International Association For The Study of Popular Music ...



Preliminary Program for IASPM-US 2020Thursday May 21:10:00-12:00Welker: Executive Committee Meeting2:00-4:00Anderson ABC: Christian Punk: Identity and Performance“Grow a Beard and Be Somebody”: Disavowal and Vector Space at Rocketown, Nashville Joshua Kalin Busman, UNC PembrokeTodd and Becky: Authenticity, Dissent, and Gender in Christian Punk and MetalNathan Myrick, Mercer University“A heterosexual Male Backlash”: Punk Rock Christianity and Missional Living at Mars Hill Church in Seattle, WashingtonMaren Haynes Marchesini, Carroll College“Lift Each Other Up”: Punk, Politics, and Secularization at Christian FestivalsAndrew Mall, Northeastern UniversityAnderson D: African Popular MusicTwice in a Lifetime: Remain in Light and the African Global ImaginationSophie A. Brady, Princeton UniversityCultural Appropriation or Homage? Fela Kuti and Die AntwoordJimmi Carr, Western Sydney UniversitySame Difference: The Racial Politics of Cover Songs in Cape Town’s Kaapse KlopseFrancesca Inglese, Northeastern UniversityKwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South AfricaXavier Livermon, University of Texas2210 ABC: Music and RaceRace-ing The Rock: Mixed Race identity and the Timbral Mainstreaming of Dwayne Johnson’s WWE Entrance Music, 1997-2013Christopher Wells, Arizona State UniversityUK Grime Music as a Practice of Refusal: Exploring the Role of Black Women and Queer MC’s Challenging the Grime Scene’s Black Male DominanceCheraine Donalea Scott, New York UniversityKendrick Lamar’s Rhythmic Praxis and Black Arts Movement AestheticsMitchell Ohriner, University of DenverFive and Dimed: Prince and the Black American Working Class, 1980-1985Robert Loss, Columbus College of Art and DesignPond: GenreKraftwerk on the Coast: Electro Rap and Techno Hop in Los Angeles and ComptonSean Nye, University of Southern CaliforniaLittle Miss Brenda Lee, The Original “Crossover” QueenPhoebe Hughes, Ohio State UniversityThe Sacred Sounds of the Great Migration: Tracing “The Guitar Evangelist” from Alabama to Pittsburgh’s Hill DistrictJohn Bagnato, University of Pittsburgh“Where the Rhymes At?”: How Contemporary Hip-Hop Artists are Transforming Notions Of LivenessKevin P. Green, UCSD4:10-6:10Anderson ABC: Mothership Connection, from funk to techno (1975-1988): Analyzing the Urban context of the pre-techno decade in Detroit Participants: Norm Talley, Alton Miller, Melvin Hill, Alia Benabdellah (chair)Anderson D: AgeRusty Buildings and White Picket Fences: Disillusionment as a Place for Generation-XSaesha Senger,Forever Eighteen: Alice Cooper and His Comedy of Canes and CrutchesKelso Molloy, New York UniversityGet Off My…Lawn: The Confrontation of Youth and Middle Age in Hip-HopJohn Paul Meyers, University of IllinoisWhat are the Teaches of Peaches?David Madden, Pepperdine University2210 ABC: IndustryAnthologizing Rock and Roll: Rhino Records and the Repackaging of Rock HistoryDaniel Goldmark, Case Western UniversityLost Recordings, “Recording” and Modernity in Jazz Age HartfordTyler Sonnichsen, Central Michigan UniversityJAZZ IS DEAD – Long Live JazzAndrew Kluth, Case Western UniversityPromotion Effects in Arcade Fire’s Everything NowMark Samples, Central Washington UniversityPond: “…Where I Can and Can’t Go”: Kanye West and Space“Lost In the Woods”: Bon Iver, Kanye West and EnvironmentalismCana F. McGhee, Harvard UniversityKanye Goes West: Trump-Era American Masculinity and West’s Wyoming SessionsSiriana Lundgren, Harvard UniversityThis Voice from Heaven: Ritual and Sanctity of Kanye West and the Coachella MountaintopChris Benham, Harvard University6:30-8:30 PMKuenzel: Evening PlenaryCalling All Music Writers! Diversity and Inclusion at the IASPM-US Conference Panelists: Kimberly Mack, Kathy Meizel, Kwame Harrison, Tiffany Naiman, Kathryn Metz, Elijah Wald, Eric HungFriday, May 228:30-10:30Anderson ABC: Black Women in Contemporary MusicSuck