CATALOGING RECORDS DONE FOR PH - University of Arizona
CATALOGING RECORDS DONE FOR PH.D.--O
Subject: 0112472FA
008-0 LN/ENG,CT/XXU,DAT/1994,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/1954,DTP/R,LEN/108,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/NP,RTS/U,STE/N
017-0 __$aLP3901$bU.S. Copyright Office
245-0 00$aOn the waterfront /$ca Horizon picture ; an Elia Kazan production ; screenplay by Budd Schulberg ; based upon an original story by Budd Schulberg ; produced by Sam Spiegel ; directed by Elia Kazan.
260-0 __$aUnited States :$bColumbia Pictures Corporation presents,$cc1954 ;
$aUnited States :$bColumbia TriStar Home Video,$cc1994.
440-1 _0$aColumbia restored classic
500-1 __$aDrama; feature.
500-2 __$a"Suggested by articles by Malcolm Johnson."
508-0 __$aDirector of photography, Boris Kaufman; assistant to producer, Sa
m Rheiner; art director, Richard Day; film editor, Gene Milford. Production mana
ger, George Justin; assistant director, Charles H. Maguire; sound, James Shields
; script supervisor, Roberta Hodes; dialogue supervisor, Guy Thomajan. Wardrobe
supervision, Anna Hill Johnstone; wardrobe mistress, Flo Transfield; hair stylis
t, Mary Roch|be; make-up supervision, Fred Ryle. Music by Leonard Bernstein.
511-1 1_$aMarlon Brando {Terry Malloy}. Co-starring Karl Malden {Father Barry}, Lee J. Cobb {Johnny Friendly}. With Rod Steiger {Charley Malloy}, Pat Henning {"Kayo" Dugan}, Leif Erickson {Glover}, James Westerfield {Big Mac}. Tony Galento {Truck}, Tami Mauriello {Tillio}, John Hamilton {"Pop" Doyle}, John Heldabrand {Mott}, Rudy Bond {Moose}, Don Blackman {Luke}, Arthur Keegan {Jimmy}, Abe Simon {Barney}. And introducing Eva Marie Saint {Edie Doyle}. {Barry Macollum (J.P.); Mike O'Dowd (Specs); Marty Balsam (Gillette); Fred Gwynne (Slim); Thomas Handley (Tommy); Anne Hegira (Mrs. Collins)}.
527-1 __$a"Approved, MPAA, certificate no. 16916."
590-1 __$aBracketed cast credits supplied from Variety review, July 14, 1954.
590-2 __$a"Western Electric Recording."
590-3 __$aCopyright: Columbia Pictures Corp.; 29Jul54; LP3901. Copyright notice on videodisc sleeve: c1954, renewed 1982, Columbia Pictures Industries, Inc.
590-4 __$aWinner of 8 Academy Awards, including Best Picture, Best Actor, Best Supporting Actress, Best Director, Best Original Screenplay, and Best Cinematography.
650-1 _0$aStevedores$zNew York (State)$zNew York$xDrama.
650-2 _0$aRacketeering$zNew York (State)$zNew York$xDrama.
650-3 _0$aTrade-unions$xCorrupt practices$zNew York (State)$zNew York$xDrama.
655-1 _7$aFeatures.$2mim
690-1 __$aAcademy Award films.
700-1 1_$aKazan, Elia.$eproduction,
700-2 1_$aSchulberg, Budd.$ewriting
700-3 1_$aSpiegel, Sam.$eproduction
700-4 1_$aKaufman, Boris.$ecamera
700-5 1_$aDay, Richard,$d1894-1972.$eproduction design
700-6 1_$aMilford, Gene.$eediting
700-7 1_$aShields, James.$esound
700-8 1_$aJohnstone, Anna Hill,$d1913-$eproduction design
700-9 1_$aTransfield, Flo.$eproduction design
700-10 1_$aRoch|be, Mary.$eproduction design
700-11 1_$aRyle, Fred.$eproduction design
700-12 1_$aBernstein, Leonard,$d1918-$emusic
700-13 1_$aBrando, Marlon.$ecast
700-14 1_$aMalden, Karl.$ecast
700-15 1_$aCobb, Lee J.,$d1911-1976.$ecast
700-16 1_$aSteiger, Rod,$d1925-$ecast
700-17 1_$aHenning, Pat,$d1911-1973.$ecast
700-18 1_$aErickson, Leif,$d1911-$ecast
700-19 1_$aWesterfield, James,$d1913-1971.$ecast
700-20 1_$aHamilton, John,$d1887-1958.$ecast
700-21 1_$aSaint, Eva Marie,$d1924-$ecast
700-22 1_$aGwynne, Fred.$ecast
700-23 1_$aJohnson, Malcolm M.$q(Malcolm Malone),$d1904-1976.
710-1 2_$aHorizon Pictures, Inc.
710-2 2_$aColumbia Pictures Corporation.
710-3 2_$aColumbia TriStar Home Video (Firm)
089-1 DC021095,C//MY1,SX#VD573 M,II/LJA,ID/941026
903-1 $a1 videodisc of 1 (laser optical CLV) (108 min.) :$bsd., b&w ;$c12 in.
905-1 RD941026,ACQP,AVS/P,PB,SOU/0991,PHC/001
925-1 GMD/V,SMD/D,COL/B,PF/G,SOM/A,MFS/I,WOD/Z,GS/R,KOS/_,FDT/A,COM/C,FID/199410,STF/N
998-1 $bShot by shot analysis done.$qMissing introduction.
