Stephen king the outsider book vs show

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Stephen king the outsider book vs show

Do you wish you were a brilliant writer? Stephen King has written over 50 books and has millions of fans. As one of the most popular horror writers alive, he knows how to write an interesting and captivating book, and he has just published a book called ¡°On Writing¡± that provides valuable insights on how

to improve your writing.Check out 15 pieces of advice from Stephen King¡¯s book on how to be a better writer here.1. Don¡¯t Worry Too Much About Grammar¡°Language does not always have to wear a tie and lace-up shoes,¡± advises King. If you are telling a story, the most important part is to tell the story

well so don¡¯t worry too much about focusing on grammar. When someone is reading a great story, they often forget they are even reading at all.2. Utilize The Power Of Description¡°Description begins in the writer¡¯s imagination, but should finish in the reader¡¯s,¡± writes King. Make sure your descriptions are

clear and concise, and don¡¯t get too lost in your own writing. Keep the story going and use simple vocabulary so as not to confuse the reader. 3. Don¡¯t Be Pretentious¡°One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you¡¯re maybe a little

bit ashamed of your short ones,¡± says King. Speak clearly and try to avoid using jargon.4. Prepare And Plan For Criticism¡°If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that¡¯s all,¡± writes King. Continue to write even when you don¡¯t feel like it,

and remain optimistic whenever you encounter failure.5. Don¡¯t Focus On Trying To Please Others¡°If you intend to write as truthfully as you can, your days as a member of polite society are numbered anyway,¡± King writes. King himself has received many angry letters from people who dislike his work. Not

every person who reads your book will love it ¨C and that¡¯s fine.On writing, King says, ¡°I did it for the pure joy of the thing. And if you can do it for joy, you can do it forever.¡± Your work shouldn¡¯t get you down; it should inspire and excite you ¨C it should be one of your passions. 7. Write Without

DistractionsKing advises you to write without distractions; ¡°Write with the door closed; rewrite with the door open.¡± Shut the door and turn off your phone so you can fully connect with your writing.8. Write About Everything, Including The Bad Stuff¡°The most important things are the hardest things to say,¡±

says King. ¡°They are the things you get ashamed of because words diminish your feelings.¡± If your writing is going to be well-rounded and full, you will eventually have to cover a negative or difficult subject. Don¡¯t fear these subjects ¨C throw yourself right in!9. Don¡¯t Steal Someone Else¡¯s VoiceKing believes

that ¡°you can¡¯t aim a book like a cruise missile.¡± Instead of creating pale imitations of other people¡¯s work, explore all the corners of your own mind and experiences to create something unique and original.10. Take Your Work Seriously¡°You can approach the act of writing with nervousness, excitement,

hopefulness, or despair,¡± says King. ¡°Come to it any way but lightly.¡± If you do not believe in your work or you treat it lightly, you may need to put the pen down for a while and come back to writing in the future. ¡°I¡¯m convinced that fear is at the root of most bad writing,¡± King says. The best writers have their

own styles and regularly break the rules of conventional writing. Don¡¯t fear your mind; embrace it and see what you create!12. Write Every Day¡°Once I start work on a project, I don¡¯t stop, and I don¡¯t slow down unless I absolutely have to,¡± says King. Writing shouldn¡¯t be a job you hate, and writing every

day stops the story going stale in your mind.13. Finish Your First Draft In Three Months¡°The first draft of a book ¡ª even a long one ¡ª should take no more than three months, the length of a season,¡± he says. Writing every day will help you to achieve this, and it helps you to stay committed to this big

project.14. Don¡¯t Fear Cutting Your WorkMany writers struggle to cut parts of their writing that they particularly enjoyed, but King advises, ¡°Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler¡¯s heart, kill your darlings.¡± It may be tough, but is important to cut out the dull

parts to keep the story flowing. Try to remember that your first draft is almost never the same as the final draft. 15. Take A Break From Your Work Before You Come Back To ItWhen you¡¯re finished writing, take a break for a few weeks before you read your writing. King suggests 6 weeks, which means

you will have a clear, unbiased head when you finally read your writing.What did you think of this list? Share it with your friends who love to write and see what they think!Featured photo credit: NY Post via No one knows how to spin a horror yarn like Stephen King, prolific author, proud Mainer

and owner of an unbelievably cute corgi. King has written dozens of novels and countless short stories, so it's no surprise that directors from Brian de Palma to Rob Reiner have adapted his work for the big screen. While a lot of King adaptations fall flat (it's hard to translate literary horror to a visual

medium), there are a dozen films that are just as chilling, unsettling and/or heartbreaking as the books that inspired them. With the debut of Stranger Things Season 3, which is largely an homage to King's oeuvre, now is the perfect time to enjoy a story from the master of horror.(Image credit: Brooke