on My Balls, Bitch: A Paradigm ShiftHannah Strong, University of PittsburghThe Imagined Things: on Solange, Repetition and MantraKwame Phillips, John Cabot UniversityJane(lle) Monae: Android Made FleshLarissa Irizarry, ’Daddy Said Shoot’: Race, Genre, and Beyonce and the Dixie Chicks’ Collaboration at the 2016 Country Music AwardsCloe Gentile and Lauren Vanderlinden, UCSBAnderson D: Music and PlaceWHO DAT? Music, Media and the (Re)defined Spirit NationSarah Suhadolnik, University of IowaHave Tresillo, Will Travel: How “Take Me to Mardi Gras” Unveils a Rhythm’sSociohistorical JourneyWarner N. Sabio Sr., University of PittsburghWelcome to the Jungle: Post-War Exotica and Its RelationsJennifer MesselinkThe End of Song: Improvisation as Social Critique in Contemporary BrazilJames McNally, University of Illinois at Chicago2210 ABC: Music and LawCopyright, Popularized Folk Music, and the Semiotics of Musical CreativityDave Fossum, Arizona State universityWhat Music Copyright Law Can Learn from Crazy Ex-GirlfriendDana Devlieger, Restricted Spaces for Scripted Reality: The Voice, Auditions and Non-DisclosureDavid Arditi, University of Texas at ArlingtonFailure to Thrive: Royalty Accounting and the Dispossession of Recording SingersMatt Stahl, Western Ontario, and Olufunmilayo Arewa, Temple University Pond: Whiteness and the VoiceTin Pan Alley’s Lace Curtains: Irish Diaspora and Italian opera in the Music ofChauncey OlcottSarah Gerk, Binghamton UniversityPopular Styles, Musical Topics, and the Integration in Early Broadway MusicalsGreg Decker, Bowling Green State UniversityEveryone in Harmony? Preservation, Inclusivity and Musical Style in the Present-Day Barbershop Harmony SocietyClifton Boyd, Yale UniversityWhiteness as Vocal Aesthetics: An Ethnography of Judging Practices within Collegiate A Cappella CompetitionsDaniel Fister, Washington University in St. Louis Wolverine: JazzAmericana a la Russe: Jazz and Popular Song in Russian Ballets for American Audiences of the 1920s through the 1940sAlexis L. WittPrimal Scream: Maynard Ferguson, Pop Jazz, and the Physicality of VirtuosityKen Prouty, Michigan State University Policing the Vibe: Mythology and the Construction of Jazz PlaceMark McCorkleSonny Rollins, YogiJohn Capusta, University of Rochester10:45-12:45Anderson ABC: Histories of PerformanceHip Hop Under and Overground: Live Performance and Rap Crossover in the Early 1980sSteve Waksman, Smith CollegeAudio Two’s “Top Billin’”: A Beat that Moved Because of it was PeopledEric Weisbard, University of Alabama‘Permanently Closed’: Dissonant heritage and the Preservation of the GrandeBallroomLeonieke Bolderman, University of GroningenShirley Caesar, Civil Rights, and the Black Gospel Music Market Economy, 1966-1975Angela Nelson, Bowling Green State UniversityAnderson D: Music and Feminist TheoryMany Small other Worlds: Feminist Movement in the Music of the OpheliasDan Di Piero, Miami University (Ohio)Untypical Girls: Gender, Age and PunkNorma Coates, University of Western OntarioArtivism in Oakland: Sh8peshifter’s Ecowomanist MusicRachel Wilson Cota“As the Model Breaks”: Resisting Imposed identity with Meta-Songwriting onSleater-Kinney’s All Hands on the Bad OneHannah Blanchette, University of Cincinati2210 ABC: Detroit#detroitaintdead: Jittin Has RisenMelanie Anastacia Van Allen, Enter the Void: Timbre, Techno, and Modes of EmbodimentMaria Perevedentseva, Goldsmith’s College, UCLCars and Guitars: The Sounds of Liberation?Lindsey Eckenroth, Driving Rhythms: Automobility, Automation, and Trans-Pacific Musical TimeGreg J. Smith, McMaster UniversityPond: GentrificationLast Two Dollars: Tips, Tourism, and Musical Labor on Beale StreetLydia Warren, University of VirginiaElectric Avenue: Race, Real Estate, and the Gentrification of VinylMichael Palm, UNC Chapel HillNot Go-Going Anywhere: Music and the Construction of a Gentrification ResistanceLynn Addington and Sonya Grier, American