950-1 In 1952 Kazan testified before the House Committee on Un-American Activities (HUAC) naming sympathizers, in order to continue working at 20th Century Fox. As a consequence, some of his associates, including Arthur Miller, turned against him. After Kazan testified, Miller wrote The crucible, a thinly disguised allegory of the recent Communist witch hunts that strongly condemned informing. On the waterfront is allegedly Kazan's response to Arthur Miller's play, since the film glorifies its hero's decision to testify against his former friends and union comrades. Inspired by a series of Pulitzer-Prize winning newspaper articles by Malcolm Johnson, Budd Shulberg's poetic yet brutally realistic screenplay is brilliantly interpreted by Marlon Brando. ..., cont.
950-2 Cont.: ... Brando plays Terry Malloy, an uneducated, inarticulate, confused ex-boxer and dockworker, who finds a way through his confusion with the help of his girlfriend and a tough, no-nonsense priest, and turns the tables on the head mobster and his men who control the New York City docks.
Subject: 0046773FA
008-0 LN/ENG,CT/XXU,DAT/1954,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/____,DTP/S,LEN/___,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/NP,RTS/U,STE/N
017-0 __$aLP3901$bU.S. Copyright Office
245-0 00$aOn the waterfront /$ca Horizon picture ; an Elia Kazan production ; screenplay by Budd Schulberg ; based upon an original story by Budd Schulberg ; produced by Sam Spiegel ; directed by Elia Kazan.
260-0 __$aUnited States :$bColumbia Pictures Corporation presents,$cc1954.
500-1 __$aDrama; feature.
500-2 __$a"Suggested by articles by Malcolm Johnson."
508-0 __$aDirector of photography, Boris Kaufman; assistant to producer, Sam Rheiner; art director, Richard Day; film editor, Gene Milford. Production manager, George Justin; assistant director, Charles H. Maguire; sound, James Shields; script supervisor, Roberta Hodes; dialogue supervisor, Guy Thomajan. Wardrobe supervision, Anna Hill Johnstone; wardrobe mistress, Flo Transfield; hair stylist, Mary Roch|be; make-up supervision, Fred Ryle. Music by Leonard Bernstein.
511-1 1_$aMarlon Brando {Terry Malloy}. Co-starring Karl Malden {Father Barry}, Lee J. Cobb {Johnny Friendly}. With Rod Steiger {Charley Malloy}, Pat Henning {"Kayo" Dugan}, Leif Erickson {Glover}, James Westerfield {Big Mac}. Tony Galento {Truck}, Tami Mauriello {Tillio}, John Hamilton {"Pop" Doyle}, John Heldabrand {Mott}, Rudy Bond {Moose}, Don Blackman {Luke}, Arthur Keegan {Jimmy}, Abe Simon {Barney}. And introducing Eva Marie Saint {Edie Doyle}. {Barry Macollum (J.P.); Mike O'Dowd (Specs); Marty Balsam (Gillette); Fred Gwynne (Slim); Thomas Handley (Tommy); Anne Hegira (Mrs. Collins)}.
527-1 __$a"Approved, MPAA, certificate no. 16916."
590-1 __$aBracketed cast credits supplied from Variety review, July 14, 1954.
590-2 __$a"Western Electric Recording."
590-3 __$aCopyright: Columbia Pictures Corp.; 29Jul54; LP3901. Copyright notice on videodisc sleeve: c1954, renewed 1982, Columbia Pictures Industries, Inc.
590-4 __$aWinner of 8 Academy Awards, including Best Picture, Best Actor, Best Supporting Actress, Best Director, Best Original Screenplay, and Best Cinematography.
650-1 _0$aStevedores$zNew York (State)$zNew York$xDrama.
650-2 _0$aRacketeering$zNew York (State)$zNew York$xDrama.
650-3 _0$aTrade-unions$xCorrupt practices$zNew York (State)$zNew York$xDrama.
655-1 _7$aFeatures.$2mim
690-1 __$aAcademy Award films.
700-1 11$aKazan, Elia.$eproduction,
700-2 11$aSchulberg, Budd.$ewriting
700-3 11$aSpiegel, Sam.$eproduction
700-4 11$aKaufman, Boris.$ecamera
700-5 11$aDay, Richard,$d1894-1972.$eproduction design
700-6 11$aMilford, Gene.$eediting
700-7 11$aShields, James.$esound
700-8 11$aJohnstone, Anna Hill,$d1913-$eproduction design
700-9 11$aTransfield, Flo.$eproduction design
700-10 11$aRoch|be, Mary.$eproduction design
700-11 11$aRyle, Fred.$eproduction design
700-12 11$aBernstein, Leonard,$d1918-$emusic
700-13 11$aBrando, Marlon.$ecast
700-14 11$aMalden, Karl.$ecast
700-15 11$aCobb, Lee J.,$d1911-1976.$ecast
700-16 11$aSteiger, Rod,$d1925-$ecast
700-17 11$aHenning, Pat,$d1911-1973.$ecast
700-18 11$aErickson, Leif,$d1911-$ecast
700-19 11$aWesterfield, James,$d1913-1971.$ecast
700-20 11$aHamilton, John,$d1887-1958.$ecast
700-21 11$aSaint, Eva Marie,$d1924-$ecast
700-22 11$aGwynne, Fred.$ecast
700-23 11$aJohnson, Malcolm M.$q(Malcolm Malone),$d1904-1976.
