Boston University



HISTORICAL TRAVEL WRITING AND PUBLIC HISTORY

Gerald Gutek, Professor Emeritus, Education and History, Loyola University Chicago

While visiting President Bill Clinton’s birthplace in Hope, Arkansas, I read this excerpt from Clinton’s dedication of the site on March 12, 1999. He said, “I believed then and I believe now, the places we come from say a lot about us. And places like this say a lot about America…That’s why people take family trips to towns like Lamar, Missouri, to see the birthplace of Harry Truman—it’s a small white frame house, just 20 feet by 28 feet—why they go to Stonewall, Texas, to see the two-story farmhouse where Lyndon Johnson was born. …

“We visit these places not because great events happened there, but because everyday events happened there. Not because they’re grand but precisely because they are ordinary—the modest home of modest people. We make them into landmarks because they remind us that America’s greatness can be found not only in its large centers of wealth and culture and power, but also in its small towns, where children learn from their families and neighbors the rhythms and rituals of daily life.”[1]

I did graduate work in Education and History at the University of Illinois (Urbana); my master’s degree was in American history (1959) and my doctorate in the history of education (1964). I completed my graduate work before public history had developed as a subfield in history; I had no courses in public history, material culture, or historic preservation.

My interest in historical travel writing originated when I was researching a book on Joseph Neef, an early nineteenth-century Pestalozzian educator, at New Harmony, Indiana, in the late 1960s. New Harmony, the location of two communal societies—the Harmonists and the Owenites—was in the early stages of a thorough-going historic restoration. The restoration process at New Harmony fascinated my wife and me so much that we joined the National Historic Communal Studies Association, a group interested in historic communal societies and sites. The Association’s annual meetings took us to the Shaker, Harmonist, Inspirationist, Oneida, and other outdoor museums featuring communal groups.

Because Pat and I were frustrated by the lack of guidebooks to these historic outdoor museums, we decided to write them. We have authored historical travel guides to museum villages, southern plantations, utopian communities and presidential homes and libraries. Our titles include: Exploring the American West: A Guide to Museum Villages (1989); Experiencing America’s Past: A Travel Guide to Museum Villages 2e (1994); Plantations and Outdoor Museums in America’s Historic South. (1996), Visiting Utopian Communities: A Guide to the Shakers, Moravians, and Others (1998) and our most recent publication Pathways to the Presidency, A Guide to the Lives, Homes, and Museums of the U.S. Presidents (2011). Our books have been published by the University of South Carolina Press.

Since museum villages are the primary focus of our travel guidebooks, a definition is in order. Museum villages are generally carefully selected and arranged collections of original buildings grouped to illustrate the way of life—architecture, economics, industry, furniture, society, and culture—of a community representative of a particular historical period.

Among the various types of museum villages are restored villages, once actual communities with original buildings on their original sites; examples are Colonial Williamsburg in Virginia and Old Salem in Winston-Salem, North Carolina. Recreated villages are composed of either original buildings or well-researched, newly constructed facsimiles brought together on an arbitrary site. Examples are Old World Wisconsin and Greenfield Village, Michigan. Reconstructed villages are rebuilt on their original sites but consist primarily of new structures; New Salem, Illinois is an example.

Presidential homes and libraries are another subject about which we have written. America’s most recent presidents have their own libraries and museums, part of the National Archives system. Presidential libraries are not conventional libraries. A presidential library is part museum and part archive, with permanent and temporary exhibits. They preserve the written record and physical history of our presidents, while providing special programs and exhibits. President Reagan called these libraries “classrooms of democracy.”

President Franklin Roosevelt pioneered the concept of a presidential library. He raised private funds and built his library, which he gave to the U.S. government for operation through the National Archives. In 1955, this process became law when the U.S. Congress passed the Presidential Libraries Act. A presidential library is privately funded and built and publicly maintained. At its dedication, the library is handed over to the National Archives. Right now, President George W. Bush’s Library in Dallas, Texas, is being constructed and will become a part of the National Archives system after it is completed.

The museums, at their beginning with Presidents Hoover and Truman, were rather straightforward buildings, with collections that told their story as a president in simple and direct terms. Presidential libraries and museums of the more recent presidents are large and impressive, with magnificent displays on the presidency, videos and motion pictures, and interactive programs. Each former president oversees the location of his library, its architect, and the material that will be included in the exhibits. Presidential museums reveal very much the character, outlook, and perspective of the man for whom they are named.

The most direct connection to public history is that museum villages, and presidential homes and libraries are public sites open to visits by the world at large. Some sites are maintained by federal, state, or local agencies and others by private foundations or groups.

Our research strategy involves: (1) identifying and locating the site; (2) researching materials from the particular site and books and articles such as autobiographies, biographies, and histories about the person, as with the presidents, or the group, as with the communitarians, featured at the site. (3) writing a first draft which serves as our guide to the site; (4) visiting the site, taking the tours, taking copious notes, and many photographs. to test the adequacy of our preliminary text. (5) revising the manuscript to incorporate new aspects from the site visit.

