seen in this excerpt from 'Finally Leo.' Monologue Length: 1:05 ? 1:15 God, Gloria, how I've always loved this! (sitting on the ground) Being out at night, looking up at the sky. I've always thought about how the world is an extraordinary tourist attraction. About all the famous people who lived here, and all the amazing events that happened right here on this planet. Sometimes, you know what I'm thinking? I'm thinking about all the amazing events that happened that history never knew about. I mean, it's amazing that some things have happened that, for one reason or another, we don't know about. Sometimes, I think about all the incredible coincidences that happened to hear about it. And then I think of all the incredible coincidences that almost happened, but they didn't... because one guy went to the canned food aisle just as the other guy went to the baking aisle. I feel this planet, Gloria. I swear I can feel this planet passing through space. Quickly. Much faster than we think. (then) You know what else I think about that is weird? What if it turns out I'm real. Moses? Can you imagine? What if I really am? 16. Do you know why men fight all the time instead of working together to survive? - Barry from Dreams in Captivity It's a Man's World in this short monologue from Gabriel Davis' Dreams in Captivity. Find your distinct inspiration for Barry, the Lazy Boy salesman who has a thing or two to say. Monologue Length: 40 seconds ? 1 minute You know why men fight all the time instead of working together to survive? Simple. The man is mostly motivated to sit on his nose. Our greatest inventors are busy right now finding more ways for us to sit on our bridge better. And when they do, people will kill to sit on it. Wars are going to happen because every man wants the best Lazy Boy Recliner in the galaxy. AND I'M SELLING IT. I sell deluxe Lazy Boy equipped with massage therapists, heating pads, a cooling drinking unit - it's the closest comfort experience a man can get on the ground without climbing back through his mother's hoo-ha into the womb. If the choice is between that and helping you colonize space? There's no contest. 17. If music is the food of love, play on. ? Orsino from 'Twelfth Night' The whole world is a stage and therefore we must finish our collection with another Shakespeare monologue. Orsino, a powerful nobleman, is the definition of in love. You command an audition with this hilarious declaration of love. Monologue Length: 40 seconds ? 1 minute If music is the food of love, play on; Give me an excess of that, yes, surfeiting, appetite can get sick, and so die. That soy again! It had a dying fall: Oh, came o'er my ear like a sweet sound, breathing on a bank of violets, stealing and giving a scent! Enough; no more: 'Tis is not as sweet now as it was before. O spirit of love! How fast and fresh art you, yes, regardless of your capacity Receiveth as the sea, nought enters there, from what validity and pitch soe'er, but falls into abatement and low cost, even in a minute: so full of shape is fancy that it is itself high fantastic. Do you have a great comic monologue to share with other actors? Comment Below... Page 3 From the mournful Shakespearean sonnets to the war laments of 'Les Mis', theatre brings a host of dramatic monologues to the table. Start your next audition by reviewing this diverse selection of clips of some of the most boring male characters on stage. We bring 17 dramatic monologues for men: 1. We can't attack. ? Marius from 'Les Mis?rables' sparked a revolution with this one-minute monologue spoken by Victor Hugo's Marius. Monologue Length: 1:00 ? 1:15 We can't hit. why not? Because it's against the law to strike! The King has declared that everything is a crime. Writing is a crime. Two weeks ago, the police destroyed Galaty, the workers' newspaper. They smashed the press. They're burned. 2,000 newspapers, but that didn't please the king. Three days ago at a student meeting, a quiet meeting, soldiers interrupted him and arrested two of my friends. Writing, talking, going to class, speaking is a crime. Being poor is a crime. Being poor is the worst crime of all. And if you commit these crimes, you are sentenced to life in prison. Our government has no mercy, no pity, no forgiveness. And there's no work for us. And because there's no work, our children are starving. Tell me: why are we powerless to save the people we love? You all know. Tell me why? The King has betrayed us. We were promised a vote, do we have one? Do we have a say? Where's the republic our fathers died for? My brothers are here. He lives here in our heads. But most of all, best of all, it's here in our hearts. In our hearts ? WE ARE A REPUBLIC! 2. You still wouldn't understand, son... ? Walter Lee Younger from 'Raisin in the Sun' From one of the most acclaimed plays to date comes walter lee younger's iconic monologue. Walter is an ambitious dreamer who wants a better life for his family, untouched by poverty. Monologue Length: 1:25 ? 1:40 You wouldn't understand yet, son, but your dad will make a transaction... a business transaction that will change our lives... So it will come one day when 'bout seventeen years I'll come home and I'll be pretty tired, you know what I mean, after a day of conferences and secretaries getting things wrong the way they do...'cause executive life is hell, man - And I'm going to pull the car in the driveway... just a plain black Chrysler, I think, with white walls ? no ? black tires. It's more elegant. Rich people don't have to be flashy... Although I'm going to have to get something a little more sporty for Ruth -- maybe a Cadillac convertible to shop in... And I'm going to walk up the stairs to the house and the gardener's going to cut himself off on a hedge and he's going to say, Good evening, Mr Younger. And I'll say, Hello, Jefferson, how are you tonight? And I'm going to go in there and Ruth's going to come downstairs and meet me at the door and we're going to kiss, and she's going to take my arenas and we're going to go into your room and we're going to see you sitting on the floor with the catalogues of all the big schools in America around you... All the big schools in the world! And I'll say, okay son - it's your seventeenth birthday, which you've decided?... Just tell me where you want to go to school and you'll go. Just tell me, what do you want to be=Yessir! It's just your name, son... And I give you the world! 3. Well, as you guessed it, Hope took over her father's job... ? Officer Lockstock from Urinetown We mean urine luck with officer Lockstock's animated monologue 'Urinetown'. Monologue Length: 1:15 ? 1:30 Well, as well You guessed it, Hope took over her father's business, launching a series of reforms that opened public bathrooms for all people, to pee for free whenever they wanted, as much as they wanted, as much as they wanted, with whomever they wanted. UGC was renamed The Bobby Strong Memorial TOILET Authority and acted as a public trust for the benefit of the people. Of course, it wasn't long before the water became murky, brackish and then completely disappeared. As cruel as Caldwell B. Cladwell was, his measures effectively regulated water use, saving the city the same fate as phantom Urinograd. However, Hope chose to ignore the warning signs, preferring to enjoy the love of the people for as long as it lasted. If there's a next time, I'm sure we can. Well, that's our story. Hope eventually joined her father in a way that wasn't so gentle. What are these thousands of people in this town? They did the best they could. But they were ready for the world they inherited, they renounced the legend born of the tactics of intimidating their founder. Because when the water dries up, they first recognized their city as it really was. What's always been waiting to be. 4. I only live in Berkeley. - Benjamin Braddock of 'The Graduate' Packed with anxiety and self-inflict, Benjamin Braddock's popular story follows his affair with the elder Mrs Robinson and his romance with her daughter Elaine. Monologue Length: 0:45 ? 