710-1 21$aHorizon Pictures, Inc.
710-2 21$aColumbia Pictures Corporation.
710-3 21$aScreen Gems.
089-1 DC100989,C//MY2,X#M36257,SX#VA1259 M,II/CHX,ID/880418
903-1 $a1 videocassette of 1 (VHS) :$bsd., b&w ;$c1/2 in.
905-1 RD______,ACQR,AVS/P,PB,SOU/0990,PHC/001
925-1 GMD/V,SMD/F,COL/B,PF/B,SOM/A,MFS/H,WOD/O,KOS/M,FDT/A,COM/C,FID/198804,STF/N
945-1 $rReproduction of 16 mm. safety print (M6505) made by UCLA Film and T elevision Archive for reference collection, 1988.
998-1 $bCopy added from inventory record without viewing or inspection. Shot by shot analysis of print source done.$qMissing introduction.
089-2 DC100989,C//MY1,X#M6505,SX#A1-57-4,II/___,ID/820817
903-2 $a3 reels of 3 (ca. 4800 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
905-2 RD______,ACQD,AVS/R,PB,SOU/0605,PHC/003,FTG/048
917-2 X0001439298
925-2 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198208,STF/N
945-2 $bBooked 7/29/1997, Melnitz 2534 (Kuntz). Booked 8/4/1998, Melnitz 2534 (Kuntz).
998-2 $bShot by shot analysis done.$qMissing introduction.$qLight print.
089-3 DC100989,C//MY2,X#M6267,SX#A1-21-2,II/___,ID/820812
903-3 $a2 reels of 2 (ca. 4000 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
905-3 RD______,ACQD,AVS/R,PB,SOU/0331,PHC/002,FTG/040
925-3 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198208,STF/N
945-3 $bReserved 5/13-14/1993, Stanford Theatre.
998-3 $bShot by shot analysis done.$qMissing 5 shots from the drinking scene with Brando and Eva Marie Saint. Fair condition: many splices (Melnitz cond. report, 7/31/1990).
089-4 DC100989,C//MY2,X#M36252,SX#A1-185-3,II/MPM,ID/880414
903-4 $a3 reels of 3 (108 min.) (ca. 4400 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
905-4 RD______,ACQG,AVS/R,PB,SOU/0972,PHC/003,FTG/044
925-4 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198804,STF/N
998-4 $bShot by shot analysis done. "A Screen Gems film presentation."$qPrint dark in places.
089-5 DC100989,C//MY2,X#M36034,SX#A2-700-22-23,II/DBE,ID/870804
903-5 $a2 videocassettes of 2 :$bsd., b&w ;$c3/4 in.
905-5 RD______,ACQG,NTRNM,AVS/W,SOU/0972,PHC/002
925-5 GMD/V,SMD/F,COL/B,PF/C,SOM/A,MFS/H,WOD/R,KOS/_,FDT/A,COM/C,FID/198708,STF/N
998-5 $aWithdrawn 5/89 per ec; defective tapes.$bCopy added from inventory record without viewing or inspection.
950-1 In 1952 Kazan testified before the House Committee on Un-American Activities (HUAC) naming sympathizers, in order to continue working at 20th Century Fox. As a consequence, some of his associates, including Arthur Miller, turned against him. After Kazan testified, Miller wrote The crucible, a thinly disguised allegory of the recent Communist witch hunts that strongly condemned informing. On the waterfront is allegedly Kazan's response to Arthur Miller's play, since the film glorifies its hero's decision to testify against his former friends and union comrades. Inspired by a series of Pulitzer-Prize winning newspaper articles by Malcolm Johnson, Budd Shulberg's poetic yet brutally realistic screenplay is brilliantly interpreted by Marlon Brando. ..., cont.
950-2 Cont.: ... Brando plays Terry Malloy, an uneducated, inarticulate, confused ex-boxer and dockworker, who finds a way through his confusion with the help of his girlfriend and a tough, no-nonsense priest, and turns the tables on the head mobster and his men who control the New York City docks.
Subject: 0024558FA
008-0 LN/ENG,CT/XXU,DAT/1942,B/M,D/A,ELV_,M/_,RSN,S/D,T/G,DT2/____,DTP/S,LEN/114,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/NP,RTS/U,STE/N
017-0 __$aLP11735$bU.S. Copyright Office
130-0 0_$aOnce upon a honeymoon (1942)
245-0 10$aLeo McCarey's once upon a honeymoon /$can RKO Radio picture ; screen play by Sheridan Gibney ; story by Sheridan Gibney and Leo McCarey ; directed by Leo McCarey.
260-0 __$aUnited States :$bRKO Radio Pictures, Inc. presents,$cc1942.
500-1 __$aSpy film; comedy-romance; feature.
508-0 __$aDirector of photography, George Barnes; special effects by Vernon
L. Walker; gowns by Miss Leslie; art directors, Albert S. D'Agostino, Al Herman; set decorations, Darrell Silvera, Claude E. Carpenter. Music score by Robert Emmett Dolan; montage by Douglas Travers; recorded by James G. Stewart, Richard van Hessen; edited by Theron Warth; assistant directors, James Anderson, Harry Scott.
