Peter Gabriel’s Elegy for Anne Sexton: Image and Music in ...
We can trace the gap of the Band-Aids in shots 3, 4, 16, and 17, and the parallel lines in shots 2, 8, 18, 19, 25, 35, 36, and 40—46. The musical lines in a piece of music – the melody, the bass, the inner voices – have contours; composers often talk about these musical lines as visual shapes. ................
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