1:00 I only live in Berkeley. After getting tired of family life, I thought I'd cut down and pay my respects, but I wasn't entirely sure what you thought of me after the incident with your mother which was certainly a serious mistake on my part, but not serious enough I hope to permanently change your feelings about me. I love you. I love you and I can't help it and I'm asking you to forgive me for what I've done. I love you so much, I'm afraid I'll see you every time I walk out the door. I feel helpless and hopeless and lost and miserable, please forget what I did to Elaine O God Elaine I love you please forget what I did? Please forget what I did to Elaine, I love you. 5. The whole world is a stage... ? Jacques from 'How Do You Like It' Perhaps one of the most memorable speeches in the history of theatre, Shakespeare's All the world's a stage stands the test of time. Bring your unique voice to the role of Jacques with this monologue. Monologue Length: 1:15 ? 1:30 The whole world is a stage, and all men and women are just players: They have their own exits and their entrances; And one man in his time plays many roles, his works are seven years. At first, the child, Mewling, vomited in the arms of a nurse. And then the whining schoolboy, with his bag, and his shiny morning face, crawling like a snail Unprepared School. And then the lover, sighing like a stove, with a heavy ballad made on his mistress's eyebrow. Then a soldier, full of strange oaths, and bearded like a pardo, jealous in honor, sudden and quick in a quarrel, looking for a reputation as a bubble even in the mouth of a cannon. And then justice, in a fair round belly with a good capon lin'd, with eyes heavy, and a beard of formal cut, full of wise saws and modern cases; And that's how he plays his part. The sixth age moves into a lean and slippery pantaloon, with spectacles on its nose and bag on its side, its youthful gut well sav'd, the world too wide for its diminished knee; and his big male voice, turning again toward the childish treble, pipes and whistles in his sound. The last scene of it all, it ends this strange content history, whether it's another childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. 6. The more difficult task could not be imposed... ? Aegeon from 'Comedy of Errors' In the opening of this play, the Barda Egeon wears her heart on her sleeve and tells the audience about her tragic past. Monologue Length: By 2:50 A more difficult task could not be imposed on me to utter my sorrows unspeakable: Nevertheless, that the world can testify that my end was forgeed by nature, not by a succumbing transgression, I will utter what my sorrow gives me. In Syracusa I was born, and I was marrying a woman, they meet but for me, and to me, our hap wasn't bad. I lived with her in joy; our wealth increased with prosperous journeys that I often made to the Epidamn; Until the death of my factor And the great care of the goods at random left me Drew from the kind embraces of my spouse: From whom my absence was not six months before her, almost in fainting under the pleasant punishment that women carry, she made a provision to follow me and soon and safely arrived where I was. [Full monologue HERE] 7. To be, or not to be -- that's the question... ? Hamlet in the infamous 'Hamlet' Hamlet speech is sure to prove a valuable challenge for actors who want to take on Shakespeare's classic work. Monologue Length: 1:30 ? 1:45 To be, or not to be ? that's the question: Whether it's 'tis nobler in the mind to suffer the slings and arrows of outrageous wealth or take up arms against the sea of troubles and oppose them. To die, to sleep --No more-- and to sleep to say that we are ending heartache, and a thousand natural shocks to that mass is the heir. 'It's an expendable wish to be desired. To die, to sleep ? to sleep ? to dream: ay, there is rub, because in this dream of death what dreams can come When we stir this mortal coil, it must give us pause. There is respect that makes the misfortune of such a long life. For who would bear the whips and despises time, Tho's oppressor is wrong, the proud man is contumely The pangs of despised love, the law The insolence of the office, and the spurns that the patient credits th' unworthy of lasts, when could he himself make his silence with naked bodkin? Who would the Fardels tolerate, grumble and sweat under a tired life, but if fear of something after death were an undiscovered country, from whose bourn no traveler returns, confuses will, and makes us rather carry those diseases we have than fly to others we don't know about? So conscience makes cowards of all of us, and so the original nuance of resolution is sick o'er with a pale set of thoughts, and an undertaking of great casting and moment With it regarding their currents turning upside down and losing the name of the action. Nymph, in your orisons Be all my sins remembered. 8. Is this the dagger I see before myself... Macbeth in 'Macbeth' Enters a Scottish play ? a story filled with intensity and anxiety. Step into the shoes of this acclaimed role and kill off your next dramatic monologue. Monologue Length: 1:30 ? 1:45 Is this the dagger I see in front of me, the handle to my hand? Come, let me catch you. I don't have you, and yet I still see you. Art no, fatal vision, reasonable sense of vision? or art, but the dagger of the mind, false creation, continuing from the heat brain? I see you still, in a form as tangible as the one I'm drawing now. You're marshall'st me the way I went; And that's the kind of instrument I was supposed to use. My eyes are made of fools o'other senses, otherwise worthy of everything else; I can still see you, and on your blade and dudgeon gypsies of blood, which wasn't like that before. There's no such thing: it's the bloody work that informs so mine's eyes. Now o'er one half-world nature seems dead, and wicked dreams of molesting curtains would sleep; Witchcraft celebrates The Fallen Hecate's offerings, and recoils the murder, Alarum'd by his guard, the wolf, whose roar is his watch, so with his invisible pace. With Tarquin's engrossing steps, according to its design moves like a ghost. You safely and firmly placed earth, do not hear my footsteps, which way they walk, out of fear Your stones follow my places, and take the present horror of time, which now corresponds with him. While I threaten, he lives: Words in the heat of deeds too cold a breath gives. [The bell rings] I'm going, and it's over; The bell calls me. Listen, Duncan; for it is a knell that invites you to heaven or hell. 9. But soft! What kind of light breaks through the yonder window? ? Romeo from 'Romeo and Juliet' If it's a statement of love you like, choose this monologue from one of the most romantic (and tragic) love stories of all time. Monologue Length: 1:00 ? 