511-1 1_$aCary Grant {Pat}, Ginger Rogers {Katie}. With Walter Slezak {Baron von Luber}, Albert Dekker {LeBlanc}, Albert Basserman {Borelski}, Ferike Boros {Elsa}, Harry Shannon {Cumberland}, Natasha Lytess. {John Banner (Kleinoch)}.
520-1 __$a"Drama and adult comedy-romance. ... Story picks up Miss Rogers as a naive golddigger and former stripper from Flatbush in Vienna on the eve of her wedding to influential Nazi, Walter Slezak. Grant, American war correspondent, meets her and falls in love, following the honeymooning couple through eastern Europe until he convinces Miss Rogers her husband is Hitler's finger man. She ditches Slezak, after Warsaw bombing, to escape with Grant through Scandinavian countries and eventually land in France, where pair team up with Albert Dekker, American espionage agent in on confidential Nazi information. Pair hop a ship for America, with Slezak disposed of en route"--Variety review, Nov. 4, 1942.
562-1 __$c114 min. short version? (Playing time on release was 117 min., according to: Film daily yearbook, 1943.)
590-1 __$aBracketed cast credite were supplied from: Variety review, Nov. 4, 1942.
590-2 __$a"RCA Sound System."
590-3 __$a"Approved, MPPDA, certificate no. 8518."
590-4 __$aCopyright: RKO-Radio Pictures, Inc.; 4Nov42; LP11735.
650-1 _0$aFortune hunters$xDrama.
650-2 _0$aNazis$zAustria$xDrama.
650-3 _0$aEugenics$xDrama.
650-4 _0$aSpies$zFrance$xDrama.
650-5 _0$aSpies$zUnited States$xDrama.
650-6 _0$aWorld War, 1939-1945$xDrama.
651-1 _0$aWarsaw (Poland)$xHistory$ySiege, 1939$xDrama.
655-1 _7$aSpy films and programs.$2mim
655-2 _7$aFeatures.$2mim
700-1 1_$aGibney, Sheridan,$d1903-$ewriting
700-2 1_$aMcCarey, Leo.$eproduction,$ewriting,$edirection
700-3 1_$aBarnes, George,$d1893-1953.$ecamera
700-4 1_$aWalker, Vernon L.,$d1894-1948.$especial effects
700-5 1_$aLeslie,$cMiss.$eproduction design
700-6 1_$aD'Agostino, Albert,$d1893-1970.$eproduction design
700-7 1_$aHerman, Al,$db. 1889.$eproduction design
700-8 1_$aSilvera, Darrell,$d1901-$eproduction design
700-9 1_$aCarpenter, Claude.$eproduction design
700-10 1_$aDolan, Robert Emmett,$d1908-$emusic
700-11 1_$aTravers, Douglas.$eediting
700-12 1_$aStewart, James G.$esound
700-13 1_$aVan Hessen, Richard.$esound
700-14 1_$aWarth, Theron.$eediting
700-15 1_$aGrant, Cary,$d1904-$ecast
700-16 1_$aRogers, Ginger,$d1911-$ecast
700-17 1_$aSlezak, Walter,$d1902-$ecast
700-18 1_$aDekker, Albert.$ecast
700-19 1_$aBasserman, Albert,$d1867-1952.$ecast
700-20 1_$aBoros, Ferike,$d1880-1951.$ecast
700-21 1_$aShannon, Harry,$d1890-1964.$ecast
700-22 1_$aBanner, John,$d1910-1973.$ecast
710-1 2_$aRKO Radio Pictures, Inc.
710-2 2_$aC & C Television Corporation.
089-1 DC112697,C//MY2,SX#VA14490 M,II/DWX,ID/971112
903-1 $a1 videocassette of 1 (VHS) (114 min.) :$bsd., b&w ;$c1/2 in.
905-1 RD971112,ACQR,AVS/P,PB,SOU/0990,PHC/001
925-1 GMD/V,SMD/F,COL/B,PF/B,SOM/A,MFS/H,WOD/O,KOS/M,FDT/A,COM/C,FID/199711,STF/N
945-1 $rReproduction of 16 mm. safety print (M36779) made by UCLA Film and Television Archive for reference collection, Nov., 1997.
998-1 $bShot by shot analysis of print source done. Copy added from inventory record without viewing or inspection.
089-2 DC052897,C//MY1,X#M36779,SX#A1-156-4,II/ECX,ID/871026
903-2 $a3 reels of 3 (114 min.) (4126 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
905-2 RD______,ACQG,AVS/R,PB,SOU/0102,PHC/003,FTG/041
917-2 X0001443852
925-2 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198710,STF/N
998-2 $bShot by shot analysis done. "RKO #1"--Tape on can. "C & C TV Films, Inc."--Leader, head, r1.$zFootage measured using Cinescan counter.
089-3 DC052897,C//MY2,X#M36995,SX#A1-137-2,II/ECX,ID/871201
903-3 $a3 reels of 3 (114 min.) (4120 ft.) :$bopt sd., b&w ;$c16 mm.$3safety print.
905-3 RD______,ACQG,AVS/N,PB,SOU/0102,PHC/003,FTG/041
917-3 X0001444009
925-3 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198712,STF/N
945-3 $bOut to ARSC, 11/19-26/1997.
998-3 $aConservation copy.$bShot by shot analysis done. "C & C Television corp., Movietime USA"--End credits.$zFootage measured using Cinescan counter.