Palmer/Warner Bros.)In the gap between the releases of Stranger Things Season 1 and Season 2, a remake of Stephen King's It reminded the world that the author is king when it comes to kids from broken homes tackling supernatural evil. Arriving after years of frustrated clashes with directors and

Warner Bros., which caused directors David Kajganich and Cary Fukunaga to drop out of the project, Andr¨¦s Muschietti finally cracked the code to bringing Pennywise to the big screen. The film thrives thanks to its pack of excellent child actors, led by Jaeden Martell playing Bill Denbrough with a relatable

fragility, and Sophia Lillis (Sharp Objects) as Beverly Marsh, who instantly comes across as a star. Bill Skarsg?rd also impressed many viewers with his performance as Pennywise, thanks to uber-creepy voice work and facial mannerisms. This film only tells one half of King's massive novel; It: Chapter 2

is coming on Sept. 6. ¡ª Henry T. CaseyThe Mist (2007)The Mist is one of King's creepiest novellas, relying on tension and atmosphere for scariness, rather than monsters and violence. (Although ¨C rest assured ¨C there are plenty of monsters and violence as the story progresses.) Frank Darabont

directed a fairly faithful adaptation in 2007, starring Thomas Jane as suburban dad David Drayton, and Nathan Gamble as his son, Billy. When a strange mist descends upon a small town in Maine (where else?), David and Billy hole up with a group of other survivors in a grocery store. As the days wear

on and mysterious creatures start to beat at the doors, the townsfolk split into different camps: Some want to stay, some want to go, and some are convinced that the creatures are some sort of inescapable religious apocalypse. While Darabont changed the novella's more ambiguous ending, King himself

liked the new spin, and audiences liked the film in general. ¡ª Marshall Honorof1408 (2007)1408 is not exactly The Shining, but this mind-bending thriller set in a haunted hotel has enough scares to keep you glued to the screen. John Cusack gives an inspired performance as a skeptical author in search

of a haunted house on which to base his next novel. Ignoring the advice of Gerald Olin (Samuel L. Jackson), Cusack checks into 1408, a haunted room that has supposedly claimed more than 50 victims. It's not long before the supernatural reveals itself and forces Cusack to face his fears head-on. The

thrills will stay with you long after the credits roll, but it's the surprisingly tender moments that elevate 1408 above the many disappointing Steven King adaptations. ¡ª Phillip TracyThe Green Mile (1999)Stephen King has often been compared to Charles Dickens ¨C a popular writer who captures the spirit of

the time better than any number of highfalutin literary types. King himself is a big Dickens admirer, and The Green Mile was King's serial novel experiment in a Dickensian style. Like a lot of good King adaptations, the film follows the book's story almost beat-for-beat. Tom Hanks plays Paul Edgecomb, a

Depression-era prison warden who oversees death row inmates before they walk "the green mile" that leads to the electric chair. One such inmate is John Coffey (the late, great Michael Clark Duncan), a huge black man who, despite his protestations of innocence, makes an easy scapegoat for a brutal

murder. As it turns out, though, Coffey also has a magical gift to heal people ¡ª but it's not guaranteed to save his own life. ¡ª Marshall HonorofThe Shawshank Redemption isn't just one of the best Stephen King adaptations; it's one of the best movies ever made, at least according to IMDB. Based on