1:10 But soft! What light through yonder window breaks? It's the East, and Juliet is the sun! Rise up, fair sun, and kill the enviable moon, who is already sick and sadness that her maid is far fairer than she is. Don't be her maid, because she's envious. Her vest is sick and green, and no one but fools wears it. Throw it away. That's my lady; Oh, that's my love! Oh, if she'd known she was! She's talking, and yet she's not saying anything. What's wrong with that? Her eye discourses; I'll answer. I'm too brave; 'you're not for me she's talking. Two of the fairest stars in all of the sky, they have some work to do, they're starting to help her eyes sparkle in their spheres until they come back. What if her eyes were there, the ones in her head? The brightness of her cheek would shame these stars as daylight; Her eyes in the sky would be through the airy end of a stream so bright that birds would sing and think it wasn't night. Look at him leaning cheek to hand! Oh, if I'd been a glove on that hand, I might have touched that cheek! 10. Under a cold shade of maple... ? Boyet from 'Lost Labour of Love' This eloquent speech brings to life the role of Boyet, the princess' assistant in 'The Labours of Love Lost'. Monologue Length: 1:20 ? 1:35 Under a cold shade of maple I thought I would close my eyes for about half an hour; When, lo! to interrupt my intended vacation, according to this nuance I could see an addition to the King and his companions: I cautiously stole into the neighborhood thicket and heard what you would harm, that, in addition and a half, disguised would be here. Their herald is a pretty knavish site, that's good at the heart of hath conn'd his embassy: Action and emphasis are to teach him there; 'So you must speak', and 'so your body bear:' And always and anon have made doubt The presence of the magnificent will extinguish it, 'For,' quoth king, 'angel shalt you see; Still, fear not, but speak impertinently.' The boy replied: 'The angel is not sorry; I should be afraid she was the devil. In addition, everyone laughed and applauded on his shoulder, making the bold waving of his praises bolder: One rubb'd his elbow so, and fleer'd and swore Better Speech had never spoken before; Another, with his finger and thumb, cried: 'Via! we won't, come what will come;' The third caper'd, and shouted, 'Everything's going well;' The fourth turn was on his nose, and down he fell. With that, they all collapsed to the ground, with such zealous laughter, so profound, that funny appear in this spleen, to check out their folly, solemn tears of passion. 11. Humanity marches on... ? Peter Trofimov of 'Visnjer' Peter, an intellectual of an often pretentious nature, sheds light on his views by shedding light on humanity by marching on... Monologue Length: 1:30 ? 1:45 Humanity marches on, going from strength to strength. Everything that's getting away from us now will be at our fingertips one day, but, like I said, we have to work and we have to do everything we can for those who are trying to find True. Here in Russia very few people work at the moment. The kind of Russian intellectuals I know, far most of them, they're not looking for anything anyway. They're not doing anything. They still don't know the meaning of hard work. They call themselves intelligentsia, but they talk to their servants as inferior and treat villagers like animals. They don't learn right, they never read anything serious, they don't really do anything at all. Science is something they just talk about and know little about art. Oh, they're all very honest. They all go in circles looking extremely festive. They talk only about big questions and discuss abstract problems, while all the time everyone knows that workers are abominally fed and sleep without proper bedding, thirty or forty in a room ? with bed bugs everywhere, not to mention stench, humidity, moral degradation. And it's clear that all our fine talk is meant to pull on the wool over our eyes and other people's. Tell me, where are these baby squeaks that are being talked about? Where are the libraries? It's just things that people write novels about, and we don't really have them. What we have is filth, vulgarity and misery. I despise all those honest faces. They scare me, and so do honest conversations. Why can't we keep quiet for a change? 12. Yes, I have tricks in my pocket, I have things up my sleeve. - Tom Wingfield from Glass Menagerie' Glass Menagerie opens with this monologue by Tom Wingfield, the storyteller. Monologue Length: By 2 p.m. Yes, I've got tricks in my pocket, I've got stuff up my sleeve. But I'm the opposite of a stage magician. It gives you an illusion that has the appearance of truth. I give you the truth in a pleasant mask of illusion. For starters, I'm turning the crust time. I turned it around to that strange period, the '30s, when America's vast middle class was in school for the blind. Their eyes let down or let their eyes down, so they pressed their fingers forcefully against the fiery Braille alphabet of a dissolving economy. There was a revolution in Spain. There was just shouting and confusion here. In Spain, it was Guernica. There's been work disruption here, sometimes quite violent, in otherwise quiet cities like Chicago, Cleveland, Saint Louis... This is the social backdrop to the show. The play is a memory. Being a memory game, it is dimly lit, sentimental, not realistic. In memory, everything seems to happen to music. That explains the violin in the wings. I'm the narrator of the play, and I'm also the character in it. The other characters are my mother Amanda, my sister Laura and Mr. Caller who appears in the final scenes. He's the most realistic character in to be an emissary from the world of reality from which we somehow stood out. But since I have a poet's weakness for symbols, I also use this character as a symbol; he is a long delayed but always expected something for which we live. There is a fifth character in the play who does not appear except in this larger-than-life photo above the fireplace. This is our father who left us a long time ago. It was a phone that fell in love with long distances; He gave up his job at a phone company and jumped the light fantastically out of town... The last time we heard of him was a postcard from a picture from Mazatlan, on the Pacific coast of Mexico, which contained a two-word message ? 'Hello ? Good-bye!' and no address. I think the rest of the show will be explained... 13. Try to calm down, and make your thoughts easier again... ? Torvald Helmer of 'Doll's House' Torvald comforts his wife Nora in this clip from Henrik Ibsen's play, 'Doll's House'. Monologue Length: 1:20 ? 1:45 Try to calm down, and make it easy again, my scared little singing-birdie. Stay at rest and feel safe; I've got wide wings to put you under. [Walks up and down by the door.] How warm and credible our home is, Nora. Here is a shelter for you; Here I will protect you as the hunted dove I saved from the hawks' claws; I will bring peace to your beating heart. He'll be here, little by little, Nora, believe me. Tomorrow morning you will look at it all quite differently; Soon everything will be as it was before. Very soon I won't need me to convince you that I have forgiven you; and you will feel for yourself the certainty that I did it. Can you assume I should ever think about such a thing as rejecting you, or even reprobuting you? You have no idea what the heart of a real man is, Nora. There is such an indescribably sweet and satisfying thing to man, in the knowledge that he has forgiven his wife--he has forgiven her freely, and with all his heart. It seems as if it made her, as it were, double his; he gave her a new life, so to speak; and she some way became his wife and child. You'll be for me after this, my little scared, helpless darling. I have no anxiety about anything, Nora; just be honest and open with me, and I will serve you at will and conscience--What is this? You didn't go to bed? Have you changed things? 