Subject: 0073882FA
008-0 LN/ENG,CT/XXU,DAT/1948,B/M,D/A,ELV_,M/S,RSN,S/D,T/G,DT2/____,DTP/S,LEN/075,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/UC,RTS/U,STE/N
017-0 __$aLP1946$bU.S. Copyright Office
130-0 0_$aOne touch of Venus (Motion picture)
245-0 00$aOne touch of Venus /$cUniversal International ; Lester Cowan presents ; a William A. Seiter production ; associate producer, John Beck ; screenplay by Harry Kurnitz, Frank Tashlin ; produced by Lester Cowan ; directed by William A. Seiter.
260-0 __$aUnited States :$bA Universal-International release,$cc1948.
500-1 __$aMusical fantasy comedy; feature.
500-2 __$a"Based on the musical play suggested by The tinted Venus by F. Anstey, music by Kurt Weill, book by S.J. Perelman and Ogden Nash, lyrics by Ogden Nash; musical play produced by Crawford and Wildberg, staged by Elia Kazan."
508-0 __$aDirector of photography, Frank Planer. Musical score and new lyrics, Ann Ronell. Art direction, Bernard Herzbrun, Emrich Nicholson; dance director, Billy Daniels; songs arranged and conducted by Leon Arnaud; film editor, Otto Ludwig; sound, Leslie I. Carey, Joe Lapis; set decorations, Russell A. Gausman, Al Fields. Gowns, Orry Kelly; hair stylist, Carmen Dirigo; make-up, Bud Westmore; assistant director, William Holland; special photography, David S. Horsley.
511-1 0_$aThe players: Robert Walker (Eddie Hatch), Ava Gardner (Venus), Dick Haymes (Joe Grant). With Eve Arden (Molly Stewart {Grant in film}), Olga San Juan (Gloria), Tom Conway (Whitfield Savory), James Flavin (Kerrigan), Sara Allgood (landlady).
520-1 __$a"A kiss from a window-decorator brings to life the Anatolian Venus"--Copyright catalog, 1940-1949.
562-1 __$cShort version, possibly edited for television. Missing the following sequences on r1: Eddie waves at Gloria, then bumps into Joe, to whom he complains that Gloria has a one-track mind about marriage. Eddie says he dreamed the statue came to life. Molly shoos the crowd from the room, pretending it was a gag for the statue to be missing. Venus tells Eddie not to worry about his job, as she has powers; he tells her she'll freeze out on the balcony. Eddie re-enacts the statue's coming to life, and Molly says anyone can tell he's not a thief. Missing sequences on r2: Eddie flees with Venus down a fire escape, and Gloria throws a tantrum. Eddie tries to hypnotize Venus into falling asleep, but instead becomes sleepy himself.
590-1 __$a"Western Electric Recording."
590-2 __$aPlaying time on release was 81 min., according to: Film daily yearbook, 1949.
590-3 __$a"Approved, MPAA, certificate no. 13181."
590-4 __$aCopyright: Universal Pictures Co., Inc., & Artists Alliance, Inc.; 16Nov48; LP1946.
650-1 _0$aVenus (Roman deity)
650-2 _0$aDepartment stores$xDrama.
650-3 _0$aShow windows$xDrama.
650-4 _0$aRemote control$xDrama.
655-1 _7$aFantasy comedies.$2mim
655-2 _7$aMusicals.$2mim
655-3 _7$aDance.$2mim
655-4 _7$aFeatures.$2mim
690-1 __$aUCLA preservation.
700-1 1_$aCowan, Lester.$eproduction
700-2 1_$aSeiter, William A.,$d1892-1964.$edirection
700-3 1_$aBeck, John,$d1909-$eproduction
700-4 1_$aKurnitz, Harry.$ewriting
700-5 1_$aTashlin, Frank.$ewriting
700-6 1_$aPlaner, Franz E.,$d1894-1963.$ecamera
700-7 1_$aRonell, Ann.$emusic
700-8 1_$aHerzbrun, Bernard.$eproduction design
700-9 1_$aNicholson, Emrich,$d1913-$eproduction design
700-10 1_$aDaniels, Billy,$d1912-$echoreography
700-11 1_$aArnaud, Leo,$d1904-$emusic
700-12 1_$aLudwig, Otto.$eediting
700-13 1_$aCarey, Leslie I.$esound
700-14 1_$aLapis, Joseph.$esound
700-15 1_$aGausman, R. A.$q(Russell A.),$d1892-$eproduction design
700-16 1_$aFields, A. Roland.$eproduction design
700-17 1_$aOrry-Kelly,$d1897-1964.$eproduction design
700-18 1_$aDirigo, Carmen.$eproduction design
700-19 1_$aWestmore, Bud,$d1916-1973.$eproduction design
700-20 1_$aHolland, William.$edirection
700-21 1_$aHorsley, David Stanley,$d1906-$ecamera
700-22 1_$aWalker, Robert,$d1888-1954.$ecast
700-23 1_$aGardner, Ava,$d1922-$ecast
700-24 1_$aHaymes, Dick.$ecast
700-25 1_$aArden, Eve,$d1912-$ecast
700-26 1_$aSan Juan, Olga,$d1927-$ecast
700-27 1_$aConway, Tom,$d1904-1967.$ecast
700-28 1_$aFlavin, James,$d1906-1976.$ecast
700-29 1_$aAllgood, Sara,$d1883-1950.$ecast
700-30 1_$aAnstey, F.,$d1856-1934.$tTinted Venus.
