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centertopGuidelines for AuthorsTEXTThe paper should count from 20 to 40 thousand characters (including spaces and footnotes). The electronic version (text file *.doc, *.docx or *.rtf) should be sent to the address: dagerotyp@.pl – in case of absence of an acknowledgment of receipt of the paper, please contact us again.Please, mark for which section you are submitting text:Studies – a thematic dossier (for more info about the planned topics please check the CFP section on our website),Collections – which contains articles relating to photographic collections and archives, as well as the activities of institutions concerned with the history of photography,Voices – designated for articles not connected with the main topic of the particular issue and for translations of important texts on the history and theory of photography,Reviews – section for reviews of exhibitions and publications,Varia – for information on research programmes, activities of institutions, festivals and other photographic events.Please use the Times New Roman font, 12 points, line spacing 1.5 lines, all margins 2.5 cm. Use the British spelling throughout the text.Avoid end-of-line hyphenation. Do not move single letters and/or numbers to the next line. Do not use any special formatting. Do not use tabs.Hierarchy of the subheadings should be clearly marked.When writing for the first time about a person, give his/her names in the full version (e.g., Edgar Allan Poe, instead of E.A. Poe).Short quotations should be placed in the text in quotation marks, while the long ones (more than four lines) – should be placed in separate paragraphs, using smaller font (10 points). Give one line spacing between the quotation and the main text (at the top and bottom of the quotation); in this case do not use quotation marks.Fragments of text omitted in quotation by you should be marked with square brackets [...]. Use single quotation mark (‘abc’).Inside the quotation use internal quotation mark ‘?abc?’.The titles of publications, artworks, exhibitions – should be written in italics; the titles of journals – in quotation marks.Words and phrases in foreign languages (including Latin and Greek) should be written in italics. Do not use italics for any other purpose.Please observe the correct use of dash and hyphen, for example. (e.g., e-book, Pawlikowska-Jasnorzewska, BUT pp. 16–28).Do not number pages of your paper.REFERENCESReferences to publications and other sources of information should have form of footnotes and list of referencesFOOTNOTESFootnotes should be numbered with Arabic numbers and place at the bottom of page. Numbering should be continuous in the whole paperPlease, add information about translator if applicableSeveral items quoted in one footnote should be divided with semicolon (;). When referring to several bibliographical items, their order should be chronologicalFootnotes can also be used to provide additional informationPlease use the following form of references in the footnotes:BookSarah Nehama, In Death Lamented. The Tradition of Anglo-American Mourning Jewellery, Boston 2012, p. 35.Roland Barthes, Camera Lucida. Reflections on Photography, transl. Richard Howard, London 2000, p. 102.Edited volume (in case of referring to the whole book)See The Romance of the Far Fur Country DVD Booklet, ed. Kevin Nikkel, Winnipeg 2015.Chapter in an edited volume:Peter Geller, Romancing the North: The Making and Meanings of The Romance of the Far Fur Country, in: The Romance of the Far Fur Country DVD Booklet, ed. Kevin Nikkel, Winnipeg 2015, p. 13.Michelle Lalumière, Early Photography: Commercial Portraiture, in: Fields of Vision. Women in Photography, eds. Tom Beck, Michelle Lalumière, and Cynthia Wayne, Baltimore 1995, p. 11.Paper in a journal:Judith E. Pike, Poe and the Revenge of the Exquisite Corpse, ‘Studies in American Fiction’ 1998, no. 2, p. 187.Christian Holm, Sentimental Cuts. Eighteenth-Century Mourning Jewellery with Hair, ‘Eighteenth-Century Studies’ 2004, no. 1, pp. 140–141.Charles Dickens, Trading in Death, ‘Household Words’ 1852, no. 140 (27 November), p. 242.When referring to 19th century journals, please add the exact date of the concrete issue.Online resources:David Simkin, Portraits Produced at the London School of Photography Studios, ‘Sussex PhotoHistory’, [online] (accessed 25 May 2018).Making a reference to the sources previously mentioned, please see the example below:1 Christian Holm, Sentimental Cuts. Eighteenth-Century Mourning Jewellery with Hair, ‘Eighteenth-Century Studies’ 2004, no. 1, pp. 140–141.2 Ibidem, p. 277.3 Charles Dickens, Trading in Death, ‘Household Words’ 1852, no. 140 (27 November), p. 242.4 Christian Holm, op. cit., p. 143. [please use such citation form only if there is no other publication by this author quoted in this text]5 David Bate, The Memory of Photography, ‘Photographies’ 2010, no. 2, p. 243.6 David Bate, Daguerre’s Abstraction, ‘Photographies’ 2010, no. 1, pp. 135–137.7 David Bate, The Memory of…, op. cit., p. 244.FIGURES (photographs, drawings, diagrams)All the figures should be numbered continuously as Fig. 1, Fig. 2, etc.Do not insert figures into the text.Figures should be sent in separate files (in *.jpg or *.tif files, minimum resolution 300 dpi), and should be labelled with a sequential number (e.g., Fig1.tif). Each figure must be referenced in text in brackets; the suggested place for the figure should be marked in the text with yellow colour: (Fig. 1).List of captions to figures should be attached to the paper; in the caption give the author of the figure, title of the figure, date, medium and its source.BESIDES THE MAIN ARTICLE PLEASE SEND US ALSO:List of cited literatureThe list of cited literature should be presented at the end of the paper. Form of recording of individual bibliographic entries is dependent on whether we are dealing with a book, an article (chapter) in a collective work, an article in the journal, the electronic source or unpublished source. Note: in case of articles in journals or collective work – mark the whole page range.List of captions to figuresShort bio/information about the author (title and/or degree, field of specialisation, affiliation, max. 800 characters with spaces)Abstract of the article in English (ca. 2000–3000 characters with spaces) and max. 6 key-words.REVIEWING PROCEDUREThe Editorial Board informs that the paper is approved for publication, if it obtains the approval by the editor of the volume and the positive opinion of the reviewer. These persons may or may not indicate the need to make hash of the text or make corrections.The Editorial Board reserves the right to make cuts in the submitted texts before their publication, or to refuse to print them.COPYRIGHTWe remind you on the need to respect copyright laws – this applies not only to text, but also to all the illustrative materials used in the paper.The ghostwriting is not disclosing the name of the person who has made a significant contribution to publications, as an author or co-author of the work. It is also a failure to mention his/her role in the acknowledgments in the publication. This attitude is a manifestation of scientific dishonesty, and if the unmasking of the Editorial Board, will cause a denial of the publication of the text.Please honestly disclose the actual contribution to the creation of publications (including affiliation and contribution, that is, the information about who is the author of the concept, assumptions, methods, etc., used in the preparation of publications). Please also note that the main responsibility rests on the author submitting the manuscript. ................
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