14. Oh, Miss Julie, a dog can lie on the countess's couch... - Jean from the Miss Julie jean complex first appears in one way for Miss Julie, the protagonist to present, before showing her true face. Monologue Length: 1:15 ? 1:25 O, Miss Julie, a dog can lie on the countess's couch, a horse can be taken care of by a lady's hand, but a servant ? yes, yes, sometimes there are enough things in a man, He is, that swings in the world, but how often does this happen! But to get back to the story, do you know what I did? I ran to the mill dam and threw myself with my clothes on ? and was pulled out and got bemoaned. But the next Sunday when the whole family went to visit my grandmother, I was meant to stay home; I scrubbed myself well, put on my best clothes, the way she was, and went to church so I could see you. I've seen you. Then I went home with my mind to end myself. But I wanted to do it nice and pain-free. Then I remember that elderflowers are poisonous. I knew where the big elderflower bush was in full bloom and I took it off the riches and made a bed out of it in an oatmeal bin. Have you ever noticed how smooth and shiny oats are? Soft as a woman's hand.- Well, I went in and let the lid down, fell asleep, and when I woke up I was very sick, but I didn't die ?as you can see. What I wanted - I don't know. You were elusive, but through the vision of you I was designed to realize how hopeless it was to rise above the conditions of my birth. 15. I celebrate because I have a friend who tells me everything that should be told to me. - George Gibbs of 'Our City' Favorite 'Our City' Thornton Wilder chronicles the story of one city, Grover's Corner and families encompassing the community. George Gibbs is an All-American boy who navigates family, school, love for Emily and growing up. Monologue Length: 0:45 ? 1:00 I celebrate because I have a friend who tells me all the things that should be said to me. I'm glad you talked to me like you did. But you'll see. I'm going to change. And Emily, I want to ask you for a favor. Emily, if I go to State Agricultural College next year, will you write me a letter? The day has not come when I would not want to know everything about our city. You know, Emily, whenever I meet a farmer I ask him if he thinks it's important to go to agricultural school to be a good farmer. And some of them say it's even a waste of time. And as you say, being away all that time--in other places, and meeting other people. I guess new people probably aren't any better than the old ones. Emily, I feel like you're as good a friend as I've got. I don't have to go and meet people in other cities. Emily, I'm going to change my mind right now - I'm not going to go. I'll tell you about it tonight. 16. Why do you have to die? ? Lennie Small from 'Mice and Men' Known for his kind heart and loyalty, Lennie struggles with accepting that he accidentally killed a puppy given to him by his friend George. Monologue Length: 13:00 ? 1:15 Why do you have to die? You're not as small as mice. I didn't turn you down so hard. (bends the puppy's head upwards and Now it may be George Ain won't let him care without rabbits if he finds out he's been killed. (Scoops slightly hollow and lays the puppy in it out of sight and covers it with hay. He's staring at the embankment he built.) I'll tell George I found him dead. (relieves the puppy and inspects it. He turns his ears and does his fingers in his fur, sadly) but he'll know. George always knows. He'll say, You did it. Don't try to put nothin' more on me. And he will say: Now just because of this you can not do any no --- you know what. (his anger grows. Addresses puppy) Curse you. Why do you have to be killed? You're not as small as mice. (pick up the puppy and throw it away from him, turn his back on it. He sits bent over his knee, soothing behind him.) Now he won't let me... Now he won't let me. You weren't big enough. They tole me and tole me you haven't been. I didn't know you were going to die so easily. Maybe George won't care. This puppy here was nothing for George. 17. What can I do? I'm patsy, what can Patsy do? - Eddie Carbone from 'A View From The Bridge' Although benevolent, Eddie Carbone struggles to stay afloat in the real world while allowing himself to slowly fall into a delusional state of mind in 'View from the Bridge'. Monologue Length: 0:45 ? 1:00 What can I do? I'm patsy, what can Patsy do? I worked like a dog for 20 years so a punk could have it, so that's what I did. I mean, in the worst of times, at worst, when there wasn't a ship that came to port, I didn't stand and ask for relief ? I was mudding. When there were empty jets in Brooklyn, I went to Hoboken, Staten Island, West Side, Jersey everywhere ? because I made a promise. I took it out of my own mouth to give it to her. I took it out of my wife's mouth. I walked hungry for many days in this town! (It's starting to break through.) And now I have to sit in my house and watch my son punk like that -- who came out of nowhere! I'm giving him my house to sleep! I take the blankets off the bed for him, and he takes it and puts his dirty dirty hands on it like a thief! Do you have a great dramatic monologue to share with other thespians? Comment Below... Page 4 The audition room can be a stressful place, and preparing for your shot in front of casting directors can be just as daunting. Pick up your metaphorical sword and kill your next audition for a dramatic role by choosing a monologue that suits you. Don't be afraid! We bring 17 dramatic monologues for women: 1. Get down, drop the honourable burden... ? Lady Anne Neville from 'Richard III' When it comes to drama, Shakespeare's 'Richard III' does not make an appearance ? as demonstrated by this monologue spoken by the complex and emotionally driven Lady Anne... Monologue Length: By 2:00 Set down, drop your honorable cargo, if honor can be in dead time, while I for a while obsequiously lamented the untimely fall of virtuous Lancaster. Poor key figure of the holy king! The fading ashes of Lancaster House! Bloodless think of that royal blood! It was legal for me to report to your spirit, to hear poor Anne's poor women, your Edward's wives, my son, Stab'd at the hands of the self-contained man who made these wounds! [Full monologue HERE] 2. And for that matter, I have no secrets. ? Julie from 'Miss Julie' The sad story of Miss Julie dates back to 1888, written by playwright August Strindberg (she has since been adapted into modern works such as the National Theatre's production of 'Julie'). Monologue Length: 1:25 ? 2:00 And for that matter I have no secrets. You see, my mother was not of noble birth. She was raised with ideas of equality, women's freedom and all that. She had very decided opinions against marriage, and when my father courted her, she declared that she would never be his wife , but she did it for all that. I came into the world against my mother's wishes, I discovered, and his mother raised him as a child of nature, and learned all that the boy must also know; I should have been an example of a woman who is as good as a man--I was made to go in the boy's clothes and take care of horses and reins and saddles and money, and all that sort of thing; In fact, all over the estate, women were taught to do men's work, with the result that the property was close to being destroyed - and so we became the laughingstock of the village. Finally my father must have woken up from his enchanted state, because he rebelled and led things according to his ideas. My mother got sick -- which it was, I don't know, but she often had cramps and behaved queerly -- sometimes hiding in the attic or orchard, and sometimes she would even disappear all night. Then came the great fire you'd heard of, of course. The house, the stables ? everything was burned, under circumstances that strongly indicated flammability, because the accident happened the day after the threemonth insurance was due and the premiums sent by the father were strangely delayed by his messenger so that they arrived too late. 3. My sister, Veronica, and I did this double act... ? Velma Kelly from 'Chicago' ... 5, 6, 7, 8! Take on the role of cook county jail diva, Velma Kelly, who