700-31 1_$aWeill, Kurt,$d1900-1950.$emusic
700-32 1_$aPerelman, S. J.$q(Sidney Joseph),$d1904-
700-33 1_$aNash, Ogden,$d1902-1971.
700-34 1_$aCrawford, Cheryl,$d1902-1986.
700-35 1_$aWildberg, John J.,$d1902-1959.
700-36 1_$aKazan, Elia.
710-1 2_$aUniversal-International Studios.
710-2 2_$aArtists Alliance, Inc.
740-1 01$a1 touch of Venus.
089-1 DC050897,C//MY1,X#M19029,SX#FB0000078337,II/___,ID/821025
903-1 $a5 reels of 5 (ca. 75 min.) (ca. 6780 ft.) :$bopt sd., b&w ;$c35 mm.
$3safety print.
905-1 RD______,ACQD,AVS/R,PB,SOU/0124,PHC/005,FTG/010
925-1 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198210,STF/N
998-1 $bShot by shot analysis done. "1036"--Label on can, r1.$zFootage measured on core with ruler device.
Subject: 0136642FA
008-0 LN/ENG,CT/XXU,DAT/1948,B/M,D/A,ELV_,M/S,RSN,S/D,T/G,DT2/____,DTP/S,LEN/082,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/UC,RTS/U,STE/N
017-0 __$aLP1946$bU.S. Copyright Office
130-0 0_$aOne touch of Venus (Motion picture)
245-0 00$aOne touch of Venus /$cUniversal International ; Lester Cowan presents ; a William A. Seiter production ; associate producer, John Beck ; screenplay by Harry Kurnitz, Frank Tashlin ; produced by Lester Cowan ; directed by William A. Seiter.
260-0 __$aUnited States :$bA Universal-International release,$cc1948.
500-1 __$aMusical fantasy comedy; feature.
500-2 __$a"Based on the musical play suggested by The tinted Venus by F. Anstey, music by Kurt Weill, book by S.J. Perelman and Ogden Nash, lyrics by Ogden Nash; musical play produced by Crawford and Wildberg, staged by Elia Kazan."
508-0 __$aDirector of photography, Frank Planer. Musical score and new lyrics, Ann Ronell. Art direction, Bernard Herzbrun, Emrich Nicholson; dance director, Billy Daniels; songs arranged and conducted by Leon Arnaud; film editor, Otto Ludwig; sound, Leslie I. Carey, Joe Lapis; set decorations, Russell A. Gausman, Al Fields. Gowns, Orry Kelly; hair stylist, Carmen Dirigo; make-up, Bud Westmore; assistant director, William Holland; special photography, David S. Horsley.
511-1 0_$aThe players: Robert Walker (Eddie Hatch), Ava Gardner (Venus), Dick Haymes (Joe Grant). With Eve Arden (Molly Stewart {Grant in film}), Olga San Juan (Gloria), Tom Conway (Whitfield Savory), James Flavin (Kerrigan), Sara Allgood (landlady).
520-1 __$a"A kiss from a window-decorator brings to life the Anatolian Venus"--Copyright catalog, 1940-1949.
590-1 __$a"Western Electric Recording."
590-2 __$aPlaying time on release was 81 min., according to: Film daily yearbook, 1949.
590-3 __$a"Approved, MPAA, certificate no. 13181."
590-4 __$aCopyright: Universal Pictures Co., Inc., & Artists Alliance, Inc.; 16Nov48; LP1946.
650-1 _0$aVenus (Roman deity)
650-2 _0$aDepartment stores$xDrama.
650-3 _0$aShow windows$xDrama.
650-4 _0$aRemote control$xDrama.
655-1 _7$aFantasy comedies.$2mim
655-2 _7$aMusicals.$2mim
655-3 _7$aDance.$2mim
655-4 _7$aFeatures.$2mim
690-1 __$aUCLA preservation.
700-1 1_$aCowan, Lester.$eproduction
700-2 1_$aSeiter, William A.,$d1892-1964.$edirection
700-3 1_$aBeck, John,$d1909-$eproduction
700-4 1_$aKurnitz, Harry.$ewriting
700-5 1_$aTashlin, Frank.$ewriting
700-6 1_$aPlaner, Franz E.,$d1894-1963.$ecamera
700-7 1_$aRonell, Ann.$emusic
700-8 1_$aHerzbrun, Bernard.$eproduction design
700-9 1_$aNicholson, Emrich,$d1913-$eproduction design
700-10 1_$aDaniels, Billy,$d1912-$echoreography
700-11 1_$aArnaud, Leo,$d1904-$emusic
700-12 1_$aLudwig, Otto.$eediting
700-13 1_$aCarey, Leslie I.$esound
700-14 1_$aLapis, Joseph.$esound
700-15 1_$aGausman, R. A.$q(Russell A.),$d1892-$eproduction design
700-16 1_$aFields, A. Roland.$eproduction design
700-17 1_$aOrry-Kelly,$d1897-1964.$eproduction design
700-18 1_$aDirigo, Carmen.$eproduction design
700-19 1_$aWestmore, Bud,$d1916-1973.$eproduction design
700-20 1_$aHolland, William.$edirection
700-21 1_$aHorsley, David Stanley,$d1906-$ecamera
700-22 1_$aWalker, Robert,$d1888-1954.$ecast
700-23 1_$aGardner, Ava,$d1922-$ecast
700-24 1_$aHaymes, Dick.$ecast
700-25 1_$aArden, Eve,$d1912-$ecast
700-26 1_$aSan Juan, Olga,$d1927-$ecast
700-27 1_$aConway, Tom,$d1904-1967.$ecast
700-28 1_$aFlavin, James,$d1906-1976.$ecast
700-29 1_$aAllgood, Sara,$d1883-1950.$ecast
700-30 1_$aAnstey, F.,$d1856-1934.$tTinted Venus.