University‘From Bagley’s to Spiritland’: Audiophile bars and the gentrification of listeningBen Assiter, Goldsmith’s College, UCLWolverine: Mobilizing Korea: Renegotiating Transnational Identities in Korean PopThe White paper project: Reimagining Koreanness in the American K-Pop MarketStephanie ChoiZ-POP DREAM PROJECT, Technology, and Trans/National K-PopSo-Rim LeeNational Identity in Mono-ethnic and Multi-ethnic South Korean Rock BandsKendra Van NyhuisIndustrial Hip-hop against Hop-Hop Industry: The Critical Sound of XXXPil Ho Kim and Wonsoek Lee12:45-2:00 Lunch2:00-4:00Anderson ABC: Keynote: Black Women in Detroit’s Music Industry4:15-6:15Anderson ABC: Round Table: Country Music, Who Are You?Participants: Chelsea Burns, University of Texas; Sophia Enriquez, Ohio State University; Kimberley Mack, University of Toledo; Amanda Martinez, UCLA; Karen Pittelman, Karen And the Sorrows; Ryan Shuvera, Western UniversityAnderson D: Borderlands and TejanoThis is El Paso: Locality and Identity in the Wake of TragedyKatherine Morics, UCSBThe Questions of ? and the Mysterians: The Performance of Racial Dissonance and the Creation of a Trans-Borderlands Sonic ImaginaryJoseph Gonzalez, University of New MexicoThe Noticeable Absence of Tejano Musics at SXSW: Criticism of Selective Transculturalisms Erin E. Bauer, Univ. of Wisconsin, WhitewaterFrom Music Tejana to Musica Michicana: Locating Texas-Mexican Music in MichiganRichard Cruz Davila, Michigan State University2210 ABC: Music and QueernessQueer Articulations of Ballroom RapLauron Kehrer,Disco, Affect, Intimacy, and Public Cultures in Montreal’s Gay VillageKiersten van Vliet,Digitalizing Queerness: Lady Gaga, the Celebrity Fan, and the Promotional Labor of Stan CultureMichael Reinhard, UCLA“I’m not a trumpet”: Betty Carter and the Queering of Vocal Jazz in the Black Arts MovementHeather Buffington-AndersonPond: LondonBrexit Techno and the Politics of Hard MelancholyRobin James, UNC CharlotteNot Just a Comedown: London’s Ambient Scene, 1990-1994Victor Szabo, Hampden-Sydney CollegeThe bebop Scene in Soho, London, 1946-1950Ray Kinsella,“It’s a 140 BPM way of life”: London’s Pirate Radio Network and its Impact on Performance Practice in Grime MusicAlex De Lacey, Goldsmith’s College, UCL6:30: - Kuenzel: Special ProgrammingSat, May 238:30-10:30Anderson ABC: FolkCome All Ye Coal Miners: Fourty Years of Dissent and Music in Harlan CountyReed Puc, University of MontanaIsolation and Connection: Narratives of Technology and Aesthetics in Early 20thCentury Folk and Pop DiscourseBrian Jones, Erkerd College“Exiled Man”: Bob Dylan’s Complicated Relationship with American JewishnessErica K. Argyropoulos, Northeastern State University Anderson D: Contemporary Genres and TechnologiesParodic Sampling and “Keeping it Real” in Polish Hip-HopAlena Aniskiewicz, University of Michigan‘A ‘ole TMT: Hip-Hop for the Protection of Sacred Land in Hawai’iSusan Jacob, University of Hawai’iMashup Music and the Limits of ArticulationEllis Jones, University of OsloSocial media, Music, and Empty Space: Loneliness and Mediated Intimacy Through User-Created Music Video SoundMeredith C. Ward, Johns Hopkins University2210 ABC: UK and Popular MusicPerforming Paramilitarism: Popular Music and the laundering of LoyalistParamilitaries in Northern IrelandStephen Millar, Cardiff University“Every time we sing, we win”: Collective Singing, Community, and islamophobiaAfter the Manchester Arena BombingKatelyn Heartfield, University of PennsylvaniaFrom Detroit to Dundee: Examining the Impact of Northern Soul on Learning in CommunitiesIan Fyfe, University of EdinburghSingled Out: Decentralizing Motown in the English Northern Soul SceneAli Faraj, Northwestern UniversityPond: The SuburbsFrom Chicago to Broadway: The Origins of GreaseScott Warfield, University of Central FloridaSwinging Teens: Music Design, Sound Technologies, and the Modern GirlMary Celeste Kearney, University of Notre Dame“Take