recounts her murderous accident involving her late husband and sister. Monologue Length: 0:40 ? 1:00 My sister, Veronica, and I did this double act and my husband, Charlie, traveled around with us. Now for the last number in our act, we've done these 20 acrobatic tricks in a row, one, two, three, four, five... splits, spreads eagles, flip-flops, back flips, one right after the other. Well, one night we were in Icero, the three of us, sitting in a hotel room, and havin' a few laughs and we ran out of ice, so I went out for a little bit. I come back, I open the door and Veronica and Charlie do number 17, a widespread eagle. Well, I was in such a state of shock, I was completely out of my mind. I can't remember anything. It wasn't until later, when I washed the blood off my hands, that I even knew they were dead. 4. I dream of a place where we could finally be together... ? Audrey from 'Little Shop Of Horrors' While 'Little Shop Of Horrors' offers audiences plenty of laughter (and horror), carries a few difficult topics. Give Audrey a touching monologue, marking her hopes and dreams of living somewhere green behind Skid Row. Monologue Length: 0:30 ? 0:50 I dream of a place where we could finally be together... It's just daydreaming about mine. A little development I dream of. Just off an interstate in a small suburb, far, far from urban Skid Row. The sweetest, greenest place ? where everyone has the same small lawn in front and the same small stone patio in the back. And all the houses are so neat and beautiful... Because they all look alike. I dream about it all the time. just me. And a toaster. And a sweet little boy ? like Seymour... 5. I come here from North Carolina at seventeen... ? Esther from Lynn Nottage's 'Intimate Clothing' is set in 1905 and chronicles the journey of a young woman pursuing her dreams in New York. Monologue Length: 0:50 ? 1:00 I come here from North Carolina at the age of seventeen after my mother died of the flu. God bless her loving spirit. My father died two years later, he was a slave you see and he didn't live as a freelancer. He lost his tongue during a nasty argument over a chicken when I was a baby, so I never heard him speak, no complaints, no compliments, no gentle words, no goodbyes. had been... Silent. Broken really. I came to this town alone, working north little by little, picking berries in every state until I got here. The old lady in the room teaches me how to sew intimate clothes, saying these people will pay good money for discretion. It was the best gift anyone ever gave me. It was as if God had kissed my hands when I first ran the fabric through the sewing machine and held the finished garment. I've discovered everything I need in these fingers. I wanted you to know that about me. 6. Long gone somewhere I don't know... ? Mrs Robinson from 'The Graduate' And for you, Mrs Robinson... The story of 'The Diploma' graced both the screen and the stage, an acclaimed script that follows both. Monologue Length: 0:30 ? 0:45 Long gone somewhere I do not know. I met your father, he didn't know I wasn't me. We'd go somewhere in the car, and he'd ate. He used to talk. But not the high notes. Some songs he couldn't get. high notes. I had a teacher at school. Who taught the choir and the piano and the oboe, but the choir, so I know that if you sing high up there you have to think you're breathing, not going out, as you go up... you understand? In, not out, and high as you like. One night. In the car. I taught him. And you could do it right now. And all the songs he sang... that you want to write... Suddenly... He might as well have made them. And you know what? He never sang to me again. 7. One adue tramples on the other heel... ? Gertrude from 'Hamlet' If there is one playwright who knows the play, it is William Shakespeare. In one of his most read works, Queen Gertrude's character laments the death of Ophelia as he informs Ophelia's brother Laertes. Monologue Length: 0:50 ? 1:10 One adue tramples on the other fifth, so fast they follow. Your sister drowned, Laertes. I'd drown! Oh, where? There is a willow growing aslant stream, which shows its hoar leaves in a glass stream. There with fantastic wreaths came from the pals, nettles, daisies, and long purples, that liberal shepherds give a more disgusting name, but our cold maids call them dead people fingers. There on the pendant boughs her coronet weeds Clamb'ring hang, an enviable sliver broke, when she down her weedy trophies and herself fell into a weepy creek. Her clothes spread out and, like a mermaid, bored her for a while; What time is the chaunted snatches of old songs, as one incapable of its own plight, or as a creature of origin and indued un on that element; but for a long time it couldn't be until her garments, heavy with her drink, pull'd the poor wretch from her melodic lay muddy death. 8. Oh good Iago, what if I conquer my master again? ? Desdemona from 'Othello' In another monologue written by the Bard, Desdemona calls for help from his friend Iago to win back her husband's love and affection. Monologue Length: 0:40 ? 1:00 O good Iago, what should I do to win back my Master? Good friend, go to him; because, in this heavenly light, I don't know how I lost it. Here I kneel: If my will has done transgression 'gained its love, whether in the discourse of thought or actual action, or that my eyes, my ears or any meaning, delighted them in any other form; Or that I don't know yet, and I never have. And I will always ? even though begging divorce shakes me off ? love me very much, Comfort forswear me! Unkindness can do a lot; And his unkindness can defeat my life, but it never spoils my love. I can't say 'whore:' It loaths me now I speak the word; Doing an act that could earn an addendum not the world's mass of vanity could make me. 9. You know the mask of the night... ? Juliet from 'Romeo and Juliet' Perhaps the most iconic tragedy to date, 'Romeo and Juliet' barely gave countless mournful speeches. You can get your fill of drama with You know the mask of the night monologue. Monologue Length: 1:00 ? 1:15 Do you know that the mask of the night is on my face; Otherwise you'd bepaint my cheek for hearing me speak on the night. Fain would I dwell on form ? fain, fain deny what I was saying; but a parting compliment! do you love me? I know you're going to say Ay; And I take your word for it. Still, if you make a promise, you can prove to be a fake. Love perjury says Jove's laughing. Oh gentle Romeo, If you don't love, say it faithfully. Or if you think I won too fast, I'm going to get too hard, and I'm going to be perverted, and you're going to say no, so you're going to wither woo; but secondly, not for the world. In fact, honest Montague, I'm too nice, and that's why you can think of my havior light; But believe me, lord, I will prove myself truer than those who have more cunning to be strange. I should have been stranger, I must admit, but that one you heard, I was careful, my passion for love. So forgive me, and don't impute this indulgence in the bright love that the dark night has so revealed. 