700-31 1_$aWeill, Kurt,$d1900-1950.$emusic
700-32 1_$aPerelman, S. J.$q(Sidney Joseph),$d1904-
700-33 1_$aNash, Ogden,$d1902-1971.
700-34 1_$aCrawford, Cheryl,$d1902-1986.
700-35 1_$aWildberg, John J.,$d1902-1959.
700-36 1_$aKazan, Elia.
710-1 2_$aUniversal-International Studios.
710-2 2_$aArtists Alliance, Inc.
740-1 01$a1 touch of Venus.
089-1 DC050897,C//MY1,X#M18614,SX#A3-85-4,II/___,ID/821018
903-1 $a5 reels of 5 (82 min.?) (ca. 6790 ft.) :$bopt sd., b&w ;$c35 mm.$3safety print.
905-1 RD______,ACQR,AVS/R,PB,SOU/0990,PHC/005,FTG/010
925-1 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/A,GS/R,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198210,STF/N
945-1 $bOut to AMPASFA (Ed Carter), 4/9-12/1996 (ret.).
998-1 $bOn reserve shelf A3-159, Spring 1996. Shot by shot analysis done. "
UCLA Film Archives"--Head, r1. "1013"--Label on can, r1. Holdings continue on ORION record no. 24795.$dPreservation credit logo spliced in.$qMissing one shot in r1 (compared with commercially released videocassette): a medium shot of Joe walking away. Excellent condition (Melnitz cond. report, 7/11/1996).$rReproduced by the UCLA Film and Television Archive from 35 mm. nitrate comp dupe neg (M5353). Reproduction for preservation purposes permitted by NTA (Republic), 1982.$zFootage of film on core measured using ruler device.
950-1 "A smash hit on Broadway, One touch of Venus boasted an amazing array of talent: book by Ogden Nash and S.J. Perelman, music by Kurt Weill, lyrics by Nash, staging by Elia Kazan, choreography by Agnes de Mille, and Mary Martin as Venus (Weill had initially wanted Marlene Dietrich for the role). Yet from the play's October 1943 opening to the beginning of production of the film, the material underwent a near complete transformation. Soon after the play opened, Mary Pickford purchased the rights for 150,000 dollars down and a percentage of the film profits. The musical would be shot in Technicolor, and the casting of Venus' 12 handmaidens would require a 'nationwide beauty search.' Pickford wanted de Mille to restage her ballets for the film, and contracted with Weill, who worked with Ann Ronell on additional material, to provide the score. Then the problems began. Originally signed to write and direct, Gregory LaCava sued Pickford in March 1945 for over a million and a half dollars ..., cont.
951-1 Preserved by UCLA Film and Television Archive in cooperation with Republic Pictures. Funding provided by the AFI/NEA Film Preservation Grants Program. Laboratory services by Film Technology Company, Inc. Preserved from 35 mm. nitrate fine grain master positive materials.
950-2 Cont.: ... for breach of contract. The project languished for two years, but was renewed when Pickford and producer Lester Cowan decided to make One touch of Venus the first film for their new company, Artists Alliance. They brought in Harry Kurnitz to write a steamlined, non-musical screenplay, and notions of Technicolor and dance numbers were jettisoned. Pickford's role gradually decreased, and her name does not appear in the credits. By the time the film was ready for production, Martin's pregnancy prevented her from repeating her role. All but five of Weill and Nash's 16 songs were dropped, and to avoid potential censorship problems, ann Ronell cleaned up the lyrics of the remaining songs. Though critics have long decried the wholesale changes made to the play, the film remains a charming bit of whimsical romantic fantasy. Some clever musical moments remain. Director Seiter crosscuts between Ava Gardner (dubbed by Eileen Wilson) and Dick Haymes singing a duet-- ..., cont.
950-3 Cont.: ... but they are with different partners on different sets. A showcase for the beauty and newly discovered comedic talents of Gardner, the film, said Variety 'clinches {her} claim to a top spot in the cinema firmament.' And though the film's songs have been sanitized, her flimsy costumes and unabashed sensuality are quite surprising for the time. Robert Walker ably plays the bumbling department store clerk who brings Venus to life, and Eve Arden serves up one of her patented love-starved wisecrackers"--Program notes by Ed Carter. Shown at the 8th Annual Festival of Preservation on July 11, 1996.
Subject: 0024795FA
008-0 LN/ENG,CT/XXU,DAT/1948,B/M,D/A,ELV_,M/S,RSN,S/D,T/G,DT2/____,DTP/S,LEN/082,ACC/_,MEBE0,TEC/L,TYF/M,FORM006,PRC/UC,RTS/U,STE/N
130-0 0_$aOne touch of Venus (Motion picture)
245-0 00$aOne touch of Venus.
260-0 __$aUnited States :$bA Universal-International release,$cc1948.
562-1 __$cContinuation of holdings from ORION record no. 136642.
690-1 __$aUCLA preservation.
089-1 DC050897,C//MY2,X#M21747,SX#A3-17-3,II/___,ID/821228
903-1 $a2 reels of 2 (ca. 4000 ft.) :$bb&w ;$c16 mm.$3safety pic neg.
