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Nr. 7 (369) / 2018

Mihaela BURUG secretariat de redacie

CUPRINS

7/2018

FRAGMENTE CRITICE Eugen SIMION: Mateiu Caragiale, Craii de Curtea veche (I)

Mateiu Caragiale's novel Craii de Curtea veche (Gallants of the Old Court) (I). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

A G?NDI EUROPA Dan POPESCU: L'emigration et l' immigration de la population, amplifiees

par l'integration et la globalisation Emigrarea i imigrarea populatiei, amplificate de integrare i globalizare . . . . . . . . 13

ISTORIE Emilio BLANCO: Istorie, politic i retoric, fidelitate i ,,ornatus"

?n Relox de Principes"/ Ceasornicul Principilor de Antonio de Guevara Emilio BLANCO: History, Politics and Rhetoric, Fidelity and ,,Ornatus" in ,,Relox de Principes" (,,The Dial of Princes") by Antonio de Guevara . . . . . . 23

PUNCTE DE VEDERE Gabriela DAN I: Dou referate i un rspuns

Two Internal Notes and an Answer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Alina DRAGOMIRESCU: Revizia filologic a Jurnalului lui Titu Maiorescu,

volumele II i III The Philological Revision of Titu Maiorescu's Diary, volumes II and III . . . . . . . . . 43

SCRISOARE DE LA K?LN Nicolae CORBEANU: UE subiect de roman satiric

The EU as the Subject Matter of a Satirical Novel. . . . . . . . . . . . . . . . . . . . . . . . . . . 48

JURNALE Ana-Maria BNIC: Diarism i fic iune

Fiction and the Diary as a Literary Genre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

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COMENTARII Dana LIZAC: Eminescu: O lectur ?nchipuit la imnul Homeric ,,Ctre Hermes" (II)

An imagined Reading of the Homeric Hymn `To Hermes' (II) . . . . . . . . . . . . . . . . 59 Daniel GL ANU: Mircea Eliade ?n perioada exilului parizian

Mircea Eliade during his Exile in Paris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 ARTE Olimpia VARGA: Istoria unei colec ii - istoria unei familii The History of an Art Collection ? the History of a Family. . . . . . . . . . . . . . . . . . . . 76

Ilustrm acest numr cu lucrri din Colec ia de art Anca-Mihaela, Maria i dr. Constantin P?rvu oiu

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Fragmente critice

Eugen SIMION

Mateiu Caragiale.

Craii de Curtea-Veche (I)*

Abstract

Proz a crei frumuse e st ?n mre ia singularit ii ei, Craii de curtea veche este opera unui orfevru ini iat ?n tiin ele misterioase, estet programatic, autor al unei scrieri preten ioase p?n la manie i antipatic prin snobismul afiat. Autorul se ?ntreab dac nara iunea este nuvel, roman sau poem cu scriitur flamboyant, ?n care pictura realului sub formele ei cele mai degradante este prezent masiv. Sunt deconspirate posibilele influen e ale acestei remarcabile scrieri: literatura unor Anton Pann, Dionisie Fotino, Ionescu-Gion, I.L. Caragiale, tatl artistului, dar i din lecturi europene. Vzut din perspectiva criticii literare, valoarea literar a Crailor... este determinat, pe de o parte, de calitatea limbajului matein, pitoresc i subtilil, iar pe de alta de calitatea estetic a personajelor. Portretele celor patru crai, Pantazi, Paadia, Pirgu i naratorul, sunt atent analizate, gra ie limbajului lor expresiv. i alte portrete, figuri de plan secund, se in minte la lectur. Cele patru pr i ale operei lui Mateiu Caragiale con in numeroase reveniri asupra eroilor, care triesc ?ntr-o ar imaginar a desf?ului. Prozatorul ?ncheie parabola Crailor (asfin irea Crailor) cu imaginea contrastant, tot simbolic, a dou destine: aceea a lui Paadia, care dispare odat cu Opera lui secret, i, cealalt, a mscriciului, biruitorului, Gore Pirgu, produsul noilor mentalit i profane. Ei sunt ultimi reprezentani ai unei epoci de strlucire oximoronic, estompat ?n simbolistica ?nalt a ,,trecutului st?rvit". ?n concluzie, se arat, Craii de Curtea-Veche este o desftare a ochiului, o proz de un pitoresc colosal, cu personaje bizare, nemai?nt?lnite ?n literatura noastr.

Cuvinte-cheie: Mateiu Caragiale, istorie, balcanism, literatur, estetic, decaden , roman, poem.

The prose whose beauty rests on his singularity, Craii de curte veche is the work of a goldsmith initiated into occult science, programmatic aesthete, author of a superfine scripture and unlovable by the snobbism advertised. The author asked if the narration is short story, novel or poem with flamboyant writting, where the picture of reality with his most degrading forms is massif presented. There are exposed possible influences of this genuine work: literature of Anton Pann, Dionise Fotino, Ionescu-Gion, I. L. Caragiale, the artist's father, and European readings. Critics believe that the literary significance of Crai... is determined by the matein language quality, which is picturesque and subtle, and by the aesthetic quality of characters. The portraits of the four Sparks, Pantazi, Paadia, Pirgu and the narrator, are presented carefully, thanks to their expressive language. There are also other figures, on a second plan, which the reader keeps in mind. The four parts of Mateiu Caragiale work contains many re-entrance upon heroes, who live in an imaginary world of lust. The proser finish the Sparks parabola (The Sparks sunset) with the contradiction, also symbolic, of two desti-

Eugen SIMION, Academia Rom?n, preedintele Sec iei de Filologie i Literatur, directorul Institutului de Istorie i Teorie Literar ,,G. Clinescu"; Romanian Academy, President of the Philology and Literature Section, Director of The ,,G. Clinescu" Institute for Literary History and Theory, e-mail: eugensimion@fnsa.ro.

* Lucrare realizat ?n cadrul Proiectului Prezervarea i valorificarea patrimoniului literar rom?nesc folosind solu ii digitale inteligente pentru extragerea i sistematizarea de cunotin e (INTELLIT), PNIII-P1-1.2-PCCDI-2017-0821/ Nr 54PCCDI/ 2018.

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