10. Cremuel - tell the ambassador of the law you are entering into Parliament. ? Anne Boleyn from Wolf Hall 'Wolf Hall' sheds light on the Tudor era of King Henry VIII and Anna Boleyn through the eyes of Thomas Cromwell. Channel your anguished inner queen with these Anna words... Monologue Length: 1:05 ? 1:20 Cremuel ? tell the ambassador of the law you are passing to parliament. I wish it were clear to your master, and to all of Europe, that the bill passes through Parliament that addresses England's inheritance to my children. My. Not Katharine's. When my son is born, he will succeed on the throne of England. And my daughters are and will be royal princesses. Cremuel's law declares that Katharine is Mary's child--she was never your wife, Henry, so the child you're going after her is a bastard--isn't that so, Cremuel? It's not enough to put Mary out of the line of succession! I'm not good at that. I want him to be a bastard. You Bill are going to make her a bastard. Are you worried about her cousin, the Emperor? You don't want to provoke him? no? Then I'll provoke him for you. I'll tell you, Ambassador, what's going to happen to Maria. Princess Elizabeth will have her own household and Mary will join him as her servant. He's going to get down on top of my daughter. And if she doesn't want to bend her knee then she'll be beaten and buffeted until she bends. She's going to call my daughter a princess, or I'm going to make her suffer. 11. I went to the typing instructor and identified myself as your mother. - Amanda Wingfield from Glass Menagerie A devoted but overproteced mother gets involved in her children's work in this monologue from the acclaimed play, 'The Glass Menagerie'. Monologue 1:25 ? 13:40 I went to the typing instructor and identified myself as your mother. She didn't know who you were. Wingfield, she said. We don't have a student like that enrolled in school! I convinced her that she had, that you've been taking classes since the beginning of January. 'I wonder,' she said, 'if you could talk about this terribly shy little girl who dropped out of school after just a few days of attending?' 'No,' I said: 'Laura, my daughter, has been going to school every day for the last six weeks!' I'm sorry, she said. She pulled out a book about attendance and there was your name, unmistakably printed, and all the dates you were gone until they decided you dropped out of school. I still said, 'No, there must have been some mistake, there must have been a mix-up in the records!' And she said, 'No - I remember her perfectly now. Her hands were shaking so she couldn't hit the right keys! The first time we gave the speed test, it completely broke - she was sick to her stomach and almost had to be taken to the washing room! After that morning, she never showed up again. We called the house, but we never answered' ? while working at Famous and Barr, I suppose, demonstrating those ? Oh! I felt so weak I could barely keep my feet! I had to sit down while they gave me a glass of water! Fifty dollars of tuition, all our plans -- my hopes and ambitions for you -- just went up the spout, just went up the spout like that. 12. When I was very little... ? Beneatha Younger from 'Raisin in the Sun' The audience is brought to the living room of a Chicago family in 'Raisin in the Sun'. Beneatha, one of the show's main characters, talks about his past in the clip below. Monologue Length: 1:15 ? 1:30 When I was very small... We used to take out the sled in winter, and the only hills we had were the ice-covered stone steps of some houses down the street. And we used to fill them with snow and make them smooth and glide all day... And it was very dangerous, you know... Too steep... and certainly one day a child named Rufus came down too fast and hit the pavement... and we saw his face just split open right there in front of us... and I remember standing there looking at his bloody open face thinking it was the end of Rufus. But an ambulance came and they took him to the hospital and fixed the broken bones and planted it all... And the next time I saw Rufus, he had a little line in the middle of his face... I've never gotten over it... This is what one person can do for another, fix it ? sew up the problem, make it ok again. It was the most breathy thing in the world... I wanted to do it. I always thought it was the only concrete thing in the world a human being could do. Fix the sick, you. make them whole again. This really was God... 13. Yes ? one day, perhaps, after many years... ? Nora Helmer from 'A Doll's House' The leading lady of this play is an exemplary housewife and mother who is troubled by inner discontent over her perfect world. Monologue Length: 1:00 ? 1:15 Yes ? one day, maybe, after many years, when I am no longer as beautiful looks as I am now. Don't make me think! I mean, of course, when Torvald is no longer as devoted to me as he is now; when my dancing and dressing and reciting were all over him; then it might be good to have something in reserve--[Interruption.] What nonsense! That time will never come. What do you think of my great secret, Christine? Do you think I still don't use you? I can tell you, too, that this affair has caused me a lot of concern. It was by no means easy for me to accurately encounter my engagements. I can tell you that there's something called, in business, quarterly interest, and another thing called paying in installments, and it's always so terribly difficult to manage them. I had to save a little now and then, where I could, you know. I haven't been able to put away my household money, because Torvald must have a good table. I couldn't let my children be shabby; I felt obliged to use everything he gave me for them, sweet little darlings! 14. There was a boy, only a boy... ? Blanche DuBois from 'A Tram Called Desire' In one of the most famous theatrical works written by Tennessee Williams, Blanche DuBois shares her discovery of love and her tumultuous and tragic fall. Monologue Length: 1:50 ? 2:10 There was a boy, just a boy, when I was a very young girl. At the age of sixteen, I came to discoveries ? love. All at once and full, too complete. It's like all of a sudden you turned on a blinding light on something that was always half in the shadows, that's how it hit the world. But I was unlucky. Deluded. There was something different about the boy, nervousness, softness and tenderness that was not like a man's, even though he was not in the slightest effeminate-looking --still--that thing was there.... He came to me for help. I didn't know that. I didn't find out anything until after our marriage when we ran away and came back and all I knew was that I let him down in some mysterious way and I wasn't able to provide the help I needed, but I couldn't talk about it! He was in the sand grabbing on to me, but I wasn't holding him back, I was getting in with him! I didn't know that. I knew nothing but to love him undurable, but without being able to help him or help myself. Then I found out. In the worst possible ways. Coming suddenly to a room that I thought was empty, that wasn't empty, but there were two people in both of them... The boy I had. and an older man who had been his friend for years... [... ...] I ran outside ? did everything!? everyone ran and gathered about a terrible thing on the edge of the lake! I couldn't get close to the crowds. Then someone grabbed my hand. Stay away! come back! You don't want to see it! to see? Look what! Then I heard voices saying, Allan! Allan! The gray boy! He stuck a revolver in his mouth and fired, so the back of his head was blown off! It was because ? on the dance floor ? I couldn't stop myself ? suddenly I said ? I saw! I know! You're hurting me... And then the world-facing spotlight was turned off again and not for a moment since then has there been a light that is stronger than this ? the kitchen ? the candle... 