905-1 RD______,ACQD,AVS/N,PB,SOU/1653,PHC/002,FTG/040
925-1 GMD/M,SMD/R,COL/B,PF/A,SOM/B,MFS/A,WOD/D,RCC/N,FE/B,GS/D,FB/T,KOS/N,KCS/N,FDT/A,COM/C,FID/198212,STF/N
998-1 $bIn 35 mm. cans with trk neg. Copy added from inventory record without viewing or inspection.
089-2 DC050897,C//MY2,X#M21747,SX#A3-17-3,II/___,ID/821228
903-2 $a2 reels of 2 (ca. 4000 ft.) :$bopt sd. ;$c16 mm.$3safety trk neg.
905-2 RD______,ACQD,AVS/N,PB,SOU/1653,PHC/002,FTG/040
925-2 GMD/M,SMD/R,COL/N,PF/A,SOM/A,MFS/A,WOD/D,RCC/N,FE/B,GS/D,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/198212,STF/N
998-2 $bIn 35 mm. cans with pic neg. Copy added from inventory record without viewing or inspection.
089-3 DC050897,C//MY2,X#M16541,SX#XFE2594 -2602 M,II/___,ID/______
903-3 $a9 reels of 9 (ca. 9000 ft.) :$bopt sd., b&w ;$c35 mm.$3safety prsv
comp dupe neg.
905-3 RD______,ACQR,AVS/N,PB,SOU/0990,PHC/009,FTG/009
925-3 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/B,GS/D,FB/T,KOS/M,KCS/N,FDT/A,COM/C,FID/______,STF/N
998-3 $bCopy added from inventory record without viewing or inspection.$rReproduced by the UCLA Film and Television Archive from 35 mm. nitrate comp masterpos (M8308).$Reproduction for preservation purposes permitted by NTA (Republic), 1982.
089-4 DC050897,C//MY2,X#M7556,SX#D33-L15-16-24,II/SMM,ID/820803
903-4 $a9 reels of 9 (ca. 9000 ft.) :$bopt sd. ;$c35 mm.$3nitrate trk neg.
905-4 RD______,ACQD,AVS/N,PB,SOU/0246,PHC/009,FTG/009
925-4 GMD/M,SMD/R,COL/N,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/B,GS/O,FB/I,KOS/M,KCS/N,FDT/A,COM/C,FID/198208,STF/N
998-4 $bCopy added from inventory record without viewing or inspection.
089-5 DC050897,C//MY2,X#M8308,SX#F105-R9-13-21,II/TBX,ID/820730
903-5 $a9 reels of 9 (ca. 9000 ft.) :$bopt sd., b&w ;$c35 mm.$3nitrate comp
masterpos.
905-5 RD______,ACQD,AVS/N,PB,SOU/1653,PHC/009,FTG/009
925-5 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/A,GS/E,FB/I,KOS/M,KCS/N,FDT/A,COM/C,FID/198207,STF/N
945-5 $bOut to M. Agee per depositor 3/1/1996 (ret.).
998-5 $bCopy added from inventory record without viewing or inspection.
089-6 DC050897,C//MY2,X#M11290,SX#G78-R2-1-5,II/TBX,ID/820813
903-6 $a5 reels of 5 (ca. 9000 ft.) :$bb&w ;$c35 mm.$3nitrate dupe pic neg.
905-6 RD______,ACQD,AVS/N,PB,SOU/1653,PHC/005,FTG/009
925-6 GMD/M,SMD/R,COL/B,PF/A,SOM/B,MFS/A,WOD/F,RCC/N,FE/B,GS/D,FB/I,KOS/N,KCS/N,FDT/A,COM/C,FID/198208,STF/N
945-6 $bOut to M. Agee per depositor 3/1/1996 (ret.).
998-6 $bReels broken down into 4 x 2000', 1 x 1000'. Copy added from inventory record without viewing or inspection.
089-7 DC050897,C//MY2,X#M11291,SX#G78-R2-6-10,II/TBX,ID/820813
903-7 $a5 reels of 5 (ca. 9000 ft.) :$bopt sd. ;$c35 mm.$3nitrate dupe trk
neg.
905-7 RD______,ACQD,AVS/N,PB,SOU/1653,PHC/005,FTG/009
925-7 GMD/M,SMD/R,COL/N,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/B,GS/D,FB/I,KOS/M,KCS/N,FDT/A,COM/C,FID/198208,STF/N
998-7 $bReels broken down into 4 x 2000', 1 x 1000'. Copy added from inventory record without viewing or inspection.
089-8 DC050897,C//MY2,X#M5353,SX#F103-R14-20-28,II/TBX,ID/820721
903-8 $a9 reels of 9 (ca. 9000 ft.) :$bopt sd., b&w ;$c35 mm.$3nitrate comp
dupe neg.
905-8 RD______,ACQD,AVS/N,PB,SOU/0246,PHC/009,FTG/009
925-8 GMD/M,SMD/R,COL/B,PF/A,SOM/A,MFS/A,WOD/F,RCC/N,FE/B,GS/D,FB/I,KOS/M,KCS/N,FDT/A,COM/C,FID/198207,STF/N
998-8 $bCopy added from inventory record without viewing or inspection.$qSafety print made from this is missing one shot in r1 (compared with commercially released videocassette): a medium shot of Joe walking away.
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