That, Tipper Gore”: Alanis Morisette, US Suburbia, and the Politics ofConsumer-FriendlinessH. Megumi Orita, University of North Carolina at Chapel HillShowdown in “No Man’s Land”: From Boredom to Anger in Billy Joel’s SuburbiaJoshua Duchan10:45-12:45Anderson ABC: Music and RaceMama Sol and Rapsody: Rapping Back Against Misconceptions of Black MasculinityKellie D. Hay and Rebekah Farrugia, Oakland UniversitySonic Blackness: Circulation, Movement, and the (Collective) BodyVictoria Grubbs, New York UniversityPlace, Geographic Mobility, and Race in American Popular Sheet Music, 1865-1900Colin Anderson, George Washington UniversityThe Racial limitations of Country-Soul Crossover in Bobby Womack’s BW GoesC&W, 1976Chelsea Burns, University of Texas at AustinAnderson D: Dance CulturesThe New York City Ruedathon: Dancing the City Streets a lo CubanoSarah Town, Duke University“You Had To Have Been There”: The Origin Story in Global Dance MusicCulturesTami Gadir, RMIT UniversityUptown DancersCarmela Muzio Dormani, CUNYBatida do Gueto: Finding Spaces of Belonging in Afro-Portuguese Electronic Dance MusicJacqueline Georgis2210 ABC: Music and Visual MediaTaiwanese New Waves: Electronic Dance Music, Urban Space and Local identity In Hsiao-hsien’s Goodbye South, Goodbye and Millennium MamboNien-Ying Wang, Providence UniversityMusical Acts of Gaiety on NPR’s Tiny Desk ConcertAubrie Powell, University of New MexicoDefying Primetime: Serialized Musicals in the Golden Age of TelevisionAnna Knapp, University of PittsburghPond: Music and TechnologyBodies and Earbuds: processual Listening in Pop Music StreamingAnders Reuter, University of CopenhagenEntrainment and the Human-Technology InterfaceNathan Hesselink, University of British ColumbiaPlaying Records: Rethinking the Experience of Long Play in Sound and MusicRecordingsTim Anderson, Old Dominion UniversityCassettes and Cultural Mobility in the 1980s Indie ScenesRob Drew, Saginaw Valley State University12:45-2:00 Lunch2:00-4:00Anderson ABC: Asian PopRebels of the Neon Goddess: Media Environment and Cultural Techniques of1980s Taiwanese Disco MusicKun Xian Shen, UCLAInternment Camp Swing: Memory, Identity, and popular Music in Camp DanceDiana Wu, University of Western OntarioThey Tried to Stop Us, They Tried to Rob Us, They Tried: “Chnam-oun 16” and The Search for New Cambodian-nessBrian V. Sengdala, Rutgers UniversityMusic From Chinatown’s Basement: Performing Race, Activism and Community In New York’s Asian American movement, 1970-1975Grace Kweon, University of North Carolina at Chapel HillAnderson D: GuitarsLightning Boys-Electric Demons: White Masculinity and Guitar Mythology in 1980s HollywoodKai West, University of MichiganRoom for a Breast or Two: St. Vincent and the Post-Structural Feminism of “Friendly Instrument” DesignAlyxandra Vesey, Univesity of AlabamaDoublenecks and Doubleness: Steel Guitars and the Embodiment of GenreTim Sterner Miller, William and Mary2210 ABC: Music IndustriesNavigating Troubled Waters: How Music Festivals are Affecting Local ConcertPromotersJeffrey Apruzzese, Drexel UniversityBuilding Subcultural Utopia Based on “PLUR” at Electronic Dance Music FestivalsKim Kattari, Texas A&M Mediating Music and Culture Through the Global Music Industries: Lessons fromTeaching, Research, and PracticeRebekah E. Moore, Northeastern UniversityPond: Music and/as CriticismOf Bodies and Narratives: Discourse, Disability, and the Music of DanielJohnstonMaria Cizmic, University of South FloridaJust the Right “Temperature”: Measuring the Success of Reggaeton Icon SeanPaulJennifer Dumoulin, University of OttawaWood, Grain, Language, and the Fibrous Beats in Turning TablesKate Galloway, Rensselaer Polytechnic UniversityDe-Automatizing the Automatized? Critical Potential of Musical Parodies onYouTubeJonas Wolf, Justus-Liebig Universitat4:30-6:00 Anderson ABC: Business Meeting ................
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