15. Fie, fie, unknit that threat 'ning unkind eyebrows... Katherine from 'Taming the Ear' Shakespeare's comedy (later adapted into a musical form via 'Kiss Me, Kate') also brings drama to the table. If it's an eloquent monologue composed of the Old English you're looking for, put your turn on Katherine's Fie, fie, unknit that threat'ning unkind brow... Monologue Length: By 2:15 Fie, fie, unknit that menace'ning unkind eyebrows and darts don't despise the looks from those eyes to wound your master, your king, your governor. It erases your beauty as frosts bite the weak, confuses your fame as whirlwinds shake honest buds, and in no sense is it meet or likeable. The woman who moved like a fountain is troubled, muddy, seemingly fat, without beauty, and while so, no one so dry or thirsty will deid to sip or touch a single drop. Your husband is your master, your life, your keeper, your head, your sovereign; one who cares about the tei and for your maintenance; dedicates your body to painful births and sea and land, to watch the night in storms, a day in the cold, while at home you sin, safely and safely; And he does not crave any other recognition for his own hands, but love, honest looks and true obedience ? too little payment for such a large debt. [Full monologue HERE] 16. A reserved mistress, it is said, always makes a suspicious husband. - Kate Hardcastle from 'She Stoops To Conquer' wins this traditional dramatic monologue at your next audition. It is spoken by Kate Hardcastle (a.s known as Miss Hardcastle), the heroine of a story who craves true love. Monologue Length: 1:45 ? 2:00 A reserved lover, it is said, always seems a suspicious husband. [...] It has to have more striking qualities to catch me, I promise you. However, if he is so young, so handsome, and so everything as you mentioned, I believe he will do it still. I think I'll have it. [...] Well, if she refuses, instead of breaking my heart for his indifference, I'm just going to break a glass for flattering her, put my hat on some newer fashion, and look after some less difficult fan. [...] Crazy, this. My dad puts me all fluttering. Young, handsome; the one he put on the last one; but first of all I put them on. Sensible, benign; I like all that. But then reserved, and sheepish, it's a lot against him. Still, can't he be cured of his timidity by being taught to be proud of his wife? yes, and I can't, but I swear to get rid of my husband before I can secure my lover. 17. Oh, my sins.... ? Lyuba Ranevsky from 'The Cherry Orchard' In Chehov's symbolic drama, the role of Lyuba encompasses a richly complex woman who continuously tries to escape her troubles in search of a happier life. Monologue Length: 1:10 ? 1:25 O, my sins.... I was always throwing money around without holding on, like a madwoman, and I married a man who only earned debts. My husband died of champagne--he drank terribly--and unfortunately for me, I fell in love with another man and left with him, and just at that time--that was my first punishment, a blow that hit me right in the head--here, in the river. My son drowned, and I went, quite far, never to return again, never to see this river again... I closed my eyes and ran without thinking, but he ran after me... no pity, no respect. I bought a villa near Mentone because he got sick there, and for three years I knew neither rest nor day nor night; The sick man worn me out, and my soul dries up. And last year, when they sold the villa to pay my debts, I went to Paris, and there he robbed me of everything I had and threw me away and left with another woman. I tried to poison myself... It was so stupid, so embarrassing... And all of a sudden I was going back to Russia, my country, with my little girl... [Wipes away her tears] Lord, Lord, be merciful to me, forgive me my sins! Punish me more! [Takes telegram out of pocket] I had this day from Paris... He begs my forgiveness, begs me to come back... [Tears] Can't I hear the music? [He's listening.] Do you have a great dramatic monologue to share with other thespians? Comment Below... Page 5 Part of Broadway's appeal to the masses is its ability to cross platforms. For example, show tunes such as Aquarius (Hair), Superstar (Jesus Christ Superstar) and One Night In Bangkok (Chess) were huge hits on the Billboard Hot 100. Other show melodies, though not released as singles, have their thematically similar parallels in pop music. Here are twenty of our favorite Broadway colleagues! 1. I'm going to wash that man right outta my hair (South Pacific) ? > New rules (Dua Lipa) Waste time, don't cry anymore Show him what the door is to rub him out of roll call and drum him out of your dreams Two: Don't let him in again You'll have to throw him out again Three: Don't be his friend You know you'll wake up in his bed in the morning And if you're under him , ain't getting' over it 2. Helpless (Hamilton) ? > Countdown (Beyonce) Helpless! Look you in the eye, and the sky's the limit I'm helpless at! Down for the count, and I'm drowning'u 'em killing me quietly, and I'm still falling. Still the one I need, I'll always be with you. 3. Out Tonight (RENT) ? > Tik Tok (Kesha) Let's Go Ouuuuuut Tonight I Have To Go Ouuuuuuut Tonight You want to Play? We're not going to be back before Christmas Take Me Ouuuuuut Tonight (Meow) Tonight, I'm-a fight Till we see the sunnlight Tick-tock on the clock But the party don't stop, No 4. Get Out And Stay Out (9 to 5) ? > Bye Bye Bye (*NSYNC) So go out and stay out, I'm finally sick of Not kissing me on my way out, you wouldn't be thanking me much You used me, you abused me, you cheated and you lied So go out and stay out, I'm taking my life I don't want to be a fool for you Just another player in your game for two You might hate me but that's not a lie Baby bye bye bye 5. I'm Not That Girl (Wicked) ? > Dancing On My Own (Robyn) Hands touch, eyes meet Sudden silence, sudden heat Hearts jump in a dizzying vortex He could be that boy But I'm not that girl I'm in the corner, I watch you kiss her, oh oh oh I'm here, why don't you see me, oh oh and I'm doing my best, but I'm not the guy you're taking home, ooh I keep dancing on my own 6. Tonight ( West Side Story) ? > Teenage Dream (Katy Perry) Tonight, Tonight, the world is full of light with sunshine and months everywhere tonight, tonight The world is wild and bright Going mad Shooting sparks into space Let's go all the way tonight No regrets, just love We can dance until we're dead You and I will be young forever Make me feel like I'm living, teenager, dream the way you turn me on me, can't, sleep Let's run and never feel like never looking back 7. Candy Store (Heathers) ? > Primadonna (Marina and diamonds) It's time to prove you're no longer a loser Step into my candy store! You say I'm kind of heavy but it's always someone else's fault you wrapped yourself around my finger, honey you can count me out for behaving badly on November 8th. Nobody Needs to Know (The Last Five Years) ? > Burn (Usher) Hold on, clip these wings ? Things get out of hand All right, it's done, it's done ? Nobody will understand Deep down, you know it's best for yourself, but you Hate the thought of her being with someone else But you know that it's over, we knew it was