King's novella "Rita Hayworth and Shawshank Redemption," this movie follows Red (Morgan Freeman), a long-term inmate at Shawshank State Prison in Maine. There, he meets up with newcomer Andy Dufresne (Tim Robbins), a mild-mannered accountant who insists, against all evidence, that he is

innocent of a murder charge. The film explores the friendship that develops between Red and Andy, as well as how prison changes a person's psyche and expectations over time. One thing that works in Shawshank's favor is that it's almost identical to the short book that inspired it, including every major

plot point and streamlining only a few minor characters. ¡ª Marshall HonorofMisery (1990)(Image credit: Merrick Morton/Columbia Pictures)The book is always better than the movie, but with Misery, the movie comes pretty close. Kathy Bates has a stellar turn as Annie, the psychotic Number 1 fan of

writer Paul Sheldon (James Caan). She looks after him during his convalescence after a car accident, snowbound in a Colorado cabin. When she realizes he¡¯s killed off her favorite character ¡ª the eponymous Misery ¡ª Annie forces him to bring Misery back to life, literarily-speaking, through means that

are sweetly horrifying. ¡ª Mike ProsperoThe Running Man (1987) It may seem more like a Philip K. Dick story, but The Running Man¡¯s dystopian look at crime, punishment and entertainment is all King. Ben Richards (Arnold Schwarzenegger) is a police officer framed for a mass murder, and his sentence

is set to air on the Running Man TV show, where he must evade a number of stalkers bent on killing him. Made during the middle of Schwarzenegger¡¯s mid-80s run of action movies, this flick is loaded with cartoonish violence and horrible one-liners. The best: ¡°Here's Subzero! Now... plain zero!¡± ¡ª Mike

ProsperoStand By Me (1986)¡°You guys wanna see a dead body?¡± This simple but morbid proposition is too much for four adolescent boys to pass up. Wil Wheaton, River Phoenix, Corey Feldman and Jerry O¡¯Connell star in this coming-of-age story that also features then-up-and-coming actors such as

Kiefer Sutherland and John Cusack. While the premise is ghastly, the movie will leave many men in the midst of their midlife crises wistful for days of childhood idyll. ¡ª Mike ProsperoFirestarter is a bit of a mess, I can¡¯t lie. But what¡¯s not to love about tiny Drew Barrymore starring as a pyrokinetic badass

who can conjure fireballs out of thin air? This is a classic, if not exactly amazing, Stephen King story brought to life. Barrymore, fresh off her turn as the lovable Gertie in E.T., stars as Charlie, whose parents subjected themselves to government-run science experiments while in college and gained special

powers as a result. Charlie¡¯s abilities are more powerful than her parents¡¯ are: She can start fires with her mind. The government agents who track down her family and try to abduct Charlie eventually come to rue the day they pissed off a firestarter. ¡ª Caitlin McGarryThe Dead Zone (1983)After waking up

from a five-year coma, Johnny Smith (Christopher Walken) realizes he¡¯s gained the ability to peer into other peoples¡¯ futures when he touches them. But what initially seems like a gift turns out to be something else when he comes in contact with presidential candidate Greg Stillson (Martin Sheen) and the

politician's grim destiny. Walken is on the top of his creepy game, and Sheen is the polar opposite of his other presidential role on The West Wing.¡ª Mike ProsperoThe Shining (1980)The Shining is as much a Stanley Kubrick film as it is an adaptation of Stephen King's classic, and the movie strips away

some of the Torrances' backstory along the way. The result is an amazingly well-paced film that's commonly seen as a master class in horror. While Jack Nicholson's iconic performance grounds the film in emotional stress, the movie also stands out thanks to a mix of visual thrills and memorable shots.

While today's audiences might not feel surprised by the shot that follows young Danny as he drives his big wheel around the haunted Overlook Hotel, it was practically revolutionary at the time, as it used the then-novel Steadicam. ¡ª Henry T. Casey(Image credit: Corbis/Getty)Just as Carrie, the novel,

launched Stephen King's writing career, Carrie the movie helped director Brian de Palma hit the big leagues. This film doesn't hew as closely to the book as some other King adaptations, but the core of the story is still there. Carrie White (Sissy Spacek) is a gawky, unpopular teenage girl who mysteriously

develops telekinetic powers when she gets her first period. Carrie's overbearing, religious fundamentalist mother Margaret (Piper Laurie) is sure that Carrie's powers are a sign of the devil, which only makes matters worse. Carrie's newfound powers also don't shield her from the cruelties of her fellow

classmates, which culminate in a horrifying prank at her prom. Carrie works as both a horror film and a teenage drama, even if the ending is a little different from the book. ¡ª Marshall Honorof

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