Our goal is to write a readable guide that will be useful to our primary audience—travelers who are interested in historic places. We seek to write in a style that reaches a wide range of readers and that is historically accurate. We specify logistical information about the location of the site, times and dates when it is open, and addresses, phone numbers and web sites. We also provide historical background on the sites such as a biographical sketch of a particular president, or the background of a particular group such as the Shakers. Then, we provide a tour of the site.

To make the site visit an informative and enjoyable experience for the traveler, we describe the houses or the buildings on the tour and their furnishings as physical artifacts and relate the site to the person, family, or group who lived and worked there. For example, if the site is the Harmonist site at Old Economy, Pennsylvania, the challenge is to tell the story of the Harmonists in terms of their leaders and religion and its homes, shops, and gardens.

One of the most difficult lessons we have learned as authors is that museums are not frozen in time. They change. Museums expand by adding additional buildings, constructing new wings, or reconstructing buildings that had been torn down. Major exhibits are redesigned and buildings are remodeled. Historical and archaeological research can uncover evidence which affects the site. For instance, Mount Vernon which has been a site open to the public for 150 years reconstructed a whiskey distillery in 2007.

The Nixon Library, which opened in 1990, was originally operated by a privately funded nonprofit institution of Nixon supporters known as the Richard Nixon Library & Birthplace Foundation. There was virtually no information regarding Watergate and its impact on the Nixon presidency. The exhibits in the Nixon Library were completely overhauled when the Nixon Library finally became a part of the National Archives and Records Administration in 2007.

Relationship to Public History

As I warned you earlier, I was prepared as an historian before public history emerged as a field. As an amateur travel writer, I’ll now discuss the travel guide from the perspective of an amateur public historian.

First, there is the author’s decision on what should be included or excluded from the guide. This decision faces all writers. Historical travel guides need to accomplish two difficult tasks: accurately describing and interpreting a site and being succinct. Our definition of the type of site aids in making the selection. In the case of museum villages, we were able to select the best sites. However, in the book on the presidents, we did not have the luxury of weeding out the worst ones. We needed to include every president and any of his homes, museums, and libraries that were historic sites open to the public.

Second, the guide is about a public space, some type of museum setting, that makes the subject—a U.S. President or the Shakers, accessible to a public or general audience. Thus, there is a linkage between a public space and a public audience. The openness of a public space means that it is not privileged for the expert or academic scholar. Entry to the space is by buying a ticket for admission, not by holding a certificate.

Third, the style of writing, the narrative in the guide, like the site, needs to be publically accessible to a variety of readers with a wide range of interests. The thread that unifies these travelers is an interest in the past. Working to write a readable text does not mean being simplistic; it means being conversational with readers who may not be academic experts. However, many of the travelers to these sites often bring with them their own expertise. If the subject is Calvin Coolidge, some visitors will know him thoroughly. Others will be very knowledgeable about the artifacts, especially the antique furniture and the painting and objects at the site; still others will be knowledgeable and very interested in the architecture and construction of the buildings. Still other visitors will be visiting the site just because they happen to be in the vicinity. This means as writers we need to know our readers. We learn about the visitors to these historic sites by being visitors ourselves. By going on as many guided tours as we possibly can and by listening to the docents and the comments and questions of the members of the tour, we come to know our readers.

Fourth, there is the relationship between description and interpretation. We need to provide an accurate description of the location, buildings, furnishing and artifacts of a site. In terms of interpretation, the larger sites, especially those managed by the National Park Service or large foundations as at Jefferson’s Monticello or Colonial Williamsburg, are expertly interpreted by public historians. However, other sites, including some of those related to the U.S. Presidents, are maintained by small local societies and staffed by community volunteers. In these cases, our interpretation needs to be more extensive and requires more research.

My paper examined the origins of my interest in writing historical travel guides and where this interest has taken my wife and me.

BIBLIOGRAPHY

Gutek, Gerald L. and Gutek, Patricia A. Experiencing America’s Past: A Travel Guide to Museum Villages. Columbia, SC: University of South Carolina Press, 1994.

Gutek, Gerald L. and Gutek, Patricia A. Exploring the American West: A Guide to Museum Villages. New York: Hippocrene Books, 1989.

Gutek, Gerald L. and Gutek, Patricia A. Pathways to the Presidency: A Guide to the Lives, Homes, and Museums of the U.S. Presidents. Columbia, SC: University of South Carolina Press, 2011.

Gutek, Gerald L. and Gutek, Patricia A. Plantations and Outdoor Museums in America’s Historic South. Columbia, SC: University of South Carolina Press, 1996.

Gutek, Gerald L. and Gutek, Patricia A. Visiting Utopian Communities: A Guide to the Shakers, Moravians, and Others. Columbia, SC: University of South Carolina Press, 1998.

I

-----------------------

[1] . President Clinton’s dedication of the Clinton Birthplace on March 12, 1999.

................
................

In order to avoid copyright disputes, this page is only a partial summary.

Google Online Preview   Download