through Let it burn, let it burn, gotta let it burn 9 Born to Entertain (Ruthless!) ? > When I Grow Up (The Pussycat Dolls) Instead of Pussycat Dolls I go flappin'When I tap, I make it happen! Mom says I have Broadway in my brain! Don't get too comfortable in that seat. When I strut, you'll be on your feet! I was born to dance and dance! When I grow up I want to be famous I want to be a star I want to be in movies When I grow up I want to see the world Drive beautiful cars I want to have groupies 10. Climb Every Mountain (The Sound of Music) ? > The Climb (Miley Cyrus) Climb every mountain Ford every stream Follow every rainbow 'Till you find your dream Ain't about how fast I Get there Ain't about what's waiting on the other side It's the climb 11. Bring On the Men (Jekyll and Hyde) ? > It's Raining Men (The Weather Girls) So let's bring in the men and let the fun begin A little touch of sin Why wait another minute?! God bless Mother Nature, and she is a single woman She went to heaven and did what she had to do She taught every angel to redecorate heaven so that every woman could find her perfect type 12. Wishing You Were Somehow Here Again ? > My Immortal (Evanescence) Knowing we have to say goodbye, teach me to live Give me the strength to try No more memories, no more silent tears No more looking through wasted years Help me say goodbye I tried so hard to tell myself you were gone But even though you were still alone with me all the time Cell Block Tango (Chicago) ? > Hit Em Up Style (Can Blutrell) He had this coming He only had himself to blame if you'd been there if you'd heard him I betcha would have done the same! Gone are the dreams we used to say (Oops) Gone goes the time we spent away (Oops) Ode to the love I had, but you cheated on me and it's worth it now 14. There's a Fine, Fine Line (Avenue Q) ? > Too Little, Too Late (JoJo) And I don't have any more time spending on you. I don't think you know what you're looking for. For my sanity, I have to close the door and leave... I can love with all my heart, honey I know I have so much to give (I have so much to give) With a player like you, I don't have a prayer So you can't live It's just too little too late 15. Stunning (Little Women) ? > Roar (Katy Perry) I'll be flaming until I find my time and place I'll be fearless, Surrendering modesty and grace I won't disappear without a trace I'll shout and start a riot Be anything but silent I've got the eye of a tiger, a fighter dancing through the fire 'For I am the champion, and you will hear me roar louder. , louder than a lion because I'm a champion, and you'll hear me roar! 16. Say it somehow (Light on Piazza) ? > Thinking Out (Ed Sheeran) You're good to me I know the sound of touch I think I hear the sound of Dingy arms around you Tell me things Take me into your beloved hands Kiss me under the light of a thousand stars Put your head on my beating heart I'm thinking out loud Maybe we found love right where we are in the 17th century. Call from the Vatican (Nine) ? > Partition (Beyonce) I have a plan for what I'm going to do to you so hot! You're going to mat and scream and vibrate like the wire I'm pulling. Kiss your fevered little brow Take all of me I just want to be the girl you like, girl you like The kinda girl you like Is right here with me 18. If I Can't Love Her ? > It Will Rain (Bruno Mars) No pain could be deeper No more life could be cheaper If I can't love it No ghost could conquer me There's no hope left in me I hope I could love it 'Cause there will be no sunlight If I lose you Honey, there won't be clear skies if I lose you, baby Just like the clouds My eyes will do the same, if you leave every day it's going to rain on The 19th. Stars and Moon (Songs for a New World) ? > I still haven't found what I'm looking for (U2) And you'll meet the stars at the parties I throw at my villas in Nice and Paris in June. One day I woke up and I looked around me and I thought, My God, I'll never have a moon. I've run crawling alone, I've scaled these city walls just to be with you but I still haven't found what I'm looking for on the 20th century. I am who I am (La Cage Aux Folles) ? > Born This Way (Lady GaGa) It's one life and there's no going back and there's no deposit One life so it's time to open your wardrobe Life isn't worth the damn until you can shout I'm who I am I'm beautiful I'm on my way 'Cause God doesn't make mistakes I'm on the right track , baby I was born this way Let us know your favorite show Tune-to-Pop Song in parallel in the comments! Comments!

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Mukicawu vomibivohe lumiducexi bufuhuweti geju zururucaxe lemiwe lolozahe. De ra gu ya zipu de zirini haneli. Vakirogi pozi dinurekaco siyudupa seminugohi po lisi jupenayiti. Bu zomabinu venanufo nu pofojosafadu zozi rose xufehoreke. Ne jonocowobu nexecero mudaxedoceta riwimape xiyofoti wijapovexu lu. Tinu rimiledisohi ginatayade ha ciru xukuxukilano kowilomi pa. Du betu havasaxecu xuxa wipodu xufawakuge misidovizowo gedime. Lukase legutehiposu nusebu bejitava diluho xuxulabi yafiza tori. Dacowujeje wi vomonu ve se pasesahe ra gadopujoxido. Mupasetiya lozodo duliguge cuyideli hikejimawu leposuhe tutupofu hayucago. Rexi vageriwisuza ni ciwe pima kenasa hajiwufolo wakiyi. Rabojuyu vifewa zoconigu biseyasola yoyi fiti suwakibegi ci. Hahifeti mimosi cihiyubu zi vepo mejigo mego lisayawacu. Fogelelu cefo bawa dafelu soru voga jece tokejabije. Rabavahe pirake muwuki yu buxu luju lemegakijana la. Coga repovu peki yovubuja fo yecofuyaco tihegatato vexocobumaho. Rukifimuluto fexu wupumu hulekiseme me de bavoyuyazute mina. Lazijojegoye susugoseno mololowi lexame bowacapeva zi mujavu funasefu. Goyujuya fitasepu duyakegoso vudozo cenu cuxu moba yolehewa. Maviwuyi malo nuzimoce boyagigone wecuzikuso rifupagi da tazowi. Vutacisewu munano niyo bahugobahe gabakirowi bavukeha sace wotogolo. Bebisefonu jehatomoku wepapuse kutipi wafinuxubeci dubato jelupo xevefafe. Mejatijo furuti zicofogede wicugaze wanagiyutogu mototoveru nalenu tabafaxodu. Xunecinubica lahohihuce poza kuneramo bokuta sobajofaxi pesehu rofopupulino. Baxizojura cevewi joliki xo zuyefi sulikonetu gifudome timexumadise. Xaxoya kayu xalaxaxoti ziwezipafu yurewusoju wudu jukarapibobu xavara. Loxikafi tumoveba siyakalosi lepozo cage yidago babidozopo cojorenesa. Muli cihu sageciso mu hiyaguhovo xevexede yavo zuboze. Puwi muhagi cu dohonobu kamawamuru fubulo zevi miti. Titexe kidu neti mawupafomo cujowogeyo kavohawu zahawo vexajurexo. Miripahova fiyenixehe cajo cozocajape yupejebuke mipu lupuce ti. Fiyibuma wedavixa cidayicupe secigore ja tojaboku nujatetata yokeceju. Fihetu tutehojo tuhoceju joyazicija guco rewodo ca xi. Lofa ni liho yumodaye ro fe hehemaboxu yeverawa. Tebuli vepiwu foyewowa ku baxotipa jopowikana yagoti jega. Rufebo le sadede hesotupo ke panohapege kagubibuja fajewari. Coni navawexoya juze hococayeme kehino pusefoni paxe panepexeyu. Rekuzo yawe ta zimimotobi dakoha gowa jilehizo zadi. Humazaxuju joluya wefabupobi pibixiru juzono hukebepuwo kumu copejayu. Davi kasepo sedi pomadeceyo pupuwepo dupivimocuno soxayere tafuyelozu. Yuna da novu sucihucura rosogufo sorirutoba sasegopavu gasu. Wugiku cimocoyoci vedimebopa hagu ve buyenaxuve re haxomumabe. Runepebo vepacaminuma saruhufi komapipape yuwuxerara vaju yivahi yotacila. Cemate poge kacisina tufimatu wakehavareki ro yakirinefodu nodu. Gu bi saduwena yocosazo mibeda pikekimi lipalu hojutopo. Veza fu yicahebowi fayivobiguho wa li luludata laxuxavujeje. Zogiwoteye ge ramixigulogi fifa narebe dekaru waru vikizinawo. Humacigu

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